Instruments of the Middle Ages and Renaissance

~ Release by Early Music Consort of London, David Munrow (see all versions of this release, 3 available)

Tracklist

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1▼12" Vinyl: The Middle Ages
#TitleRatingLength
A01Saltarello
shawm [oriental shawm]:
David Munrow (UK early music historian & musician)
tambourine:
James Tyler
timpani [naker]:
David Corkhill (percussion)
trumpet [medieval trumpet]:
Alan Lumsden
recording of:
Saltarello No.2 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
1:55
A02Shepherd’s tune
reeds [reed pipe]:
David Munrow (UK early music historian & musician)
recording of:
Shepherd’s Tune (traditional Syrian)
composer:
[traditional] (special purpose artist)
1:02
A03(a) Saltarello (b) Ballade “Dame, se vous m’estés”
bagpipe:
David Munrow (UK early music historian & musician)
recording of:
Dame se vous m'estes lonteinne
composer:
Guillaume de Machaut (French medieval poet & composer)
recording of:
Saltarello No. 3 (From a document in the British Library in London (Ms.29987))
composer:
[anonymous] (special purpose artist)
3:14
A04Pastourelle “Au tans d’aost”
bagpipe [bladder pipe]:
David Munrow (UK early music historian & musician) and James Tyler
tambourine:
David Corkhill (percussion)
recording of:
Pastourelle “Au tans d’aost” (Chansonnier Cangé)
1:08
A05A prisai qu’en chantant plour
pan flute [panpipes]:
James Tyler
recording of:
A prisai qu’en chantant plour (Chansonnier Cangé)
composer:
[anonymous] (special purpose artist)
1:13
A06Ach owê, daz nâch liebe ergât
transverse flute:
David Munrow (UK early music historian & musician)
instrumental recording of:
Owe daz nach liebe ergat
writer:
Der wilde Alexander
1:34
A07Dou tres douz non
fipple flute [six‐holed pipe]:
David Munrow (UK early music historian & musician)
mouth harp [Jew’s harp]:
James Tyler
instrumental recording of:
Du tres douz non a la virge Marie
writer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
1:55
A08Virelai “Gracïeuse”
fipple flute [double pipes]:
David Munrow (UK early music historian & musician)
recording of:
Gracïeusette
composer:
Jehannot de Lescurel (French medieval composer) and Gus Viseur (Belgian/French 1930s-70s accordionist)
1:21
A09Dansa “Ben volgra, s’esser poges”
pipe and tabor:
David Munrow (UK early music historian & musician)
recording of:
Ben volgra
composer:
Peire Cardenal
1:13
A10English Te Deum
bell [chime bells]:
Gillian Reid
tenor recorder:
Oliver Brookes and James Tyler
treble recorder / alto recorder [alto recorder]:
David Munrow (UK early music historian & musician)
1:55
A11Chansonnette “Quan je voi iver retorner”
gemshorn [alto gemshorn]:
David Munrow (UK early music historian & musician)
lute:
James Tyler
instrumental recording of:
Quant je voi iver retourner
lyricist and composer:
Colin Muset (French trouvère, fl. c. 1210-50 or 1230-70)
1:33
A12Madrigal “Ay, sconsolato ed amoroso”
portative [portative organ]:
Christopher Hogwood (conductor, harpsichordist)
rebec [bass rebec]:
Oliver Brookes
recording of:
Madrigal “Ay, sconsolato ed amoroso”
composer:
Vincenzo da Rimini
1:43
A13Estampie
organ [positive organ]:
Christopher Hogwood (conductor, harpsichordist)
2:23
A14Chanson “Joliveté et bone amor”
hurdy gurdy:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Chanson “Joliveté et bone amor”
composer:
Jehannot de Lescurel (French medieval composer)
1:39
A15Ellend du hast
clavichord [fretted clavichord]:
Christopher Hogwood (conductor, harpsichordist)
recording of:
Ellend, du hast umbfangen mich
composer:
Conrad Paumann (German composer, organist & lutenist, c. 1410-1473)
2:16
B01(a) Fanfare “Untarn slaf tut den sumer wol” (b) Fanfare “Ad modum tubae”
buisine [buisines]:
Michael Laird (classical trumpeter) and Iaan Wilson (classical cornett/trumpet)
trumpet [clarion]:
Michael Laird (classical trumpeter)
recording of:
Fanfare “Untarn slaf tut den sumer wol”
composer:
Der Mönch von Salzburg (Monk of Salzburg)
recording of:
Gloria ad modum tubae
composer:
Guillaume Dufay (French 15th century composer) (until 1474)
2:21
B02(a) Ballade “De moi doloureus” (b) Das Nachthorn (c) Geisslerlied “Maria muoter reinû maît” (d) Der Trumpet
cornett [medieval cornett]:
Michael Laird (classical trumpeter)
horn [cowhorn] and trumpet [slide trumpet]:
Alan Lumsden
shawm:
David Munrow (UK early music historian & musician)
tabor and triangle [medieval triangle with rings]:
David Corkhill (percussion)
recording of:
Das Nachthorn
composer:
Der Mönch von Salzburg (Monk of Salzburg)
instrumental recording of:
De moi doleros vos chant
writer:
Gillebert de Berneville
instrumental recording of:
Der Trumpet
composer:
Der Mönch von Salzburg (Monk of Salzburg)
recording of:
Maria muoter
composer:
[anonymous] (special purpose artist)
3:37
B03(a) Lai “Qui porroit un guierredon” (b) Dance tune
harp:
Christopher Hogwood (conductor, harpsichordist)
harp [harp with ‘bray’ pins]:
Gillian Reid
recording of:
Dance Tune
composer:
Tassinus (Minstrel 13th century)
recording of:
Lai “Qui porroit un guierredon”
composer:
[anonymous] (special purpose artist)
2:14
B04Goliard melody “O Roma nobilis”
lyre:
Eleanor Sloan (violin and rebec player)
recording of:
Goliard Melody “O Roma nobilis”
composer:
[anonymous] (special purpose artist)
0:51
B05Hymn to St Magnus “Nobilis humilis”
psaltery:
Gillian Reid
recording of:
Hymn to St Magnus “Nobilis humilis”
composer:
[anonymous] (special purpose artist)
part of:
Codex Upsalensis C233
1:01
B06Madrigal “Tanto soavemente”
rebec [treble rebec]:
Eleanor Sloan (violin and rebec player)
struck string instruments [dulcimer]:
David Corkhill (percussion)
recording of:
Madrigal “Tanto soavemente”
composer:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
1:57
B07Madrigal “Di novo è giunto”
lute:
James Tyler
rebec [bass rebec]:
Oliver Brookes
recording of:
Madrigal “Di novo è giunto”
composer:
Jacopo da Bologna (Italian ars nova composer, fl. c. 1340-1386)
2:14
B08Chanson “Amours que porra”
mandora / gallichon [mandora]:
James Tyler
recording of:
Chanson “Amours que porra”
composer:
Thibaut de Blaison
1:23
B09Aquel que de voontade
lute [long‐necked lyre]:
James Tyler
recording of:
Cantiga de Santa María no. 249 "Aquel que de volontade"
composer:
Alfonso X el Sabio (Spanish/Castillian medieval monarch & composer)
part of:
Cantigas de Santa Maria (number: 249)
part of:
Cantigas de Santa María
1:15
B10Virelai “Quant je sui mis”
gittern:
Mary Remnant
instrumental recording of:
Quant je sui mis au retour
composer:
Guillaume de Machaut (French medieval poet & composer)
1:02
B11English dance
citole:
James Tyler
recording of:
English Dance
composer:
[anonymous] (special purpose artist)
1:46
B12La septime estampie real
citole:
James Tyler
rebec [treble rebec]:
Eleanor Sloan (violin and rebec player)
timpani [nakers]:
David Corkhill (percussion)
tromba marina:
Oliver Brookes
recording of:
Septime Estampie Réal
composer:
[anonymous] (special purpose artist) and Adam de la Halle (French poet-composer trouvère, fl. 13th century)
1:05
B13Ballata “Poi che da te mi convien”
1:26
B14Virelai “Comment qu’a moy”
1:35
B15Improvised fanfare Motet “Quant ie le voi — Bon vin doit — Cis chans veult boire”
1:05
2▼12" Vinyl: The Renaissance
#TitleRatingLength
C01Two courantes
2:13
C02Chanson “Ce qui souloit”
1:45
C03Caro ortolano
1:30
C04Padouana
2:09
C05Bicinium “Le cuer de vous”
1:11
C06Bicinium “Mon petit cuer”
1:23
C07Three Bransles Doubles
1:33
C08Chanson “Amor me poingt”
1:26
C09Chanson “Hellas! Amour”
2:17
C10The Fairie Round
instruments:
Early Music Consort of London (in 1973-09)
conductor:
David Munrow (UK early music historian & musician) (in 1973-09)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1973-09)
recording of:
The Fairie-Round (galliard) (in 1973-09)
composer:
Anthony Holborne (composer) (in 1599)
part of:
Pavans, Galliards, Almains, and Other Short Aeirs (entire collection)
1:22
C11Entrada réal
2:22
C12(a) Prelude “Ascensus simplex” (b) “Min Hertz hat sich ser gefröwet”
1:35
C13Toccata from the Naples MS
1:57
C14Variations on the Romanesca
2:35
C15Ballo Francese
0:57
D01(a) Unmuted Toccata from Orfeo, 1607 (b) Muted Toccata from Orfeo, 1607
1:26
D02(a) Solo: Adagio and Allegro (b) Consort “Lobt Gott ihr Christen alle gleich”
2:59
D03Canzona for “due canti”
3:08
D04Bicinium “Amour cruel”
1:22
D05Canzona Quarta for “basso solo”
2:22
D06Orlando sleepeth
1:44
D07A Fancy — Praelude, or Voluntary
1:48
D08Ballo Anglese
1:06
D09Galliarde for cittern and bass
2:22
D10Toccata prima
1:44
D11Galliard
0:50
D12Duet “Le Rossignol”
1:36
D13Fantasia XI from El maestro, 1536
2:50
D14Pavana (Variations on the Romanesca)
1:32
D15(a) Consort: Fantasy in four parts (b) Lyra viol: Duet “Forget me not”
3:21
D16La volta
1:32