Electric Ladyland (ltd., remastered)

~ Release by The Jimi Hendrix Experience (see all versions of this release, 57 available)

Annotation

UICY-91387 is the box edition release, while UICY-90759 (this one) is the single edition.

Annotation last modified on 2026-01-28 23:41 UTC.

Tracklist

1▼SHM-CD
#TitleRatingLength
1…And the Gods Made Love
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
…and the Gods Made Love
composer:
Jimi Hendrix
31:23
2Have You Ever Been (to Electric Ladyland)
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar and electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Have You Ever Been (to Electric Ladyland)
lyricist and composer:
Jimi Hendrix
publisher:
Interworld Music Ltd.
3.152:11
3Crosstown Traffic
engineer:
Eddie Kramer (engineer)
producer:
Bryan “Chas” Chandler and Jimi Hendrix
12 string guitar:
Dave Mason (co‐founder of Traffic) (on 1967-12-20)
bass and electric bass guitar:
Noel Redding (on 1967-12-20)
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (on 1967-12-20)
electric guitar, guitar, kazoo, other instruments [comb and tissue paper] and piano:
Jimi Hendrix (on 1967-12-20)
background vocals and background vocals [backing vocals]:
Dave Mason (co‐founder of Traffic) (on 1967-12-20) and Noel Redding (on 1967-12-20)
vocals:
Jimi Hendrix (on 1967-12-20)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1967-12-20)
recording of:
Crosstown Traffic (on 1967-12-20)
lyricist and composer:
Jimi Hendrix
publisher:
Arch Music Co., Inc. and Experience Hendrix, L.L.C.
4.22:27
4Voodoo Chile
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
bass guitar:
Jack Casady
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric guitar, guitar and lead vocals:
Jimi Hendrix
Hammond organ and organ:
Steve Winwood
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Voodoo Chile
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music and Experience Hendrix, L.L.C.
4.3515:00
5Little Miss Strange
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set) and lead vocals:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar:
Noel Redding
electric guitar:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Little Miss Strange
composer:
Noel Redding
3.82:52
6Long Hot Summer Night
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
bass guitar:
Noel Redding
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar and electric guitar:
Jimi Hendrix
piano:
Al Kooper
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
recording of:
Long Hot Summer Night
lyricist and composer:
Jimi Hendrix
3.553:28
7Come On (Let the Good Times Roll)
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar:
Noel Redding
electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
cover recording of:
Come On, Part 1
lyricist and composer:
Earl King
recording of:
Come On, Part 1
lyricist and composer:
Earl King
3.954:10
8Gypsy Eyes
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
mixer:
Jimi Hendrix and Eddie Kramer (engineer)
bass guitar:
Noel Redding
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar, electric guitar and lead vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1968-04-27)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1968-04 until 1968-05)
recording of:
Gypsy Eyes
lyricist and composer:
Jimi Hendrix
3.553:44
9Burning of the Midnight Lamp
engineer:
Gary Kellgren
producer:
Chas Chandler and Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1967-07-06 until 1967-07-07)
electric bass guitar:
Noel Redding (from 1967-07-06 until 1967-07-07)
electric guitar and harpsichord:
Jimi Hendrix (from 1967-07-06 until 1967-07-07)
guest background vocals:
The Sweet Inspirations (from 1967-07-06 until 1967-07-07)
vocals:
Jimi Hendrix (from 1967-07-06 until 1967-07-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
Mayfair Recording Studios (New York City) in Theater District, New York, New York, United States (from 1967-07-06 until 1967-07-07)
produced at:
Mayfair Recording Studios (New York City) in Theater District, New York, New York, United States (on 1967-07-07, on 1967-07-20)
recording of:
Burning of the Midnight Lamp (from 1967-07-06 until 1967-07-07)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music
4.23:40
10Rainy Day, Dream Away
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
congas:
Larry Faucette
drums (drum set):
Buddy Miles
electric guitar:
Jimi Hendrix
organ:
Mike Finnigan (keyboardist)
tenor saxophone and wind instruments:
Freddie Smith (US saxophonist)
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Rainy Day, Dream Away
composer:
Jimi Hendrix
3.453:43
111983… (A Merman I Should Turn to Be)
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar and electric guitar:
Jimi Hendrix
flute:
Chris Wood (rock musician, member of Traffic)
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
1983… (A Merman I Should Turn to Be)
lyricist and composer:
Jimi Hendrix
version of:
Angel Caterina
3.9513:40
12Moon, Turn the Tides… gently gently away
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Moon, Turn the Tides… gently gently away
composer:
Jimi Hendrix
2.31:02
13Still Raining, Still Dreaming
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
congas:
Larry Faucette
drums (drum set):
Buddy Miles
electric guitar:
Jimi Hendrix
organ:
Mike Finnigan (keyboardist)
tenor saxophone:
Freddie Smith (US saxophonist)
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
Still Raining, Still Dreaming
composer:
Jimi Hendrix
publisher:
Interworld Music Ltd.
3.454:26
14House Burning Down
engineer:
Gary Kellgren and Eddie Kramer (engineer)
producer:
Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others)
electric bass guitar and electric guitar:
Jimi Hendrix
vocals:
Jimi Hendrix
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recording of:
House Burning Down
lyricist and composer:
Jimi Hendrix
publisher:
Experience Hendrix, L.L.C. and Interworld Music Ltd.
3.44:33
15All Along the Watchtower
engineer:
Eddie Kramer (engineer) (from 1968-01-21 until 1968-05)
producer:
Jimi Hendrix
12 string guitar:
Dave Mason (co‐founder of Traffic) (from 1968-01-21 until 1968-05)
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1968-01-21 until 1968-05)
electric bass guitar and electric guitar:
Jimi Hendrix (from 1968-01-21 until 1968-05)
percussion:
Brian Jones (Rolling Stones member) and Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (from 1968-01-21 until 1968-05)
background vocals:
Dave Mason (co‐founder of Traffic)
vocals:
Jimi Hendrix (from 1968-01-21 until 1968-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1968-01-21) and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1968-04, in 1968-05)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (on 1968-01-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 24), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 40), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 47) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 48)
cover recording of:
All Along the Watchtower (from 1968-01-21 until 1968-05)
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) and Dwarf Music (from 1968 to present)
4.54:01
16Voodoo Child (slight return)
engineer:
Eddie Kramer (engineer) (on 1968-05-03)
producer:
Bryan “Chas” Chandler and Jimi Hendrix
drums (drum set):
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (on 1968-05-03)
electric bass guitar:
Noel Redding (on 1968-05-03)
electric guitar:
Jimi Hendrix (on 1968-05-03)
vocals:
Jimi Hendrix (on 1968-05-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) and Experience Hendrix, L.L.C. (in 1999)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1968-05-03)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (on 1968-05-03)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 15) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 101)
recording of:
Voodoo Child (slight return) (on 1968-05-03)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music and Experience Hendrix, L.L.C.
is based on:
Voodoo Chile
recording of:
Voodoo Chile (on 1968-05-03)
lyricist and composer:
Jimi Hendrix
publisher:
Bella Godiva Music and Experience Hendrix, L.L.C.
4.355:13

Credits