| # | Title | Artist | Rating | Length |
|---|
| 1 | Rollin’ (Air Raid Vehicle) | Limp Bizkit | 3.75 | 3:34 |
| 2 | Vindicated | Dashboard Confessional | 3 | 3:21 |
| 3 | Smooth Criminal | Alien Ant Farm | 4.25 | 3:29 |
| 4 | Santeria | Sublime | 5 | 3:03 |
| 5 | Gives You Hell | The All‐American Rejects | 4.25 | 3:32 |
| 6 | Going Up the Country | Canned Heat | 2.5 | 2:53 |
| 7 | There Is | Box Car Racer | 2.65 | 3:17 |
| 8 | Like a Prayer | Rufio | | 3:49 |
| 9 | Um Minuto Para o Fim Do Mundo | CPM 22 | | 3:18 |
| 10 | Bring the Noise- producer:
- Anthrax and Mark Dodson
- mixer:
- Michael Barbiero , Charlie Benante and Steve Thompson
- additional vocals:
- Frank Bello , Charlie Benante and Flavor Flav
- vocals:
- Chuck D and Scott Ian
- performer:
- Anthrax and Public Enemy
- phonographic copyright (℗) by:
- Island Records, Inc. (in 1991)
- recorded at:
- A&M Studios in Hollywood, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 36)
- recording of:
- Bring the Noise (in 1991)
- lyricist:
- Chuck D and Hank Shocklee
- composer:
- Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- publisher:
- Def American Songs, Inc. and NFP Music
- revision of:
- Bring tha Noize
- recording of:
- Bring the Noise
- lyricist:
- Chuck D and Hank Shocklee
- composer:
- Frank Bello , Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee and Dan Spitz
- publisher:
- Def American Songs, Inc. and NFP Music
- revision of:
- Bring tha Noize
| Anthrax | 3 | 3:32 |
| 11 | She Is the New Thing | The Horrors | | 3:21 |
| 12 | Victorious | Wolfmother | 4.5 | 4:25 |
| 13 | Cute Without the ’e’ (cut From the Team) | Taking Back Sunday | 4 | 3:32 |
| 14 | Rookie | Boysetsfire | | 4:13 |
| 15 | The Rock Show- assistant engineer:
- Joe Marlett , Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001) and Geffen Records (in 2016)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- The Rock Show
- writer:
- Travis Barker , Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| blink‐182 | 3.8 | 2:52 |
| 16 | Chick Magnet | MxPx | 4.25 | 3:12 |
| 17 | Surf Song | Fenix TX | 4 | 2:37 |
| 18 | When Your Heart Stops Beating- programming:
- Kevin Bivona, Dan the Automator and Chris Holmes
- assistant engineer:
- James Ingram
- engineer:
- Chris Holmes
- co-producer:
- Jerry Finn
- producer:
- Travis Barker and Mark Hoppus
- assistant mixer:
- Seth Waldmann
- mixer:
- Jerry Finn
- additional keyboard:
- Kevin Bivona, Dan the Automator and Chris Holmes
- bass guitar and lead vocals:
- Mark Hoppus
- drums (drum set):
- Travis Barker
- guitar:
- Craig Fairbaugh and Shane Gallagher
- phonographic copyright (℗) by:
- Interscope Records (in 2006)
- recorded at:
- Ameraycan Recording Studios in North Hollywood, Los Angeles, California, United States, Henson Recording Studios in Hollywood, Los Angeles, California, United States and Opra Music in Hollywood, Los Angeles, California, United States
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- music videos:
- When Your Heart Stops Beating by +44
- recording of:
- When Your Heart Stops Beating
- writer:
- Travis Barker and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Hi My Name Is Mark and Universal Music Corp.
| +44 | 3.9 | 3:13 |
| 19 | Dance Dance | Fall Out Boy | 3.9 | 3:01 |
| 20 | Ocean Avenue | Yellowcard | 4.1 | 3:18 |
| 21 | Movies | Alien Ant Farm | 3.9 | 3:16 |
| 22 | Eyes of a Panther | Steel Panther | | 3:37 |
| 23 | Tick Tick Boom | The Hives | 4.15 | 3:25 |
| 24 | When Worlds Collide | Powerman 5000 | 4.65 | 2:58 |
| 25 | Dirty Little Secret- recording engineer:
- Mike Plotnikoff
- assistant engineer:
- Hatsukazu Inagaki
- producer:
- Howard Benson
- mixer:
- Chris Lord‐Alge
- editor:
- Paul DeCarli
- drums (drum set) technician:
- Jon at Drum Fetish
- guitar technician:
- Keith Nelson
- phonographic copyright (℗) by:
- Interscope Records (in 2005, in 2006), Capitol Records, Inc. (in 2006), Show Stopping Entertainment (in 2006), Sony BMG Music Entertainment (in 2006), UMG Recordings, Inc. (in 2006, in 2020), Virgin Records America, Inc. (in 2006), Wind-Up Records, LLC (in 2006) and Universal Music TV (in 2009)
- mixed at:
- Resonate Music in Burbank, California, United States
- recording of:
- Dirty Little Secret
- writer:
- Tyson Ritter and Nick Wheeler
| The All‐American Rejects | 4.25 | 3:14 |
| 26 | Underdog | You Me at Six | 3.35 | 2:26 |
| 27 | I Don’t Want to Be Here Anymore | Rise Against | 5 | 4:00 |
| 28 | Av99 | Dynamite Boy | | 3:17 |
| 29 | I’m With Her | Rhett Miller | | 2:34 |
| 30 | The Adventure | Angels & Airwaves | 4.5 | 5:13 |
| 31 | Blurry | Puddle of Mudd | 4.5 | 5:04 |
| 32 | Sweetness | Jimmy Eat World | 4.3 | 3:40 |
| 33 | First Date- assistant engineer:
- Joe Marlett , Robert Read and Ted Reiger
- engineer:
- Joe McGrath
- producer:
- Jerry Finn
- assistant mixer:
- Femio Hernandez
- mixer:
- Tom Lord‐Alge
- keyboard:
- Roger Joseph Manning Jr.
- drums (drum set) technician:
- Mike "Sack" Fasano
- phonographic copyright (℗) by:
- MCA Records (in 2001), Geffen Records (in 2016) and UMG Recordings, Inc. (in 2020)
- recorded at:
- Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- recording of:
- First Date
- writer:
- Travis Barker , Tom DeLonge and Mark Hoppus
- publisher:
- Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
| blink‐182 | 4.1 | 2:50 |
| 34 | Time and Time Again- recording engineer, producer and mixer:
- Sean Beavan
- performer:
- Mike Busse , Barry Collins, Ben Collins and Brandon Lee
- phonographic copyright (℗) by:
- Interscope Records (in 2004)
- recorded at:
- Hollywood Sound in Los Angeles, California, United States
- mixed at:
- The Blue Room in Laurel Canyon, Los Angeles, California, United States
- recording of:
- Time and Time Again
- publisher:
- Chronic Future Music
- lyricist:
- Mike Busse
- composer:
- Mike Busse , Barry Collins, Ben Collins , Brandon Lee and Mike Loy
- publisher:
- Digital Free Publishing, Universal Music Corp. and Wilrich Music
| Chronic Future | 3.5 | 3:33 |
| 35 | Bouncing Off the Walls | Sugarcult | | 2:21 |
| 36 | Way Away | Yellowcard | 4 | 3:22 |
| 37 | Why Don’t You Get a Job | The Offspring | 4.25 | 2:52 |
| 38 | Kings and Queens- additional recording engineer:
- Mike Einziger
- additional engineer:
- Jamie Schefman, Rob Kirwan, Sonny Diperri and Tom Biller
- engineer and mixer:
- Ryan Williams
- co-producer:
- Flood , Steve Lillywhite and Thirty Seconds to Mars
- performer:
- Jared Leto, Shannon Leto and Tomo Milčević
- additional strings arranger:
- Mike Einziger
- phonographic copyright (℗) by:
- Virgin (in 2009)
- recorded at:
- Harvard University in Cambridge, Massachusetts, United States and The International Centre for the Advancement of the Arts and Sciences of Sound in Los Angeles, California, United States
- mixed at:
- Pulse Recording in Los Angeles, California, United States
- recording of:
- Kings and Queens
- lyricist and composer:
- Jared Leto
- publisher:
- Apocraphex Music and Universal Music–Z Tunes LLC
| Thirty Seconds to Mars | 3.65 | 5:48 |
| 39 | Ooh La | The Kooks | 3.8 | 3:31 |
| 40 | The Bad Touch | Bloodhound Gang | 3.75 | 4:20 |
| 41 | The Shark Fighter! | The Aquabats! | 4 | 2:57 |
| 42 | Buddy Holly | Weezer | 4.25 | 2:39 |
| 43 | My Girlfriend’s Dead | The Vandals | | 2:41 |
| 44 | Perfect World | Guttermouth | | 1:53 |
| 45 | Wait and Bleed- additional recording engineer:
- Rob Agnello
- recording engineer:
- Chuck Johnson
- co-producer:
- Slipknot
- producer:
- Ross Robinson
- mixer:
- Chuck Johnson , Joey Jordison and Ross Robinson
- bass guitar:
- ②: Paul
- drums (drum set):
- ①: Joey
- guitar:
- ⑦: Mick and Josh Brainard
- percussion [custom percussion]:
- ③: Chris and ⑥: Shawn
- sampler [samples/media]:
- ⑤: Craig
- turntable:
- ⓪: Sid
- vocals:
- ⑧: Corey
- phonographic copyright (℗) by:
- The All Blacks U.S.A., Inc. (in 1999)
- recorded at and mixed at:
- Indigo Ranch in Malibu, California, United States
- recording of:
- Wait and Bleed
- writer:
- Shawn Crahan, Chris Fehn, Paul Gray , Craig Jones , Joey Jordison, Corey Taylor, Mick Thomson and Sid Wilson
- publisher:
- EMI April Music, Inc. and Music That Music
| Slipknot | 4.35 | 2:32 |
| 46 | Two Year Plan | Such Gold | | 2:18 |
| 47 | Eighties | Killing Joke | | 3:59 |
| 48 | Salvation | The Cranberries | 4.2 | 2:23 |
| 49 | The Kids Aren’t Alright | The Offspring | 4.3 | 3:00 |
| 50 | She Hates Me | Puddle of Mudd | 4.35 | 3:37 |
| 51 | Bring You Down | Left Front Tire | 4 | 2:29 |
| 52 | The Days of the Phoenix | AFI | 4.5 | 3:27 |
| 53 | Bleed American | Jimmy Eat World | 4.15 | 3:01 |
| 54 | All My Fault | Fenix TX | 4.65 | 2:50 |
| 55 | Dumpweed | blink‐182 | 4.05 | 2:23 |
| 56 | Reach for the Sky | Social Distortion | 4.65 | 3:31 |
| 57 | Punk Rock Princess (New album mix) | Something Corporate | | 3:52 |
| 58 | Euro‐barge | The Vandals | | 1:53 |
| 59 | Letters to You | Finch | 4 | 3:20 |
| 60 | Savior | Rise Against | 4.2 | 4:02 |
| 61 | Jerry Was a Race Car Driver | Primus | 4.45 | 3:10 |
| 62 | Code Blue | T.S.O.L. | | 2:08 |
| 63 | Watch the Girl Destroy Me | Possum Dixon | | 3:43 |
| 64 | Undone - The Sweater Song | Weezer | 4.25 | 5:05 |
| 65 | Girl in the Green Jacket | Bigwig | | 2:47 |
| 66 | United States of Whatever | Liam Lynch | 4.35 | 1:31 |
| 67 | Down in the Tube Station at Midnight (Full version) | The Jam | 4 | 4:43 |
| 68 | Cherry Bomb | The Runaways | 4.15 | 2:18 |
| 69 | The Impression That I Get | The Mighty Mighty Bosstones | 4.1 | 3:14 |
| 70 | Lipstick | Guttermouth | | 2:52 |
| 71 | Angel | Slick Shoes | | 2:16 |
| 72 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:28 |
| 73 | Flavor of the Weak | American Hi‐Fi | 4.1 | 3:08 |
| 74 | Feel Good Drag- recording engineer, producer and mixer:
- Neal Avron
- assistant engineer:
- Dave Colvin , Mike Laza and Alyssa Pittaluga
- engineer:
- Erich Talaba
- assistant mixer:
- Nicolas Fournier
- performer:
- Stephen Christian, Christian McAlhaney, Joseph Milligan, Deon Rexroat and Nathan Young
- phonographic copyright (℗) by:
- Universal Republic Records (in 2008)
- recorded at:
- NRG Recording Studio in North Hollywood, Los Angeles, California, United States (from 2008-03 until 2008-05) and The Boat in Silver Lake, Los Angeles, California, United States (from 2008-03 until 2008-05)
- mixed at:
- Paramount Recording Studios in Hollywood, Los Angeles, California, United States
- music videos:
- Feel Good Drag by Anberlin
- recording of:
- The Feel Good Drag
- lyricist:
- Stephen Christian
- writer:
- Deon Rexroat and Nathan Young
- composer:
- Anberlin, Stephen Christian and Joseph Milligan
- publisher:
- Noise in National Music (from 2005 to present) and Thirsty Moon River Publishing (from 2005 to present)
| Anberlin | | 3:07 |
| 75 | California Sky | Unwritten Law | | 3:00 |
| 76 | Lust for Life- engineer:
- Eduard Meyer and Colin Thurston
- producer:
- Bewlay Bros.
- bass guitar:
- Tony Sales (from 1977-06-04 until 1977-06-18)
- drums (drum set), shakers and tambourine:
- Hunt Sales (from 1977-06-04 until 1977-06-18)
- guitar:
- Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
- piano:
- David Bowie (from 1977-06-04 until 1977-06-18)
- background vocals:
- Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
- lead vocals:
- Iggy Pop (from 1977-06-04 until 1977-06-18)
- phonographic copyright (℗) by:
- Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (in 1977)
- recorded at:
- Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
- recording of:
- Lust for Life (from 1977-06-04 until 1977-06-18)
- lyricist:
- Iggy Pop
- composer:
- David Bowie and Iggy Pop
- publisher:
- Bewlay Bros. Music, EMI Music , Fleur Music Ltd. , Tintoretto Music, Virgin Music , Bug Music (in 1988) and James Osterberg Music (in 1988)
| Iggy Pop | 4.45 | 5:11 |
| 77 | Mommy’s Little Monster | Social Distortion | | 3:32 |
| 78 | Punk Rawk Show (Teenage Politics album version) | MxPx | | 2:32 |
| 79 | Better Off Dead | New Found Glory | 4 | 2:48 |
| 80 | Sink or Swim | Bigwig | | 2:45 |
| 81 | Salt for Your Wounds | AFI | | 2:24 |
| 82 | Abolish Government/Silent Majority | T.S.O.L. | | 1:59 |
| 83 | Phoebe Cates | Fenix TX | 4 | 3:40 |
| 84 | Going Underground | The Jam | 4.25 | 2:54 |
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