Country Music: A Film by Ken Burns: The Soundtrack (deluxe edition)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Can the Circle Be Unbroken
autoharp:
Sara Carter (of the Carter Family) (am 1935-05-06)
Gitarre:
Mother Maybelle Carter (am 1935-05-06)
vocals:
A.P. Carter (am 1935-05-06), Mother Maybelle Carter (am 1935-05-06) und Sara Carter (of the Carter Family) (am 1935-05-06)
aufgenommen bei:
American Record Corporation Studios in New York, New York, Vereinigte Staaten (am 1935-05-06)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 15)
recording of:
Can the Circle Be Unbroken (By and By) (am 1935-05-06)
publisher:
Charles M. Alexander, Chicago, Illinois (gospel) (am 1907-04-30)
Texter:
Ada Ruth Habershon (in 1907)
zusätzlicher Texter und zusätzliche(r) Komponist(in):
A.P. Carter
Komponist(in):
Charles Hutchinson Gabriel (in 1907)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (am 1935-06-22)
Version von:
Will the Circle Be Unbroken?
The Carter Family3:07
2Blue Yodel No. 8 (Mule Skinner Blues)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-07-11)
Gitarre:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1930-07-11)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1930-07-11)
recording of:
Blue Yodel No. 8 (Mule Skinner Blues) (am 1930-07-11)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
Teil von:
Blue Yodels by Jimmie Rodgers
Jimmie Rodgers42:57
3Barbara Allen
Bradley Kincaid2:33
4I’ll Fly Away
James & Martha Carson2:23
5If the River Was Whiskey
recorded in:
New York, New York, Vereinigte Staaten (am 1930-01-23)
Banjo:
Charlie Poole (am 1930-01-23)
Fiddle:
Odell Smith (am 1930-01-23)
Gitarre:
Roy Harvey (old time musician) (am 1930-01-23)
vocals:
Charlie Poole (am 1930-01-23)
Charlie Poole with The North Carolina Ramblers3:08
6Fox Chase
DeFord Bailey1:09
7Blue Yodel No. 9 (Standin’ on the Corner)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-07-16)
Klavier:
Lillian Hardin Armstrong (am 1930-07-16)
Trompete:
Louis Armstrong (am 1930-07-16)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1930-07-16)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 7)
recording of:
Blue Yodel No. 9 (Standin’ on the Corner) (am 1930-07-16)
Verfasser(in):
Jimmie Rodgers (country music pioneer, died in 1933)
Teil von:
Blue Yodels by Jimmie Rodgers
Jimmie Rodgers32:37
8Wildwood Flower
Gitarre:
Mother Maybelle Carter (am 1928-05-10)
vocals:
Sara Carter (of the Carter Family) (am 1928-05-10)
aufgenommen bei:
Victor Studios in Camden, New Jersey, Vereinigte Staaten (am 1928-05-10)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 32)
recording of:
Wildwood Flower (Carter family version) (am 1928-05-10)
Texter und Komponist(in):
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Peer International Corporation (BMI)
Version von:
I'll Twine 'mid the Ringlets (parlour song, source for Wildwood Flower)
The Carter Family43:09
9In the Jailhouse Now
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1928-02-15)
Banjo:
Ellsworth T. Cozzens (Jimmie Rodgers accompanist) (am 1928-02-15)
Gitarre:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1928-02-15)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1928-02-15)
recording of:
In the Jailhouse Now (am 1928-02-15)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI) (in 1978)
Jimmie Rodgers43:18
10Comin’ Round the Mountain
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-07-26)
Banjo:
Uncle Dave Macon (am 1928-07-26)
Gitarre:
Sam McGee (am 1928-07-26)
vocals:
Uncle Dave Macon (am 1928-07-26) und Sam McGee (am 1928-07-26)
Uncle Dave Macon & Sam McGee3:07
11Pretty Polly
recording of:
Pretty Polly
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 15)
The Coon Creek Girls2:48
12T.B. Blues
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1931-01-31) und San Antonio, Texas, Vereinigte Staaten (am 1931-01-31)
Gitarre:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1931-01-31)
Steel-Gitarre:
Charles Kama (am 1931-01-31)
vocals:
Jimmie Rodgers (country music pioneer, died in 1933) (am 1931-01-31)
recording of:
T.B. Blues (am 1931-01-31)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933) (in 1931)
Jimmie Rodgers42:59
13Mountain Dew
Grandpa Jones and his Granchildren2:43
14Home on the Range
arranger:
Carl Cotner
recording of:
Home on the Range (am 1946-06-05)
Nationalhymne von:
Kansas, Vereinigte Staaten
publisher:
Alfred Music (publisher of sheet music for music education)
Texter:
Brewster Higley (von 1871 bis 1873)
Komponist(in):
Daniel Kelley (in 1873)
arranger:
Mark Hayes (American composer and arranger, predominantly of Christian choral music)
Teil von:
Roud Folk Song Index (Nummer: 3599)
basiert auf:
My Home in the West
Revision von:
My Home in the West
Gene Autry2:38
15I Want to Be a Cowboy’s Sweetheart
recorded in:
New York, New York, Vereinigte Staaten (am 1935-08-16)
Bass:
Jack Taylor (bassist) (am 1935-08-16)
Geige / Violine:
Shelby David "Tex" Atchison (am 1935-08-16)
Gitarre:
Salty Holmes (am 1935-08-16)
Mandola:
Chick Hurt (am 1935-08-16)
vocals:
Rubye Blevins (am 1935-08-16)
Orchester:
The Prairie Ramblers (am 1935-08-16)
recording of:
I Want to Be a Cowboy’s Sweetheart (am 1935-08-16)
Texter und Komponist(in):
Patsy Montana
Patsy Montana & The Prairie Ramblers43:07
16Tumbling Tumbleweeds (single version)
recording of:
Tumbling Tumbleweeds
publisher:
Music of the West
Texter und Komponist(in):
Bob Nolan (Western songwriter)
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (am 1934-07-12)
Sons of the Pioneers3:12
17Keep on the Sunny Side / I’m Thinking Tonight of My Blue Eyes
The Carter Family2:06
18The Great Speckled Bird
recording of:
The Great Speckled Bird
Texter:
Guy Smith (Reverend)
Komponist(in):
Roy Carter (country songwriter)
publisher:
Duchess Music Corporation (BMI-affiliated)
Roy Acuff2:40
19Whoa Babe
recorded in:
Dallas, Texas, Vereinigte Staaten (am 1938-11-28)
Banjo:
Johnnie Lee Wills (am 1938-11-28)
Fiddle:
Jesse Ashlock (American violin player and songwriter) (am 1938-11-28) und Bob Wills (Texan Western swing musician, songwriter, and bandleader) (am 1938-11-28)
Gitarre:
Herman Arnspiger (am 1938-11-28) und Sleepy Johnson (am 1938-11-28)
Gitarre [lead guitar]:
Eldon Shamblin (am 1938-11-28)
Klavier:
Al Stricklin (am 1938-11-28)
Kontrabass:
Son Lansford (am 1938-11-28)
Saxophon:
Zeb McNally (am 1938-11-28) und Tiny Mott (am 1938-11-28)
Schlagzeug:
Smokey Dacus (am 1938-11-28)
Trompete:
Everett Stover (played trumpet for Bob Wills & His Texas Playboys) (am 1938-11-28)
vocals:
Leon McAuliffe (am 1938-11-28)
recording of:
Whoa Babe (am 1938-11-28)
Texter und Komponist(in):
Larry Clinton
Bob Wills & His Texas Playboys2:34
20New San Antonio Rose
recorded in:
Saginaw, Texas, Vereinigte Staaten (am 1940-04-16)
Banjo:
Johnnie Lee Wills (am 1940-04-16)
Fiddle:
Jesse Ashlock (American violin player and songwriter) (am 1940-04-16), Louis Tierney (am 1940-04-16) und Bob Wills (Texan Western swing musician, songwriter, and bandleader) (am 1940-04-16)
Gitarre:
Herman Arnspiger (am 1940-04-16) und Eldon Shamblin (am 1940-04-16)
Klavier:
Al Stricklin (am 1940-04-16)
Kontrabass:
Son Lansford (am 1940-04-16)
Saxophon:
Joe Ferguson (US bassist) (am 1940-04-16), Don Harlan (am 1940-04-16), Wayne Johnson (saxophonist) (am 1940-04-16), Zeb McNally (am 1940-04-16) und Tiny Mott (am 1940-04-16)
Schlagzeug:
Smokey Dacus (am 1940-04-16)
Steel-Gitarre:
Leon McAuliffe (am 1940-04-16)
Trompete:
Tubby Lewis (am 1940-04-16) und Everett Stover (played trumpet for Bob Wills & His Texas Playboys) (am 1940-04-16)
vocals:
Tommy Duncan (Western swing vocalist, songwriter and pianist) (am 1940-04-16)
Teil von:
V Disc (by matrix number) (Nummer: VP 315 (2))
recording of:
San Antonio Rose (am 1940-04-16)
Texter und Komponist(in):
Bob Wills (Texan Western swing musician, songwriter, and bandleader)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (vom 1940-06-05 bis heute) und Irving Berlin Inc. (am 1940-06-05)
Bob Wills & His Texas Playboys42:36
21Wabash Cannonball
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1947-01-28)
Bass:
Joe Zinkan (am 1947-01-28)
Fiddle:
Tommy Magness (am 1947-01-28)
Gitarre:
Lonnie Wilson (US country guitarist, performed with Roy Acuff) (am 1947-01-28)
Mundharmonika:
Jimmie Riddle (am 1947-01-28)
Resonatorgitarre [dobro]:
Pete Kirby (am 1947-01-28)
vocals:
Roy Acuff (am 1947-01-28)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 53)
recording of:
Wabash Cannonball (am 1947-01-28)
Komponist(in):
A.P. Carter und William Kindt
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Teil von:
Roud Folk Song Index (Nummer: 4228)
Roy Acuff32:35
22Mule Skinner Blues (Blue Yodel #8)
recording of:
New Mule Skinner Blues (revised lyrics, first recorded by Bill Monroe ca. 1950)
Texter:
George Vaughn
Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
Version von:
Blue Yodel No. 8 (Mule Skinner Blues)
Bill Monroe and the Bluegrass Boys2:58
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Honky Tonkin’
recording of:
Honky Tonkin’ (am 1947-11-06)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Publications, Inc. (BMI) (am 1948-11-16)
Hank Williams with The Drifting Cowboys3.752:43
2It’s Mighty Dark to Travel
recording of:
It's Mighty Dark to Travel
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Unichappell Music, Inc.
Bill Monroe and the Bluegrass Boys2:52
3New Mule Skinner Blues
The Maddox Brothers & Rose3:07
4I’ll Hold You in My Heart (Till I Can Hold You in My Arms)
recording of:
I’ll Hold You in My Heart (’Till I Can Hold You in My Arms) (am 1947-05-18)
Texter und Komponist(in):
Eddy Arnold, Hal Horton (songwriter) und Tommy Dilbeck
publisher:
Adams, Vee & Abbott, Inc. (am 1947-05-15)
Eddy Arnold42:42
5Foggy Mountain Breakdown
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1949-12-11)
Banjo:
Earl Scruggs (am 1949-12-11)
Fiddle:
Benny Sims (American fiddler) (am 1949-12-11)
Gitarre:
Lester Flatt (am 1949-12-11)
Kontrabass [string bass]:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (am 1949-12-11)
Mandoline:
Curly Seckler (am 1949-12-11)
recording of:
Foggy Mountain Breakdown (am 1949-12-11)
Komponist(in):
Earl Scruggs
Lester Flatt & Earl Scruggs with The Foggy Mountain Boys42:40
6Molly and Tenbrook
recording of:
Molly and Tenbrooks
Komponist(in):
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
basiert auf:
Molly and Tenbrooks
The Stanley Brothers2:33
7Lovesick Blues (single version)
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1948-12-22)
Bass:
Willie Thawl (US bassist) (am 1948-12-22)
Fiddle:
Tommy Jackson (bluegrass fiddler) (am 1948-12-22)
Gitarre:
Hank Williams (country music legend) (am 1948-12-22)
Gitarre [lead guitar]:
James Grishaw (am 1948-12-22)
Gitarre [rhythm guitar]:
Louis Innis (am 1948-12-22)
Mandoline:
Clyde Baum (am 1948-12-22)
Steel-Gitarre:
Jerry Byrd (Nashville A-Team) (am 1948-12-22)
vocals:
Hank Williams (country music legend) (am 1948-12-22)
recording of:
Lovesick Blues (am 1948-12-22)
Texter:
Irving Mills und Hank Williams (country music legend) (am 1949-11-01)
Komponist(in):
Cliff Friend (US composer, lyricist & pianist)
arranger:
Hank Williams (country music legend) (am 1949-11-01)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Jack Mills, Inc. (am 1922-04-03) und Mills Music, Inc. (vom 1930 bis heute)
Hank Williams42:43
8I Saw the Light
live recording of:
I Saw the Light
Texter und Komponist(in):
Lewis E. Jones (hymnist) und Hank Williams (country music legend)
publisher:
Acuff-Rose Music Ltd. (UK) (vom 1948 bis heute), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 1948 bis heute) und Acuff-Rose Publications, Inc. (BMI) (am 1948-11-16)
Hank Williams32:13
9Hey, Good Lookin’
live recording of:
Hey, Good Lookin’
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Acuff-Rose Publications, Inc. (BMI) (am 1951-03-16)
Hank Williams3:19
10It Wasn’t God Who Made Honky Tonk Angels
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1952-05-03)
Bass:
Johnnie Wright (US country music singer-songwriter) (am 1952-05-03)
Fiddle:
Paul Warren (US fiddler) (am 1952-05-03)
Gitarre:
Jack Anglin (am 1952-05-03)
Steel-Gitarre:
Harold "Shot" Jackson (US country music guitar and dobro player) (am 1952-05-03)
vocals:
Kitty Wells (am 1952-05-03)
recording of:
It Wasn’t God Who Made Honky Tonk Angels (am 1952-05-03)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1952)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
cover recording of:
It Wasn’t God Who Made Honky Tonk Angels (in 1979)
Texter und Komponist(in):
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
publisher:
Peer International Corporation (BMI)
quotes lyrics from:
The Wild Side of Life
Kitty Wells52:30
11I’m So Lonesome I Could Cry
aufgenommen bei:
E.T. Herzog Recording Company in Cincinnati, Ohio, Vereinigte Staaten
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 2), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 111) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 165)
recording of:
I’m So Lonesome I Could Cry (am 1949-08-30)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Sony/ATV Music Publishing (Germany) GmbH (2002–today), Acuff-Rose Publications, Inc. (BMI) (am 1949-10-31) und Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) (vom 2002 bis heute)
Hank Williams with The Drifting Cowboys4.252:45
12Jambalaya (single version)
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1956-07-30)
Gitarre:
Don Helms (am 1956-07-30), Grady Martin (country/rockabilly guitarist) (am 1956-07-30) und Jack Shook (am 1956-07-30)
Klavier:
Owen Bradley (am 1956-07-30)
Schlagzeug:
Farris Coursey (am 1956-07-30)
vocals:
Brenda Lee (1960s American singer) (am 1956-07-30)
cover recording of:
Jambalaya (On the Bayou) (am 1956-07-30)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
Brenda Lee2:08
13New Step It Up and Go
The Maddox Brothers & Rose2:24
14I Walk the Line
Produzent(in):
Sam Phillips (founder of Sun Records)
Akustikgitarre und Sologesang:
Johnny Cash (country music legend) (am 1956-04-02)
E-Gitarre:
Luther Perkins (am 1956-04-02)
Kontrabass:
Marshall Grant (am 1956-04-02)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) und Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-04-02)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 76)
recording of:
I Walk the Line (am 1956-04-02)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash & The Tennessee Two4.152:44
15Crazy Arms
Ray Price2:31
16Bye, Bye Love
recording of:
Bye Bye Love
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers2:17
17The Long Black Veil
Lefty Frizzell3:08
18El Paso
recording of:
El Paso
Texter und Komponist(in):
Marty Robbins
publisher:
Chappell & Co., Inc. (USA), Hill & Range Songs, Inc. (publisher), Mariposa Music Inc. (publisher), Unichappell Music, Inc. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Marty Robbins4:38
19Night Life
Ray Price4:45
20Hello Walls
recording of:
Hello Walls
Texter und Komponist(in):
Willie Nelson
publisher:
Pamper Music, Inc. (am 1961-02-08)
Faron Young52:24
21I Fall to Pieces (single version)
recording of:
I Fall to Pieces
Komponist(in):
Hank Cochran (Nashville singer and songwriter) und Harlan Howard
Patsy Cline2:47
22Ring of Fire
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-03-25)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Interpret(in):
The Carter Family (later generations of the family after 1943)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963, in 1977)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 201) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 388)
cover recording of:
Ring of Fire (am 1963-03-25)
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash4.252:35
23Crazy
Produzent(in):
Owen Bradley
vocals:
Patsy Cline
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1961)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 85) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 195)
recording of:
Crazy (Willie Nelson song) (in 1961)
Texter und Komponist(in):
Willie Nelson
publisher:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Patsy Cline4.152:42
24I Can’t Stop Loving You
cover recording of:
I Can’t Stop Lovin’ You
Texter und Komponist(in):
Don Gibson (US songwriter and country musician)
publisher:
Acuff-Rose-Opryland Music Limited (UK), Sony/ATV Songs LLC und Acuff-Rose Publications, Inc. (BMI) (am 1958-02-07)
Ray Charles4:13
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dang Me
recorded in:
Tennessee, Vereinigte Staaten
Produzent(in):
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
recording of:
Dang Me (am 1964-01-11)
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Roger Miller1:49
2I’ve Got a Tiger by the Tail
Produzent(in):
Ken Nelson (US record producer (’48‐’76) Capitol Records, country music)
Bass und E-Bass:
Bob Morris (songwriter & musician for Buck Owens and His Buckaroos) (am 1964-12-01)
E-Gitarre [lead electric guitar]:
Don Rich (am 1964-12-01)
Gitarre:
Jelly Sanders (Country music songwriter and musician) (am 1964-02-01, am 1964-12-01), Doyle Holly (am 1964-12-01), Buck Owens (am 1964-12-01) und Don Rich (am 1964-12-01)
Pedal-Steel-Gitarre:
Tom Brumley (am 1964-12-01)
Schlagzeug:
Willie Cantu (Willie (The Drums) Cantu) (am 1964-12-01)
Hintergrundgesang und Sologesang:
Buck Owens (am 1964-12-01)
Hintergrundgesang [harmony vocals]:
Buck Owens (am 1964-12-01) und Don Rich (am 1964-12-01)
aufgenommen bei:
Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-12-01)
recording of:
I’ve Got a Tiger by the Tail (am 1964-12-01)
Verfasser(in):
Harlan Howard und Buck Owens
publisher:
Good Ol Harlan Songs, Legacy of Harlan Perry Howard, LLC und Sony/ATV Tree Publishing
Buck Owens42:12
3Don’t Come Home a Drinkin’ (with Lovin’ on Your Mind)
Produzent(in):
Owen Bradley
E-Bass [6-string electric bass guitar]:
Harold Bradley (am 1966-10-05)
E-Gitarre:
Thomas Grady Martin (country/rockabilly guitarist) (am 1966-10-05)
Gitarre:
Johnny Russell (US country singer, songwriter and comedian) (am 1966-10-05)
Klavier:
Floyd Cramer (am 1966-10-05)
Kontrabass [bass]:
Roy Huskey, Jr. (father of Roy Huskey, Jr.) (am 1966-10-05)
Schlagzeug [drums]:
Murrey Harman, Jr. (Session drummer and songwriter) (am 1966-10-05)
Steel-Gitarre:
Harald Rugg (am 1966-10-05)
vocals:
The Jordanaires (southern gospel group) und Loretta Lynn (am 1966-10-05)
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1966-10-05)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 38)
recording of:
Don’t Come Home A-Drinkin’ (With Lovin’ on Your Mind) (am 1966-10-05)
Verfasser(in):
Loretta Lynn und Peggy Sue (70s US country singer-songwriter)
Loretta Lynn42:07
4Coal Miner’s Daughter
Akustikgitarre:
Ray Edenton (am 1969-11-01)
Banjo:
Bob Thompson (guitar & banjo player) (am 1970-09-15)
E-Bass [6-string electric bass guitar]:
Harold Bradley (am 1969-11-01)
E-Gitarre:
Thomas Grady Martin (country/rockabilly guitarist) (am 1969-11-01)
Klavier:
Hargus Robbins (am 1969-11-01)
Kontrabass [bass]:
Bob Moore (U.S. bassist and bandleader) (am 1969-11-01)
Schlagzeug [drums]:
Murrey Harman, Jr. (Session drummer and songwriter) (am 1969-11-01)
Steel-Gitarre:
Harald Rugg (am 1969-11-01)
vocals:
The Jordanaires (southern gospel group) (am 1969-11-01) und Loretta Lynn (am 1969-11-01)
aufgenommen bei:
Bradley’s Barn in Mt. Juliet, Tennessee, Vereinigte Staaten (am 1969-11-01, am 1970-09-15)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 14) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 255)
recording of:
Coal Miner’s Daughter (am 1969-11-01)
Texter und Komponist(in):
Loretta Lynn
Loretta Lynn42:58
5Kiss an Angel Good Mornin’
Produzent(in):
Jack Clement
aufgenommen bei:
RCA Victor Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 19)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1971)
Texter und Komponist(in):
Ben Peters (country music songwriter)
recording of:
Kiss an Angel Good Mornin' (1971 song) (in 1994)
Texter und Komponist(in):
Ben Peters (country music songwriter)
Charley Pride4.52:02
6Hungry Eyes
recording of:
Hungry Eyes
Texter und Komponist(in):
Merle Haggard (US country singer, guitarist, fiddler & songwriter)
publisher:
Sony/ATV Tree Publishing
Merle Haggard and The Strangers3.53:26
7Mama Tried
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 376)
recording of:
Mama Tried
Texter und Komponist(in):
Merle Haggard (US country singer, guitarist, fiddler & songwriter)
publisher:
Sony/ATV Songs LLC und Sony/ATV Tree Publishing
Merle Haggard and The Strangers2:11
8Harper Valley P.T.A.
Produzent(in):
Shelby Singleton
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 78)
recording of:
Harper Valley PTA (am 1968-07-26)
Texter und Komponist(in):
Tom T. Hall
publisher:
Unichappell Music, Inc.
Jeannie C. Riley43:13
9Don’t Touch Me
recording of:
Don’t Touch Me
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
Jeannie Seely3:12
10Folsom Prison Blues (live at Folsom State Prison, Folsom, CA - January 1968)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
zusätzliche(r) Produzent(in):
Bob Irwin
Bass:
Marshall Grant (am 1968-01-13)
E-Gitarre:
Carl Perkins (American pioneer of rockabilly music) (am 1968-01-13) und Luther Perkins (am 1968-01-13)
Gitarre:
Johnny Cash (country music legend) (am 1968-01-13)
Schlagzeug:
W.S. Holland (am 1968-01-13)
vocals:
Johnny Cash (country music legend) (am 1968-01-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
aufgenommen bei:
Folsom State Prison in Folsom, California (Kalifornien), Vereinigte Staaten (am 1968-01-13)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 54) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 164)
live recording of:
Folsom Prison Blues (am 1968-01-13)
Texter und Komponist(in):
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation und Hi Lo Music
basiert auf:
Crescent City Blues
Johnny Cash4.852:43
11Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette42:38
12She Thinks I Still Care
recording of:
She Thinks I Still Care (am 1962-01-04)
Texter und Komponist(in):
Dickey Lee Lipscomb und Steve Duffy
publisher:
Glad Music, Glad Music Co., Jack Music, Inc., Orange Sky Music Ltd., Universal Music Publishing International Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
George Jones52:34
13You Ain’t Goin’ Nowhere
Techniker(in):
Charlie Bragg und Roy Halee
Produzent(in):
Gary Usher
Hintergrundgesang:
Chris Hillman (am 1968-03-09)
vocals:
Roger McGuinn (am 1968-03-09)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
Samples von:
Sweetheart of the Rodeo (stereo) von The Byrds (American rock band) (am 1968-08-30)
cover recording of:
You Ain’t Goin’ Nowhere (am 1968-03-09)
Texter und Komponist(in):
Bob Dylan (in 1967)
zusätzlicher Texter:
Bob Dylan (in 1971)
publisher:
Dwarf Music (vom 1967 bis heute)
The Byrds3.52:33
14Me and Bobby McGee
vocals:
Kris Kristofferson (in 1969)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971)
recording of:
Me and Bobby McGee (in 1969)
Texter und Komponist(in):
Fred Foster und Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Keith Prowse Music Publishing Co. Ltd.
Kris Kristofferson54:22
15Help Me Make It Through the Night
phonographisches Urheberrecht (℗) von:
Dominion Entertainment, Inc. (company credits only; file no releases here!) (in 1971)
cover recording of:
Help Me Make It Through the Night (in 1971)
Texter und Komponist(in):
Kris Kristofferson
publisher:
BMG Songs Ltd., Combine Music Corp., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Keith Prowse Music Publishing Co. Ltd. und KPM (music publisher)
sub-publisher:
Air Music Scandinavia AB
Sammi Smith2:33
16Sunday Mornin’ Comin’ Down
vocals:
Kris Kristofferson
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 96) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 476)
recording of:
Sunday Mornin’ Comin’ Down (in 1969)
Texter und Komponist(in):
Kris Kristofferson
Kris Kristofferson3.54:36
17Okie From Muskogee
recording of:
Okie From Muskogee
Verfasser(in):
Roy Burris und Merle Haggard (US country singer, guitarist, fiddler & songwriter)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tree Publishing
Merle Haggard2:42
18Man in Black
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1971-02-16)
Produzent(in):
Johnny Cash (country music legend)
Akustikgitarre:
Johnny Cash (country music legend) (am 1971-02-16)
Bass:
Marshall Grant (am 1971-02-16)
E-Gitarre:
Bob Wootton (am 1971-02-16)
Schlagzeug:
W.S. Holland (am 1971-02-16)
vocals:
Johnny Cash (country music legend) (am 1971-02-16)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1971)
recording of:
Man in Black (am 1971-02-16)
Texter und Komponist(in):
Johnny Cash (country music legend)
Johnny Cash3.52:52
19Girl From the North Country
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1969-02-18)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre:
Bob Dylan (am 1969-02-18)
Gast vocals:
Johnny Cash (country music legend) (am 1969-02-18)
vocals:
Bob Dylan (am 1969-02-18)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1969)
cover recording of:
Girl From the North Country (am 1969-02-18)
Texter und Komponist(in):
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1963 bis 1991) und Special Rider Music (vom 1991 bis heute)
Bob Dylan with Johnny Cash3.93:42
20Grand Ole Opry Song
Produzent(in):
William E. McEuen
Banjo:
John McEuen (von 1971-08-06 bis 1971-08-11)
Fiddle:
Vassar Clements (von 1971-08-06 bis 1971-08-11)
Gitarre und Sologesang:
Jimmy Martin (American bluegrass musician) (von 1971-08-06 bis 1971-08-11)
Kontrabass [bass]:
Junior Huskey (father of Roy Huskey, Jr.) (von 1971-08-06 bis 1971-08-11)
Mandoline:
Les Thompson (US country-rock guitar/mandolin, Nitty Gritty Dirt Band member) (von 1971-08-06 bis 1971-08-11)
Hintergrundgesang:
Jeff Hanna (von 1971-08-06 bis 1971-08-11), Jimmy Ibbotson (von 1971-08-06 bis 1971-08-11), Ray Martin (US bluegrass musician, son of Jimmy Martin) (von 1971-08-06 bis 1971-08-11), Gary Scruggs (von 1971-08-06 bis 1971-08-11) und Les Thompson (US country-rock guitar/mandolin, Nitty Gritty Dirt Band member) (von 1971-08-06 bis 1971-08-11)
aufgenommen bei:
Woodland Sound Studios in Nashville, Tennessee, Vereinigte Staaten (von 1971-08-06 bis 1971-08-11)
recording of:
Grand Ole Opry Song (von 1971-08-06 bis 1971-08-11)
Texter und Komponist(in):
Hylo Brown
Nitty Gritty Dirt Band3:11
21Will the Circle Be Unbroken
Nitty Gritty Dirt Band4:48
4▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Are You Sure Hank Done It This Way
recording engineer:
Kyle Lehning
Produzent(in):
Jack Clement und Waylon Jennings (US country musician)
Bass:
Duke Goff (von 1974-09-02 bis 1975-02-01)
Gitarre:
Waylon Jennings (US country musician) (von 1974-09-02 bis 1975-02-01) und Billy Ray Reynolds (von 1974-09-02 bis 1975-02-01)
Klavier:
Charles Cochran (Nashville session pianist & composer) (von 1974-09-02 bis 1975-02-01)
Schlagzeug:
Richie Albright (von 1974-09-02 bis 1975-02-01)
Steel-Gitarre:
Ralph Mooney (von 1974-09-02 bis 1975-02-01)
Sologesang:
Waylon Jennings (US country musician) (von 1974-09-02 bis 1975-02-01)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1975) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1975, in 1980)
aufgenommen bei:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, Vereinigte Staaten (am 1974-09-02, am 1975-01-14, am 1975-02-01)
recording of:
Are You Sure Hank Done It This Way? (von 1974-09-02 bis 1975-02-01)
Texter und Komponist(in):
Waylon Jennings (US country musician)
publisher:
Baron Music Publishing Co. und Universal–Songs of PolyGram International, Inc.
Waylon Jennings4.352:57
2Mule Skinner Blues (Blue Yodel No. 8)
recording of:
Blue Yodel No. 8 (Mule Skinner Blues)
Texter und Komponist(in):
Jimmie Rodgers (country music pioneer, died in 1933)
publisher:
Peer International Corporation (BMI)
Teil von:
Blue Yodels by Jimmie Rodgers
Dolly Parton3:08
3Jolene
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1972-05-03) und Buck Trent (am 1972-05-03)
Bass:
Bobby Dyson (am 1972-05-03)
E-Gitarre:
Jimmy Colvard (American session guitarist) (am 1972-05-03)
Fiddle:
Johnny Gimble (am 1972-05-03) und Mack Magaha (Bluegrass Fiddler) (am 1972-05-03)
Gitarre:
Dolly Parton (am 1972-05-03)
Gitarre [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (am 1972-05-03)
Klavier:
Hargus "Pig" Robbins (am 1972-05-03)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1972-05-03)
Steel-Gitarre:
Stu Basore (am 1972-05-03)
Hintergrundgesang:
Joe Babcock (am 1972-05-03), Dolores Edgin (am 1972-05-03), June Page (am 1972-05-03) und Hurshel Wiginton (am 1972-05-03)
vocals:
Dolly Parton (am 1972-05-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1972-05-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 217)
recording of:
Jolene (am 1972-05-03)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton4.252:41
4I Will Always Love You
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1973-06-13) und Buck Trent (am 1973-06-13)
Bass:
Bobby Dyson (am 1973-06-13)
Fiddle:
Johnny Gimble (am 1973-06-13) und Mack Magaha (Bluegrass Fiddler) (am 1973-06-13)
Gitarre:
Jimmy Colvard (American session guitarist) (am 1973-06-13), Dave Kirby (US country singer/songwriter) (am 1973-06-13) und Dolly Parton (am 1973-06-13)
Klavier:
Hargus "Pig" Robbins (am 1973-06-13)
Schlagzeug:
Ralph Gallant (am 1973-06-13)
Steel-Gitarre:
Stu Basore (am 1973-06-13)
Hintergrundgesang:
Joe Babcock (am 1973-06-13), Dolores Edgin (am 1973-06-13), June Page (am 1973-06-13) und Hurshel Wiginton (am 1973-06-13)
vocals:
Dolly Parton (am 1973-06-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1973-06-13)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 34)
recording of:
I Will Always Love You (am 1973-06-13)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton3.82:55
5We’re Gonna Hold On
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Hintergrundgesang:
The Jordanaires (southern gospel group)
Interpret(in):
Tammy Wynette
Teil von:
Grammy Award: Best Country Performance by a Duo or Group nominees (Nummer: 1974)
recording of:
We’re Gonna Hold On
Verfasser(in):
George Jones (US country music vocalist) und Earl Montgomery (Songwriter and musicians)
George Jones & Tammy Wynette52:57
6Texas Cookin’
recording of:
Texas Cookin'
Texter und Komponist(in):
Guy Clark
publisher:
Sunbury Music, Inc. (ASCAP) (in 1976)
Guy Clark3:27
7If I Needed You
leitende(r) Produzent(in):
Kevin Eggers (producer)
Produzent(in):
Jack Clement
aufgenommen bei:
Jack Clement Recording Studio in Nashville, Tennessee, Vereinigte Staaten (in 1972)
recording of:
If I Needed You (in 1972)
Texter und Komponist(in):
Townes Van Zandt
publisher:
Columbine Music Inc. (publisher) (in 1981) und United Artists Music Co., Inc. (in 1981)
Townes Van Zandt3:43
8I Can’t Stop Loving You
Johnny Rodriguez2:57
9I’ve Been a Long Time Leaving (But I’ll Be a Long Time Gone)
recording engineer:
Kyle Lehning
aufgenommen bei:
Glaser Sound Studios, Inc. (now known as Compass Sound Studio) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
I’ve Been a Long Time Leaving (But I’ll Be a Long Time Gone)
Texter und Komponist(in):
Roger Miller (US singer/songwriter/actor, “King of the Road”)
Waylon Jennings2:41
10Love Hurts (live)
live recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons with The Fallen Angels4:45
11Boulder to Birmingham
Techniker(in):
Brian Ahern, Chris Skene, Paul Skene, Fran Tate und Stuart Taylor (engineer)
Produzent(in):
Brian Ahern
Akustikgitarre:
Rick Cunha (US guitarist, songwriter, and engineer) und Emmylou Harris
Bassgitarre:
Ray Pohlman
E-Gitarre:
James Burton (guitarist)
Hybrid-Piano:
Glen D. Hardin
Klavier:
Bill Payne
membranophone:
Ron Tutt (drummer)
Steel-Gitarre:
Ben Keith
zwölfsaitige Gitarre und Hintergrundgesang:
Herb Pedersen
Hintergrundgesang und Sologesang:
Emmylou Harris
Saiteninstrumente arranger:
Nick de Caro
recording of:
Boulder to Birmingham
Verfasser(in):
Bill Danoff und Emmylou Harris
Emmylou Harris4.53:34
12Bluebird Wine
Techniker(in):
Brian Ahern, Chris Skene, Paul Skene, Fran Tate und Stuart Taylor (engineer)
Produzent(in):
Brian Ahern
Akustikgitarre:
Brian Ahern und Rick Cunha (US guitarist, songwriter, and engineer)
Banjo:
Bernie Leadon
Bassgitarre:
Ray Pohlman
E-Gitarre:
James Burton (guitarist)
Fiddle:
Richard Greene (US fiddler)
Klavier:
Glen D. Hardin
Schlagzeug:
Ron Tutt (drummer)
Hintergrundgesang:
Herb Pedersen und Fayssoux Starling
Sologesang:
Emmylou Harris
recording of:
Bluebird Wine
Texter und Komponist(in):
Rodney Crowell
Emmylou Harris43:19
13Whiskey River (live at Harrah’s Casino, Lake Tahoe, NV - April 1978)
Produzent(in):
Willie Nelson
Mix:
Bradley Hartman
Bass:
Chris Ethridge (in 1978-04) und Bee Spears (in 1978-04)
Gitarre:
Willie Nelson (in 1978-04) und Jody Payne (in 1978-04)
Klavier:
Bobbie Nelson (in 1978-04)
Mundharmonika:
Mickey Raphael (in 1978-04)
Schlagzeug:
Paul English (US drummer for Willie Nelson) (in 1978-04) und Rex Ludwick (US drummer) (in 1978-04)
vocals:
Willie Nelson (in 1978-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
mixed at:
The Enactron Truck in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Harrah’s Lake Tahoe in Stateline, Nevada, Vereinigte Staaten (in 1978-04)
live cover recording of:
Whiskey River
Verfasser(in):
J.B. Shinn III und Paul Stroud
live recording of:
Whiskey River
Verfasser(in):
J.B. Shinn III und Paul Stroud
Willie Nelson33:38
14Miles and Miles of Texas
Asleep at the Wheel3:03
15Blue Eyes Crying in the Rain
Techniker(in):
Phil York
Produzent(in):
Willie Nelson
Bass:
Bee Spears (in 1975-02)
Gitarre:
Bucky Meadows (American session musician) (in 1975-02), Willie Nelson (in 1975-02) und Jody Payne (in 1975-02)
Klavier:
Bobbie Nelson (in 1975-02)
Mandoline:
Jody Payne (in 1975-02)
Mundharmonika:
Mickey Raphael (in 1975-02)
Schlagzeug:
Billy English (US drummer/percussionist for Willie Nelson) (in 1975-02) und Paul English (US drummer for Willie Nelson) (in 1975-02)
vocals:
Willie Nelson (in 1975-02)
arranger:
Willie Nelson
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Autumn Sound Studios in Garland, Texas, Vereinigte Staaten (in 1975-02)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 16), Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 27), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 253) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 302)
cover recording of:
Blue Eyes Crying in the Rain (in 1975-02)
Texter und Komponist(in):
Fred Rose (songwriter)
publisher:
Campbell Connelly & Co. Ltd., Milene Music (publisher) und Sony/ATV Milene Music
Willie Nelson42:19
16A Good Hearted Woman
Produzent(in):
Waylon Jennings (US country musician) und Ray Pennington
Bass:
Duke Goff (in 1972)
Gitarre:
Waylon Jennings (US country musician) (in 1972), Billy Ray Reynolds (in 1972) und Larry Whitmore (in 1972)
Mundharmonika:
Roger Crabtree (in 1972)
Schlagzeug:
Richie Albright (in 1972)
Steel-Gitarre:
Ralph Mooney (in 1972)
vocals:
Waylon Jennings (US country musician) (in 1972) und Willie Nelson (in 1972)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
recording of:
Good Hearted Woman (in 1972)
Verfasser(in):
Waylon Jennings (US country musician) und Willie Nelson
publisher:
Baron Music Publishing Co. und Willie Nelson Music
cover recording of:
Good Hearted Woman
Verfasser(in):
Waylon Jennings (US country musician) und Willie Nelson
publisher:
Baron Music Publishing Co. und Willie Nelson Music
Waylon Jennings & Willie Nelson3.52:58
17Family Tradition
recording of:
Family Tradition
Texter und Komponist(in):
Randall Hank Williams
Hank Williams, Jr.3.53:59
18Seven Year Ache
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Seven Year Ache (in 1981)
Texter und Komponist(in):
Rosanne Cash
publisher:
Atlantic Music Corp. (BMI), Hotwire Music und Monster Beach Music
Rosanne Cash3:15
19Pancho and Lefty
Produzent(in):
Merle Haggard (US country singer, guitarist, fiddler & songwriter), Chips Moman und Willie Nelson
Bass:
Mike Leech (in 1982-11)
Fiddle und Mandoline:
Johnny Gimble (in 1982-11)
Gitarre:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1982-11), Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1982-11), Grady Martin (country/rockabilly guitarist) (in 1982-11), Chips Moman (in 1982-11), Willie Nelson (in 1982-11), Lewis Talley (in 1982-11) und Reggie Young (Guitarist and songwriter) (in 1982-11)
Keyboard:
Bobby Emmons (in 1982-11) und Bobby Wood (American pianist, keyboard player and songwriter) (in 1982-11)
Mundharmonika:
Mickey Raphael (in 1982-11)
Saxophon:
Don Markham (in 1982-11)
Schlagzeug:
Gene Chrisman (in 1982-11)
Hintergrundgesang:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician) (in 1982-11), Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1982-11), Willie Nelson (in 1982-11) und Bobby Wood (American pianist, keyboard player and songwriter) (in 1982-11)
vocals:
Merle Haggard (US country singer, guitarist, fiddler & songwriter) (in 1982-11) und Willie Nelson (in 1982-11)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2003)
aufgenommen bei:
Moman's Recording Studio in Nashville, Tennessee, Vereinigte Staaten (in 1982-11) und Pedernales Recording Studio in Spicewood, Texas, Vereinigte Staaten (in 1982-11)
cover recording of:
Pancho and Lefty (in 1982-11)
Texter und Komponist(in):
Townes Van Zandt
Merle Haggard & Willie Nelson4.654:46
20He Stopped Loving Her Today
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1980-02-06)
Gitarre:
Phil Baugh (am 1980-02-06), Billy R. Sanford (guitar) (am 1980-02-06) und Pete Wade (am 1980-02-06)
Klavier:
Hargus Robbins (am 1980-02-06)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1980-02-06)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1980-02-06)
Schlagzeug:
Jerry Carrigan (US drummer) (am 1980-02-06)
Steel-Gitarre:
Pete Drake (steel guitar player) (am 1980-02-06)
vocals:
George Jones (US country music vocalist) (am 1980-02-06)
Teil von:
Rolling Stone: 40 Saddest Country Songs of All Time (2019 re-issued) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 270)
recording of:
He Stopped Loving Her Today (am 1980-02-06)
Texter und Komponist(in):
Bobby Braddock und Claude “Curly” Putman, Jr.
George Jones53:16
5▶Digitales Medium