Brazilliance, Volume 2

~ Release by Laurindo Almeida / Bud Shank (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Simpatico
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
2:55
A2Rio Rhapsody
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:57
A3Nocturno
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:29
A4Little Girl Blue
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
Little Girl Blue (in 1958-03)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
2:37
A5Choro in "A"
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
2:30
B1Mood Antigua
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores
flute:
Bud Shank (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
tabla:
Chuck Flores (in 1958-03)
arranger:
Laurindo Almeida
4:02
B2The Color of Her Hair
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
1:58
B3Lonely
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:53
B4I Didn’t Know What Time It Was
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1958-03)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:47
B5Carioca Hills
recorded in:
Hollywood, Los Angeles, California, United States (in 1958-03) and Los Angeles, California, United States (in 1958-03)
recording engineer:
Dayton “Bones” Howe (in 1958-03)
producer:
Richard Bock (record producer)
alto saxophone:
Bud Shank (in 1958-03)
double bass:
Gary Peacock (American jazz bassist) (in 1958-03)
drums (drum set):
Chuck Flores (in 1958-03)
guitar:
Laurindo Almeida (in 1958-03)
arranger:
Laurindo Almeida
3:01