The Complete Studio Albums (1983-2008)

~ Release by Madonna (see all versions of this release, 1 available)

Tracklist

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1▼CD: Madonna
#TitleRatingLength
1Lucky Star
engineer:
Jay Mark
producer:
Reggie Lucas
guitar:
Paul Pesco
remixer:
Jellybean (US producer John Benitez)
music videos:
Lucky Star by Madonna (“Queen of Pop”)
recording of:
Lucky Star
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher) and Webo Girl (publisher)
55:38
2Borderline
producer:
Reggie Lucas
electric bass guitar:
Anthony Jackson (US bassist)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 128)
recording of:
Borderline
lyricist and composer:
Reggie Lucas
publisher:
BMG Music Publishing Ltd., Likasa Music, Universal Music Careers, Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
55:21
3Burning Up
engineer:
Jay Mark
producer:
Reggie Lucas
guitar:
Paul Pesco
lead vocals:
Madonna (“Queen of Pop”)
remixer:
Jellybean (US producer John Benitez)
recording of:
Burning Up
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.53:45
4I Know It
producer:
Reggie Lucas
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1983)
produced for:
Kalisa, Inc.
recording of:
I Know It
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher) (in 1987) and Webo Girl (publisher) (in 1987)
53:47
5Holiday
recording engineer:
Michael Hutchinson
producer:
Jellybean (US producer John Benitez)
mixer:
Jay Mark
bass:
Raymond Hudson
cowbell and lead vocals:
Madonna (“Queen of Pop”)
guitar family:
Curtis Hudson
Moog, Rhodes piano, drums (drum set), piano and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
background vocals:
Madonna (“Queen of Pop”), Tina B (Tina Baker) and Norma Jean Wright
arranger:
Curtis Hudson and Fred Zarr
recording of:
Holiday
writer:
Curtis Hudson and Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
4.66:11
6Think of Me
producer:
Reggie Lucas
recording of:
Think of Me
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
44:55
7Physical Attraction
engineer:
Jay Mark
producer:
Reggie Lucas
remixer:
Jellybean (US producer John Benitez)
recording of:
Physical Attraction
lyricist and composer:
Reggie Lucas
46:40
8Everybody
engineer:
Butch Jones
producer:
Mark Kamins
recording of:
Everybody
lyricist and composer:
Madonna (“Queen of Pop”)
publisher:
Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
46:02
9Burning Up (12" version)
producer:
Reggie Lucas
remixer:
Jellybean (US producer John Benitez)
recording of:
Burning Up
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
46:00
10Lucky Star ("New" mix)
producer:
Jellybean (US producer John Benitez) and Reggie Lucas
remixer:
Jellybean (US producer John Benitez)
recording of:
Lucky Star
lyricist and composer:
Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher) and Webo Girl (publisher)
47:15
2▼CD: Like a Virgin
#TitleRatingLength
1Material Girl
additional engineer:
Rob "Ace" Eaton
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
mixer:
Jason Corsaro (U.S. music engineer, and record producer) and Madonna (“Queen of Pop”)
bass:
Bernard Edwards (American bassist and record producer)
drums (drum set) [drums]:
Tony Thompson (drummer, best known for his work in CHIC)
guitar, synclavier [Synclavier II] and synthesizer [Juno 60]:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Madonna (“Queen of Pop”), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984)
produced for:
Nile Rodgers Productions Inc.
music videos:
Material Girl by Madonna (“Queen of Pop”)
recording of:
Material Girl
writer:
Peter Brown (70s/80s Miami disco artist/songwriter, "Do Ya Wanna Get Funky With Me") and Robert Rans
publisher:
Candy Castle Music, Minong Publishing Company and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
4.64:02
2Angel
drum machine [Linn and Simmons Drum Machine] programming and membranophone programming:
Jimmy Bralower
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
guitar:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Madonna (“Queen of Pop”), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Angel
writer:
Madonna (“Queen of Pop”) and Steve Bray
43:56
3Like a Virgin
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass:
Bernard Edwards (American bassist and record producer)
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
drums (drum set) [drums]:
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Nile Rodgers
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984)
produced for:
Nile Rodgers Productions Inc.
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 8) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Like a Virgin
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
4.153:39
4Over and Over
drum machine [Linn and Simmons Drum Machine] programming and membranophone programming:
Jimmy Bralower
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
guitar:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Over and Over
writer:
Stephen Bray and Madonna (“Queen of Pop”)
3.654:12
5Love Don’t Live Here Anymore
artist & repertoire support:
Karen Milne
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
acoustic guitar and electric guitar:
Nile Rodgers
bass:
Bernard Edwards (American bassist and record producer)
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
drums (drum set) [drums]:
Tony Thompson (drummer, best known for his work in CHIC)
background vocals:
Curtis King (American singer and songwriter), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
conductor:
Nile Rodgers
strings arranger:
Nile Rodgers
cover recording of:
Love Don’t Live Here Anymore
lyricist and composer:
Miles Gregory
publisher:
Sony/ATV Ballad and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
4.24:50
6Dress You Up
drum machine [Linn and Simmons Drum Machine] programming and membranophone programming:
Jimmy Bralower
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
guitar:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Dress You Up
writer:
Andrea Larusso and Peggy Stanziale
part of:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (number: 8)
4.64:02
7Shoo-Bee-Doo
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass:
Bernard Edwards (American bassist and record producer)
drums (drum set) [drums]:
Tony Thompson (drummer, best known for his work in CHIC)
guitar:
Nile Rodgers
piano [acoustic piano] and synthesizer [assorted synthesizers]:
Rob Sabino
solo saxophone [sax]:
Lenny Pickett (saxophone)
background vocals:
Brenda King, Curtis King (American singer and songwriter), Madonna (“Queen of Pop”), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Shoo-Bee-Doo
lyricist and composer:
Madonna (“Queen of Pop”)
3.655:17
8Pretender
drum machine [Linn and Simmons Drum Machine] programming and membranophone programming:
Jimmy Bralower
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
guitar:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Pretender
writer:
Madonna (“Queen of Pop”) and Steve Bray
publisher:
Island Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
44:31
9Stay
drum machine [Linn and Simmons Drum Machine] programming and membranophone programming:
Jimmy Bralower
additional engineer:
Rob "Ace" Eaton
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Nile Rodgers
bass synthesizer and synthesizer [assorted synthesizers]:
Rob Sabino
guitar and synclavier [Synclavier II]:
Nile Rodgers
background vocals:
Curtis King (American singer and songwriter), Frank Simms and George Simms
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Stay
writer:
Madonna (“Queen of Pop”) and Steve Bray
34:09
10Like a Virgin (extended dance remix)
additional engineer:
Rob "Ace" Eaton
assistant engineer:
Melanie West (engineer)
engineer:
Jason Corsaro (U.S. music engineer, and record producer) and Michael Hutchinson
producer:
Nile Rodgers
remixer:
Jellybean (US producer John Benitez)
recording of:
Like a Virgin
writer:
Tom Kelly (songwriter) and Billy Steinberg
publisher:
Billy Steinberg Music, Denise Barry Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
56:10
11Material Girl (extended dance remix)
additional engineer:
Rob "Ace" Eaton
assistant engineer:
Melanie West (engineer)
engineer:
Jason Corsaro (U.S. music engineer, and record producer) and Michael Hutchinson
producer:
Nile Rodgers
remixer:
Jellybean (US producer John Benitez)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1984)
remix of:
Material Girl by Madonna (“Queen of Pop”)
recording of:
Material Girl
writer:
Peter Brown (70s/80s Miami disco artist/songwriter, "Do Ya Wanna Get Funky With Me") and Robert Rans
publisher:
Candy Castle Music, Minong Publishing Company and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
56:07
3▼CD: True Blue
#TitleRatingLength
1Papa Don’t Preach
producer:
Stephen Bray and Madonna (“Queen of Pop”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Papa Don’t Preach
additional lyricist:
Madonna (“Queen of Pop”)
lyricist and composer:
Brian Elliot (singer‐songwriter, also wrote “Papa Don’t Preach”)
publisher:
Elliot/Jacobsen Music Publishing and Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
4.24:29
2Open Your Heart
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Open Your Heart
writer:
Gardner Cole, Madonna (“Queen of Pop”) and Peter Rafelson
publisher:
Bertus Pub., Bleu Disque Music Co., Inc. (publisher), Doraflo Music, Inc., Rafelson Music, Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
4.354:14
3White Heat
membranophone programming:
Stephen Bray and Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
White Heat
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.54:40
4Live to Tell
drums (drum set) programming:
Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
mixer:
Michael Verdick
drums (drum set):
Jonathan Moffett
guitar family:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
keyboard:
Patrick Leonard (producer, songwriter and pianist)
lead vocals:
Madonna (“Queen of Pop”)
vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Live to Tell
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), Johnny Yuma Music (publisher), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
4.355:53
5Where’s the Party
producer:
Stephen Bray, Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Where's the Party
writer:
Stephen Bray, Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.654:21
6True Blue
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
True Blue
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.654:19
7La isla bonita
drums (drum set) programming:
Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
La isla bonita
writer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, until 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3.74:03
8Jimmy Jimmy
engineer:
Michael Hutchinson
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Jimmy Jimmy
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
3.53:56
9Love Makes the World Go Round
membranophone programming:
Stephen Bray and Patrick Leonard (producer, songwriter and pianist)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
recording of:
Love Makes the World Go Round
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
44:36
10True Blue (The Color mix)
additional producer:
Shep Pettibone
producer:
Stephen Bray and Madonna (“Queen of Pop”)
remixer:
Shep Pettibone
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
remix of:
True Blue by Madonna (“Queen of Pop”)
recording of:
True Blue
writer:
Stephen Bray and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
46:39
11La isla bonita (extended remix)
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
remixer:
Chris Lord‐Alge
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986)
remix of:
La isla bonita by Madonna (“Queen of Pop”)
recording of:
La isla bonita
writer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger), Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Edge of Fluke Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Johnny Yuma Music (publisher), Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing LLC (1995–2020), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) (, until 2019-05-28), Webo Girl (publisher), Webo Girl Publishing, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), WC Music Corp. (from 2019-05-28 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
55:26
4▼CD: Like a Prayer
#TitleRatingLength
1Like a Prayer
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
bass guitar:
Guy Pratt
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 55) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 300)
recording of:
Like a Prayer
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (from 1989 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4.155:42
2Express Yourself
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Stephen Bray and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Express Yourself
writer:
Stephen Bray and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), Island Music (Island Music Ltd.), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28), Black Lion Music, Inc. (publisher; do NOT use as release label) (in 1988), Webo Girl Publishing, Inc. (in 1988) and WC Music Corp. (from 2019-05-28 to present)
4.54:39
3Love Song
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer:
Bill Bottrell, Heidi Hanschu, Eddie Miller (US recording engineer) and Stephen Shelton (Engineer, late '80s)
producer:
Madonna (“Queen of Pop”) and Prince (“The Artist Formerly Known as…”)
mixer:
Bill Bottrell
vocals:
Prince (“The Artist Formerly Known as…”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Paisley Park Studios in Chanhassen, Minnesota, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
engineered at:
Paisley Park Studios in Chanhassen, Minnesota, United States
recording of:
Love Song
writer:
Madonna (“Queen of Pop”) and Prince (“The Artist Formerly Known as…”)
publisher:
WB Music Corp. (1929–2019), Girlsongs (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
34:53
4Till Death Do Us Part
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Till Death Do Us Part
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
45:18
5Promise to Try
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Promise to Try
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
3.53:38
6Cherish
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Cherish
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co. (publisher), WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
4.355:04
7Dear Jessie
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Dear Jessie
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
44:21
8Oh Father
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Oh Father
writer:
Madonna Ciccone (“Queen of Pop”) and Patrick Leonard (producer, songwriter and pianist)
publisher:
Johnny Yuma Music (publisher) (in 1988), WB Music Corp. (1929–2019) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
4.654:59
9Keep It Together
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Stephen Bray and Madonna (“Queen of Pop”)
guitar:
Prince (“The Artist Formerly Known as…”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Keep It Together
writer:
Stephen Bray and Madonna (“Queen of Pop”)
publisher:
Island Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Black Lion Music, Inc. (publisher; do NOT use as release label) (in 1988), Webo Girl Publishing, Inc. (in 1988) and WC Music Corp. (from 2019-05-28 to present)
45:03
10Spanish Eyes
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Spanish Eyes (Madonna)
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
WB Music Corp. (1929–2019), Johnny Yuma Music (publisher) (in 1988) and Webo Girl Publishing, Inc. (in 1988)
55:18
11Act of Contrition
additional engineer:
Michael Vail Blum
assistant engineer:
Stacy Baird, Robert Salcedo and Joe Schiff
engineer and mixer:
Bill Bottrell
producer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
guitar:
Prince (“The Artist Formerly Known as…”)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recorded at:
Johnny Yuma Recording in Burbank, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States and Saturn Sound in Burbank, California, United States
mixed at:
Smoketree Studios in Chatsworth, California, United States
recording of:
Act of Contrition
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
2.52:20
5▼CD: Erotica
#TitleRatingLength
1Erotica
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
additional programming:
Joey Moskowitz
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), George Karras and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
George Karras
additional keyboard:
Joey Moskowitz
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records Company (not for release label use!) (in 1992)
samples:
Jungle Boogie by Kool & the Gang
recording of:
Erotica
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
publisher:
Bleu Disque Music Co., Inc. (publisher), MCA Music Publishing Inc. (renamed since c. 1996 as Universal Music Publishing Group), Shepsongs, WB Music Corp. (1929–2019) and Webo Girl Publishing Inc.
3.655:19
2Fever
recording engineer:
Robin Hancock (UK music engineer/remixer/producer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer) and George Karras
additional producer:
Tony Shimkin
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
George Karras
additional keyboard:
Joey Moskowitz
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
45:01
3Bye Bye Baby
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), George Karras and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
George Karras
keyboard:
Shep Pettibone and Tony Shimkin
background vocals:
Donna De Lory and Niki Haris (US singer and dancer)
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Bye Bye Baby
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
3.53:56
4Deeper and Deeper
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
additional keyboard:
Joey Moskowitz
guitar:
Paul Pesco
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
samples:
Vogue by Madonna (“Queen of Pop”)
music videos:
Deeper and Deeper by Madonna (“Queen of Pop”)
recording of:
Deeper and Deeper
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”), Shep Pettibone and Tony Shimkin
publisher:
The International Music Network and Warner/Chappell (Warner/Chappell Music, Inc.)
is based on:
Vogue
55:34
5Where Life Begins
recording engineer and engineer:
Robin Hancock (UK music engineer/remixer/producer) and George Karras
drum machine programming:
Andre Betts
producer:
Andre Betts and Madonna (“Queen of Pop”)
mixer:
George Karras
alto saxophone:
Danny Wilensky
piano:
James Preston
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Where Life Begins
writer:
Andre Betts and Madonna Louise Veronica Ciccone (“Queen of Pop”)
45:58
6Bad Girl
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
additional keyboard:
Joey Moskowitz
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Bad Girl
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
4.255:23
7Waiting
recording engineer and engineer:
Robin Hancock (UK music engineer/remixer/producer) and George Karras
programming:
Andre Betts
producer:
Andre Betts and Madonna (“Queen of Pop”)
mixer:
George Karras
piano:
James Preston
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Waiting
writer:
Andre Betts and Madonna Louise Veronica Ciccone (“Queen of Pop”)
4.55:47
8Thief of Hearts
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Thief of Hearts
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
44:51
9Words
recording engineer and programming:
Shep Pettibone and Tony Shimkin
engineer and mixer:
ゴウ・ホトダ
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
additional keyboard:
Joey Moskowitz
keyboard:
Shep Pettibone and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Words
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
4.55:56
10Rain
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
drum machine programming:
Tony Shimkin
programming:
Shep Pettibone
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
keyboard:
Shep Pettibone
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Rain
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
4.355:25
11Why’s It So Hard
recording engineer:
Robin Hancock (UK music engineer/remixer/producer) and Dennis Mitchell (engineer)
programming:
Shep Pettibone and Tony Shimkin
engineer:
Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
additional keyboard:
Joey Moskowitz
guitar:
Paul Pesco
keyboard:
Shep Pettibone and Tony Shimkin
background vocals:
Donna De Lory, Niki Haris (US singer and dancer) and Tony Shimkin
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Why’s It So Hard
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
45:23
12In This Life
recording engineer:
Mike Farrell and Robin Hancock (UK music engineer/remixer/producer)
programming:
Shep Pettibone
engineer:
Mike Farrell, Robin Hancock (UK music engineer/remixer/producer), ゴウ・ホトダ and Dennis Mitchell (engineer)
producer:
Madonna (“Queen of Pop”) and Shep Pettibone
mixer:
ゴウ・ホトダ
keyboard:
Shep Pettibone
lead vocals:
Madonna (“Queen of Pop”)
additional strings arranger:
Jeremy Lubbock
recording of:
In This Life
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
4.56:23
13Did You Do It?
producer:
Andre Betts and Madonna (“Queen of Pop”)
performer:
Mark Goodman (engineer/producer) and Dave Murphy (Irish singer-songwriter)
recording of:
Did You Do It?
writer:
Andre Betts and Madonna Louise Veronica Ciccone (“Queen of Pop”)
44:54
14Secret Garden
recording engineer and engineer:
Robin Hancock (UK music engineer/remixer/producer) and George Karras
producer:
Andre Betts and Madonna (“Queen of Pop”)
mixer:
George Karras
alto saxophone:
Danny Wilensky
piano:
James Preston
lead vocals:
Madonna (“Queen of Pop”)
recording of:
Secret Garden
writer:
Andre Betts and Madonna Louise Veronica Ciccone (“Queen of Pop”)
4.55:32
6▼CD: Bedtime Stories
#TitleRatingLength
1Survival
programming:
Marius de Vries
producer:
Nellee Hooper and Madonna (“Queen of Pop”)
guest background vocals:
Donna De Lory and Niki Haris (US singer and dancer)
recording of:
Survival
composer:
Dallas Austin and Madonna Louise Veronica Ciccone (“Queen of Pop”)
43:31
2Secret
producer:
Dallas Austin and Madonna (“Queen of Pop”)
produced for:
DARP, Inc.
music videos:
Secret by Madonna (“Queen of Pop”)
recording of:
Secret
composer:
Dallas Austin, Madonna Louise Veronica Ciccone (“Queen of Pop”) and Shep Pettibone
45:05
3I’d Rather Be Your Lover
producer:
Dave "Jam" Hall (producer a.k.a. Jam) and Madonna (“Queen of Pop”)
guest bass guitar [bass] and guest vocals:
Me'Shell Ndegéocello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
samples:
It's Your Thing by Lou Donaldson
recording of:
I'd Rather Be Your Lover
composer:
Dave Hall (producer a.k.a. Jam), The Isley Brothers, Chris Jasper and Madonna Louise Veronica Ciccone (“Queen of Pop”)
34:40
4Don’t Stop
additional producer:
Daniel Abraham (French engineer)
producer:
Dallas Austin and Madonna (“Queen of Pop”)
mixer:
Daniel Abraham (French engineer)
produced for:
DARP, Inc. and White Falcon Productions, Inc.
recording of:
Don't Stop
writer:
Dallas Austin, Madonna Louise Veronica Ciccone (“Queen of Pop”) and Colin Wolfe
44:38
5Inside of Me
producer:
Nellee Hooper and Madonna (“Queen of Pop”)
samples:
Back & Forth by Aaliyah (American R&B singer) and Outstanding by The Gap Band
recording of:
Inside of Me
composer:
Dave Hall (producer a.k.a. Jam), Nellee Hooper and Madonna Louise Veronica Ciccone (“Queen of Pop”)
44:12
6Human Nature
producer:
Dave "Jam" Hall (producer a.k.a. Jam) and Madonna (“Queen of Pop”)
samples:
What You Need by Main Source
music videos:
Human Nature by Madonna (“Queen of Pop”)
recording of:
Human Nature
composer:
Michael Deering, Dave Hall (producer a.k.a. Jam), Madonna Louise Veronica Ciccone (“Queen of Pop”), Kevin McKenzie (K-Cut) and Shawn McKenzie
34:54
7Forbidden Love
producer:
Nellee Hooper and Madonna (“Queen of Pop”)
guest background vocals:
Babyface (R&B musician Kenny Edmonds)
samples:
Down Here on the Ground (live, 1970-08-15: Cliché Lounge, Newark, NJ, USA) by Grant Green (jazz guitarist)
recording of:
Forbidden Love (Bedtime Stories track)
writer:
Babyface (R&B musician Kenny Edmonds) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
54:09
8Love Tried to Welcome Me
producer:
Dave "Jam" Hall (producer a.k.a. Jam) and Madonna (“Queen of Pop”)
recording of:
Love Tried to Welcome Me
composer:
Dave Hall (producer a.k.a. Jam) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
45:22
9Sanctuary
producer:
Dallas Austin and Madonna (“Queen of Pop”)
remixer:
Nellee Hooper
produced for:
DARP, Inc.
samples:
Watermelon Man (Head Hunters version) by Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
recording of:
Sanctuary
composer:
Dallas Austin, Scott Cutler, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Madonna Louise Veronica Ciccone (“Queen of Pop”) and Anne Preven
45:03
10Bedtime Story
producer:
Nellee Hooper and Madonna (“Queen of Pop”)
music videos:
Bedtime Story by Madonna (“Queen of Pop”)
recording of:
Bedtime Story
lyricist:
Björk
composer:
Marius de Vries and Nellee Hooper
44:53
11Take a Bow
producer:
Babyface (R&B musician Kenny Edmonds) and Madonna (“Queen of Pop”)
guest background vocals:
Babyface (R&B musician Kenny Edmonds)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Sire Records (in 2021)
music videos:
Take a Bow by Madonna (“Queen of Pop”)
recording of:
Take a Bow
writer:
Babyface (R&B musician Kenny Edmonds) and Madonna (“Queen of Pop”)
publisher:
ECAF Music and Sony Songs Inc.
4.255:22
7▼CD: Ray of Light
#TitleRatingLength
1Drowned World/Substitute for Love
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
drums (drum set):
Fergus Gerrand
contains samples by:
The San Sebastian Strings
samples:
Why I Follow the Tigers by The San Sebastian Strings
recording of:
Drowned World/Substitute for Love
writer:
David Collins (Writer of Drowned World/Substitute for Love), Anita Kerr, Madonna Louise Veronica Ciccone (“Queen of Pop”), Rod McKuen and William Orbit (English musician, composer and record producer)
publisher:
Anita Kerr Publishing (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), Stanyan Music Group (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
is based on:
Why I Follow the Tigers
4.055:09
2Swim
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
drums (drum set):
Fergus Gerrand
flute:
Pablo Cook
recording of:
Swim
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.65:01
3Ray of Light
engineer:
Pat McCarthy
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
music videos:
Ray of Light by Madonna (“Queen of Pop”)
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 1999 winner)
recording of:
Ray of Light
writer:
Dave Curtiss, Christine Leach, Madonna Louise Veronica Ciccone (“Queen of Pop”), Clive Muldoon and William Orbit (English musician, composer and record producer)
publisher:
Purple Music Limited (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.055:21
4Candy Perfume Girl
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Candy Perfume Girl
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”), Susannah Melvoin and William Orbit (English musician, composer and record producer)
publisher:
Chrysalis Music Limited (music publisher, affiliated with PRS) (from 1998 to present), Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.154:37
5Skin
producer:
Marius de Vries, Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
guitar:
Marc Moreau (Universal Music Africa / Amadou & Mariam / All Other)
recording of:
Skin
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.26:22
6Nothing Really Matters
additional drum machine programming:
Steve Sidelnyk
producer:
Marius de Vries, Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
additional drum machine:
Steve Sidelnyk
background vocals:
Donna De Lory and Niki Harris (US singer and dancer)
recording of:
Nothing Really Matters
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.84:27
7Sky Fits Heaven
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Sky Fits Heaven
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.74:48
8Shanti/Ashtangi
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
Shanti/Ashtangi
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.154:29
9Frozen
additional programming:
Marius de Vries
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
keyboard:
Marius de Vries
lead vocals:
Madonna (“Queen of Pop”)
strings arranger:
Craig Armstrong (Scottish score composer)
additional arranger:
Patrick Leonard (producer, songwriter and pianist)
arranger:
Craig Armstrong (Scottish score composer)
music videos:
Frozen (music video) by Madonna (“Queen of Pop”)
recording of:
Frozen
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna Louise Veronica Ciccone (“Queen of Pop”)
additional arranger:
Patrick Leonard (producer, songwriter and pianist)
arranger:
Craig Armstrong (Scottish score composer)
publisher:
No Tomato Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.256:13
10The Power of Good-Bye
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
strings arranger:
Craig Armstrong (Scottish score composer)
arranger:
Craig Armstrong (Scottish score composer)
music videos:
The Power of Good-Bye by Madonna (“Queen of Pop”)
recording of:
The Power of Good-Bye
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
arranger:
Craig Armstrong (Scottish score composer)
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
4.054:12
11To Have and Not to Hold
producer:
Patrick Leonard (producer, songwriter and pianist), Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
recording of:
To Have and Not to Hold
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.55:23
12Little Star
additional drum machine programming:
Steve Sidelnyk
producer:
Marius de Vries and Madonna (“Queen of Pop”)
additional drum machine:
Steve Sidelnyk
recording of:
Little Star
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and Rick Nowels
publisher:
EMI Virgin Music, Inc. (from 1998 to present), Future Furniture Music (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
3.85:18
13Mer Girl
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
percussion:
Fergus Gerrand
samples:
Space by Gábor Szabó
recording of:
Mer Girl
writer:
Madonna Louise Veronica Ciccone (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
publisher:
Rondor Music (London), Limited (from 1998 to present), WB Music Corp. (1929–2019) (from 1998 to present) and Webo Girl Publishing, Inc. (from 1998 to present)
2.95:32
8▼CD: Music
#TitleRatingLength
1Music
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keybaords]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
samples:
Never Young Again by Mirwais
music videos:
Music by Madonna (“Queen of Pop”)
recording of:
Music
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.33:45
2Impressive Instant
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Impressive Instant
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.63:38
3Runaway Lover
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
drums (drum set):
Steve Sidelnyk
guitar [guitars] and keyboard [keyboards] and background vocals [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Runaway Lover
writer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.64:47
4I Deserve It
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar and keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
I Deserve It
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.24:24
5Amazing
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
drums (drum set):
Steve Sidelnyk
guitar [guitars] and keyboard [keybaords] and background vocals [backing vocals]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Amazing
writer:
Madonna (“Queen of Pop”) and William Ørbit (William Orbit, English musician, composer and record producer)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.253:43
6Nobody’s Perfect
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Nobody's Perfect
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.754:59
7Don’t Tell Me
programming:
Mirwais Ahmadzaï and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Geoff Foster (sound engineer) (strings), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar [acoustic guitars] and keyboard [keyboards]:
Mirwais Ahmadzaï
lead vocals:
Madonna (“Queen of Pop”)
strings arranger:
Michel Colombier (French score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Air Lindhurst Sudios in United Kingdom (strings), Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Don't Tell Me
writer:
Joe Henry (US singer-songwriter, guitarist & producer), Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Lemz Music, True North Music, Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
44:40
8What It Feels Like for a Girl
programming:
Guy Sigsworth and Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”), Guy Sigsworth and Mark “Spike” Stent (producer, engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
guitar [guitars] and keyboard [keyboards]:
Guy Sigsworth
lead vocals:
Madonna (“Queen of Pop”)
other vocals:
Charlotte Gainsbourg
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
What It Feels Like for a Girl by Madonna (“Queen of Pop”)
recording of:
What It Feels Like for a Girl
writer:
Madonna (“Queen of Pop”), Guy Sigsworth and David Torn (guitarist/composer aka SPLaTTeRCeLL)
publisher:
Universal Music Publishing Limited (UK subsidiary of Universal Music Publishing Group), Webo Girl Publishing, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3.34:44
9Paradise (Not for Me)
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Paradise (Not for Me)
lyricist:
Madonna (“Queen of Pop”)
composer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
1000 Lights Music Ltd., Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
46:34
10Gone
programming:
Sean Spuehler
assistant engineer:
Aaron Prattley, Tom Hannen, Iain Robertson (UK recording engineer), Tim Lambert, Dan Milazzo, Chris Ribando and Dan Vickers
engineer:
Mark Endert, Geoff Foster (sound engineer), Branwen Munn and Sean Spuehler
producer:
Madonna (“Queen of Pop”), Mark “Spike” Stent (producer, engineer) and William Ørbit (William Orbit, English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jake Davies
acoustic guitar:
Paul Stacey (UK producer, engineer & guitarist)
drums (drum set):
Steve Sidelnyk
electric guitar [FX guitars] and keyboard [keyboards]:
William Ørbit (William Orbit, English musician, composer and record producer)
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000)
recorded at:
Guerilla Beach in Los Angeles, California, United States, Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Gone
publisher:
Damian LeGassick and Nik Young
writer:
Damian LeGassick, Madonna (“Queen of Pop”) and Nik Young
publisher:
WB Music Corp. (1929–2019) and Webo Girl Publishing, Inc.
3.53:29
11American Pie
programming:
Rico Conning and Sean Spuehler
engineer:
Jake Davies, Mark Endert and Sean Spuehler
producer:
Madonna (“Queen of Pop”) and William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Damian LeGassick
background vocals [backup vocals]:
Rupert Everett
lead vocals:
Madonna (“Queen of Pop”)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2000)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
cover recording of:
American Pie
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.54:36
9▶CD: American Life
10▶CD: Confessions on a Dance Floor
11▶CD: Hard Candy