Song Review: A Greatest Hits Collection

~ Veröffentlichung von Stevie Wonder (alle Versionen dieser Veröffentlichung ansehen, 14 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Isn't She Lovely
recording of:
Isn’t She Lovely
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher) und Jobete Music Co., Inc.
sub-publisher:
大洋音楽 (Taiyō Music)
Stevie Wonder53:20
2I Just Called to Say I Love You
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
I Just Called to Say I Love You
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1984 winner)
übersetzte Version von:
Hoe dan ook ... ik zal oe belle
Stevie Wonder4.354:23
3Superstition
Moog-Programmierung und Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Techniker(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
recording of:
Superstition
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.54:01
4Sir Duke
Programmierung:
Charles Brewer, John Fischbach und Stevie Wonder
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
Gitarre:
Ben Bridges und Michael Sembello
Perkussion, Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Raymond Pounds
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio und Raymond Maldonado
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
Stevie Wonder4.553:53
5Master Blaster (Jammin')
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1976)
recording of:
Master Blaster (Jammin’)
Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und Jobete Music Co., Inc.
Stevie Wonder4.354:51
6Ebony & Ivory
Assistent recording engineer:
Mike Stavrou (producer/engineer) (von 1981-02-28 bis 1981-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1981-02-28 bis 1981-10)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
assistierende(r) Mix:
Jon Jacobs (UK producer/engineer) (am 1982-01-19)
Mix:
Geoff Emerick (British recording engineer) (am 1982-01-19)
E-Bass, Gitarre, Klavier und Vocoder:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10)
Hybrid-Piano und Schlagzeug:
Stevie Wonder (von 1981-02-28 bis 1981-10)
Perkussion, Synthesizer und Hintergrundgesang und Sologesang:
Paul McCartney (The Beatles) (von 1981-02-28 bis 1981-10) und Stevie Wonder (von 1981-02-28 bis 1981-10)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Paul McCartney (The Beatles)
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1982)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1981-02-28), Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1981-03-30) und Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1981-10)
mixed at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (am 1982-01-19)
recording of:
Ebony and Ivory (von 1981-02-28 bis 1981-10)
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Parodieversion von:
Curdled Milk and Boot Polish
Paul McCartney & Stevie Wonder3.23:42
7Happy Birthday
assistierende(r) Techniker(in):
Bob Harlan
Techniker(in) und Mix:
Gary Olazabal
Produzent(in):
Stevie Wonder
Bass-Synthesizer, Keyboard und Schlagzeug:
Stevie Wonder
arranger:
Stevie Wonder
aufgenommen bei und mixed at:
Wonderland Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Happy Birthday
Texter und Komponist(in):
Stevie Wonder
publisher:
Jobete Music (UK) Ltd.
Stevie Wonder55:54
8Living for the City
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 104)
recording of:
Living for the City
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music Co., Inc., Stein & Van Stock, Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder4.53:42
9He's Misstra Know It All
Produzent(in):
Stevie Wonder
Bassgitarre:
Willie Weeks (US bass player)
arranger:
Stevie Wonder
recording of:
He’s Misstra Know‐It‐All
Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc. und Stein & Van Stock, Inc.
Stevie Wonder45:35
10You Are the Sunshine of My Life
Moog-Programmierung und Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Techniker(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Bassgitarre:
Scott Edwards (bassist) (in 1972)
Conga:
Daniel Ben Zebulon (in 1972)
Hintergrundgesang:
Gloria Barley (in 1972), Jim Gilstrap (in 1972) und Lani Groves (in 1972)
Sologesang:
Stevie Wonder (in 1972)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 83), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 281)
recording of:
You Are the Sunshine of My Life (in 1972)
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Stevie Wonder4.32:57
11Lately
assistierende(r) Techniker(in):
Bob Harlan
Techniker(in) und Mix:
Gary Olazabal
Produzent(in):
Stevie Wonder
Bass-Synthesizer und Klavier:
Stevie Wonder
arranger:
Stevie Wonder
aufgenommen bei und mixed at:
Wonderland Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Lately
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
Stevie Wonder54:07
12Part-time Lover
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder
arranger:
Stevie Wonder
recording of:
Part‐Time Lover
Texter, Komponist(in) und arranger:
Stevie Wonder
publisher:
Black Bull Music, Jobete Music Co., Inc. und 大洋音楽 (Taiyō Music)
Stevie Wonder4.53:44
13My Cherie Amour
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (von 1967 bis 1968)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (von 1967 bis 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 399)
recording of:
My Cherie Amour (von 1967 bis 1968)
Verfasser(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:53
14Yester-me, Yester-you, Yesterday
Produzent(in):
Johnny Bristol und Harvey Fuqua
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recording of:
Yester‐Me, Yester‐You, Yesterday
Verfasser(in):
Ron Miller (Motown songwriter Ronald Norman Miller) und Bryan Wells
publisher:
Jobete Music (appears also as: Jobete Msc.)
Stevie Wonder53:06
15Uptight (Everything's Alright)
Produzent(in):
Henry Cosby und William Stevenson (Motown songwriter)
Sologesang:
Stevie Wonder (in 1965)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1965)
recording of:
Uptight (Everything’s Alright) (in 1965)
Texter und Komponist(in):
Henry Cosby, Sylvia Moy und Stevie Wonder
publisher:
EMI April Music Inc., Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music und Stone Agate Music
Stevie Wonder4.652:55
16I Was Made to Love Her
Produzent(in):
Henry Cosby
Bass:
James Jamerson (am 1967-03-31)
E-Sitars:
Eddie Willis (am 1967-03-31)
Instrumente:
The Funk Brothers (am 1967-03-31)
Mundharmonika und Sologesang:
Stevie Wonder (am 1967-03-31)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) und Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-03-31)
recording of:
I Was Made to Love Her (am 1967-03-31)
Verfasser(in):
Henry Cosby, Lula Mae Hardaway (songwriter), Sylvia Moy und Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:37
17For Once in My Life
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (in 1967)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:49
18Signed, Sealed, Delivered, I'm Yours
Produzent(in):
Stevie Wonder
Sologesang:
Stevie Wonder (in 1970)
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 31)
recording of:
Signed, Sealed, Delivered I’m Yours (in 1970)
Verfasser(in):
Lee Garrett, Lula Mae Hardaway (songwriter), Syreeta (US singer‐songwriter active 1970s–80s) und Stevie Wonder
publisher:
Black Bull Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music und 大洋音楽 (Taiyō Music)
Stevie Wonder4.32:39
19For Your Love
Produzent(in):
Stevie Wonder
recording of:
For Your Love
Texter und Komponist(in):
Stevie Wonder
Stevie Wonder4:05
20Kiss Lonely Good-bye
recording of:
Kiss Lonely Good‐bye
Verfasser(in):
Stevie Wonder
Stevie Wonder4:10
21Redemption Song
cover recording of:
Redemption Song
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
Stevie Wonder3:46