The Opera Edition

~ Release by Claudio Abbado (see all versions of this release, 1 available)

Tracklist

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1▼CD: Mozart: Die Zauberflöte [disc 1]
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Overture
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart6:06
2Die Zauberflöte, K. 620, Act I: no. 1, "Zu Hilfe! Zu Hilfe! - Dialogue. "Wo bin ich?" (Tamino, Drei Damen)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 1 Introduktion „Zu Hilfe! Zu Hilfe!” (Tamino, Damen) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Johann Josef Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart6:09
3Die Zauberflöte, K. 620, Act I: no. 2, "Der Vogelfänger bin ich ja - Dialogue. "He da!" (Papageno, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:30
4Die Zauberflöte, K. 620, Act I: Dialogue. "Papageno... Ah! das geht mich an!" (Drei Damen, Papageno, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Dialog „Papageno!” ... „Aha! Das geht mich an” (Drei Damen, Papageno, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:29
5Die Zauberflöte, K. 620, Act I: no. 3, "Dies Bildnis ist bezaubernd schön" (Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:42
6Die Zauberflöte, K. 620, Act I: Dialogue. "Freue dich und fasse Mut, schöner Jüngling" (Drei Damen, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Dialog „Rüste dich mit Mut und Standhaftigkeit, schöner Jüngling” (Drei Damen, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:02
7Die Zauberflöte, K. 620, Act I: no. 4, "O zittre nicht, mein lieber Sohn! - Dialogue. "Ist's auch denn Wirklichlkeit" (Königin der Nacht, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Königin der Nacht]:
Erika Miklósa (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:25
8Die Zauberflöte, K. 620, Act I: no. 5, "Hm! hm! hm! hm!" (Papageno, Tamino, Drei Damen)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart5:47
9Die Zauberflöte, K. 620, Act I: Dialogue. "Ha, ha, ha! - He, Sklaven!" (Sklaven, Monostatos)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
spoken vocals [Sklave]:
Matthias Bernhold (in 2005-09), Tobias Beyer (tenor and classical keyboardist) (in 2005-09) and Martin Olbertz (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Dialog „Haha... Pst... Was soll denn das Lachen?” (Drei Sklaven, Monostatos) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:16
10Die Zauberflöte, K. 620, Act I: no. 6, "Du feines Täubchen, nur herein" (Monostatos, Pamina, Papageno)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 6 Terzett „Du feines Täubchen, nur herein!” (Monostatos, Pamina, Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:48
11Die Zauberflöte, K. 620, Act I: Dialogue. "Bin ich nicht ein Narr" (Papageno, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Dialog „Bin ich nicht ein Narr” (Papageno, Pamina) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:29
12Die Zauberflöte, K. 620, Act I: no. 7, "Duet. Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:59
13Die Zauberflöte, K. 620, Act I: no. 8, Finale: a-c. "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino, Stimmen, Sprecher, Chor)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Zweite Knabe]:
Frederic Jost (in 2005-09)
baritone vocals [Erster Priester]:
Andreas Bauer (baritone) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
mezzo-soprano vocals [Dritte Knabe]:
Niklas Mallmann (in 2005-09)
soprano vocals [Erste Knabe]:
Alexander Lischke (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Dritter Priester]:
Tobias Beyer (tenor and classical keyboardist) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. No. 8 Finale „Zum Ziele führt dich diese Bahn” (Knaben, Tamino, Stimmen, Sprecher) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart9:00
14Die Zauberflöte, K. 620, Act I: no. 8, Finale: d. "Wie stark ist nicht dein Zauberton" (Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Andante „Wie stark ist nicht dein Zauberton” (Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:43
15Die Zauberflöte, K. 620, Act I: no. 8, Finale: e-f. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Chor)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
spoken vocals [Sklave]:
Matthias Bernhold (in 2005-09), Tobias Beyer (tenor and classical keyboardist) (in 2005-09) and Martin Olbertz (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:54
16Die Zauberflöte, K. 620, Act I: no. 8, Finale: g-j. "Es lebe Sarastro!... Wenn Tugend und Gerechtigkeit" (Chor, Pamina, Sarastro, Monostatos, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt I. Allegro maestoso „Es lebe Sarastro!” (Gefolge, Pamina, Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart7:16
17Die Zauberflöte, K. 620, Act II: no. 9, Marsch der Priester
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
arrangement of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (catch-all for arrangements)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:24
18Die Zauberflöte, K. 620, Act II: Dialogue. "Ihr in dem Weisheitstempel" (Sarastro, Sprecher, Priester)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Dritter Priester]:
Tobias Beyer (tenor and classical keyboardist) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener” (Sarastro, Sprecher, Priester) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:27
19Die Zauberflöte, K. 620, Act II: no. 10, "O Isis und Osiris" (Sarastro, Chor)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:33
20Die Zauberflöte, K. 620, Act II: Dialogue. "Eine schreckliche Nacht" (Tamino, Papageno, Sprecher, Zweiter Priester)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Eine schreckliche Nacht!” … „Papageno! Wo denkst du, daß wir uns befinden?” (Tamino, Papageno, Sprecher, Zweiter Sprecher) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:29
21Die Zauberflöte, K. 620, Act II: no. 11, "Bewahret euch vor Weibertücken" (Sprecher, Zweiter Priester)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Erster Priester]:
Andreas Bauer (baritone) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:00
2▼CD: Mozart: Die Zauberflöte [disc 2]
#TitleArtistRatingLength
1Die Zauberflöte, K. 620, Act II: no. 12, "Wie? Wie? Wie?" (Drei Damen, Papageno, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
2Die Zauberflöte, K. 620, Act II: Dialogue. "Heil dir, Jüngling - Ha, da find' ich ja die Spröde" (Sprecher, Zweiter Priester, Papageno, Monostatos)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Heil dir, Jüngling! Dein standhaft männliches Betragen” (Sprecher, 2. Priester, Papageno, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
3Die Zauberflöte, K. 620, Act II: no. 13, "Alles fühlt der Liebe Freuden - Dialogue. "Zurück!" (Monostatos, Königin der Nacht, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Königin der Nacht]:
Erika Miklósa (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
4Die Zauberflöte, K. 620, Act II: no. 14, "Der Hölle Rache "Queen of the Night Aria"" (Königin der Nacht)
miscellaneous support:
Fausto Nardi (task: musical assistant)
assistant engineer:
Piotr Furmanczyk
engineer:
Wolf‐Dieter Karwatky
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Königin der Nacht]:
Erika Miklósa (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
5Die Zauberflöte, K. 620, Act II: Dialogue. "Morden soll ich?" (Pamina, Monostatos, Sarastro)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Morden soll ich?” (Pamina, Monostatos, Sarastro) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
6Die Zauberflöte, K. 620, Act II: no. 15, "In diesen heil'gen Hallen" (Sarastro)
miscellaneous support:
Fausto Nardi (task: musical assistant)
assistant engineer:
Piotr Furmanczyk
engineer:
Wolf‐Dieter Karwatky
producer:
Christopher Alder (editor/engineer/producer)
bass vocals and bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:01
7Die Zauberflöte, K. 620, Act II: Dialogue. "Hier seid ihr euch beide allein überlassen" (Priester, Sprecher, Papageno, Tamino, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Hier seid ihr euch beide allein überlassen” (Sprecher, 2. Priester, Papageno, Tamino, Altes Weib) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:58
8Die Zauberflöte, K. 620, Act II: no. 16, "Seid uns zum zweiten Mal willkommen" (Die Knaben)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Zweite Knabe]:
Frederic Jost (in 2005-09)
mezzo-soprano vocals [Dritte Knabe]:
Niklas Mallmann (in 2005-09)
soprano vocals [Erste Knabe]:
Alexander Lischke (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
9Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino, wollen wir nicht speisen?" (Papageno, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Tamino, wollen wir nicht speisen?” (Papageno, Pamina, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:39
10Die Zauberflöte, K. 620, Act II: no. 17, "Ach, ich fühl's" (Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:58
11Die Zauberflöte, K. 620, Act II: Dialogue. "Nicht wahr, Tamino" (Papageno)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Monolog „Nicht wahr, Tamino” (Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:28
12Die Zauberflöte, K. 620, Act II: no. 18, Chorus. "O Isis und Osiris, welche Wonne" (Chor)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:32
13Die Zauberflöte, K. 620, Act II: Dialogue. "Prinz, dein Betragen" (Sarastro, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen” (Sarastro, Pamina, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:48
14Die Zauberflöte, K. 620, Act II: no. 19, Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:55
15Die Zauberflöte, K. 620, Act II: Dialogue. "Tamino! Tamino!" (Papageno, Sprecher, Priester)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Erster Priester]:
Andreas Bauer (baritone) (in 2005-09)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
tenor vocals [Dritter Priester]:
Tobias Beyer (tenor and classical keyboardist) (in 2005-09)
tenor vocals [Zweiter Priester]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Stimmen, Zweiter Sprecher) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:05
16Die Zauberflöte, K. 620, Act II: no. 20, "Ein Mädchen oder Weibchen" (Papageno)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:48
17Die Zauberflöte, K. 620, Act II: Dialogue. "Da bin ich schon, mein Engel" (Papagena, Papageno, Sprecher)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
spoken vocals [Sprecher]:
Georg Zeppenfeld (german operatic bass) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. Dialog „Da bin ich schon, mein Engel!” (Altes Weib, Papageno, Zweiter Sprecher) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
18Die Zauberflöte, K. 620, Act II: no. 21, Finale: a-b. "Bald prangt" - "Du also bist mein Bräutigam" (Die Knaben, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Zweite Knabe]:
Frederic Jost (in 2005-09)
mezzo-soprano vocals [Dritte Knabe]:
Niklas Mallmann (in 2005-09)
soprano vocals and soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
soprano vocals [Erste Knabe]:
Alexander Lischke (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:42
19Die Zauberflöte, K. 620, Act II: no. 21, Finale: c-e. "Der, welcher wandelt" - "Tamino mein" - "Wir wandelten" (Die Gerharnischten, Tamino, Pamina)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Zweiter geharnischter Mann]:
Sascha Borris (operatic bass) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
soprano vocals [Pamina, ihre Tochter]:
Dorothea Röschmann (soprano) (in 2005-09)
tenor vocals [Erster geharnischter Mann]:
Danilo Formaggia (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart10:57
20Die Zauberflöte, K. 620, Act II: no. 21, Finale: f-g. "Papagena! Weibchen! Täubchen!" - "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!" (Papageno, Die Knaben, Papagena)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
alto vocals [Zweite Knabe]:
Frederic Jost (in 2005-09)
baritone vocals [Papageno]:
Hanno Müller‐Brachmann (bass-baritone) (in 2005-09)
mezzo-soprano vocals [Dritte Knabe]:
Niklas Mallmann (in 2005-09)
soprano vocals:
Dorothea Röschmann (soprano) (in 2005-09)
soprano vocals [Erste Knabe]:
Alexander Lischke (in 2005-09)
soprano vocals [Papagena]:
Julia Kleiter (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart7:26
21Die Zauberflöte, K. 620, Act II: no. 21, Finale: h-i. "Nur stille, stille" - "Die Strahlen der Sonne" (Monostatos, Königin der Nacht, Drei Damen, Sarastro, Chor)
miscellaneous support:
Fausto Nardi (task: musical assistant)
producer:
Christopher Alder (editor/engineer/producer)
bass vocals [Sarastro]:
René Pape (operatic bass) (in 2005-09)
choir vocals:
Arnold Schoenberg Chor (in 2005-09)
mezzo-soprano vocals [Zweite Dame]:
Heidi Zehnder (in 2005-09)
soprano vocals [Dritte Dame]:
Anne-Carolyn Schlüter (mezzo) (in 2005-09)
soprano vocals [Erste Dame]:
Caroline Stein (soprano) (in 2005-09)
soprano vocals [Königin der Nacht]:
Erika Miklósa (in 2005-09)
tenor vocals [Monostatos]:
Kurt Azesberger (tenor) (in 2005-09)
orchestra:
Mahler Chamber Orchestra (in 2005-09)
conductor:
Claudio Abbado (conductor) (in 2005-09)
chorus master:
Erwin Ortner (in 2005-09)
balance engineer:
Hans‐Ulrich Bastin (in 2005-09)
recorded at:
Teatro Comunale di Modena in Modena, Modena, Emilia-Romagna, Italy (in 2005-09)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 2005-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:01
3▼CD: Mozart: Don Giovanni [disc 1]
#TitleArtistRatingLength
1Don Giovanni, K. 527: Ouverture. Andante - allegro molto
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Ouvertura (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527
Wolfgang Amadeus Mozart5:54
2Don Giovanni, K. 527: Act I, Scena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Il commendatore]:
Matti Salminen (operatic bass) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 1 Introduzione “Notte e giorno faticar” (Leporello) / “Non sperar se non m’uccidi” – “Lasciala indegno” – “Ah soccorso” (Donna Anna, Don Giovanni, Leporello, Commendatore) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:26
3Don Giovanni, K. 527: Act I, Scena II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Leporello, ove sei?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
4Don Giovanni, K. 527: Act I, Scena III.Recitativo "Ah! del padre in periglio" (Donna Anna, Don Ottavio) - No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Recitativo accompagnato “Ma qual mai s’offre, oh Dei” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. Recitativo “Ah del padre in periglio” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:42
5Don Giovanni, K. 527: Act I, Scena III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 2 Duetto “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:57
6Don Giovanni, K. 527: Act I, Scena IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Orsù, spicciati presto” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:40
7Don Giovanni, K. 527: Act I, Scena V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 3 Aria “Ah chi mi dice mai” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:36
8Don Giovanni, K. 527: Act I, Scena V. Recitativo "Chi è là?"- "Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Chi è là? Stelle! che vedo” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:58
9Don Giovanni, K. 527: Act I, Scena V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart5:37
10Don Giovanni, K. 527: Act I, Scena VI. Recitativo "In questa forma dunque" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “In questa forma dunque” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:33
11Don Giovanni, K. 527: Act I, Scena VII. Coro "Giovinette che fate all'amore" (Zerlina, Masetto, Coro di contadine e contadini)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 5 Coro “Giovinette, che fate all’amore” (Zerlina, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:29
12Don Giovanni, K. 527: Act I, Scena VIII. Recitativo "Manco male è partita" ( Don Giovanni, Leporello, Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Manco male, è partita” (Don Giovanni, Leporello, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:17
13Don Giovanni, K. 527: Act I, Scena VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 6 Aria “Ho capito, signor, sì!” (Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:35
14Don Giovanni, K. 527: Act I, Scena IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Alfin siam liberati” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
15Don Giovanni, K. 527: Act I Scena IX: No. 7 Duettino: Là ci darem la mano" (Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:55
16Don Giovanni, K. 527: Act I, Scena X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Fermati scellerato” (Donna Elvira, Zerlina, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:44
17Don Giovanni, K. 527: Act I, Scena X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 8 Aria “Ah! Fuggi il traditor!” (Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:10
18Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Scena XII. Recitativo "Ah, ti ritrovo ancor" (Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:13
19Don Giovanni, K. 527: Act I, Scena XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
20Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Povera sventurata!" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo "Povera sventurata!" (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:23
21Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:06
22Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:38
23Don Giovanni, K. 527: Act I, Scena XIV. Recitativo "Come mai creder deggio" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Come mai creder deggio” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
24Don Giovanni, K. 540a: Act I, Scena XIV. No. 10a Aria "Dalla sua pace" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:22
4▼CD: Mozart: Don Giovanni [disc 2]
#TitleArtistRatingLength
1Don Giovanni, K. 527: Act I, Scena XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Io deggio ad ogni patto” (Leporello, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:48
2Don Giovanni, K. 527: Act I, Scena XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso] and baritone vocals [Don Giovanni]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:21
3Don Giovanni, K. 527: Act I, Scena XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:11
4Don Giovanni, K. 527: Act I, Scena XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:31
5Don Giovanni, K. 527: Act I, Scena XVI. Recitativo "Guarda un po'!" (Masetto, Don Giovanni, Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:36
6Don Giovanni, K. 527: Act I Scena XVI. No. 13 Finale I "Presto presto pria ch'ei venga" (Masetto, Zerlina) - Scena XVII. "Su svegliatevi, da bravi" (Don Giovanni, Servi)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
choir vocals:
Coro di Ferrara Musica (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
chorus master:
Giordano Tunioli (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Su, svegliatevi, da bravi” (Don Giovanni, Servi) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:56
7Don Giovanni, K. 527: Act I, Scena XVIII. "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:18
8Don Giovanni, K. 527: Act I, Scena XIX. "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:46
9Don Giovanni, K. 527: Act I, Scena XX. "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart8:44
10Don Giovanni, K. 527: Act II, Scena I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:04
11Don Giovanni, K. 527: Act II, Scena I. Recitativo "Leporello" / "Signore"
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
12Don Giovanni, K. 527: Act II, Scena II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:31
13Don Giovanni, K. 527: Act II, Scena II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / Scena III. "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:07
14Don Giovanni, K. 527: Act II, Scena III. Canzonetta "Deh, vieni alla finestra!" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
15Don Giovanni, K. 527: Act II, Scena III. Recitativo "V'è gente alla finestra" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:17
16Don Giovanni, K. 527: Act II, Scena IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:47
17Don Giovanni, K. 527: Act II, Scena V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni, Masetto) / Scena VI. Recitativo "Ahi! ahi! la testa mia!" (Masetto Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Simon Keenlyside (baritone) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:05
18Don Giovanni, K. 527: Act II, Scena VI. No. 18 Aria "Vedrai, carino" (Zerlina)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:22
19Don Giovanni, K. 527: Act II, Scena VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:32
20Don Giovanni, K. 527: Act II, Scena VII/VIII. No. 19 Sestetto "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Anna, sua figlia, promessa sposa di Don Ottavio]:
Carmela Remigio (soprano) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, briccone” … “Mille torbidi pensieri” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart7:21
21Don Giovanni, K. 527: Act II, Scena IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:23
22Don Giovanni, K. 527: Act II, Scena IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Leporello, servo di Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:46
23Don Giovanni, K. 527: Act II, Scena X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
bass vocals [Masetto, contadino]:
Ildebrando d’Arcangelo (operatic bass) (from 1997-01 until 1997-02)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Soile Isokoski (soprano) (from 1997-01 until 1997-02)
soprano vocals [Zeerlina, amante di Masetto]:
Patrizia Pace (soprano) (from 1997-01 until 1997-02)
tenor vocals [Don Ottavio]:
Uwe Heilmann (tenor) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:45
24Don Giovanni, K. 527: Act II, Scena X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
recording engineer:
Wolfgang Mitlehner
miscellaneous support:
Ronald Schneider (harpsichordist and pianist) (task: musical assistant)
executive producer:
Christopher Alder (editor/engineer/producer) and John Fisher (Scottish opera director, conductor, opera manager, vocal coach, and record producer.)
producer:
Christopher Alder (editor/engineer/producer)
cello [violoncello]:
Richard Lester (cellist) (from 1997-01 until 1997-02)
harpsichord:
Ronald Schneider (harpsichordist and pianist) (from 1997-01 until 1997-02)
mandolin:
Sergio Zigiotti (Italian Mandoline player) (from 1997-01 until 1997-02)
orchestra:
Chamber Orchestra of Europe (from 1997-01 until 1997-02)
conductor:
Claudio Abbado (conductor) (from 1997-01 until 1997-02)
recorded at:
Teatro Comunale di Ferrara (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (from 1997-01 until 1997-02)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (from 1997-01 until 1997-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:07
5▶CD: Mozart: Don Giovanni [disc 3]
6▶CD: Mozart: Le nozze di Figaro [disc 1]
7▶CD: Mozart: Le nozze di Figaro [disc 2]
8▶CD: Mozart: Le nozze di Figaro [disc 3]
9▶CD: Beethoven: Fidelio [disc 1]
10▶CD: Beethoven: Fidelio [disc 2]
11▶CD: Rossini: Overtures [1991]
12▶CD: Rossini: L'Italiana in Algeri [disc 1]
13▶CD: Rossini: L'Italiana in Algeri [disc 2]
14▶CD: Rossini: Il barbiere di Siviglia (1971) [disc 1]
15▶CD: Rossini: Il barbiere di Siviglia (1971) [disc 2]
16▶CD: Rossini: Il barbiere di Siviglia (1992) [disc 1]
17▶CD: Rossini: Il barbiere di Siviglia (1992) [disc 2]
18▶CD: Rossini: La Cenerentola [disc 1]
19▶CD: Rossini: La Cenerentola [disc 2]
20▶CD: Rossini: Il viaggio a Reims [disc 1]
21▶CD: Rossini: Il viaggio a Reims [disc 2]
22▶CD: Schubert: Fierrabras [disc 1]
23▶CD: Schubert: Fierrabras [disc 2]
24▶CD: Wagner: Orchestral Music
25▶CD: Wagner: Lohengrin [disc 1]
26▶CD: Wagner: Lohengrin [disc 2]
27▶CD: Wagner: Lohengrin [disc 3]
28▶CD: Bryn Terfel Sings Wagner
29▶CD: Wagner: Gala Concert
30▶CD: Verdi: Overtures & Preludes
31▶CD: Verdi: Macbeth [disc 1]
32▶CD: Verdi: Macbeth [disc 2]
33▶CD: Verdi: Simon Boccanegra [disc 1]
34▶CD: Verdi: Simon Boccanegra [disc 2]
35▶CD: Verdi: Un ballo in maschera [disc 1]
36▶CD: Verdi: Un ballo in maschera [disc 2]
37▶CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 1]
38▶CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 2]
39▶CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 3]
40▶CD: Verdi: Don Carlos [1886 Edition, Sung in French] [disc 4]
41▶CD: Verdi: Aida [disc 1]
42▶CD: Verdi: Aida [disc 2]
43▶CD: Verdi: Falstaff [disc 1]
44▶CD: Verdi: Falstaff [disc 2]
45▶CD: Verdi: Choruses
46▶CD: Verdi: Arias [Alagna]
47▶CD: Nicolai Ghiuarov: Great Scenes from Verdi Operas
48▶CD: Bizet: Carmen [disc 1]
49▶CD: Bizet: Carmen [disc 2]
50▶CD: Bizet: Carmen [disc 3] & The Berlin Gala: A Salute to Carmen [Excerpts]
51▶CD: Debussy: Pelléas et Mélisande [disc 1]
52▶CD: Debussy: Pelléas et Mélisande [disc 2]
53▶CD: Mussorgsky: Khovanshchina [disc 1]
54▶CD: Mussorgsky: Khovanshchina [disc 2]
55▶CD: Mussorgsky: Khovanshchina [disc 3]
56▶CD: Berg: Wozzeck [disc 1]
57▶CD: Berg: Wozzeck [disc 2]
58▶CD: Anna Netrebko: Sempre libera
59▶CD: Kaufmann: Mozart, Schubert, Beethoven & Wagner
60▶CD: Berlin Gala: Songs of Love and Desire