The Ultimate Eighties: The Album of the Decade

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

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1▼Kassette
Nr.TitelKünstlerBewertungLänge
A1Sweet Dreams (Are Made of This)
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1982, in 1991), BMG Records (UK) Ltd. (1987–1996) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Sweet Dreams (Are Made of This)
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. und Universal Music–MGB Songs
übersetzte Version von:
Світ мрій
Eurythmics4.554:50
A2Heart of Glass
Produzent(in):
Mike Chapman (Australian producer and songwriter)
remixer:
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 1981, in 2002) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Remix von:
Heart of Glass von Blondie (US rock band)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie44:33
A3Shout
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) und Mercury Records Ltd. (not for release label use!) (in 2014)
recording of:
Shout (in 1984)
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears4.654:43
A4Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:33
A5I'm Your Man
Produzent(in):
George Michael
recording of:
I'm Your Man
Texter und Komponist(in):
George Michael
Wham!3:55
A6Sunglasses at Night
Techniker(in):
Jon Astley, Phil Chapman (engineer) und Andy MacPherson
Produzent(in):
Jon Astley und Phil Chapman (engineer)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 30)
recording of:
Sunglasses at Night
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3.65:13
A7So Alive
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
John Fryer (British producer and engineer) und Love and Rockets
Bass und Keyboard:
David J (gothic rock)
Gitarre und Keyboard:
Daniel Ash
Schlagzeug, Keyboard und Perkussion:
Kevin Haskins
Gast Hintergrundgesang:
Ruby James (British singer), Sylvia Mason‐James (British singer) und Lorna Wright
vocals:
Daniel Ash
phonographisches Urheberrecht (℗) von:
Beggars Banquet Records (for copyrights purpose) (in 1989)
recording of:
So Alive
Texter:
Daniel Ash
Komponist(in):
Daniel Ash, David J (gothic rock) und Kevin Haskins
Love and Rockets54:15
A8Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band43:35
A9Mr. Roboto
Produzent(in):
Styx (rock band from Chicago)
recording of:
Mr. Roboto
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Stygian Songs (publishing company for the rock band Styx) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Styx4:11
A10The Flame
Produzent(in):
Richie Zito
recording of:
The Flame
Verfasser(in):
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) und Bob Mitchell (UK production music composer & songwriter)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4:30
A11First We Take Manhattan
Produzent(in):
Roscoe Beck und Jennifer Warnes
recording of:
First We Take Manhattan
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Sony/ATV Music Publishing LLC (1995–2020) und Stranger Music Inc.
Jennifer Warnes3:44
A12Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 1983) und Le Studio in Morin‐Heights, Québec (Quebec), Kanada (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.14:10
2▼Kassette
Nr.TitelKünstlerBewertungLänge
B1Higher Love
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1986)
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood4:10
B2In a Big Country
Techniker(in):
Will Gosling
Produzent(in):
Steve Lillywhite
Musikvideos:
In a Big Country von Big Country
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 17)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country44:42
B3We Built This City
Produzent(in):
Jeremy Smith (producer/engineer) und Peter Wolf (US rock vocalist, member of J. Geils Band)
recording of:
We Built This City
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship4:49
B4Something About You
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Musikvideos:
Something About You von Level 42
recording of:
Something About You
Verfasser(in):
Wally Badarou, Boon Gould, Phil Gould, Mark King und Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Level 422.53:44
B5Come On Eileen
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 1)
recording of:
Come On Eileen (in 1982)
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners33:28
B6Do You Really Want to Hurt Me?
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:20
B7True
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet5:40
B8Broken Wings
Produzent(in):
Paul DeVilliers und Mr. Mister (American pop rock band)
recording of:
Broken Wings
Verfasser(in):
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) und Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4:29
B9Someday
Produzent(in):
Jim Vallance
Glass Tiger3:32
B10Just Between You and Me
April Wine3:50
B11The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:27
B12Hold Me
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Christine McVie
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982, in 2016) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2016)
mixed at:
George Massenburg Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Hold Me
Texter, Verfasser(in) und Komponist(in):
Christine McVie und Robbie Patton
publisher:
Fleetwood Mac Music (publisher) und Red Snapper Music
Fleetwood Mac4.53:39

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Discogs:https://www.discogs.com/release/723769 [Info]