The Power of Love

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: You’re the Inspiration
#TitleArtistRatingLength
1You’re the Inspiration
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago53:51
2Have I Told You Lately
producer:
Bernard Edwards (American bassist and record producer) and Rod Stewart
bass guitar:
Bernard Edwards (American bassist and record producer)
drums (drum set) [Drums]:
Rave Calmer (drummer)
guitar:
Jeff Golub
keyboard:
Chuck Kentis
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Rod Stewart
strings arranger:
Bruce Miller (US composer and arranger)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1991) and Warner Music International Inc. (not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1995)
cover recording of:
Have I Told You Lately
lyricist and composer:
Van Morrison
writer:
Scott Wiseman
publisher:
Barrule UK Ltd., BMG Platinum Songs US, Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd., Exile Publishing UK, Gallo Music Publishers, PolyGram Music Publishing, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Intersong Music Ltd. (in 1989)
Rod Stewart4:00
3I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:01
4You Are So Beautiful
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
cover recording of:
You Are So Beautiful
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) and Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:43
5Unforgettable
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
Al Schmitt
bass:
Ray Brown (jazz bassist)
drums (drum set):
Sol Gubin
guitar:
John Chiodini
piano:
Mike Lang (American pianist and composer) and Michael Melvoin
solo saxophone:
Pete Christlieb
vocals:
Natalie Cole and Nat King Cole (in 1951)
arranger:
Johnny Mandel (American composer and arranger)
vocals arranger:
Natalie Cole and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
recording of:
Unforgettable
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Natalie Cole with Nat King Cole3:32
6Giving You the Best That I Got
recording of:
Giving You the Best That I Got
lyricist and composer:
Anita Baker, Randy Holland (songwriter/engineer) and Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music and Fresh Air Music Ltd.
Anita Baker3:54
7Here and Now
recording engineer and mixer:
Ray Bardani
producer:
Jacques Fred Petrus
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recording of:
Here and Now
writer:
David L. Elliott and Terry Steele
publisher:
D.L.E. Music, EMI April Music Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Ollie Brown Sugar Music (ASCAP-affiliated) and Universal‐MCA Music Publishing (US)
Luther Vandross5:25
8Stuck on You
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Stuck on You
lyricist and composer:
Lionel Richie
publisher:
Brockman Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lionel Richie43:12
9Lady
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1980) and Liberty Records, Inc. (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 67)
recording of:
Lady (in 1980)
lyricist and composer:
Lionel Richie, Jr.
publisher:
Brockman Music
Kenny Rogers3.43:47
10Could I Have This Dance
recording engineer:
Ken Friesen (engineer with Eastern Sound, active 1960s–1990s)
producer:
Jim Ed Norman
mixer:
Eric Prestidge
acoustic guitar:
Aidan Mason
bass:
Mike Bowden
electric guitar:
George Hebert
electric piano:
Brian Gatto
percussion:
John Anderson (percussionist)
piano [acoustic piano]:
Pat Riccio, Jr.
steel guitar:
Jay Dee Maness (American pedal steel guitarist)
strings:
Alan Broadbent
lead vocals:
Anne Murray (Canadian pop/country singer)
conductor:
Alan Broadbent
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Could I Have This Dance
writer:
Wayland Holyfield and Bob House (songwriter)
publisher:
Sony/ATV Tree Publishing and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Anne Murray4.53:16
11You Light Up My Life
producer:
Joseph Brooks (US songwriter/film director)
arranger:
Joseph Brooks (US songwriter/film director)
produced for:
Mike Curb Productions
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 3) and Billboard: Greatest of All Time Hot 100 Songs (number: 12)
recording of:
You Light Up My Life
lyricist and composer:
Joseph Brooks (US songwriter/film director)
publisher:
Curb Songs, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 電通ミュージック・アンド・エンタテインメント PR第3事業部
part of:
The 50th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1977 winner)
Debby Boone53:40
12One in a Million You
recording of:
One in a Million You
writer:
Sam Dees
Larry Graham4:12
13I Swear (radio edit)
producer:
David Foster (Canadian music producer, arranger and composer)
part of:
The Downloader’s Music Source Book (number: 389)
cover recording of:
I Swear
writer:
Gary Baker (songwriter) and Frank J. Meyers (country music singer, songwriter, record producer)
publisher:
MorganActive Songs, Inc. and Rick Hall Music, Inc.
All‐4‐One44:20
14Right Here Waiting
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (US musician/producer, member of C+C Music Factory), David Cole (American recording engineer and producer) and Richard Marx
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger)
keyboard:
Jeffery (C. J.) Vanston
lead vocals:
Richard Marx
arranger:
Jeffery CJ Vanston and Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
music videos:
Right Here Waiting by Richard Marx
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx3.754:26
15Somewhere Out There
recording engineer:
Allen Sides
associate producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
mixer:
George Massenburg
vocals:
James Ingram (R&B singer) and Linda Ronstadt
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986)
cover recording of:
Somewhere Out There (An American Tail)
lyricist:
Cynthia Weil
writer:
Mann & Weil (songwriter duo)
composer:
James Horner (American score composer) and Barry Mann
publisher:
MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), USI A Music Publishing, USI B Music Publishing, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 59th Academy Award for Best Original Song (number: 2)
part of:
An American Tail (1986 animated film)
Linda Ronstadt and James Ingram4:00
16I’ll Always Love You
recording of:
I'll Always Love You
lyricist and composer:
Jimmy George (songwriter)
publisher:
Auspitz Music and Lucky Break Music
Taylor Dayne4:32
17You Make Me Feel Brand New
arranger:
Thom Bell (keyboards, songwriter, producer)
recording of:
You Make Me Feel Brand New
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.54:47
18When a Man Loves a Woman
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis, Percy Sledge and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52
2▼CD: How Much I Feel
#TitleArtistRatingLength
1Waiting for a Girl Like You
assistant engineer:
Edwin Hobgood (engineer) and Michael Sauvage
engineer:
Tony Platt (UK engineer and producer), Brad Samuelsohn and Dave Wittman
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Robert John “Mutt” Lange (Robert John Lange)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar [lead guitar]:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Bob Mayo (US session keyboardist & guitarist)
synthesizer:
Thomas Dolby
background vocals:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera and Rick Wills
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981) and Rhino Entertainment Company (not for release label use!) (in 2009)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.354:51
2Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
engineer:
David DeVore
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks and Keith Olsen (US producer and engineer)
acoustic guitar, banjo, electric guitar, guitar and resonator guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
bass guitar:
John McVie (in 1975-02)
drums (drum set) [drums] and percussion:
Mick Fleetwood (in 1975-02)
keyboard [keyboards] and synthesizer:
Christine McVie (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) and Stevie Nicks (in 1975-02)
phonographic copyright (℗) by:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975)
recording of:
Say You Love Me (in 1975-02)
lyricist and composer:
Christine McVie
publisher:
Universal Music Careers
Fleetwood Mac4.354:15
3Tonight’s the Night (Gonna Be Alright)
producer:
Tom Dowd
tenor saxophone:
Jerry Jumonville
spoken vocals [multilingual vocal appliances]:
B. E.
vocals:
Rod Stewart
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976, in 2009) and Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1993)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Muscle Shoals Sound Studio in Sheffield, Alabama, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 21)
recording of:
Tonight’s the Night (Gonna Be Alright)
lyricist and composer:
Rod Stewart
publisher:
Intersong USA, Inc. (publisher)
Rod Stewart43:56
4Sweet Love
engineer:
Barney Perkins
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.54:27
5Baby, Come to Me
recording of:
Baby, Come to Me
lyricist and composer:
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) and Rondor Music (London) Ltd.
Patti Austin and James Ingram3:39
6Don’t Know Much
recording engineer and mixer:
George Massenburg
co-producer:
Steve Tyrell (American producer and vocalist)
producer:
Peter Asher
bass guitar [bass]:
Leland Sklar (bassist, session musician)
guest vocals:
Aaron Neville
vocals:
Linda Ronstadt
performer:
Aaron Neville and Linda Ronstadt
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
cover recording of:
Don’t Know Much
writer:
Barry Mann, Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
ATV Music, Brain Tree Music, EMI Blackwood Music Inc., Mann and Weil Songs, Inc., MCA Music Ltd. and Snow Music
Linda Ronstadt and Aaron Neville33:37
7I Don’t Have the Heart
recording of:
I Don't Have the Heart
writer:
Jud Friedman and Allan Rich
publisher:
Music By Candlelight, Nelana Music, Songs of Peer, Ltd. (ASCAP) and Spirit One Music
James Ingram4:15
8How Much I Feel
producer:
Freddie Piro
bass:
Joe Puerta
drums (drum set), percussion and background vocals:
Burleigh Drummond
guitar, keyboard and lead vocals:
David Pack
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
lyricist and composer:
David Pack
publisher:
EMI Longitude Music and Longitude Music Co.
Ambrosia54:46
9Make It with You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:13
10I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:39
11How Do I Live (extended mix)
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes44:58
12She Believes in Me
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Liberty Records, Inc. (in 1978)
recorded at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
cover recording of:
She Believes in Me
lyricist and composer:
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
recording of:
She Believes in Me
lyricist and composer:
Steve Gibb (Stephen Mathias Gibb, singer-songwriter)
publisher:
Angel Wing Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Kenny Rogers34:16
13Kiss on My List
phonographic copyright (℗) by:
RCA Records Ltd. (RCA Records, not for release label use! for the imprint, please use “RCA” instead) (in 1980)
recording of:
Kiss on My List
writer:
Janna Allen (songwriter) and Daryl Hall
publisher:
Gnarly Dude Music, Hot Cha Music Co., Primary Wave Brian and Unichappell Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Daryl Hall & John Oates4.653:50
14Miss You Like Crazy
producer:
Michael Masser
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1991)
recording of:
Miss You Like Crazy
writer:
Preston Glass, Gerry Goffin and Michael Masser
publisher:
Gemia Music, Irving Music, Inc., Lauren Wesley Music (BMI-affiliated) and Prince Street Music (Also known as "Prince St. Music")
Natalie Cole33:54
15Love Will Lead You Back
recording of:
Love Will Lead You Back
writer:
Diane Warren (US songwriter)
Taylor Dayne4:27
16The Search Is Over
engineer and producer:
Ron Nevison
bass:
Stephan Ellis (bass player with Survivor)
drums (drum set):
Marc Droubay (drummer for Survivor)
guitar:
Frankie Sullivan (US guitarist and songwriter, member of Survivor)
keyboard:
Jim Peterik
background vocals:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
lead vocals:
Jimi Jamison
phonographic copyright (℗) by:
Scotti Brothers Records (in 1984)
recorded at:
The Plant Studios (1981–2008) in Sausalito, California, United States and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
The Search Is Over
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Easy Action Music, Rude Music (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Survivor44:15
17In Too Deep
assistant engineer:
Paul Gomersall
engineer:
Hugh Padgham
producer:
Genesis (English rock band) and Hugh Padgham
bass and guitar:
Mike Rutherford (from 1985-10 until 1986-02)
bass synthesizer and keyboard:
Tony Banks (Genesis) (from 1985-10 until 1986-02)
drums (drum set), percussion and lead vocals:
Phil Collins (of Genesis) (from 1985-10 until 1986-02)
phonographic copyright (℗) by:
Charisma Records Ltd. (in 1986)
recorded at and mixed at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom (from 1985-10 until 1986-02)
recording of:
In Too Deep (from 1985-10 until 1986-02)
lyricist:
Phil Collins (of Genesis)
composer:
Tony Banks (Genesis), Phil Collins (of Genesis) and Mike Rutherford
publisher:
Anthony Banks Ltd., Concord Music GmbH, Concord Sounds, Hit & Run Music (Publishing) Ltd, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Michael Rutherford Ltd. and Philip Collins Ltd.
written at:
The Farm (of Genesis fame) in Surrey, England, United Kingdom
Genesis2.94:59
18The Living Years
engineer:
Nick Davis (producer, engineer)
producer:
Christopher Neil and Mike Rutherford
lead vocals:
Paul Carrack
phonographic copyright (℗) by:
Michael Rutherford Ltd. (in 2014)
recording of:
The Living Years
writer:
B.A. Robertson and Mike Rutherford
publisher:
Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Hidden Pun Music, Inc., Michael Rutherford Ltd., R & BA Music Ltd. and R and B. A. Music Ltd.
Mike + the Mechanics3.755:33
3▼CD: Never Gonna Let You Go
#TitleArtistRatingLength
1Your Song
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
12 string guitar:
Clive Hicks
acoustic guitar:
Frank Clark (Guitar/bassist)
bass guitar:
Dave Richmond
drums (drum set):
Barry Morgan (English drummer)
guitar:
Colin Green
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 202)
recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.954:04
2Cherish
recording of:
Cherish
writer:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) and Claydes Smith
publisher:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Windswept Pacific Music Ltd.
Kool & the Gang4:01
3Hello
producer:
James Anthony Carmichael and Lionel Richie
performer:
Ocobamba
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
lyricist and composer:
Lionel Richie
writer:
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:11
4Being with You
assistant engineer:
Richie Griffin
engineer:
Howard Lee Wolen and Mark Wolfson
producer:
George Tobin
mixer:
Mike Piccirillo and George Tobin
arranger:
George Tobin
recorded at and mixed at:
Studio Sound Recorders in North Hollywood, Los Angeles, California, United States
recording of:
Being With You
lyricist and composer:
Smokey Robinson
publisher:
Bertram Music Company, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc. and Primary Wave Robinson
Smokey Robinson3.654:07
5Just My Imagination (Running Away with Me)
producer:
Norman Whitfield
lead vocals:
Eddie Kendricks (from 1970-01-24 until 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (from 1970-11-24 until 1970-12-03)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recorded at:
Golden World in Detroit, Michigan, United States (from 1970-11-24 until 1970-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 233) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 389)
recording of:
Just My Imagination (Running Away With Me) (from 1970-11-24 until 1970-12-03)
lyricist:
Barrett Strong
composer:
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Stone Agate Music
The Temptations53:50
6Endless Love
recording of:
Endless Love
lyricist and composer:
Lionel Richie
publisher:
Brockman Music, Café Americana Inc., PGP Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Publishing (Warner/Chappell Music, Inc.) and Warner/Chappell North America
part of:
The 54th Academy Award for Best Original Song (number: 2)
Diana Ross & Lionel Richie4:31
7Three Times a Lady
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1976)
recording of:
Three Times a Lady
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores36:41
8Never Gonna Let You Go
cover recording of:
Never Gonna Let You Go
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
ATV Music Corp. (ended), Dyad Music Ltd., Mann and Weil Songs, Inc., Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sérgio Mendes4:18
9Do That to Me One More Time
recording engineer and mixer:
Roger Young (engineer)
assistant engineer:
David Cole (American recording engineer and producer), Ira Leslie and Wayne Neuendorf
producer:
Daryl Dragon
acoustic guitar:
Lee Ritenour
bass guitar:
Scott Edwards (bassist)
drums (drum set) [drums]:
Ralph Humphrey (American drummer and teacher)
percussion:
Ken Watson (American percussionist)
Rhodes piano [Fender Rhodes electric piano], background vocals and lead vocals:
Toni Tennille
synthesizer [Oberheim Four Voice]:
Daryl Dragon
wind synthesizer [flute synthesizer]:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
assistant remixer:
Wayne Neuendorf
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recorded at:
Capitol Records Studio (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
mixed at:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Do That to Me One More Time
lyricist and composer:
Toni Tennille
publisher:
Fujipacific Music, Inc. and Moonlight & Magnolias Music Publ. Co. (BMI-affiliated)
Captain & Tennille3.853:55
10Morning Has Broken
producer:
Paul Samwell-Smith
bass and congas:
Larry Steele (British bassist, percussionist, guitarist & vocalist) (in 1971-03)
bouzouki:
Angelos Hatzipavli (in 1971-03) and Ανδρέας Τουμαζής (Andreas Toumazis) (in 1971-03)
drums (drum set):
Harvey Burns (in 1971-03) and Gerry Conway (in 1971-03)
guitar:
Alun Davies (in 1971-03) and Cat Stevens (now known as Yusuf Islam) (in 1971-03)
keyboard and lead vocals:
Cat Stevens (now known as Yusuf Islam) (in 1971-03)
piano:
Rick Wakeman (in 1971-03)
strings:
Del Newman (British conductor, orchestrator, arranger) (in 1971-03)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1970) and Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971-03)
recording of:
Morning Has Broken (in 1971-03)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
cover recording of:
Morning Has Broken
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
publisher:
Cat Music Ltd., EMI Music (do not use as release label! this is a music publisher), Freshwater Music Ltd., Irving Music, Inc., Island Music Ltd. and Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG)
is based on:
Bunessan (Scottish hymn tune)
recording of:
Morning Has Broken (Cat Stevens arrangement)
lyricist:
Eleanor Farjeon
composer:
[traditional] (special purpose artist)
arranger:
Cat Stevens (now known as Yusuf Islam)
arrangement of:
Morning Has Broken
Cat Stevens4.253:20
11Time in a Bottle
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973), Lastrada Entertainment Co., Ltd. (in 1973) and LeFrak-Moelis Records (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
Time in a Bottle (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.352:28
12Have You Never Been Mellow
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Have You Never Been Mellow
lyricist and composer:
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:34
13Save the Best for Last
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
additional arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
recording of:
Save the Best for Last
writer:
Phil Galdston, Jon Lind and Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:43
14That’s What Love Is For
recording engineer and mixer:
Terry Christian (US recording and mixing engineer)
producer:
Michael Omartian
drums (drum set):
David Raven (drums)
electric guitar:
Don Kirkpatrick (guitarist/songwriter)
keyboard:
Michael Omartian
arranger:
Michael Omartian
recording of:
That’s What Love Is For (in 1990)
writer:
Amy Grant (in 1990), Mark Mueller (US songwriter) (in 1990) and Michael Omartian (in 1990)
Amy Grant54:18
15I’ll Make Love to You
drums (drum set) programming:
Rayford Griffin
assistant engineer:
David Betancourt (engineer), Milton Chan (Recording Engineer), Marty Hornburg and Jamie Seyberth
engineer:
Brad Gilderman
producer:
Babyface (R&B musician Kenny Edmonds)
mixer:
Mick Guzauski
bass:
Reggie Hamilton
synthesizer:
Babyface (R&B musician Kenny Edmonds)
produced for:
ECAF Productions, Inc.
recorded at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and The Enterprise (aka Enterprise Studios) in Burbank, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 185)
recording of:
I’ll Make Love to You
lyricist and composer:
Kenny Edmonds (R&B musician Kenny Edmonds)
Boyz II Men4.654:06
16Up Where We Belong
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1982 winner)
Joe Cocker and Jennifer Warnes3:58
17Babe
engineer:
Rob Kingsland and Gary Loizzo
producer:
Styx (rock band from Chicago)
performer:
Styx (rock band from Chicago)
phonographic copyright (℗) by:
A&M Records
recorded at:
Pumpkin Studios in Oak Lawn, Illinois, United States
recording of:
Babe
lyricist and composer:
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) and Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx3.354:26
18Emotion
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
synthesizer [synthesizers]:
James Newton Howard (American score composer)
background vocals:
Barry Gibb and Robin Gibb
vocals:
Samantha Sang
phonographic copyright (℗) by:
Private Stock Records (not for release label use, for copyrights relationships only; “Private Stock Records™ a division of 43 North Broadway, LLC”) (in 1977) and Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1978)
produced for:
CAM Productions (US)
recorded at and remixed at:
Criteria Sound in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 14)
cover recording of:
Emotion
writer:
Barry Gibb and Robin Gibb
publisher:
Barry Gibb Music, Gibb Brothers Music, Stigwood Music, Unichappell Music, Universal Music Publishing MGB Australia and Warner/Chappell Music Australia Pty. Ltd.
Samantha Sang3.53:59
4▼CD: Truly
#TitleArtistRatingLength
1Back in the High Life Again
mixer:
Tom Lord‐Alge
vocals:
James Taylor (singer-songwriter and guitarist)
edit of:
Back in the High Life Again by Steve Winwood
recording of:
Back in the High Life Again
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), F.S. Music Ltd. and Willin' David Music
sub-publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood4:25
2The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recorded at:
RDS Arena in Dublin, County Dublin, Leinster, Ireland (on 1988-12-07) and Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (on 2004-11-06)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 54)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 1988-12-07)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (on 2004-11-06)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:16
3Let’s Get It On
engineer:
William McMeekin and Art Stewart
producer:
Marvin Gaye and Ed Townsend
mixer:
Cal Harris
bass guitar:
Wilton Felder (on 1973-03-22)
bongos and congas:
Eddie “Bongo” Brown (on 1973-03-22) and Bobbye Hall (on 1973-03-22)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (on 1973-03-22)
guitar family:
Don Peake (on 1973-03-22), Louie Shelton (on 1973-03-22), David T. Walker (on 1973-03-22) and Melvin “Wah Wah” Watson (on 1973-03-22)
percussion:
Emil Richards (on 1973-03-22)
piano:
Marvin Gaye (on 1973-03-22), Marvin Jenkins (on 1973-03-22) and Joe Sample (on 1973-03-22)
saxophone:
Plas Johnson (on 1973-03-22) and Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (on 1973-03-22)
vibraphone:
Victor Feldman (jazz musician) (on 1973-03-22) and Emil Richards (on 1973-03-22)
background vocals and lead vocals:
Marvin Gaye (on 1973-03-22)
conductor:
René Hall (on 1973-03-22)
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States (on 1973-03-22)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 167) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 264)
recording of:
Let’s Get It On (on 1973-03-22)
writer:
Marvin Gaye and Ed Townsend
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye4.14:54
4Can’t Get Enough of Your Love, Babe
producer:
Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:31
5Baby Come Back
phonographic copyright (℗) by:
PolyGram International Music B.V. (not for release label use!) (in 1977) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
recording of:
Baby Come Back (Player song)
writer:
Peter Beckett (lead singer of Player) and J.C. Crowley
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player4.354:12
6Reunited
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1978)
recording of:
Reunited
writer:
Dino Fekaris and Freddie Perren
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Peaches & Herb4:01
7Laughter in the Rain
recording of:
Laughter in the Rain
lyricist:
Phil Cody (of Neil Sedaka-fame)
composer:
Neil Sedaka
publisher:
Entco Music, H & R Lastrada Music, R2M Publishing H. & R. Lastrada Music, Sony/ATV Tunes LLC (ASCAP) and SUITE 1510 MUSIC COMPANY 301
Neil Sedaka2:47
8My Cherie Amour
producer:
Henry Cosby
lead vocals:
Stevie Wonder (from 1967 until 1968)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967 until 1968)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 399)
recording of:
My Cherie Amour (from 1967 until 1968)
writer:
Henry Cosby, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:51
9Truly
recording engineer:
Calvin Harris
engineer:
Jim Cassell
assistant producer:
Brenda Harvey–Richie
producer:
James Anthony Carmichael and Lionel Richie
mixer:
Calvin Harris, Michael Johnson (Motown related), Fred Law and Stephan Smith (US 70s/80s soul/funk engineer)
acoustic guitar:
Tim May (session/jazz guitarist)
bass:
Joe Chemay
cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff and Dennis Karmazyn
double bass:
Árni Egilsson and Buell Neidlinger
drums (drum set):
Paul Leim
flute:
Louise DiTullio
French horn:
Arthur Maebe (US horn player), Richard Perissi and Henry Sigismonti
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
harp:
Gayle Levant (American studio musician, harpist)
Rhodes piano [Fender rhodes]:
William Payne
strings:
Assa Drori, Allan Harshman (violist), Joy Lyle and Paul Shure
viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) and Gareth Nuttycombe (violist)
violin:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) and Charles Veal Jr. (violinist, conductor and arranger)
background vocals:
Lionel Richie
arranger:
James Anthony Carmichael and Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
recorded at:
A&M Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Motown / Hitsville U.S.A Recording Studios in West Hollywood, California, United States
instrumental versions:
Truly (instrumental) by Lionel Richie
recording of:
Truly
lyricist and composer:
Lionel Richie
Lionel Richie3.43:22
10Don’t Give Up on Us
vocals:
David Soul
phonographic copyright (℗) by:
David Soul (in 1976)
phonographic copyright (℗) by:
David Soul (in 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1976) and Private Stock (in 1977)
recording of:
Don’t Give Up on Us (in 1976)
lyricist and composer:
Tony Macaulay
publisher:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. and Universal Music Publishing International Ltd.
David Soul33:40
11Touch Me in the Morning
producer:
Tom Baird (Motown producer) and Michael Masser
arranger:
Tom Baird (Motown producer) and Gene Page
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (appears also as: Jobete Msc.) and Jobete Music Co., Inc.
Diana Ross3.53:29
12The Morning After
engineer:
Arnie Rosenberg
producer:
Carl Maduri
arranger:
Joe Hudson (US composer, string arranger and conductor)
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
recording of:
The Morning After (from "The Poseidon Adventure")
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music and Twentieth Century Music Corp.
part of:
The 45th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1972 winner)
Maureen McGovern52:22
13You Needed Me
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) and EMI Music Canada (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 63)
recording of:
You Needed Me (in 1978)
lyricist and composer:
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:38
14I Honestly Love You
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
phonographic copyright (℗) by:
Festival Records International Ltd. (company; do NOT use as release label) (in 1974) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Honestly Love You (in 1974)
lyricist:
Jeff Barry
composer:
Peter Allen (Australian singer‐songwriter)
arranger:
Alan Hawkshaw (British pianist, composer and producer.)
publisher:
Irving Music (BMI), Rondor Music, Rondor Music (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Woolnough Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John43:39
15Love Will Keep Us Together
recording engineer and mixer:
Dennis Dragon
associate producer:
Toni Tennille
producer:
The Captain
celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
The Captain
congas, drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
violin:
Kenneth Yerke
background vocals:
Melissa Tennille and Toni Tennille
strings arranger:
Kenneth Yerke
arranger:
The Captain
phonographic copyright (℗) by:
A&M Records (in 1975), A&M Records, Inc. (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 337)
cover recording of:
Love Will Keep Us Together
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:24
16Candle in the Wind
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John (English singer, songwriter, pianist, and composer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
17I’ll Have to Say I Love You in a Song
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Gary Chester (studio drummer and educator)
electric piano:
Tommy West
guitar [rhythm guitar]:
Jim Croce
percussion:
George Devens
background vocals:
Marty Nelson and Tommy West
vocals:
Jim Croce (on 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) and Lastrada Entertainment Co., Ltd. (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (on 1973-06-07)
lyricist and composer:
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:33
18Nights in White Satin
engineer:
Derek Varnals
executive producer:
Hugh Mendl
producer:
Tony Clarke (UK producer/guitarist) (task: realisation) and Michael Dacre-Barclay (British producer) (task: realisation)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Peter Knight (British arranger, conductor and composer)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Nights in White Satin
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues47:40
5▼CD: To Love Somebody
#TitleArtistRatingLength
1Sexual Healing
producer:
Marvin Gaye
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.754:09
2Fire
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters3:30
3Lean on Me
recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers53:48
4Baby I’m-a Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:23
5The Most Beautiful Girl
recording engineer:
Lou Bradley (American producer, engineer, also songwriter) (on 1973-02-09)
producer:
Billy Sherrill (US songwriter/producer/arranger)
background vocals:
The Nashville Edition (on 1973-02-09)
lead vocals:
Charlie Rich (US country singer) (on 1973-02-09)
vocals:
Charlie Rich (US country singer) (on 1973-02-09)
strings arranger:
Bill McElhiney
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Columbia Studios (Nashville) in Nashville, Tennessee, United States (on 1973-02-09)
cover recording of:
The Most Beautiful Girl (on 1973-02-09)
writer:
Rory Bourke, Billy Sherrill (US songwriter/producer/arranger) and Norris “Norro” Wilson
publisher:
Al Gallico Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Gallico Music Ltd.
version of:
Hey Mister
Charlie Rich4.352:45
6Here You Come Again
vocals:
Dolly Parton
phonographic copyright (℗) by:
BMG Entertainment (in 1977) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 60)
cover recording of:
Here You Come Again
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs and Summerhill Songs
Dolly Parton4.52:59
7Danny’s Song
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973)
cover recording of:
Danny’s Song
lyricist and composer:
Kenny Loggins
publisher:
Gnossos Music
Anne Murray53:06
8Longer
engineer:
Jeff Guercio and Marty Lewis (engineer)
producer:
Dan Fogelberg, Marty Lewis (engineer) and Norbert Putnam
mixer:
Marty Lewis (engineer)
acoustic guitar:
Dan Fogelberg
harp:
Gayle Levant (American studio musician, harpist)
solo flugelhorn:
Jerry Hey
vocals:
Dan Fogelberg
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) and Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1980)
mixed at:
Quadrafonic Sound Studios in Nashville, Tennessee, United States
recording of:
Longer
lyricist and composer:
Dan Fogelberg
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Hickory Grove Music
Dan Fogelberg3.153:15
9I’m Sorry
additional producer and assistant producer:
Kris O'Connor
producer:
Milt Okun
lead vocals:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011)
recording of:
I’m Sorry (on 1975-07-04)
lyricist and composer:
John Denver
John Denver33:33
10Torn Between Two Lovers
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1976) and Arista Records, LLC (holding company - file NO releases here!) (in 1976)
recording of:
Torn Between Two Lovers (There are times when a woman has to say what’s on her mind…)
lyricist:
Phillip Jarrell
composer:
Peter Yarrow
publisher:
Muscle Shoals Sound Publishing, Peermusic France, Peermusic III, Ltd. (BMI), Silver Dawn Music, WB Music Corp. (1929–2019) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Mary MacGregor3:52
11Precious and Few
recording of:
Precious and Few
lyricist and composer:
Walter Nims
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Climax42:49
12I Go Crazy
producer:
Phil Benton and Paul Davis (American singer)
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Bang Records (Bert Berns label) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 12)
recording of:
I Go Crazy
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC and Web IV Music Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:54
13Sad Eyes
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979) and EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 2002)
recording of:
Sad Eyes
lyricist and composer:
Robert John (US singer‐songwriter)
publisher:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John4:16
14To Love Somebody
producer:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
lead vocals:
Michael Bolton
arranger:
Michael Bolton and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1992)
cover recording of:
To Love Somebody
written in:
New York, New York, United States (in 1967)
writer:
Barry Gibb (in 1967) and Robin Gibb (in 1967)
publisher:
Abigail Music, BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
part of:
50/50
Michael Bolton4:09
15After the Lovin'
cover recording of:
After the Lovin’
lyricist:
Alan Bernstein
composer:
Ritchie Adams
recording of:
After the Lovin’
lyricist:
Alan Bernstein
composer:
Ritchie Adams
Engelbert Humperdinck3.53:57
16Too Much, Too Little, Too Late
producer:
Jack Gold
performer:
Johnny Mathis (US pop/soul singer) and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1978)
recording of:
Too Much, Too Little, Too Late
writer:
Nat Kipner (Australian producer, songwriter, label owner & publisher) and John McIntyre Vallins
publisher:
Homewood House Music and MCA Music Ltd.
Johnny Mathis and Deniece Williams43:01
17Lead Me On
recording of:
Lead Me On (I have often heard you say you love me as a friend...)
writer:
David Lasley and Allee Willis
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Maxine Nightingale2:49
18Always on My Mind
producer:
Chips Moman
bass:
Mike Leech (on 1981-10-11)
drums (drum set):
Gene Chrisman (on 1981-10-11)
guitar:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (on 1981-10-11), Willie Nelson (on 1981-10-11) and Reggie Young (Guitarist and songwriter) (on 1981-10-11)
harmonica:
Mickey Raphael (on 1981-10-11)
keyboard:
Bobby Woods (American pianist, keyboard player and songwriter) (on 1981-10-11) and Bobby Emmons (on 1981-10-11)
vocals:
Willie Nelson (on 1981-10-11)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981, in 1982, in 2003) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1982)
recorded at:
Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-10-11)
recording of:
Always on My Mind (on 1981-10-11)
writer:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) and Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Sebanine Music
sub-publisher:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) and Screen Gems–EMI Music Ltd.
Willie Nelson4.653:34
6▶CD: Anything for You
7▶CD: I've Had the Time of My Life (disc 1)
8▶CD: I've Had the Time of My Life (disc 2)
9▶CD: Feelin’ Good