The Complete Reprise Studio Recordings

~ Release by Frank Sinatra & Count Basie (see all versions of this release, 4 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Pennies From Heaven
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (on 1962-10-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
recording of:
Pennies From Heaven
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
Frank Sinatra & Count Basie3:27
2Please Be Kind
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Please Be Kind (on 1962-10-02)
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
recording of:
Please Be Kind
lyricist:
Sammy Cahn (in 1938)
composer:
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
Frank Sinatra & Count Basie2:40
3(Love Is) The Tender Trap
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
(Love Is) The Tender Trap (on 1962-10-03)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
recording of:
(Love Is) The Tender Trap
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp. and Maraville Music Corp.
part of:
The 28th Academy Award for Best Original Song (number: 2)
Frank Sinatra & Count Basie2:34
4Looking at the World Through Rose Colored Glasses
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
recording of:
Looking at the World Thru Rose Colored Glasses (on 1962-10-03)
writer:
Jimmy Steiger and Tommy Mailie
publisher:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996) and Venus Music Corp.
Frank Sinatra & Count Basie2:28
5My Kind of Girl
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
My Kind of Girl (on 1962-10-03)
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
recording of:
My Kind of Girl
lyricist and composer:
Leslie Bricusse
publisher:
Hollis Music, Inc.
Frank Sinatra & Count Basie4:34
6I Only Have Eyes for You
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I Only Have Eyes for You (on 1962-10-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
recording of:
I Only Have Eyes for You
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
Frank Sinatra & Count Basie3:28
7Nice Work If You Can Get It
recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Frank Sinatra & Count Basie2:34
8Learnin’ the Blues
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
Learnin’ the Blues (on 1962-10-02)
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
recording of:
Learnin’ the Blues
lyricist and composer:
Dolores Vicki Silvers
publisher:
Barton Music Corp.
Frank Sinatra & Count Basie4:23
9I’m Gonna Sit Right Down (and Write Myself a Letter)
recorded in:
Los Angeles, California, United States (on 1962-10-03)
bass:
Buddy Catlett (on 1962-10-03)
drums (drum set):
Sonny Payne (on 1962-10-03)
guitar:
Freddie Green (on 1962-10-03)
piano:
Count Basie (pianist) (on 1962-10-03)
saxophone:
Eric Dixon (woodwind) (on 1962-10-03), Frank Foster (saxophonist) (on 1962-10-03), Charlie Fowlkes (on 1962-10-03), Marshall Royal (on 1962-10-03) and Frank Wess (on 1962-10-03)
trombone:
Henry Coker (on 1962-10-03) and Benny Powell (on 1962-10-03)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-03), Sonny Cohn (on 1962-10-03), Thad Jones (American jazz trumpeter) (on 1962-10-03) and Al Porcino (on 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-03)
orchestra:
Count Basie and His Orchestra (on 1962-10-03)
arranger:
Neal Hefti
cover recording of:
I’m Gonna Sit Right Down and Write Myself a Letter (on 1962-10-03)
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
recording of:
I’m Gonna Sit Right Down and Write Myself a Letter
lyricist:
Joe Young (US lyricist)
composer:
Fred Ahlert and Joe Young (US lyricist)
publisher:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) and Rytvoc, Inc. (ASCAP)
Frank Sinatra & Count Basie2:33
10I Won’t Dance
recorded in:
Los Angeles, California, United States (on 1962-10-02)
bass:
Buddy Catlett (on 1962-10-02)
drums (drum set):
Sonny Payne (on 1962-10-02)
guitar:
Freddie Green (on 1962-10-02)
piano:
Count Basie (pianist) (on 1962-10-02)
saxophone:
Eric Dixon (woodwind) (on 1962-10-02), Frank Foster (saxophonist) (on 1962-10-02), Charlie Fowlkes (on 1962-10-02), Marshall Royal (on 1962-10-02) and Frank Wess (on 1962-10-02)
trombone:
Henry Coker (on 1962-10-02) and Benny Powell (on 1962-10-02)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1962-10-02), Sonny Cohn (on 1962-10-02), Thad Jones (American jazz trumpeter) (on 1962-10-02) and Al Porcino (on 1962-10-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-10-02)
orchestra:
Count Basie and His Orchestra (on 1962-10-02)
arranger:
Neal Hefti
cover recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (on 1962-10-02)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
lyricist:
Jimmy McHugh (songwriter) and Dorothy Fields (American librettist and lyricist) (in 1935)
composer:
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
is based on:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Frank Sinatra & Count Basie4:07
11Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
recording of:
Fly Me to the Moon
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Frank Sinatra feat. Count Basie and His Orchestra42:27
12I Wish You Love
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wish You Love (on 1964-06-10)
lyricist:
Charles Trenet
writer and translator:
Albert Beach
composer:
Léo Chauliac and Charles Trenet
publisher:
Éditions Salabert France, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music, Inc., Leeds Music, MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), On Backstreet Music Inc. and Universal Music Publishing Group
sub-publisher:
Universal Music Publishing MGB Hong Kong Ltd. Taiwan Branch and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
translated version of:
Que reste-t-il de nos amours ?
Frank Sinatra feat. Count Basie and His Orchestra2:52
13I Believe in You
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (on 1964-06-09)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
recording of:
I Believe in You (How to Succeed in Business Without Really Trying)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
Frank Sinatra feat. Count Basie and His Orchestra2:19
14More (theme from “Mondo Cane”)
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
Frank Sinatra feat. Count Basie and His Orchestra43:01
15I Can’t Stop Loving You
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
I Can’t Stop Lovin’ You (on 1964-06-12)
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
recording of:
I Can’t Stop Lovin’ You
lyricist and composer:
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC and Acuff-Rose Publications, Inc. (BMI) (on 1958-02-07)
Frank Sinatra feat. Count Basie and His Orchestra2:59
16Hello, Dolly!
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-10) and Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Hello, Dolly! (on 1964-06-10)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
recording of:
Hello, Dolly!
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Jerryco Music Co.
sub-publisher:
Warner Chappel Music Belgium NV
part of:
Hello, Dolly!
Frank Sinatra feat. Count Basie and His Orchestra2:43
17I Wanna Be Around
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
I Wanna Be Around (on 1964-06-09)
lyricist:
Johnny Mercer and Sadie Vimmerstedt
composer:
Johnny Mercer
publisher:
Commander Publications
Frank Sinatra feat. Count Basie and His Orchestra2:19
18The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer) (on 1964-06-09)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-09), Bill Hughes (trombone) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
Frank Sinatra feat. Count Basie and His Orchestra4.52:53
19The Good Life
recorded in:
Los Angeles, California, United States (on 1964-06-10)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-10)
drums (drum set):
Sonny Payne (on 1964-06-10)
guitar:
Freddie Green (on 1964-06-10)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-10)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-10), Frank Foster (saxophonist) (on 1964-06-10), Charlie Fowlkes (on 1964-06-10) and Frank Wess (on 1964-06-10)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-10), Bill Hughes (trombone) (on 1964-06-10), Grover Mitchell (trombone) (on 1964-06-10) and Ken Shroyer (trombonist) (on 1964-06-10)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-10), Wallace Davenport (on 1964-06-10), Harry “Sweets” Edison (on 1964-06-10) and Al Porcino (on 1964-06-10)
vibraphone:
Emil Richards (on 1964-06-10)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-10)
orchestra:
Count Basie and His Orchestra (on 1964-06-10)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
The Good Life (on 1964-06-10)
lyricist:
Jack Reardon (American songwriter)
composer:
Sacha Distel (in 1962)
publisher:
Intersong USA, Inc. (publisher) and Prosadis
version of:
Marina
Frank Sinatra feat. Count Basie and His Orchestra2:26
20Wives and Lovers
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (on 1964-06-12), Bill Hughes (trombone) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader, Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones
cover recording of:
Wives and Lovers (on 1964-06-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Frank Sinatra feat. Count Basie and His Orchestra2:46