101 Rock Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
included in:
We Will Rock You (Queen musical)
included in:
We Will Rock You (German version of the Queen musical)
Queen3.92:03
2Baba O’Riley
recording engineer, engineer and mixer:
Glyn Johns
additional producer:
Keith Moon (drummer)
associate producer:
Glyn Johns
producer:
The Who
bass guitar and brass:
John Entwistle (in 1971-05)
drums (drum set) and percussion and percussion:
Keith Moon (drummer) (in 1971-05)
guest violin:
Dave Arbus (in 1971-05)
guitar, organ, piano and synthesizer:
Pete Townshend (of The Who) (in 1971-05)
lead vocals:
Roger Daltrey (in 1971-05) and Pete Townshend (of The Who) (in 1971-05)
vocals:
Pete Townshend (of The Who) and John Entwistle (in 1971-05)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (in 1971-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 159) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 341)
recording of:
Baba O’Riley (in 1971-05)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!), Towser Tunes, Inc. and TRO Essex Japan, A-Division
The Who4.555:00
3Surrender
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 356) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 465)
recording of:
Surrender (from 1978-04-30 until 1978-05-03)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Cheap Trick3.854:15
4Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) and Arista Records, LLC (holding company - file NO releases here!) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith4.553:23
5Crocodile Rock
engineer:
Ken Scott (UK record producer & engineer)
producer:
Gus Dudgeon
bass guitar:
Dee Murray
drums (drum set):
Nigel Olsson
electric guitar:
Davey Johnstone
farfisa and piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France
recording of:
Crocodile Rock
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:55
6Maggie May
edit of:
Maggie May (without “Henry” prelude) by Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:43
7I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:31
8Whatever You Want
assistant engineer:
Freek Feenstra
engineer:
John Eden (producer) and Barry Hammond
producer:
Status Quo (UK boogie rock band) and Pip Williams (producer)
mixer:
Simon Sullivan
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979), Mercury Records Ltd. (London) (for copyrights use only) (in 1979), Mercury Records Ltd. (UK) (in 1979), Phonogram Ltd. (not for release label use!) (in 1979) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1979)
produced for:
Handle Records Ltd.
recorded at:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
music videos:
Whatever You Want by Status Quo (UK boogie rock band)
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo44:01
9You Ain’t Seen Nothing Yet
recording engineer and mixer:
Mark K. Smith (Canadian engineer)
assistant engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
assistant mixer:
Richard Dashut
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:52
10All Revved Up With No Place to Go
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
guitar family:
Todd Rundgren
membranophone:
John Wilcox
piano:
Roy Bittan
saxophone:
Edgar Winter
background vocals:
Ellen Foley
lead vocals:
Meat Loaf
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
All Revved Up With No Place to Go
lyricist and composer:
Jim Steinman
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Neverland Music Publishing Company and Peg Music Company
Meat Loaf3.554:19
11Search and Destroy
producer:
Iggy Pop
bass guitar:
Ron Asheton
drums (drum set):
Scott Asheton
electric guitar:
James Williamson (Iggy and The Stooges guitarist)
lead vocals:
Iggy Pop
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 49), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 468)
recording of:
Search and Destroy
writer and composer:
Iggy Pop and James Williamson (Iggy and The Stooges guitarist)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner Chappell Music Ltd. (no slash; used 1988–1996), Bug Music (music publishing) (until 2011) and BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management) (from 2011 to present)
Iggy and The Stooges4.153:27
12Godzilla
additional engineer:
Thom Panunzio and Corky Stasiak
assistant engineer:
Sam Ginsberg, Jay Krugman, Rod O’Brien, Gray Russell and David Thoener
engineer:
John Jansen (US recording engineer and producer) and Shelly Yakus
producer:
Blue Öyster Cult (US rock band), Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Shelly Yakus
bass guitar:
Joe Bouchard (in 1977-07)
drums (drum set) and harmonica:
Albert Bouchard (in 1977-07)
guitar:
Eric Bloom (Blue Öyster Cult) (in 1977-07), Joe Bouchard (in 1977-07), Buck Dharma (in 1977-07) and Allen Lanier (in 1977-07)
keyboard:
Allen Lanier (in 1977-07)
lead vocals:
Eric Bloom (Blue Öyster Cult) (in 1977-07) and Buck Dharma (in 1977-07)
vocals:
Albert Bouchard (from 1977-06 until 1977-07) and Joe Bouchard (in 1977-07)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1977-07)
recording of:
Godzilla (in 1977-07)
lyricist and composer:
Donald Roeser
publisher:
Blue Oyster Cult Songs, Inc., Sony Tunes, Inc., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing Group
Blue Öyster Cult3.93:42
13Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.853:57
14All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
bass:
Andy Fraser (English bassist, member of Free)
drums (drum set):
Simon Kirke
guitar:
Paul Kossoff
lead vocals:
Paul Rodgers
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
All Right Now by Free (60s/70s UK blues rock group)
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:15
15Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974, in 2020) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:44
16Magic Carpet Ride
producer:
Gabriel Mekler
recording of:
Magic Carpet Ride
writer:
John Kay (lead singer of Steppenwolf) and Rushton Moreve
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Music Pool, Inc., Trousdale Music Publishers, Inc., Universal Duchess Music Corp. and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.454:25
17Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:45
18Hold Your Head Up
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Argent3:18
19Keep On Running
producer:
Chris Blackwell (Island Records)
vocals and performer:
Steve Winwood
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1965)
cover recording of:
Keep On Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group42:44
20Rock me Baby
cover recording of:
Rock Me Baby
writer:
Joe Josea and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Powerforce Music, Sidney A. Seidenberg Music Ltd., Universal Music Careers, BMG Music (in 1994) and Modern Sparta Music Ltd. (in 1994)
is based on:
Rockin’ and Rollin’
Johnny Winter3:50
2▼CD
#TitleArtistRatingLength
1L.A. Woman
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Tommy Vicari
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Keith Forsey (drummer, producer and songwriter) and Billy Idol (English rock singer‐songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
music videos:
L.A. Woman by Billy Idol (English rock singer‐songwriter)
cover recording of:
L.A. Woman
lyricist:
Jim Morrison (lead vocalist of the Doors)
composer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
Billy Idol44:02
2Any Way You Want It
sound engineer, engineer and mixer:
Geoff Workman
assistant engineer:
Ken Kessie
producer:
Kevin Elson and Geoff Workman
bass guitar and bass pedals:
Ross Valory
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey)
guitar:
Neal Schon
harmonica and keyboard:
Gregg Rolie
background vocals:
Gregg Rolie, Neal Schon and Ross Valory
lead vocals:
Steve Perry (former lead singer of Journey)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1980) and CBS, Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
The Automatt in San Francisco, California, United States (from 1979-11-05 until 1979-11-12)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 80)
recording of:
Any Way You Want It
writer:
Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey4.153:23
3Hip to Be Square
engineer:
Jim Gaines and Robert Missbach
producer:
Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
baritone saxophone:
Stephen Kupka
background vocals:
Ralph Arista, Riki Ellison (American football player), Jerome Fletcher, Ronnie Lott (American football player), Joe Montana (American football player) and Jim Moran
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recording of:
Hip to Be Square
writer:
Bill Gibson (US drummer for Huey Lews & the News), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
publisher:
Hulex Music (publisher) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
part of:
American Psycho
Huey Lewis and the News4.254:04
4Bring Me Some Water
recording of:
Bring Me Some Water
lyricist and composer:
Melissa Etheridge
publisher:
Rondor Music (London) Ltd.
Melissa Etheridge4.653:54
5Couldn’t Stand the Weather
recording of:
Couldn’t Stand the Weather
lyricist and composer:
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble4:41
6Mean to Me
producer:
Mitchell Froom
recording of:
Mean to Me
lyricist and composer:
Neil Finn
Crowded House3.83:15
7No Lies
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1987)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia (in 1986-08)
recording of:
No Lies
publisher:
Chris Gilbey
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenstone Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Australia Pty. Ltd.
Noiseworks43:54
8Dogs Are Talking
recording of:
Dogs Are Talking
writer:
Rick Brewster and Doc Neeson
The Angels43:23
9Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.32:21
10Real Wild Child
drum machine [Linn drum] programming:
David Richards (Swiss-based producer and engineer) (from 1986-04 until 1986-05)
engineer:
David Richards (Swiss-based producer and engineer)
producer and mixer:
David Bowie (English singer‐songwriter) and David Richards (Swiss-based producer and engineer)
bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
Erdal Kızılçay (from 1986-04 until 1986-05)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05) and Steve Jones (Sex Pistols member) (from 1986-04 until 1986-05)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05), David Bowie (English singer‐songwriter) (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
lead vocals:
Iggy Pop (from 1986-04 until 1986-05)
phonographic copyright (℗) by:
A&M Records (in 1986)
recorded at:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1986-04 until 1986-05)
cover recording of:
Wild One (Real Wild Child) (from 1986-04 until 1986-05)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Southern Music (publisher)
Iggy Pop3.853:38
11Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo, Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.453:13
12Hold the Line
engineer and mixer:
Tom Knox
producer:
Toto (US rock group)
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (in 1978-08)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Bobby Kimball (in 1978-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.23:57
13Addicted to Love
producer:
Bernard Edwards (American bassist and record producer)
mixer:
Eric Thorngren
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) and WC Music Corp.
Robert Palmer4.53:57
14Danger Zone
synthesizer [synth] programming:
Hans Zimmer (German score composer)
engineer:
Dave Concors, Dave Connors and Tom Whitlock
executive producer:
Michael Dilbeck
producer:
Giorgio Moroder and Tom Whitlock
mixer:
Giorgio Moroder and Brian Reeves
drums (drum set):
John Robinson (session drummer)
guitar:
Dann Huff and Kenny Loggins
keyboard:
Giorgio Moroder
saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
synthesizer:
Tom Whitlock
lead vocals:
Kenny Loggins
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1986), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
recorded at:
Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
a cappella versions:
Danger Zone by Tufts Beelzebubs (Tufts University all-male a cappella group)
recording of:
Danger Zone (Top Gun)
lyricist:
Thomas Whitlock
composer:
Giorgio Moroder
publisher:
Budde Music Inc. (US publisher), Neue Welt Musikverlag GmbH (2017 – present), Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. (1929–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1986) and GMPC (in 1986)
Kenny Loggins4.33:37
15Satisfied
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (American recording engineer and producer) and Richard Marx
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Mike Baird (drummer)
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Michael Landau
keyboard:
Jeffery (C. J.) Vanston
organ [B3]:
Bill Payne
percussion:
Paulinho da Costa (Brazilian percussionist)
solo guitar:
Michael Landau
background vocals:
Richard Marx and Cynthia Rhodes
lead vocals:
Richard Marx
arranger:
Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
recording of:
Satisfied
lyricist and composer:
Richard Marx
Richard Marx54:12
16(What’s So Funny ’Bout) Peace, Love and Understanding
engineer:
Roger Bechirian
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
bass guitar:
Bruce Thomas
drums (drum set):
Pete Thomas (drummer)
guitar:
Elvis Costello
organ, piano and synthesizer:
Steve Nieve
vocals:
Elvis Costello
part of:
New York Post: 100 Greatest Covers (2007) (number: 65) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 284)
cover recording of:
(What’s So Funny ’Bout) Peace, Love and Understanding
lyricist and composer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
Plangent Visions Music, Inc.
Elvis Costello & The Attractions4.23:32
17But You Don’t Care
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1979)
recording of:
But You Don't Care
writer:
Murray Burns and Kevin Stanton
publisher:
BMG Music Publishing Australia Pty Ltd, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Australia Pty. Ltd.
Mi‐Sex4:32
18Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
phonographic copyright (℗) by:
A&M Records (in 1983) and A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading43:36
19The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
background vocals:
Graham (in 1976)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc4.553:20
20Tuff Enuff
engineer:
Carey Taylor
producer:
Dave Edmunds
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 96)
recording of:
Tuff Enuff
lyricist and composer:
Kim Wilson
publisher:
Hello Mr. Wilson
The Fabulous Thunderbirds43:22
21Freeze Frame
engineer:
Dave Thoener
producer:
Seth Justman
brass [horns]:
Alan Rubin, Randy Brecker, Ronnie Cuber, Lou Marini, Tom Melone (US trombonist) and George Young (saxophonist)
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
recorded at:
Long View Farm in North Brookfield, Massachusetts, United States
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, United States
recording of:
Freeze-Frame
writer:
Seth Justman and Peter Wolf (US rock vocalist, member of J. Geils Band)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and Kobalt Songs Music Publishing (USA, ASCAP affiliated)
The J. Geils Band4.23:57
3▼CD
#TitleArtistRatingLength
1Nothin’ But a Good Time
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
recording of:
Nothin’ but a Good Time
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing
Poison4.53:44
2Ballad of Youth
Richie Sambora3:53
3Feed My Frankenstein
recording engineer:
Paul Northfield
assistant engineer:
George Cowan (US engineer), Scott Jochim, Dave Levy and Brian Scheuble
executive producer:
Bob Pfeifer
producer:
Peter Collins (producer)
assistant mixer:
Brian Scheuble
drums (drum set):
Mickey Curry
guest bass guitar:
Nikki Sixx
guest guitar:
Joe Satriani and Steve Vai
guitar:
Stef Burns
keyboard:
Robert Bailey (UK keyboardist/backing vocalist) and John Webster (Canadian keyboardist)
background vocals:
Sherwood Ball (songwriter, not to be confused with guitarist Ernie Ball), Stan Bush, Cali (US musician, daughter of Alice Cooper), Nick Coler, Gary Falcone, Mike Finnigan (keyboardist), Shaun Murphy, Ian Richardson (Ford Timelord), Mick Wilson (UK singer/songwriter, member of 10cc) and Terry Wood (US vocalist)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
guest performer:
Elvira (Mistress of the Dark)
background vocals arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recorded at:
Bearsville Studios in Bearsville, New York, United States and The Complex Studios in Los Angeles, California, United States
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Feed My Frankenstein
writer:
Nick Coler, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Zodiac Mindwarp and Ian Richardson (Ford Timelord)
publisher:
BMG Platinum Songs US, EMI Songs Ltd., Ezra Music, Imagem London Ltd., Mr. Magus Ltd., Primary Wave Music Publishing, Sony/ATV Music Publishing Scandinavia, Sony/ATV Songs LLC, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) (, from 1991 to present), Warner Chappell Music Scandinavia, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Zomba Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (, from 1991 to ????), Zoo Music (US label), EMI Blackwood Music Inc. (from 1991 to ????), Zomba Enterprises, Inc. (from 1991 to ????), Zoo Music Ltd. (UK music publisher) (from 1991 to ????), Ezra Music Corp. (from 1991 to present) and WB Music Corp. (1929–2019) (from 1991 until 2019-05-28)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.854:45
4No Way But the Hard Way
phonographic copyright (℗) by:
Nettwerk Music Group Inc. (in 2009)
recording of:
No Way but the Hard Way
lyricist and composer:
Joel O'Keeffe and Ryan O'Keeffe
Airbourne3:35
5Stop the World
The Screaming Jets4:25
6Living After Midnight
engineer:
Louis Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (from 1980-01 until 1980-02)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1980-01 until 1980-02)
electric guitar:
Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
lead vocals:
Rob Halford (from 1980-01 until 1980-02)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
recorded at:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
music videos:
Living After Midnight (music video) by Judas Priest
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 27)
recording of:
Living After Midnight (from 1980-01 until 1980-02)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Judas Priest4.053:31
7The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.354:28
8Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow43:18
9Metal Health (Bang Your Head)
Quiet Riot3:54
10Uncle Tom’s Cabin
recording of:
Uncle Tom’s Cabin
lyricist:
Jani Lane
composer:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) and Erik Turner (guitarist for Warrant)
publisher:
Dixonyou Music, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music and Rich McBitch Music
Warrant34:02
11Shake Me
assistant engineer:
David Glover (bass guitarist), Joe Hauserman (engineer), Mark McKenna (engineer), Nick Didia and Paul Wertheimer (engineer)
engineer and producer:
Andy Johns
bass guitar:
Eric Brittingham
drums (drum set):
Fred Coury
guest keyboard:
Jeff Paris
guitar:
Tom Keifer and Jeff LaBar
piano and lead vocals:
Tom Keifer
background vocals:
Eric Brittingham and Jeff LaBar
guest background vocals:
Bill Mattson and Tony Mills (former vocalist for TNT and Shy)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States, Sigma Sound Studios in Philadelphia, Pennsylvania, United States, Sound Factory (1969–1980) in Los Angeles, California, United States and The Warehouse (Philadelphia, PA) in Philadelphia, Pennsylvania, United States
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Shake Me
lyricist and composer:
Tom Keifer
publisher:
Chappell & Co., Inc. (USA) and Eve Songs, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cinderella4.53:44
12Rock the Night
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1986) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
recording of:
Rock the Night
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Europe4.54:05
13Don’t Treat Me Bad
recording of:
Don't Treat Me Bad
writer:
Michael Foster (drummer of American glam metal band Firehouse), Bill Leverty and CJ Snare (frontman of American glam metal band FireHouse)
publisher:
CBS Music Inc. and Wocka-Wocka Music
FireHouse43:57
14Girlschool
recording of:
Girlschool
lyricist and composer:
Dean Davidson
Britny Fox4:25
15Kiss Me Deadly
assistant engineer:
Charlie Brocco, Jimmy Hoyson, Brett Swain and Toby Wright (producer & engineer)
engineer and mixer:
George Tutko (engineer, producer)
producer:
Mike Chapman (Australian producer and songwriter)
additional guest drums (drum set) and additional guest percussion:
Craig Krampf (in 1987)
bass guitar:
Donnie Nossov (in 1987)
drums (drum set):
Myron Grombacher (in 1987)
guitar:
Lita Ford (in 1987)
keyboard:
David Ezrin (in 1987)
guest background vocals:
Mike Chapman (Australian producer and songwriter) (in 1987) and Llory McDonald (in 1987)
vocals and performer:
Lita Ford (in 1987)
phonographic copyright (℗) by:
BMG Entertainment (in 1988) and Dreamland Records (in 1988)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1987)
mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 33) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 76)
recording of:
Kiss Me Deadly (in 1987)
lyricist and composer:
Mick Smiley
publisher:
Mike Chapman Publishing Enterprises, The Makiki Publishing Co. Ltd., The Twin Towers Co. and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lita Ford3.654:00
16Turn Up the Radio
producer:
Neil Kernon
recording of:
Turn Up the Radio
writer:
Steven Isham, Steve Lynch, Steve Plunkett, Randy Rand and Keni Richards
publisher:
Black Casper Music, Ish Music, Lynch Mob Music, Plunkrock Music and Songs of Universal, Inc. (BMI)
Autograph3.54:36
17Why Do You Think They Call it Dope?
recording of:
Why Do You Think They Call It Dope?
lyricist and composer:
Skid Rose
Love/Hate3:56
18Scared
assistant engineer:
Bruce Barris and Aaron Isaacs
engineer, producer and mixer:
Max Norman
bass guitar:
Mike Watson (Dangerous Toys bassist)
drums (drum set):
Mark Geary (Dangerous Toys drummer)
guitar:
Scott Dalhover
background vocals [gang vocals]:
The Waste “O” Skin Choir
lead vocals:
Jason McMaster (US hard rock singer)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
mixed for and produced for:
SBK Record Productions Inc.
recorded at:
Sound City Studios in Van Nuys, California, United States (from 1988-09 until 1988-11)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Scared
lyricist:
Jason McMaster (US hard rock singer)
composer:
Scott Dalhover, Mark Geary (Dangerous Toys drummer), Jason McMaster (US hard rock singer) and Mike Watson (Dangerous Toys bassist)
dedicated to:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), SBK Blackwood Music Inc. (1987-12-30–1989-07-14) (from 1989 to ????), Wank Music (from 1989 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Dangerous Toys4:05
19Once Bitten, Twice Shy
assistant engineer:
Melissa Sewell
co-engineer:
Eddie Ashworth
engineer:
Michael Lardie
producer:
Michael Lardie and Alan Niven
bass guitar:
Tony Montana (US metal bassist for Great White)
drums (drum set):
Audie Desbrow
guitar and keyboard:
Michael Lardie
guitar [lead guitar]:
Mark Kendall
lead vocals:
Jack Russell (original singer for Great White)
recorded at:
Total Access Recording in Redondo Beach, California, United States
cover recording of:
Once Bitten Twice Shy
lyricist and composer:
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. and Ian Hunter Music Inc.
Great White35:24
4▼CD
#TitleArtistRatingLength
1Higher Ground
additional engineer:
Michael Beinhorn
engineer:
Garth Richardson (Canadian music producer and engineer)
producer:
Michael Beinhorn
mixer:
Dave Jerden and Garth Richardson (Canadian music producer and engineer)
bass:
Flea (US bassist)
drums (drum set):
Chad Smith (drummer from Red Hot Chili Peppers)
guitar:
John Frusciante
background vocals:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Various Artists, add compilations to this artist) and Merrill Ward
lead vocals:
Anthony Kiedis
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
recorded at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
cover recording of:
Higher Ground
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stein & Van Stock, Inc.
Red Hot Chili Peppers3.953:22
2Black Hole Sun
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
edit of:
Black Hole Sun (album version) by Soundgarden
recording of:
Black Hole Sun
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden44:32
3I Alone
engineer:
Lou Giordano (Boston engineer)
executive producer:
Gary Kurfirst
producer:
Jerry Harrison (Talking Heads & producer) and Live (US alt rock band)
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Radioactive Records (US rock) (in 1994) and Radioactive Records, J.V. (in 1994)
recorded at:
Pachyderm Recording Studio in Cannon Falls, Minnesota, United States
mixed at:
Music Head Recording in Lake Geneva, Wisconsin, United States
recording of:
I Alone
lyricist:
Ed Kowalczyk
composer:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk and Chad Taylor (US guitarist for Live)
publisher:
Audible Sun Music and Universal Music Careers
Lïve4.253:52
4Freak
recording engineer and producer:
Nick Launay
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1996)
recording of:
Freak
lyricist and composer:
Daniel Johns
Silverchair4.23:47
5Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.93:32
6Cry in Shame
recording engineer:
Terry Manning (US recording engineer) (from 1988-08 until 1988-09)
producer and mixer:
Terry Manning (US recording engineer)
bass:
Johnny 'Tatt' Dalzell (from 1988-08 until 1988-09)
guitar:
Diesel (Australian pop rock aka Mark Lizotte) (from 1988-08 until 1988-09)
saxophone and background vocals:
Bernie Bremond (from 1988-08 until 1988-09)
instruments arranger:
Brent Eccles and Terry Manning (US recording engineer)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (from 1988-08 until 1988-09)
recording of:
Cry in Shame (from 1988-08 until 1988-09)
lyricist and composer:
Diesel (Australian pop rock aka Mark Lizotte)
publisher:
EMI Songs
Johnny Diesel & the Injectors34:44
7All Torn Down
The Living End4:08
8Good Mornin’
You Am I4:12
9Animal
music videos:
Animal by Jebediah (Australian alternative rock band)
recording of:
Animal
lyricist:
Kevin Mitchell (Australian musician)
composer:
Chris Daymond, Brett Mitchell, Kevin Mitchell (Australian musician) and Vanessa Thornton
Jebediah34:28
10Buy Me a Pony
recording engineer and producer:
Phil McKellar (Australian producer and engineer)
assistant engineer:
Aaron Pratley
phonographic copyright (℗) by:
Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1996)
recorded at:
Studio 301 (in 1996-03)
music videos:
Buy Me a Pony by Spiderbait
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1996)
recording of:
Buy Me a Pony (in 1996-03)
lyricist and composer:
Janet English, Mark Maher (singer/drummer from Spiderbait) and Damian Whitty
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait31:45
11Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.153:33
12Celebrity Skin
mixer:
Tom Lord‐Alge
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 16)
recording of:
Celebrity Skin
writer:
Billy Corgan, Eric Erlandson and Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Strictly Confidential and Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:43
13Zombie
assistant engineer and assistant producer:
Julie Gardiner (engineer)
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:08
14The Distance
assistant engineer:
Scott Reams
engineer:
Joe Johnston (US recording engineer), Craig Long and Kirt Shearer
producer:
CAKE (US alt. rock band)
arranger:
CAKE (US alt. rock band)
recorded at:
Paradise Studios (Sacramento) in Sacramento, California, United States and Pus Cavern in Sacramento, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 318)
recording of:
The Distance
lyricist and composer:
Greg Brown (Former guitarist in CAKE)
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management) and Chumpion Music
CAKE3.93:00
15B.Y.O.B.
assistant engineer:
Phillip Broussard
engineer:
John O’Mahony and David Schiffman (American producer/audio engineer)
producer:
Daron Malakian and Rick Rubin (US record producer, former co‐president of Columbia Records)
assistant mixer:
Joe Peluso
mixer:
Andy Wallace (engineer)
editor:
Jason Lader and Dana Neilsen
bass guitar:
Shavo Odadjian
guitar:
Daron Malakian
instruments:
John Dolmayan
vocals:
Daron Malakian and Serj Tankian
recording of:
B.Y.O.B.
lyricist:
Daron Malakian and Serj Tankian
composer:
Daron Malakian
System of a Down4.14:18
16Freak on a Leash
additional recording engineer and assistant engineer:
John Ewing, Jr. (engineer)
recording engineer:
Toby Wright (producer & engineer)
producer:
Korn (US nu metal band), Steve Thompson (producer) and Toby Wright (producer & engineer)
mixer:
Brendan O’Brien (engineer)
editor:
Don C. Tyler
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1998)
music videos:
Freak on a Leash (official video) by Korn (US nu metal band)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 48)
recording of:
Freak on a Leash
writer:
Brian Welch (Brian Phillip Welch, member of Korn), Jonathan Davis (vocalist for Korn), James Shaffer, Reginald Arvizu and David Silveria
Korn3.954:17
17Love Rears It’s Ugly Head
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990)
recording of:
Love Rears Its Ugly Head
lyricist and composer:
Vernon Reid (English-born US guitarist and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Living Colour24:20
18Teenage Dirtbag
recording engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus2.54:03
19Misery
additional engineer:
Ken Lewis (recording engineer and mixer) and Mark Mason (sound engineer)
assistant engineer:
Chad Bamford, Mike Baumgartner, Danny Kadar, Brian Kinkead, Dale Lawton, Mick Stern (engineer), Darren Mora, Richard Huredia (US hip hop mix engineer), Steve Sisco and Casey Stone (engineer)
engineer:
John Siket
producer:
Soul Asylum and Butch Vig
mixer:
Andy Wallace (engineer)
bass guitar:
Karl Mueller (US bass guitarist)
drums (drum set), percussion and background vocals:
Sterling Campbell
guitar:
Daniel Murphy (guitarist, of Soul Asylum) and David Pirner
organ:
David Pirner and Joey Huffman
trumpet:
David Pirner
vocals:
Daniel Murphy (guitarist, of Soul Asylum) and David Pirner
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States, Mad Hatter Studios (Los Angeles) in Echo Park, Los Angeles, California, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States and Soundtrack Studios in New York, New York, United States
mixed at:
Soundtrack Studios in New York, New York, United States
recording of:
Misery
lyricist and composer:
Dave Pirner
publisher:
Made to be Broken Music and WB Music Corp. (1929–2019)
Soul Asylum44:26
20Lit Up
engineer and mixer:
Terry Date (American record producer and engineer)
producer:
Terry Date (American record producer and engineer) and Steve Jones (Sex Pistols member)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 98)
recording of:
Lit Up
writer:
Jonathan Brightman, Devon Glenn, Keith Nelson (of Buckcherry) and Josh Todd (lead singer of Buckcherry)
publisher:
Lit Up Music and Sony/ATV Harmony
Buckcherry3.53:36
5▶CD

Credits

Release group

part of:101 Hits (Australian compilation series) (number: Rock Hits) (order: 25)