Centenary Collection 1968-1977

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Mahler: Symphony no. 4 / Smetana: Má vlast
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1Symphony no. 4 in G: I. Bedächtig. Nicht eilen: Recht gemächlich
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler15:47
2Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast
producer:
Hans Weber (producer/engineer)
solo violin:
Rudolf Koeckert (the father, founder of the Koeckert-Quartett) (in 1968-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler9:04
3Symphony no. 4 in G: III. Ruhevoll (Poco adagio)
producer:
Hans Weber (producer/engineer)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler18:47
4Symphony no. 4 in G: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"
producer:
Hans Weber (producer/engineer)
soprano vocals:
Elsie Morison (soprano) (in 1968-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1968-04)
conductor:
Rafael Kubelík (conductor) (in 1968-04)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1968-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1968-04)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1968-04)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler8:01
5Má vlast, JB 1:112: II. Vltava "The Moldau"
producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Boston Symphony Orchestra (in 1971-03)
conductor:
Rafael Kubelík (conductor) (in 1971-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-03)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (in 1971-03)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:00
6Má vlast, JB 1:112: IV. From Bohemia's Meadows and Forests
producer:
Dr. Wilfried Daenicke (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Boston Symphony Orchestra (in 1971-03)
conductor:
Rafael Kubelík (conductor) (in 1971-03)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1971-03)
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields) (in 1971-03)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:40
2▼CD: Wagner: Der Ring des Nibelungen - Highlights (1)
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1Das Rheingold, Scene 1 - "Lugt, Schwestern! Die Weckerin lacht in den Grund"
producer:
Hans Weber (producer/engineer)
alto vocals:
Anna Reynolds (alto) (from 1967-12-06 until 1967-12-28)
bass vocals:
Zoltán Kelemen (operatic bass) (from 1967-12-06 until 1967-12-28)
soprano vocals:
Helen Donath (soprano) (from 1967-12-06 until 1967-12-28) and Edda Moser (soprano) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene I (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner4:10
2Das Rheingold, Scene 1 - "Nur wer der Minne Macht entsagt"
producer:
Hans Weber (producer/engineer)
alto vocals:
Anna Reynolds (alto) (from 1967-12-06 until 1967-12-28)
soprano vocals:
Helen Donath (soprano) (from 1967-12-06 until 1967-12-28) and Edda Moser (soprano) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
Richard Wagner1:40
3Das Rheingold, Scene 1 - "Der Welt Erbe gewänn' ich zu eigen durch dich?"
producer:
Hans Weber (producer/engineer)
bass vocals:
Zoltán Kelemen (operatic bass) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene I (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:43
4Das Rheingold, Scene 1 - "Haltet den Räuber!"
producer:
Hans Weber (producer/engineer)
alto vocals:
Anna Reynolds (alto) (from 1967-12-06 until 1967-12-28)
soprano vocals:
Helen Donath (soprano) (from 1967-12-06 until 1967-12-28) and Edda Moser (soprano) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
Richard Wagner3:23
5Das Rheingold, Scene 2 - "Hör', Wotan, der Harrenden Wort!"
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1967-12-06 until 1967-12-28)
bass vocals:
Karl Ridderbusch (operatic bass) (from 1967-12-06 until 1967-12-28) and Martti Talvela (operatic bass) (from 1967-12-06 until 1967-12-28)
vocals:
Simone Mangelsdorff (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene II (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:53
6Das Rheingold, Scene 2 - "Schwester! Brüder! Rettet! Helft!"
producer:
Hans Weber (producer/engineer)
baritone vocals:
Robert Kerns (baritone) (from 1967-12-06 until 1967-12-28)
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano) (from 1967-12-06 until 1967-12-28)
tenor vocals:
Donald Grobe (tenor) (from 1967-12-06 until 1967-12-28) and Gerhard Stolze (German tenor) (from 1967-12-06 until 1967-12-28)
vocals:
Simone Mangelsdorff (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
Richard Wagner4:36
7Das Rheingold, Scene 2 - "Wotan, Gemahl, unsel'ger Mann!"
producer:
Hans Weber (producer/engineer)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1967-12-06 until 1967-12-28) and Robert Kerns (baritone) (from 1967-12-06 until 1967-12-28)
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano) (from 1967-12-06 until 1967-12-28)
tenor vocals:
Donald Grobe (tenor) (from 1967-12-06 until 1967-12-28) and Gerhard Stolze (German tenor) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene II (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:56
8Das Rheingold, Scene 2 - Verwandlungsmusik
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Orchesterzwischenspiel. Fahrt nach Nibelheim (between scenes II and III)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
part of:
Das Rheingold, WWV 86A
Richard Wagner2:49
9Das Rheingold, Scene 4 - "Bruder, hieher! Weise der Brücke den Weg! ... Zur Burg führt die Brücke"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Das Rheingold: Scene IV
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:50
10Das Rheingold, Scene 4 - "Abendlich strahlt der Sonne Auge"
producer:
Hans Weber (producer/engineer)
baritone vocals [Wotan]:
Dietrich Fischer‐Dieskau (baritone) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene IV (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
partial recording of:
Das Rheingold: Scene IV
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner1:46
11Das Rheingold, Scene 4 - "So grüss' ich die Burg"
producer:
Hans Weber (producer/engineer)
baritone vocals [Wotan]:
Dietrich Fischer‐Dieskau (baritone) (from 1967-12-06 until 1967-12-28)
mezzo-soprano vocals [Fricka]:
Josephine Veasey (mezzo-soprano) (from 1967-12-06 until 1967-12-28)
tenor vocals [Loge]:
Gerhard Stolze (German tenor) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
partial recording of:
Das Rheingold: Scene IV
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner2:06
12Das Rheingold, Scene 4 - "Rheingold! Rheingold!"
producer:
Hans Weber (producer/engineer)
alto vocals:
Anna Reynolds (alto) (from 1967-12-06 until 1967-12-28)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1967-12-06 until 1967-12-28)
soprano vocals:
Helen Donath (soprano) (from 1967-12-06 until 1967-12-28) and Edda Moser (soprano) (from 1967-12-06 until 1967-12-28)
tenor vocals:
Gerhard Stolze (German tenor) (from 1967-12-06 until 1967-12-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-12-06 until 1967-12-28)
conductor:
Herbert von Karajan (conductor) (from 1967-12-06 until 1967-12-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-12-06 until 1967-12-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-12-06 until 1967-12-28)
recording of:
Das Rheingold: Scene IV (from 1967-12-06 until 1967-12-28)
composer:
Richard Wagner (composer) (from 1853-11-01 until 1854-09-25)
librettist:
Richard Wagner (composer)
part of:
Das Rheingold, WWV 86A
Richard Wagner3:21
13Die Walküre, Act I Scene 3 - "Der Männer Sippe saß hier im Saal"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner5:55
14Die Walküre, Act I Scene 3 - "Winterstürme wichen dem Wonnemond"
producer:
Hans Weber (producer/engineer)
tenor vocals:
Jon Vickers (tenor) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner3:08
15Die Walküre, Act I Scene 3 - "Du bist der Lenz"
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner2:03
16Die Walküre, Act I Scene 3 - "O süsseste Wonne! Seligstes Weib!"
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-08-25 until 1966-12-30)
tenor vocals:
Jon Vickers (tenor) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner6:24
17Die Walküre, Act I Scene 3 - "War Wälse dein Vater, und bist du ein Wälsung"
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-08-25 until 1966-12-30)
tenor vocals:
Jon Vickers (tenor) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“ (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner2:01
18Die Walküre, Act I Scene 3 - "Siegmund, den Wälsung, siehst du, Weib!"
producer:
Hans Weber (producer/engineer)
soprano vocals:
Gundula Janowitz (soprano) (from 1966-08-25 until 1966-12-30)
tenor vocals:
Jon Vickers (tenor) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
partial recording of:
Die Walküre, WWV 86B (from 1966-08-25 until 1966-12-30)
composer and librettist:
Richard Wagner (composer)
premiered at:
Nationaltheater München in München (Munich), Bayern (Bavaria), Germany (on 1870-06-26)
part of:
Wagner-Werk-Verzeichnis (number: 86b)
part of:
Der Ring des Nibelungen, WWV 86
Richard Wagner2:38
19Die Walküre, Act III Scene 1 - "Hojotoho! Heiaha!"
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1966-12)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries) (in 1966-12)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:14
20Die Walküre, Act III Scene 3 - "Leb wohl, du kühnes, herrliches Kind!"
bass-baritone vocals:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1966-12)
conductor:
Herbert von Karajan (conductor) (in 1966-12)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (in 1966-12)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner4:51
21Die Walküre, Act III Scene 3 - "Der Augen leuchtendes Paar"
producer:
Hans Weber (producer/engineer)
bass-baritone vocals:
Thomas Stewart (bass-baritone) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner6:57
22Die Walküre, Act III Scene 3 - "Loge, hör! Lausche hieher!"
producer:
Hans Weber (producer/engineer)
bass-baritone vocals:
Thomas Stewart (bass-baritone) (from 1966-08-25 until 1966-12-30)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner1:22
23Die Walküre, Act III Scene 3 - Feuerzauber
producer:
Hans Weber (producer/engineer)
bass-baritone vocals [Wotan]:
Thomas Stewart (bass-baritone) (in 1966-12)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-25 until 1966-12-30, in 1966-12)
conductor:
Herbert von Karajan (conductor) (from 1966-08-25 until 1966-12-30, in 1966-12)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-25 until 1966-12-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-08-25 until 1966-12-30)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene III, Wotans Abschied und Feuerzauber (from 1966-08-25 until 1966-12-30)
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
part of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
Richard Wagner3:49
3▼CD: Wagner: Der Ring des Nibelungen - Highlights (2)
#TitleArtistRatingLength
1Siegfried: Akt II. „Dass der mein Vater nicht ist“ – Forest Murmurs (Siegfried)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt II, Scene II "Wir sind zur Stelle; bleib’ hier steh’n!"
composer:
Richard Wagner (composer) (from 1857-05-20 until 1869-02-23)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt II
Richard Wagner9:46
2Siegfried: Akt II. „Nun sing! Ich lausche dem Gesang“ (Siegfried, Waldvogel)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt II
composer and librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C
Richard Wagner4:08
3Siegfried: Akt III. Prelude
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1968-12 until 1969-02)
conductor:
Herbert von Karajan (conductor) (from 1968-12 until 1969-02)
balance engineer:
Günter Hermanns (producer/engineer) (from 1968-12 until 1969-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1968-12 until 1969-02)
partial recording of:
Siegfried, WWV 86C: Akt III, Vorspiel (from 1968-12 until 1969-02)
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner2:14
4Siegfried: Akt III. „Wache, Wala! Wala! Erwach!“ (Wanderer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt III, Scene I "Wache, Wala! Wala! Erwach’!"
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner2:15
5Siegfried: Akt III. Brunnhilde’s Awakening: Introduction
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt III, Scene III "Selige Öde auf sonniger Höh’!"
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner2:18
6Siegfried: Akt III. „Heil dir, Sonne! Heil dir, Licht!“ (Brunnhilde, Siegfried)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt III, Scene III "Selige Öde auf sonniger Höh’!"
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner4:05
7Siegfried: Akt III. „Siegfried! Siegfried! Seliger Held!“ (Brunnhilde, Siegfried)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Siegfried, WWV 86C: Akt III, Scene III "Selige Öde auf sonniger Höh’!"
composer:
Richard Wagner (composer) (from 1869-03-01 until 1871-02-05)
librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C: Akt III
Richard Wagner1:17
8Götterdämmerung: Prolog. Orchestral Interlude
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Vorspiel
composer:
Richard Wagner (composer) (from 1869-10-02 until 1873-12-24)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D
Richard Wagner3:27
9Götterdämmerung: Prolog. „Zu neuen Taten, teurer Helde“ (Brunnhilde)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Vorspiel
composer:
Richard Wagner (composer) (from 1869-10-02 until 1873-12-24)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D
Richard Wagner2:32
10Götterdämmerung: Prolog. „Mehr gabst du, Wunderfrau, als ich zu wahren weiß“ (Siegfried, Brunnhilde)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Vorspiel
composer:
Richard Wagner (composer) (from 1869-10-02 until 1873-12-24)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D
Richard Wagner9:53
11Götterdämmerung: Prolog. Siegfried’s Rhine Journey
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Excerpt from Götterdämmerung, WWV 86D: Vorspiel: Siegfrieds Rheinfahrt
composer:
Richard Wagner (composer) (from 1869-10-02 until 1873-12-24)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Vorspiel
Richard Wagner5:09
12Götterdämmerung: Akt III. Funeral Music
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Excerpt from Götterdämmerung, WWV 86D: Akt III, Scene II. Trauermusik beim Tode Siegfrieds (Funeral March)
composer:
Richard Wagner (composer) (from 1869 until 1874, from 1872-01-04 until 1874-11-21)
part of:
Götterdämmerung, WWV 86D: Akt III, Scene II "Hoiho?" - "Hoiho!"
Richard Wagner8:44
13Götterdämmerung: Akt III. „Starke Scheite schichtet mir dort“ (Brunnhilde)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner9:44
14Götterdämmerung: Akt III. „Mein Erbe nun nehm’ ich zu eigen“ (Brunnhilde)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Brünnhilde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1969-10-11 until 1970-01-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-10-11 until 1970-01-06)
conductor:
Herbert von Karajan (conductor) (from 1969-10-11 until 1970-01-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1969-10-11 until 1970-01-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1969-10-11 until 1970-01-06)
recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?" (from 1969-10-11 until 1970-01-06)
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner2:49
15Götterdämmerung: Akt III. „Fliegt heim, ihr Raben!“ (Brunnhilde)
producer:
Hans Weber (producer/engineer)
mezzo-soprano vocals [Brünnhilde]:
Helga Dernesch (Austrian soprano and mezzo‐soprano) (from 1969-10-11 until 1970-01-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1969-10-11 until 1970-01-06)
conductor:
Herbert von Karajan (conductor) (from 1969-10-11 until 1970-01-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1969-10-11 until 1970-01-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1969-10-11 until 1970-01-06)
recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?" (from 1969-10-11 until 1970-01-06)
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner3:54
16Götterdämmerung: Akt III. Conclusion (Hagen)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Götterdämmerung, WWV 86D: Akt III, Scene III "War das sein Horn?"
composer:
Richard Wagner (composer) (from 1872-01-04 until 1874-11-21)
librettist:
Richard Wagner (composer)
part of:
Götterdämmerung, WWV 86D: Akt III
part of:
Götterdämmerung, WWV 86D: Akt III
Richard Wagner4:51
4▼CD: Bach: Christmas Cantatas
#TitleArtistRatingLength
1Christen, ätzet diesen Tag, Cantata BWV 63: I. "Christen, ätzet diesen Tag"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": I. Coro "Christen, ätzet diesen Tag" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach5:31
2Christen, ätzet diesen Tag, Cantata BWV 63: II. "O sel'ger Tag"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": II. Recitativo (Alto) "O selger Tag! o ungemeines Heute" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach3:49
3Christen, ätzet diesen Tag, Cantata BWV 63: III. "Gott, Du hast es wohl gefüget"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": III. Aria (Duetto: Soprano, Basso) "Gott, du hast es wohl gefüget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach7:25
4Christen, ätzet diesen Tag, Cantata BWV 63: IV. "So kehret sich nun heut das bange Leid"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": IV. Recitativo (Tenore) "So kehret sich nun heut das bange Leid" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach0:55
5Christen, ätzet diesen Tag, Cantata BWV 63: V. "Ruft und fleht den Himmel an"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": V. Aria (Duetto: Alto, Tenore) "Ruft und fleht den Himmel an" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach4:13
6Christen, ätzet diesen Tag, Cantata BWV 63: VI. "Verdoppelt euch demnach, ihr heißen Andachtsflammen"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VI. Recitativo (Basso) "Verdoppelt euch demnach, ihr heißen Andachtsflammen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach1:14
7Christen, ätzet diesen Tag, Cantata BWV 63: VII. "Höchster, schau in Gnaden an"
sound engineer:
Harald Baudis (sound engineer), Klaus Scheibe (editor/engineer) and Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon), Dr. Manfred Richter (Producer for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violincello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, from 1972-03 until 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
oboe:
Manfred Clement (oboist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete I]:
Pierre Thibaud (French trumpeter) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete II]:
Paul Lachenmeier (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete III]:
Werner Binder (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
trumpet [Trompete IV]:
Manfred Klette (trumpet) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, from 1971-06 until 1971-07, from 1972-03 until 1972-04)
recording of:
Kantate, BWV 63 "Christen, ätzet diesen Tag": VII. Coro "Höchster, schau in Gnaden an diese Glut gebückter Seelen!" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Kantate, BWV 63 "Christen, ätzet diesen Tag"
Johann Sebastian Bach6:35
8Sehet, welch eine Liebe, Cantata BWV 64: I. "Sehet, welch eine Liebe"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:23
9Sehet, welch eine Liebe, Cantata BWV 64: II. "Das hat er alles uns getan"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1970-06 until 1970-07)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:49
10Sehet, welch eine Liebe, Cantata BWV 64: III. "Geh, Welt, behalte nur das Deine"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
11Sehet, welch eine Liebe, Cantata BWV 64: IV. "Was frag ich nach der Welt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1970-06 until 1970-07)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:02
12Sehet, welch eine Liebe, Cantata BWV 64: V. "Was die Welt in sich hält"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:24
13Sehet, welch eine Liebe, Cantata BWV 64: VI. "Der Himmel bleibet mir gewiss"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:33
14Sehet, welch eine Liebe, Cantata BWV 64: VII. "Von der Welt verlang ich nichts"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach6:45
15Sehet, welch eine Liebe, Cantata BWV 64: VIII. "Gute Nacht, o Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07) and Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1970-06 until 1970-07)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:23
16Ach Gott, wie manches Herzeleid, Cantata BWV 58: I. "Ach Gott, wie manches Herzeleid"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach5:01
17Ach Gott, wie manches Herzeleid, Cantata BWV 58: II. "Verfolgt dich gleich die arge Welt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:40
18Ach Gott, wie manches Herzeleid, Cantata BWV 58: III. "Ich bin vergnügt in meinem Leiden"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach3:51
19Ach Gott, wie manches Herzeleid, Cantata BWV 58: IV. "Kann es die Welt nicht lassen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach1:19
20Ach Gott, wie manches Herzeleid, Cantata BWV 58: V. "Ich hab für mir ein schwere Reis"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07) and Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07) and Elmar Schloter (organist) (from 1970-06 until 1970-07)
violin:
Gerhart Hetzel (violinist) (from 1970-06 until 1970-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07)
soprano vocals:
Sheila Armstrong (soprano) (from 1970-06 until 1970-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (catch-all for unknown versions) (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Martin Behm (in 1610)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach2:25
5▼CD: Debussy: Images I & II / Children's Corner / Préludes
#TitleArtistRatingLength
1Images for Piano, Set I, L. 110: I. Reflets dans l'eau
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy4:53
2Images for Piano, Set I, L. 110: II. Hommage à Rameau
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 2. Hommage à Rameau (Images, Book I: 2. Hommage à Rameau) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy6:35
3Images for Piano, Set I, L. 110: III. Mouvement
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 3. Mouvement (Images, Book I: 3. Mouvement) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy3:44
4Images for Piano, Set II, L. 111: I. Cloches à travers les feuilles
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 1. Cloches à travers les feuilles (Images, Book II: 1. Cloches à travers les feuilles) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Alexandre Charpentier
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy4:23
5Images for Piano, Set II, L. 111: II. Et la lune descend sur le temple qui fut
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 2. Et la lune descend sur le temple qui fut (Images, Book II: 2. Et la lune descend sur le temple qui fut) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Louis Laloy
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy5:14
6Images for Piano, Set II, L. 111: III. Poissons d'or
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Images, Livre 2, L. 111, CD 120 : No. 3. Poissons d’or (Images, Book II: 3. Poissons d’or) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (in 1907-10)
dedicated to:
Ricardo Viñes
part of:
Images, Livre 2, L. 111, CD 120 (for piano)
Claude Debussy4:04
7Children's Corner, L. 113: I. Doctor Gradus ad Parnassum
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: I. Doctor Gradus ad Parnassum (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:13
8Children's Corner, L. 113: II. Jimbo's Lullaby
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: II. Jimbo’s Lullaby (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy3:29
9Children's Corner, L. 113: III. Serenade for the Doll
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: III. Serenade for the Doll (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:17
10Children's Corner, L. 113: IV. The Snow is Dancing
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:38
11Children's Corner, L. 113: V. The Little Shepherd
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:28
12Children's Corner, L. 113: VI. Golliwogg's Cakewalk
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Arturo Benedetti Michelangeli (pianist) (from 1971-07-25 until 1971-08-03)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1971-07-25 until 1971-08-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1971-07-25 until 1971-08-03)
recording of:
Children’s Corner, L. 113: VI. Golliwogg’s Cake‐Walk (original piano version) (from 1971-07-25 until 1971-08-03)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:56
13Préludes: Voiles, L. 117/2
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: II. Voiles. Modéré (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy4:30
14Préludes: Les collines d'Anacapri, L. 117/5
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: V. Les collines d'Anacapri. Très modéré (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:19
15Préludes: Des pas sur la neige, L. 117/6
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VI. Des pas sur la neige. Triste et lent (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert]
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy4:59
16Préludes: Ce qu'a vu le vent d'ouest, L. 117/7
recording engineer:
Cord Garben (pianist and conductor)
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VII. Ce qu'a vu le vent d'ouest. Animé et tumultueux (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-07-26)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy3:42
17Préludes: La fille aux cheveux de lin, L. 117/8
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair) (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:54
18Préludes: La sérénade interrompue, L. 117/9
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: IX. La sérénade interrompue. Modérément animé (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1911-01-14)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:44
19Préludes: La cathédrale engloutie, L. 117/10
producer:
Karl Faust (producer) and Cord Garben (pianist and conductor)
piano:
Arturo Benedetti Michelangeli (pianist) (in 1978-06)
balance engineer:
Klaus Hiemann (engineer/producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Laeiszhalle in Hamburg, Germany (in 1978-06)
recording of:
Préludes, Livre I, L. 117, CD 125: X. La cathédrale engloutie. Profondément calme (in 1978-06)
composer:
Claude Debussy (French composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-05-25)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy6:52
6▶CD: Henze: Symphonies nos. 5 & 6 / Five Neapolitan Songs
7▶CD: Mozart: Piano Concerto no. 27 / Concerto for 2 Pianos K. 365 / Six Variations in F, K. 398 / Fantasia in D minor
8▶CD: Verdi: Overtures & Choruses
9▶CD: Chopin: 24 Préludes / Piano Concerto no. 2
10▶CD: Mozart: Piano Concerto no. 23 / Beethoven: Piano Concerto no. 4
11▶CD: Verdi: La traviata (1)
12▶CD: Verdi: La traviata (2)