The Pavarotti Edition

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Tracklist

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1▼CD: Donizetti
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1L’elisir d’amore: Quanto è bella
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. “Quanto è bella, quanto è cara” (Nemorino, Giannetta, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
2:40
2L’elisir d’amore: Caro elisir! Sei mio!
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
recording of:
L’elisir d’amore: Atto I. Recitativo “Caro elisir! sei mio!” (Nemorino) (from 1970-01 until 1970-06)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
1:25
3L’elisir d’amore: Lallarallara
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Adina]:
Joan Sutherland (soprano) (from 1970-01 until 1970-06)
tenor vocals:
Fernando Pavarotti (from 1970-01 until 1970-06)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (from 1970-01 until 1970-06)
orchestra:
English Chamber Orchestra (from 1970-01 until 1970-06)
conductor:
Richard Bonynge (conductor and pianist) (from 1970-01 until 1970-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina) (from 1970-01 until 1970-06)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
2:23
4L’elisir d’amore: Esulti pur la barbara
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor)
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
L’elisir d’amore: Atto I. Scena e duetto “Lallarallara…Esulti pur la barbara” (Nemorino, Adina)
lyricist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
L’elisir d’amore: Atto I
5:56
5L’elisir d’amore: Una furtiva lagrima
recording engineer and engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06, from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
5:00
6Maria Stuarda: Hai nelle giostre, o Talbot, chiesto di me?
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Maria Stuarda: Atto I, no. 3b. "Hai nelle giostre, o Talbot, chiesto di me?" (Leicester, Talbot)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto I.
1:53
7Maria Stuarda: Questa imago, questa foglio - Ah! rimiro il bel sembiante
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Maria Stuarda: Atto I, no. 4. Cavatina "Questa imago, questo foglio" … “Ah! rimiro il bel sembiante” (Talbot, Leicester)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto I.
6:23
8Lucia di Lammermoor: Tombe degli avi miei
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tombe degli avi miei” (Edgardo) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
3:59
9Lucia di Lammermoor: Fra poco a me ricovero
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Fra poco a me ricovero” (Edgardo) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Lucia di Lammermoor: Atto III
3:02
10Lucia di Lammermoor: Oh meschina!
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
bass vocals [Raimondo]:
Nicolaï Ghiaurov (operatic bass) (from 1971-06 until 1971-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Oh, meschina! O, fato orrendo” (Coro, Edgardo, Raimondo) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
4:29
11Lucia di Lammermoor: Tu che a Dio spiegasti l'ali
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
bass vocals [Raimondo]:
Nicolaï Ghiaurov (operatic bass) (from 1971-06 until 1971-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
5:00
12La Fille du régiment : Ah mes amis - Pour mon âme
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals:
Eric Garrett (English Bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals [Tonio]:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
6:56
13La Fille du régiment : Pour me rapprocher de Marie
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte II, Scène 11. “Écoutez-moi de grâce ” – Romance “Pour me rapprocher de Marie” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte II
3:45
14Linda di Chamounix: Linda! Linda!… Da quel dì che t'incontrai
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Linda di Chamounix: Atto I. Duetto “Linda! Linda! … Da quel di che t'incontrai” (Linda, Carlo)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Linda di Chamounix: Atto I
8:41
15La favorita: Parla, figlio… Una vergine, un'angel di Dio
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
bass vocals:
Nicolaï Ghiaurov (operatic bass)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto I, Scena 2. “Parla, figlio! Una vergine, un angel di Dio” (Fernando, Baldassarre)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte I, scène 2. Romance « Parle, mon fils » - « Un ange, une femme inconnue » (Balthazar, Fernand)
part of:
La favorita: Atto I
3:54
16La favorita: Sì, che un solo accento
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto I, Scena 7. “Sì, che un tuo solo accento” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte I, scène 8. Air « Oui, ta voix m’inspire » (Fernand)
part of:
La favorita: Atto I
3:12
17La favorita: Favorita del re… Spirto gentil
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
4:52
18Don Pasquale: Com'è gentil
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Leone Magiera (conductor, pianist)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
3:44
2▼CD: Bellini, Donizetti, Verdi
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1I Capuleti e i Montecchi: L'amo l'amo e m'è si cara
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
I Capuleti e i Montecchi: Atto I. N°2d Scena e cavatina “L'amo tanto, e m'è sì cara” (Tebaldo, Capellio, Capuleti, Lorenzo)
composer:
Vincenzo Bellini (Sicilian opera composer) (from 1830-01 until 1830-03)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (from 1830-01 until 1830-03)
part of:
I Capuleti e i Montecchi: Atto I
3:52
2Norma: Meco all'altar di Venere
choir vocals:
Chorus of the Welsh National Opera
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Norma: Atto I, scena 1. Cavatina “Meco all'altar di Venere” (Pollione, Flavio, Druidi)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
4:18
3Norma: Me protegge me difende
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Norma: Atto I, scena 1. Cabaletta “Me protegge, me difende” (Pollione, Flavio, Druidi)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
2:43
4La sonnambula: Perdona o mia diletta…
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La sonnambula: Atto I, scena 1. “Perdona, o mia diletta” (Elvino, Amina, Notaro, Tutti)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
1:59
5La sonnambula: Prendi! L'anel ti dono
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La sonnambula: Atto I, scena 1. “Prendi: l’anel ti dono” (Elvino)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
La sonnambula: Atto I
9:02
6Beatrice di Tenda: Atto I. “Sì, rivale … rival regnante”
mezzo-soprano vocals:
Josephine Veasey (mezzo-soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Beatrice di Tenda: Atto I. N°2b “Sì: rivale … rivale regnante” (Agnese, Orombello)
writer and composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
7:03
7I puritani: A te o cara
bass vocals:
Nicolaï Ghiaurov (operatic bass) and Giancarlo Luccardi (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
I Puritani: Atto I, scena 3. N°7 “A te, o cara, amor talora” (Arturo, Giorgio, Walton, Elvira, Coro)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto I
5:49
8I puritani: Vieni fra queste braccia
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
I puritani: Atto III. N°20c. “Vieni, fra queste braccia” (Elvira, Arturo)
composer:
Vincenzo Bellini (Sicilian opera composer)
librettist:
Carlo Pepoli (Italian librettist, 19th c.)
part of:
I puritani: Atto III
4:58
9Don Sebastiano: Deserto in terra
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra)
conductor:
Sir Edward Downes (conductor)
recording of:
Don Sebastiano: "Deserto in terra"
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Eugène Scribe
6:03
10Il duca d’Alba: Inosservato penetrava…
recording engineer:
James Brown (Decca engineer, 1960s) and James Lock (James Locke, engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Marcello]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-06)
recording of:
Il duca d'Alba: Atto IV. "Inosservato, penetrava in questo sacro recesso" ... "Angelo casto e bel" (Marcello) (in 1968-06)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Angelo Zanardini
part of:
Il duca d'Alba
7:19
11I Lombardi: Oh madre mia che fa colei
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
I Lombardi: Atto II. N°7 Scena “O madre mia, che fa colei?” (Sofia, Oronte)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
1:09
12I Lombardi: La mia letizia infodere vorrei…
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:34
13I Lombardi: Come poteva un angelo
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
3:49
14I due Foscari: Ah sì ch'io senta ancora…
tenor vocals:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
Wiener Opernorchester (Vienna State Opera Orchestra) (in 1968-06)
conductor:
Sir Edward Downes (conductor) (in 1968-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1968-06)
recording of:
I due Foscari: Atto I. “Ah si, ch'io senta ancora … Dal piu remoto esilio”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
5:48
15Ernani: Merce diletti amici
choir vocals:
Chorus of the Welsh National Opera
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
4:02
16Ernani: Dell'esilio nel dolore
choir vocals:
Chorus of the Welsh National Opera
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Welsh National Opera
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:12
17Attila: O dolore
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Attila “O dolore! Ed io vivea” (alternative aria)
composer:
Giuseppe Verdi (Italian opera composer)
3:40
3▼CD: Verdi
#TitleRatingLength
1Macbeth: O figli, o figli miei
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
3:34
2Macbeth: Dove siam… La patria tradita
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor) and Luciano Pavarotti (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Lamberto Gardelli (conductor)
recording of:
Macbeth: Atto IV. N°13d Cabaletta “La patria tradita” (Macduff, Malcolm, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
2:55
3Luisa Miller: Il foglio dunque
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
2:49
4Luisa Miller: Quando le sere al placido
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
recording of:
Luisa Miller: Atto II. “Oh! fede negar potessi” / “Quando le sere al placido” (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
3:46
5I due Foscari: M'ardon le vene
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Peter Maag (conductor)
partial recording of:
I due Foscari: Atto III
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari
7:38
6Rigoletto: Questa o quella
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
edit of:
Rigoletto: Atto I. "Questa o quella per me pari sono" (Duca) by John McCarthy (British choral conductor, scholar, composer and arranger), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Ricardo Cassinelli (Argentine operatic tenor), Sherrill Milnes (baritone), Luciano Pavarotti (tenor), Kiri Te Kanawa (soprano), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
partial recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
1:49
7Rigoletto: Ella mi fu rapita
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:28
8Rigoletto: Parmi veder le lagrime
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto II. "Parmi veder le lagrime" (Duca)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:16
9Rigoletto: Duca Duca
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto II. “Duca, duca! … Ebben? … Scorrendo uniti” (Borsa, Marullo, Ceprano, Duca, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
2:17
10Rigoletto: Possente amor mi chiama
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Marullo]:
Christian du Plessis (baritone) (in 1971-06)
bass vocals [Il Conte di Ceprano]:
John Gibbs (operatic bass) (in 1971-06)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971-06)
tenor vocals [Borsa]:
Ricardo Cassinelli (Argentine operatic tenor) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto II. "Possente amor mi chiama" (Borsa, Marullo, Ceprano, Duca, Coro) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Rigoletto: Atto II
2:56
11Rigoletto: La donna è mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
bass vocals [Sparafucile]:
Martti Talvela (operatic bass) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
compilation of:
Rigoletto: Atto III. “La donna è mobile” by Luciano Pavarotti (tenor), London Symphony Orchestra, Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. “È là il vostr’uomo” (Sparafucile, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
3:01
12Rigoletto: Un di se ben rammentomi
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone) (in 1971-06)
contralto vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano) (in 1971-06)
soprano vocals [Gilda]:
Joan Sutherland (soprano) (in 1971-06)
tenor vocals [Il Duca di Mantova]:
Luciano Pavarotti (tenor) (in 1971-06)
orchestra:
London Symphony Orchestra (in 1971-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1971-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-06)
recording of:
Rigoletto: Atto III. N°12 Quartetto. "Un dì, se ben rammentomi" (Duca, Gilda, Maddalena, Rigoletto) (in 1971-06)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
1:33
13Rigoletto: Bella figlia dell amore
baritone vocals [Rigoletto]:
Sherrill Milnes (baritone)
mezzo-soprano vocals [Maddalena]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals [Gilda]:
Joan Sutherland (soprano)
tenor vocals [Duca]:
Luciano Pavarotti (tenor)
orchestra:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
4:04
14Il trovatore: Quale d armi fragor…
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
2:11
15Il trovatore: Ah si ben mio
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:01
16Il trovatore: L'onda de suoni mistici…
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
soprano vocals [Leonora]:
Joan Sutherland (soprano) (in 1976-09)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor) (in 1976-09)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
1:55
17Il trovatore: Di quella pira
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Richard Beswick and Ray Minshull (record producer)
choir vocals:
London Opera Chorus
soprano vocals [Leonora]:
Joan Sutherland (soprano) (from 1976-09-08 until 1977-03-26)
tenor vocals [Manrico (Il trovatore)]:
Luciano Pavarotti (tenor) (in 1976-09)
tenor vocals [Ruiz]:
Graham Clark (tenor)
vocals:
Graham Clark (tenor), Joan Sutherland (soprano) and Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-09)
conductor:
Richard Bonynge (conductor and pianist) (in 1976-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) (in 1976-09)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
3:20
18Il trovatore: Miserere d'un alma...
choir vocals:
London Opera Chorus
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
5:03
19La traviata: Libiamo ne lieti calici
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
choir vocals:
London Opera Chorus (in 1979-11)
soprano vocals [Violetta Valéry]:
Dame Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
live recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
2:52
20La traviata: Un di felice
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
soprano vocals [Violetta]:
Joan Sutherland (soprano) (in 1979-11)
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
3:30
21La traviata: Lunge da lei...
tenor vocals [Alfredo]:
Luciano Pavarotti (tenor) (in 1968-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Oliviero de Fabritiis (conductor and composer) and Richard Bonynge (conductor and pianist) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:52
22La traviata: Annina donde vieni
mezzo-soprano vocals:
Marjon Lambriks
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
3:48
23La traviata: Parigi o cara
assistant producer:
Andrew Cornall (engineer / producer) (in 1979-11)
producer:
Christopher Raeburn (producer) (in 1979-11)
soprano vocals:
Joan Sutherland (soprano) (in 1979-11)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-11)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-11)
conductor:
Richard Bonynge (conductor and pianist) (in 1979-11)
balance engineer:
James Lock (James Locke, engineer) (in 1979-11) and Kenneth Wilkinson (engineer) (in 1979-11)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-11)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta) (in 1979-11)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
5:04
24Les Vêpres siciliennes : À toi que j'ai chérie
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
partial recording of:
I vespri siciliani: Atto IV
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
part of:
I vespri siciliani
0:56
4▼CD: Verdi 2
#TitleRatingLength
1Su profetessa... Di tu se fedele
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:02
2È scherzo od è follia?
bass vocals [Samuel]:
Robert Lloyd (operatic bass) (from 1982-05 until 1982-06)
bass vocals [Tom]:
Malcolm King (operatic bass) (from 1982-05 until 1982-06)
choir vocals:
London Opera Chorus (from 1982-05 until 1982-06) and Royal College of Music Junior Department Chorus (from 1982-05 until 1982-06)
mezzo-soprano vocals [Ulrica]:
Christa Ludwig (mezzo-soprano) (from 1982-05 until 1982-06)
soprano vocals [Amelia]:
Margaret Price (soprano) (from 1982-05 until 1982-06)
soprano vocals [Oscar]:
Kathleen Battle (soprano) (from 1982-05 until 1982-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1982-05 until 1982-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-05 until 1982-06)
conductor:
Sir Georg Solti (conductor) (from 1982-05 until 1982-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-05 until 1982-06)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro) (from 1982-05 until 1982-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
3:29
3Teco io sto…
soprano vocals:
Margaret Price (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto II. Nº 13a. Scena "Teco io sto - Gran Dio!" (Riccardo, Amelia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
9:10
4Forse la soglia attinse
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:42
5Ma se m'è forza perderti
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Sir Georg Solti (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:58
6Fratello… riconoscimi
baritone vocals:
Leo Nucci (baritone)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Leone Magiera (conductor, pianist)
recording of:
La forza del destino: Atto IV, scena 1. “Invano, Alvaro ti celasti al mondo” … “Col sangue sol cancellasi l'infamia” (Alvaro, Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto IV
7:55
7Io l'ho perduta
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1992-12)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:38
8Io la vidi e il suo sorriso
assistant engineer:
Alex Marcou
engineer:
Graham Kirkby (engineer)
producer:
David Groves (classical music producer at EMI)
tenor vocals [Don Carlo]:
Luciano Pavarotti (tenor) (in 1992-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1992-12)
conductor:
Riccardo Muti (conductor) (in 1992-12)
chorus master:
Roberto Gabbiani (chorus master) (in 1992-12)
balance engineer:
Michael Sheady (engineer)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (in 1992-12)
partial recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1992-12)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
1:45
9Dio che nell'alma infondere
baritone vocals:
Paolo Coni (Baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
4:08
10Se quel guerrier io fossi
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
4:09
11Pur ti riveggo mia dolce Aida
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
3:23
12La fatal pietra sovra me si chiuse
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
2:11
13Presago il core della tua condanna
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
3:49
14O terra, addio; addio valle di pianti
recording engineer:
Simon Eadon (classical music engineer)
engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
producer:
Andrew Cornall (engineer / producer) and Ray Minshull (record producer)
editor:
Matthew Hutchinson (engineer / editor)
bass vocals [Ramfis]:
Paata Burchuladze (operatic bass) (from 1985-12 until 1986-01)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1985-12 until 1986-01)
mezzo-soprano vocals [Amneris]:
Ghena Dimitrova (soprano) (from 1985-12 until 1986-01)
soprano vocals [Aida]:
Maria Chiara (soprano) (from 1985-12 until 1986-01)
tenor vocals [Radamès]:
Luciano Pavarotti (tenor) (from 1985-12 until 1986-01)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1985-12 until 1986-01)
conductor:
Lorin Maazel (conductor) (from 1985-12 until 1986-01)
chorus master:
Giulio Bertola (conductor and chorus master) (from 1985-12 until 1986-01)
recorded at:
Sala Abanella in Milano (Milan), Milano, Lombardia, Italy (from 1985-12 until 1986-01)
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (from 1985-12 until 1986-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
4:39
15Dies irae ingemisco
producer:
John Culshaw and Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
3:41
16Gia nella notte densa
soprano vocals:
Kiri Te Kanawa (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto I, scena 3. “Già nella notte densa” (Otello, Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
9:35
17Dio mi potevi scagliar
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
3:08
18Cassio è là
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto III. “Cassio e là! - Là? Cielo! Oh, gioia!” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
0:49
19Niun mi tema
baritone vocals:
Alan Opie (baritone)
bass vocals:
Dmitri Kavrakos (operatic bass)
tenor vocals:
Luciano Pavarotti (tenor) and Anthony Rolfe Johnson (tenor)
orchestra:
Chicago Symphony Orchestra
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
4:38
5▼CD: Puccini
#TitleRatingLength
1Che gelida manina
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:44
2O soave fanciulla
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
edit of:
La Bohème: Atto I. “O soave fanciulla” (Love Duet) by Luciano Pavarotti (tenor), Mirella Freni (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:18
3In un coupé?… O Mimi, tu piu non torni
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
4:45
4Sono andati
soprano vocals:
Mirella Freni (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
La bohème: Atto IV. no. 25. “Sono andati? Fingevo di dormire” (Mimì, Rodolfo)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
5:15
5Che avvien? [La Bohème / Act 4]
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
baritone vocals [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
baritone vocals [Schaunard]:
Gianni Maffeo (baritone) (in 1972-10)
bass vocals [Colline]:
Nicolaï Ghiaurov (operatic bass) (in 1972-10)
soprano vocals [Mimì]:
Mirella Freni (soprano) (in 1972-10)
soprano vocals [Musetta]:
Elizabeth Harwood (soprano) (in 1972-10)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto IV. no. 26. “O Dio! Mimì! … Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline) (in 1972-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
6:13
6Dovunque al mondo
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
3:00
7America for ever
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
tenor vocals [Goro]:
Michel Sénéchal (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ed è bella la sposa?” … “Quale smania vi prende!” … “Amore o grillo” (Sharpless, Goro, Pinkerton) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:36
8Ier l'altro il consolato
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Ier l’altro, il Consolato” (Sharpless) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:13
9Bimba, bimba, non piangere
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir) (in 1974-01)
mezzo-soprano vocals and mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, coro, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
2:22
10Viene la sera
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
mezzo-soprano vocals [Suzuki]:
Christa Ludwig (mezzo-soprano) (in 1974-01)
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [B.F. Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:34
11Vogliatemi bene
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) and Gordon Parry (engineer) (in 1974-01)
assistant producer:
Michael Woolcock (producer) (in 1974-01)
producer:
Christopher Raeburn (producer) (in 1974-01)
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
7:54
12Addio fiorito asil
baritone vocals [Sharpless]:
Robert Kerns (baritone) (in 1974-01)
tenor vocals [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (in 1974-01)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (Madame Butterfly: Act III, also: Atto II, parte 2)
2:10
13Non piangere Liù
baritone vocals [Ping]:
Tom Krause (bass-baritone)
bass vocals [Timur]:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
The John Alldis Choir
soprano vocals [Liù]:
Montserrat Caballé (soprano)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor)
tenor vocals [Pang]:
Pier Francesco Poli (Italian tenor)
tenor vocals [Pong]:
Piero de Palma (tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Zubin Mehta (conductor)
chorus master:
John Alldis (chorusmaster and conductor)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Ah! per l’ultima volta!” (Timur, Liù, Ministri, Calaf, coro)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto I (Turandot: Act I)
5:06
14Nessun dorma!
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
53:00
15Principessa di morte!
soprano vocals [La Principessa Turandot]:
Joan Sutherland (soprano) (from 1972-08-10 until 1972-08-25)
tenor vocals [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Principessa di morte!” (Calaf, Turandot) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
3:17
16Che è mai di me?
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
soprano vocals [La Principessa Turandot]:
Joan Sutherland (soprano) (from 1972-08-10 until 1972-08-25)
tenor vocals [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Che è mai di me? Perduta!” (Turandot, Calaf, Voci interne) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
2:46
17Del primo pianto - Più grande vittoria non voler
soprano vocals [La Principessa Turandot]:
Joan Sutherland (soprano) (from 1972-08-10 until 1972-08-25)
tenor vocals [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “Del primo pianto…ah!” (Turandot, Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
3:56
18So il tuo nome!
soprano vocals [La Principessa Turandot]:
Joan Sutherland (soprano) (from 1972-08-10 until 1972-08-25)
tenor vocals [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. “So il tuo nome!” (Turandot, Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
part of:
Turandot: Atto III (Turandot: Act III)
2:14
19Diecimile anni al nostro Imperatore-"Padre augusto" augusto
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25)
soprano vocals [La Principessa Turandot]:
Joan Sutherland (soprano) (from 1972-08-10 until 1972-08-25)
tenor vocals [Il Principe Ignoto (Calaf)]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 2. Finale “Diecimilla anni al nostro Imperatore!” (La folla, Turandot) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami and Renato Simoni
part of:
Turandot: Atto III (Turandot: Act III)
2:24
6▶CD: Puccini e Veristi
7▶CD: Arias
8▶CD: Arias 2
9▶CD: Italian Songs
10▶CD: Italian Popular Songs
11▶CD: Bonus Disc