The Rock ’n’ Roll Hall of Fame

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD: Superstars’ Superhits
Nr.TitelKünstlerBewertungLänge
1Peggy Sue
recording of:
Peggy Sue
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
Buddy Holly2:33
2Wake Up Little Susie
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 21) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 311)
recording of:
Wake Up Little Susie (in 1957)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:02
3(We’re Gonna) Rock Around the Clock
recording of:
Rock Around the Clock (Bill Haley’s version)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets2:14
4California Girls
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Mike Love (Beach Boys)
remixer:
Mark Linett (in 2002)
remixed at:
Your Place or Mine Recording in Glendale, California (Kalifornien), Vereinigte Staaten (in 2002)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 71)
instrumental recording of:
California Girls
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
The Beach Boys4.52:40
5Rock and Roll Music
recording of:
Rock and Roll Music
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Campbell Connelly, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:36
6Lonely Teardrops
recording of:
Lonely Teardrops
Verfasser(in):
Tyran Carlo, Berry Gordy und Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Lena Music, Regent Music (BMI) und The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Jackie Wilson2:46
7My Prayer
The Platters2:48
8Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:10
9Good Vibrations
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.753:39
10Blueberry Hill
Produzent(in):
Dave Bartholomew
phonographisches Urheberrecht (℗) von:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Bearbeitung von:
Blueberry Hill (Imperial) von Fats Domino
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 81) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 147)
cover recording of:
Blueberry Hill (am 1956-06-27)
Texter:
Al Lewis (Tin Pan Alley era lyricist) und Larry Stock
Komponist(in):
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company und Victoria Music Publishing Co. Ltd.
Teil von:
12 Monkeys Soundtrack
Fats Domino4.652:24
11Lover Please
Clyde McPhatter1:55
12Where Did Our Love Go
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-04-08)
Bass:
James Jamerson (am 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (am 1964-04-08)
Gitarre:
Robert White (US funk/soul guitarist) (am 1964-04-08) und Eddie Willis (am 1964-04-08)
Klavier:
Earl Van Dyke (am 1964-04-08)
Schlagzeug:
Richard "Pistol" Allen (am 1964-04-08)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-04-08)
Hintergrundgesang:
Florence Ballard (am 1964-04-08) und Mary Wilson (am 1964-04-08)
Sologesang:
Diana Ross (am 1964-04-08)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1964-04-08)
recording of:
Where Did Our Love Go (am 1964-04-08)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Verfasser(in):
Holland / Dozier / Holland
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
The Supremes2:35
13What’d I Say (Part 1)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
alto saxophone und Tenorsaxophon:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
baritone saxophone:
Hank Crawford (am 1959-02-18)
Bass:
Edgar Willis (bass) (am 1959-02-18)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
Trompete:
Marcus Belgrave (am 1959-02-18)
Hintergrundgesang:
The Raelettes (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-02-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 1)
teilweise recording of:
What’d I Say (am 1959-02-18)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:13
14I’ll Come Running Back to You
recording of:
I’ll Come Running Back to You
Texter und Komponist(in):
Bill Cook (American songwriter)
Sam Cooke2:16
15Patches
cover recording of:
Patches
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:13
16(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
Interpret(in):
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1967)
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackie Wilson4.83:02
17I Can’t Help Myself (Sugar Pie, Honey Bunch)
Four Tops2:45
18I Heard It Through the Grapevine
cover recording of:
I Heard It Through the Grapevine
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3:17
2▼CD: The Golden Groups
Nr.TitelKünstlerBewertungLänge
1Save the Last Dance for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-05-19)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1960-05-19)
Baritongesang:
Doc Green (am 1960-05-19)
Bass-Gesang:
Elsbeary Hobbs (am 1960-05-19)
Sologesang:
Benny Nelson (am 1960-05-19)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1960-05-19) und Johnny Williams (soul/blues vocalist) (am 1960-05-19)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-05-19)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 182)
recording of:
Save the Last Dance for Me (am 1960-05-19)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., The Manor Music Co. Ltd., Trio Music Co., Inc., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
The Drifters52:31
2Little Darlin’
cover recording of:
Little Darlin’
Texter und Komponist(in):
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. und Excellorec Music
The Diamonds2:11
3Surfin’ USA
recording of:
Surfin’ U.S.A.
Texter:
Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
basiert auf:
Sweet Little Sixteen
The Beach Boys2:31
4All Day and All of the Night
Produzent(in):
Shel Talmy
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (am 1964-09-23)
Gitarre:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (am 1964-09-23)
Klavier:
Perry Ford (English pop singer) (am 1964-09-23)
Schlagzeug:
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (am 1964-09-23)
Hintergrundgesang:
Johnny B. Great (am 1964-09-23)
Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (am 1964-09-23)
Herausgeber:
Edward Kassner Music Co. Ltd.
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 23)
recording of:
All Day and All of the Night (am 1964-09-23)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd., Jay Boy und Kassner Associated Publishers Ltd.
The Kinks4.552:26
5Do You Love Me
cover recording of:
Do You Love Me
Texter und Komponist(in):
Berry Gordy
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:26
6Poison Ivy
recording of:
Poison Ivy
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Carlin Music Corporation, Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Songs LLC und Warner/Chappell Music Ltd. (1996–2019)
The Coasters2:44
7Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s4.152:55
8Tired of Waiting for You
recording of:
Tired of Waiting for You
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks2:34
9The Great Pretender
The Platters2:41
10Bye Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:21
11Why Don’t You Love Me
recording of:
Why Don’t You Love Me (am 1950-01-09)
Texter und Komponist(in):
Hank Williams (country music legend) (in 1950)
publisher:
Acuff-Rose Music Limited (UK)
Hank Williams42:27
12Dream Baby (How long Must I Dream)
Roy Orbison2:35
13Whole Lotta Shakin’ Goin’ On
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
Jerry Lee Lewis2:54
14Blue Suede Shoes
recording of:
Blue Suede Shoes
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins2:17
15Ballad of a Teenage Queen
recording of:
Ballad of a Teenage Queen
Texter und Komponist(in):
Jack Clement
Johnny Cash2:10
16Poetry in Motion
cover recording of:
Poetry in Motion
Verfasser(in):
Mike Anthony (US songwriter) und Paul Kaufman (songwriter)
Johnny Tillotson2:31
17Move It on Over
Bass:
Bronson Reynolds (Bronson Lee Reynolds; comedian who also played bass and harmonica; sometimes nicknamed "Barefoot Brownie")
E-Gitarre:
Zeke Turner
Fiddle:
Tommy Jackson (bluegrass fiddler)
Gitarre und Stimme/Gesang:
Hank Williams (country music legend)
Gitarre [rhythm guitar]:
Louie Innis
Steel-Gitarre:
Dale Lohman (guitarist; performs with Hank Williams)
recording of:
Move It on Over (am 1947-04-21)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Hank Williams42:46
18Dim Dim the Lights (I Want Some Atmosphere)
recording of:
Dim, Dim the Lights
Verfasser(in):
Julius Dixson und Beverly Ross
Bill Haley & His Comets2:34
3▼CD: The Legends of Rock ’n’ Roll
Nr.TitelKünstlerBewertungLänge
1Oh Boy
The Crickets2:11
2Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis1:55
3Good Golly Miss Molly
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
Little Richard2:11
4I’m in Love Again
recording of:
I’m in Love Again
Verfasser(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
Fats Domino2:03
5Bo Diddley
recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
Bo Diddley2:30
6Sweet Little Sixteen
recording of:
Sweet Little Sixteen
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3:06
7C’mon Everybody
E-Bass:
Connie “Guybo” Smith (bass player) (am 1958-10-10)
Gitarre:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
Klavier:
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (am 1958-10-10)
Schlagzeug:
Earl Palmer (am 1958-10-10)
Tamburin:
Jerry Capehart (am 1958-10-10)
vocals:
Eddie Cochran (US rock and roll musician active in 1950s) (am 1958-10-10)
aufgenommen bei:
Goldstar Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-10-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 403)
recording of:
C’mon Everybody (am 1958-10-09)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran41:58
8Runaround Sue
recording of:
Runaround Sue
Texter:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
Komponist(in):
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. und Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:37
9See You Later Aligator
Bill Haley & His Comets2:49
10Chantilly Lace
The Big Bopper2:27
11Stupid Cupid
recording of:
Stupid Cupid
Texter:
Howard Greenfield
Komponist(in):
Neil Sedaka
Connie Francis2:12
12The Purple People Eater
Sheb Wooley2:16
13Yakety Yak
The Coasters1:48
14Nut Rocker
recording of:
Nut Rocker
Komponist(in):
Kim Fowley und Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
publisher:
Kim Fowley Music
basiert auf:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers2:03
15Here Comes the Judge
recording of:
Here Comes the Judge
Verfasser(in):
Billie Jean Brown, Suzanne de Passe und Frederic Earl ‘Shorty’ Long (soul singer, musician, songwriter and producer)
Shorty Long2:41
16Alley Oop
recording of:
Alley Oop
Texter und Komponist(in):
Dallas Frazier (American songwriter and musician)
The Hollywood Argyles2:46
17The Green Door
recording of:
Green Door
Texter:
Marvin Moore (songwriter, best known for “Four Walls” and “The Green Door”)
Komponist(in):
Bob Davie
Jim Lowe2:17
18Who Put the Bomp (in the Bomp Ba Bomp Ba Bomp)
recording of:
Who Put the Bomp (In the Bomp, Bomp, Bomp) (am 1961-06-21)
Verfasser(in):
Gerry Goffin und Barry Mann
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
übersetzte Version von:
Quien puso el bomp? (Versión en español por Los Twist)
Barry Mann32:46