Aliens: The Deluxe Edition (Original Motion Picture Soundtrack)

~ Release by James Horner & London Symphony Orchestra (see all versions of this release, 10 available)

Annotation

Copyright: This Compilation ℗ 1987 Twentieth Century Fox Film Corporation

Excluded Regions (as of 2025-11-01)

🇮🇴 British Indian Ocean Territory, 🇵🇷 Puerto Rico

Annotation last modified on 2025-11-01 00:39 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Main Title (From "Aliens")
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Main Title (Aliens)
composer:
James Horner (American score composer)
45:12
2Bad Dreams
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Bad Dreams
composer:
James Horner (American score composer)
41:23
3Dark Discovery / Newt's Horror
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
compilation of:
Dark Discovery by London Symphony Orchestra, James Horner (American score composer)
recording of:
Dark Discovery
composer:
James Horner (American score composer)
42:08
4LV-426
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
LV‐426
composer:
James Horner (American score composer)
42:03
5Combat Drop
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Combat Drop
composer:
James Horner (American score composer)
43:30
6The Complex
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Complex
composer:
James Horner (American score composer)
41:34
7Atmosphere Station
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Atmosphere Station
composer:
James Horner (American score composer)
43:12
8Med.Lab.
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Med. Lab
composer:
James Horner (American score composer)
42:03
9Newt
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Newt
composer:
James Horner (American score composer)
41:15
10Sub-Level 3
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Sub‐Level 3
composer:
James Horner (American score composer)
46:40
11Ripley's Rescue
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Ripley’s Rescue (Aliens)
composer:
James Horner (American score composer)
43:19
12FaceHuggers
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Face Huggers
composer:
James Horner (American score composer)
44:27
13Futile Escape
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Futile Escape
composer:
James Horner (American score composer)
58:26
14Newt Is Taken
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Newt Is Taken
composer:
James Horner (American score composer)
42:06
15Going After Newt
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Going After Newt
composer:
James Horner (American score composer)
43:18
16The Queen
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
The Queen
composer:
James Horner (American score composer)
41:45
17Bishop's Countdown
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Bishop’s Countdown
composer:
James Horner (American score composer)
42:50
18Queen to Bishop
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Queen to Bishop
composer:
James Horner (American score composer)
42:31
19Resolution and Hyperspace
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Resolution and Hyperspace
composer:
James Horner (American score composer)
36:30
20Bad Dreams (alternate)
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Bad Dreams (alternate)
composer:
James Horner (American score composer)
41:26
21Ripley's Rescue (Percussion Only)
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Ripley’s Rescue (percussion only)
composer:
James Horner (American score composer)
43:19
22LV-426 (Alternate Edit / Film Version)
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
LV‐426 (alternate edit) (film version)
composer:
James Horner (American score composer)
41:13
23Combat Drop (Percussion Only)
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Combat Drop (percussion only)
composer:
James Horner (American score composer)
43:24
24Hyperspace (Alternate Ending)
recorded in:
London (Greater London), England, United Kingdom
producer:
James Horner (American score composer)
mixer:
Eric Tomlinson (British recording engineer)
editor:
Robin Clark (technical) and Michael Clifford (technical)
orchestra:
London Symphony Orchestra
conductor:
James Horner (American score composer)
orchestrator:
Greig McRitchie
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
Hyperspace (alternate ending)
composer:
James Horner (American score composer)
32:10