Les 100 plus grands tubes

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1L’Aziza
vocals:
Daniel Balavoine
recording of:
L’Aziza (in 1985)
lyricist and composer:
Daniel Balavoine
Daniel Balavoine34:21
2I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) and Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
edit of:
I Will Survive (12″ single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:16
3Celebration
background vocals:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon and Earl Toon, Jr.
lead vocals:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
performer:
Kool & the Gang
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 298)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.54:57
4I’m Coming Out
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 385) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 436)
recording of:
I’m Coming Out
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Diana Ross3.95:21
5Non, non, rien n’a changé
recording of:
Non, non rien n’a changé (in 1971)
lyricist:
Jacqueline Nero
composer:
Gilles Péram
Les Poppys3:10
6California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan (in 1965)
solo alto flute:
Bud Shank (in 1965)
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Mamas & the Papas4.452:40
7Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets4.352:15
8Je dois m’en aller
bass guitar:
José Tamarin
vocals:
Muriel Moreno
recording of:
Je dois m'en aller
lyricist, writer and composer:
Daniel Chenevez
Niagara3:22
9Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro‐dance group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 48), Cachitos Nochevieja 2022 (number: 157) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 220)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:14
10Baila morena
performer:
Maná (Mexican rock group)
Zucchero feat.Maná2.54:06
11La tribu de Dana
vocals:
Hervé Lardic
recording of:
La Tribu de Dana
lyricist:
Martial Tricoche
composer:
Hervé Lardic and Cédric Soubiron
part of:
Prix Vincent Scotto (number: 1999)
is based on:
Tri martolod
Manau4:48
12Mademoiselle chante le bluesPatricia Kaas43:47
13Zombie
assistant engineer and assistant producer:
Julie Gardiner (engineer)
engineer and producer:
Stephen Street (famous producer, songwriter)
acoustic guitar and electric guitar:
Noel Hogan and Dolores O’Riordan
bass guitar:
Mike Hogan (bassist for The Cranberries)
drums (drum set) and percussion:
Fergal Lawler
keyboard and lead vocals:
Dolores O’Riordan
background vocals:
Noel Hogan
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (in 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) and Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (from 1993-11 until 1994-08)
mixed at:
The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
recording of:
Zombie
lyricist and composer:
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) and Universal–Songs of PolyGram International, Inc.
The Cranberries4.355:08
14Maggie May
producer:
Rod Stewart
12 string guitar, bass guitar and electric guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
acoustic guitar:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
celesta:
Pete Sears (in 1971)
cymbal and membranophone:
Micky Waller (in 1971)
Hammond organ:
Ian McLagan (in 1971)
mandolin:
Ray Jackson (in 1971) and David Lindley (in 1971)
lead vocals:
Rod Stewart (in 1971)
phonographic copyright (℗) by:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.25:13
15Unchained Melody
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:37
16Everybody
recording of:
Everybody
lyricist and composer:
Martin Solveig
Martin Solveig4:16
17Murder She WroteChaka Demus & Pliers54:06
18Les Sunlights des tropiquesGilbert Montagné43:56
19Ya Rayah
cover recording of:
يا الرايح (Ya Rayah)
lyricist and composer:
Amrani Abderrahmane
publisher:
Delabel Éditions (publisher; do NOT use as release label), F.K.O. Music (Francis Kertekian Organisation), IN D, Strictly Confidential (UK) Ltd. and フジパシフィックミュージック (Fujipacific Music, Inc.)
Rachid Taha3:54
20Funky Town
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown (12″ version) by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:04
2CD
#TitleArtistRatingLength
1You’re the first, the Last, My EverythingBarry White3.753:23
2Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:42
3Sugar Baby Love
engineer:
John Mackswith (English sound engineer)
producer:
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:31
4Gaby Oh Gaby
recording of:
Gaby Oh Gaby
lyricist:
Boris Bergman (lyricist)
composer:
Alain Bashung
part of:
Prix Vincent Scotto (number: 1981)
Alain Bashung3:47
5Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974, in 2020) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:45
6Black Hole Sun
assistant engineer and assistant mixer:
Adam Kasper
engineer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
Michael Beinhorn and Soundgarden
mixer:
Brendan O’Brien (engineer)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1994)
mixed at and engineered at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Black Hole Sun by Soundgarden
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 77), Indie 88: Top 500 Indie Rock Songs (number: 231) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 368)
recording of:
Black Hole Sun (from 1993-07 until 1993-09)
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH and You Make Me Sick I Make Music (in 1994)
Soundgarden4.15:18
7Finally
recording of:
Finally (CeCe Peniston song)
writer:
Cecilia Peniston, Felipe Delgado, Elbert Linnear and R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music and Wax Museum Music
CeCe Peniston3.53:43
8The Grease Megamix: You’re the One That I Want / Greased Lightning / Summer Nights
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
9Parisienne Walkways
producer:
Gary Moore (Thin Lizzy, blues guitar) and Chris Tsangarides
bass and guest vocals:
Phil Lynott (from 1978-03 until 1978-05)
drums (drum set):
Brian Downey (Thin Lizzy drummer) (from 1978-03 until 1978-05)
guitar and background vocals:
Gary Moore (Thin Lizzy, blues guitar) (from 1978-03 until 1978-05)
recording of:
Parisienne Walkways (from 1978-03 until 1978-05)
writer:
Phil Lynott and Gary Moore (Thin Lizzy, blues guitar)
publisher:
Agelong Music Publishing Inc and Maxwood Music Ltd.
is based on:
Blue Bossa
Gary Moore feat. Phil Lynott3.653:15
10Video Killed the Radio Star
producer:
The Buggles
electric guitar and lead vocals:
Trevor Horn (in 1979)
keyboard:
Geoff Downes (in 1979)
choir vocals:
Debi Doss (photographer and singer, Kinks) (in 1979) and Linda Jardim (in 1979)
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 40)
recording of:
Video Killed the Radio Star
writer:
Geoff Downes, Trevor Horn and Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Buggles3.953:24
11Tout mais pas ça
recording of:
Tout mais pas ça
lyricist and composer:
Cleet Boris
L’Affaire Louis Trio3:59
12Les Uns contre les autres
cover recording of:
Les Uns contre les autres
lyricist:
Luc Plamondon
composer:
Michel Berger
Maurane4:03
13Oh Lori
recording of:
Oh Lori
writer:
Billy Alessi and Bobby Alessi
publisher:
Alessi Music, Tenyor Music and 大洋音楽 (Taiyō Music)
Alessi Brothers53:19
14No Diggity
recording of:
No Diggity
writer:
Andre Young (Andre Young, rap producer), Chauncey Hannibal, Lynise Walters, Richard Vick, Teddy Riley (US R&B singer & producer), William "Skylz" Stewart (US hip-hop producer) and Bill Withers
publisher:
Ain't Nothin' Goin' But F...n' (aka Ain’t Nothin’ but F****n’ and other variations), Chauncey Black Music for Smokin' Sounds, City Housing Publishing, Donril Music, Interior Music Corp., Queen Pen Music (ASCAP), Sony Songs Inc., Universal Z Songs and Zomba Enterprises Inc.
Blackstreet feat. Dr. Dre & Queen Pen5:06
15Wot !
producer:
Tony Mansfield (producer & songwriter)
edit of:
Wot? by Captain Sensible
part of:
TV Cream: Real 100 Best Singles Ever (number: 77)
recording of:
Wot!
lyricist and composer:
Raymond Ian Burns
publisher:
Rock Music Co., Ltd.
Captain Sensible33:16
16Come On Eileen
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 1)
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners feat. Kevin Rowland33:28
17Lovefool
engineer and producer:
Tore Johansson
bass guitar:
Magnus Sveningsson
drums (drum set) and percussion:
Bengt Lagerberg
guitar:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
keyboard:
Lars-Olof Johansson
background vocals:
Magnus Sveningsson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
lead vocals:
Nina Persson
phonographic copyright (℗) by:
Stockholm Records and Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Sweden
music videos:
Lovefool by The Cardigans (Swedish rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 242)
recording of:
Lovefool
lyricist:
Nina Persson and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs and Universal–Songs of PolyGram International, Inc.
The Cardigans3.753:17
18Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1987)
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.53:52
19I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:58
20Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:48
3CD
#TitleArtistRatingLength
1Gigi l’Amoroso
vocals:
Dalida (Egyptian-Italian singer and actress)
recording of:
Gigi l’amoroso
lyricist:
Michaële (French song writer from Egypt)
composer:
Lana Sébastian (Armenian songwriter born Iran) and Paul Sébastian (Armenian songwriter born Iran)
publisher:
Claude Carrère Éditions, Pierrette Capocci Éditions and Warner Chappell Music France
Dalida7:28
2Pas de boogie woogie
recording of:
Pas de Boogie Woogie (in 1976)
lyricist:
Claude Moine
writer:
Claude Moine and Layng Martine, Jr. (Nashville songwriter)
composer:
Layng Martine, Jr. (Nashville songwriter)
Eddy Mitchell3:43
3I Got You (I Feel Good)
recorded in:
Miami, Florida, United States (on 1965-05-06)
producer:
James Brown (The Godfather of Soul)
alto saxophone:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06) and Maceo Parker (US funk/jazz saxophonist) (on 1965-05-06)
bass:
Bernard Odum (on 1965-05-06)
drums (drum set):
Melvin Parker (on 1965-05-06)
guitar:
Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
organ:
Nat Jones (Saxophonist and organist, worked with James Brown) (on 1965-05-06)
tenor saxophone:
Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
trombone:
Levi Rasbury (on 1965-05-06)
trumpet:
Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (American trumpeter) (on 1965-05-06)
lead vocals:
James Brown (The Godfather of Soul) (on 1965-05-06)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1965) and PolyGram Inc. (1978–1990) (in 1988)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1965-05-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 359)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good)) (on 1965-05-06)
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown4.72:48
4I Love America
recording of:
I Love America
lyricist:
Jacques Morali
composer:
Patrick Juvet
arranger:
Victor Willis (Victor Edward Willis, member of the Village People)
Patrick Juvet53:49
5Tes états d’âme… Éric
phonographic copyright (℗) by:
Barclay (in 1986)
recording of:
Tes états d’âme Éric
lyricist and composer:
Éric Tabuchi
publisher:
Cousteau Musique and Polygram Music
Luna Parker33:30
6Douce France
cover recording of:
Douce France
lyricist:
Charles Trenet (in 1943)
composer:
Léo Chauliac (in 1943) and Charles Trenet (in 1943)
Carte de Séjour3:38
7Dès que le vent soufflera
vocals:
Renaud (French singer Renaud Séchan) (in 1983)
recording of:
Dès que le vent soufflera… (in 1983)
lyricist and composer:
Renaud Séchan (French singer Renaud Séchan)
publisher:
Mino Music
Renaud4:25
8The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
music videos:
The Riddle by Nik Kershaw
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.253:51
9MmmBop
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
executive producer:
Steve Greenberg (Record producer)
producer:
The Dust Brothers (production duo John King & Mike Simpson)
mixer:
Tom Lord‐Alge
drums (drum set):
Zac Hanson
guitar:
Isaac Hanson
keyboard:
Taylor Hanson
vocals:
Isaac Hanson, Taylor Hanson and Zac Hanson
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 61)
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.54:28
10Murder on the Dancefloor
recording engineer:
Marco Rakascan
assistant engineer:
Laurence Brazil (production music composer)
engineer:
James Loughrey
producer:
Gregg Alexander and Matt Rowe
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass guitar:
Guy Pratt
guitar:
John Themis
strings:
Wired Strings
lead vocals:
Sophie Ellis‐Bextor
conductor:
Rosie Wetters
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
mixed at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Murder on the Dancefloor by Sophie Ellis‐Bextor
part of:
Best of 2024: Viral Hits (number: 26)
recording of:
Murder on the Dancefloor
writer:
Gregg Alexander and Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:50
11In the Shadows
recording engineer and producer:
Mikael Nord Andersson (Swedish guitarist, songwriter and producer) and Martin Hansen (Swedish record producer)
mixer:
Martin Hansen (Swedish record producer) and Leif Allanson (Swedish sound engineer/producer)
drums (drum set):
Aki Hakala
electric bass guitar:
Eero Heinonen (bassist)
guitar:
Pauli Rantasalmi
lead vocals:
Lauri Ylönen (frontman of The Rasmus)
phonographic copyright (℗) by:
Playground Music Scandinavia AB (in 2003)
recorded at and mixed at:
Nord Studios in Stockholms län (Stockholm county), Sweden
produced at:
Nord Studios in Stockholms län (Stockholm county), Sweden
recording of:
In the Shadows
lyricist:
Lauri Ylönen (frontman of The Rasmus)
composer:
Aki Hakala, Eero Heinonen (bassist), Lauri Ylönen (frontman of The Rasmus) and Pauli Rantasalmi
publisher:
Boneless Skeletor Oy, Grotto Entertainment Oy and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Rasmus3.454:16
12Mamy Blue
vocals:
Nicoletta (French pop singer) (in 1971)
recording of:
Mamy Blue (French version) (in 1971)
publisher:
Hubert Giraud
lyricist and composer:
Hubert Giraud (in 1970)
publisher:
Budde Music France
Nicoletta3:51
13Regulate
recording engineer and mixer:
Greg Geitzenauer
producer:
Warren G
additional mixer:
John Morris (engineer)
editor:
John Philip Shenale
guest guitar:
Andreas Straub
guest keyboard:
Greg Geitzenauer
lead vocals:
Nate Dogg and Warren G
performer:
Nate Dogg
phonographic copyright (℗) by:
Rush Associated Labels (in 1994)
recorded at and mixed at:
Track Record, Inc. in North Hollywood, Los Angeles, California, United States
edited at:
The Nut Ranch in Studio City, Los Angeles, California, United States
samples:
I Keep Forgettin’ by Michael McDonald (R&B & soul singer) and Sign of the Times by Bob James (US jazz keyboardist, arranger and producer)
music videos:
Regulate (music video) by Warren G
recording of:
Regulate
writer:
Nathaniel Hale (Nate Dogg) and Warren Griffin (Warren G)
publisher:
Shug Publishing and Warren G. Publishing
is based on:
I Keep Forgettin’ (Every Time You’re Near)
Warren G feat. Nate Dogg4.454:09
14All Night Long
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:20
15I’m Not in Love
bass and guitar:
Graham Gouldman (in 1975)
effects [musical effects]:
Eric (in 1975)
electric piano and lead vocals:
Eric Stewart (in 1975)
Moog:
Kevin Godley (in 1975)
piano:
Lol Creme (in 1975)
synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) and Lol (in 1975)
background vocals:
Lol Creme (in 1975), Kevin Godley (in 1975) and Graham Gouldman (in 1975)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
edit of:
I’m Not in Love (album version) by 10cc
recording of:
I’m Not in Love (in 1975)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc4.23:44
16Somebody’s Watching Me
producer:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
background vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5)
guest vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 20)
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:59
17Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:40
18Toi mon toit
recording of:
Toi mon toit
lyricist and composer:
Elli Medeiros
Elli Medeiros3:39
19Boys Don’t Cry
engineer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Chris Parry
bass guitar:
Michael Dempsey
drums (drum set):
Lol Tolhurst
guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
music videos:
Boys Don’t Cry by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 242)
recording of:
Boys Don’t Cry (in 1979)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
writer and composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4.552:36
20I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:27
4CD
#TitleArtistRatingLength
1Axel F. (radio mix)
producer:
A. Litterscheid, H. Reith and R. Raith
vocals:
Daniel Malmedahl (computer component salesman)
phonographic copyright (℗) by:
Mach 1 Records GmbH (company credits only; file no releases here!) (in 2005)
music videos:
Axel F by Crazy Frog (Swedish‐German Euro‐pop animated act)
cover recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Crazy Frog3.652:50
2We Will Rock You (remix)
KCPK2:28
3Like a Prayer
cover recording of:
Like a Prayer
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (from 1989 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
recording of:
Like a Prayer
writer:
Patrick Leonard (producer, songwriter and pianist) and Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (from 1989 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Mad’House14:23
4La Musique
cover recording of:
La Musique
lyricist:
Ann Grégory
composer:
Barry Mann and Cynthia Weil
version of:
Angelica
Star Academy 13:23
5You Never Can Tell
engineer:
Steve Hoffman (mastering engineer)
producer:
Leonard Chess and Phil Chess
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar and lead vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry2:41
6Pour un flirt
vocals:
Michel Delpech (in 1971)
conductor:
Roland Vincent (in 1971)
phonographic copyright (℗) by:
Warner Chappell Music France
recording of:
Pour un flirt (in 1971)
lyricist:
Michel Delpech
composer:
Roland Vincent
publisher:
SOC Marouani
Michel Delpech3:24
7Aimer
recording of:
Aimer (Act.1) (Roméo et Juliette: de la haine à l'amour)
lyricist and composer:
Gérard Presgurvic
part of:
Roméo et Juliette: de la Haine à l'Amour
Damien Sargue & Cécilia Cara2:49
8Harley Davidson
vocals:
Brigitte Bardot
conductor:
Michel Colombier (French score composer)
arranger:
Michel Colombier (French score composer)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1967-10-19)
music videos:
Harley Davidson by Brigitte Bardot
recording of:
Harley Davidson (on 1967-10-19)
lyricist and composer:
Serge Gainsbourg
Brigitte Bardot52:28
9Tu verras
vocals:
Claude Nougaro (in 1978)
conductor:
Maurice Vander (jazz musician and conductor, not the lyricist) (in 1978)
arranger:
Maurice Vander (jazz musician and conductor, not the lyricist)
recording of:
Tu verras (o que sera) (in 1978)
lyricist:
Claude Nougaro
composer:
Chico Buarque (Brazilian singer/lyricist)
version of:
O que será (À flor da terra)
Claude Nougaro43:15
10Words
recording of:
Words
lyricist and arranger:
Henry Priestman
composer:
Seán Ó Riada (birth name John Reidy)
publisher:
10 Music Ltd.
is based on:
Mná na hÉireann (Women of Ireland)
The Christians5:34
11Fade to Grey
engineer:
John Hudson (producer, recording and mixing engineer)
producer:
Midge Ure and Visage (new romantic band from London)
performer:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) and Midge Ure
arranger:
Visage (new romantic band from London)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom
mixed at:
Mayfair Sound (England) in London (Greater London), England, United Kingdom
recording of:
Fade to Grey
writer:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) and Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) and Performance Music Ltd
Visage4.13:56
12Ragga String
String color3:29
13Elle voulait revoir sa Normandie
recording of:
Elle voulait revoir sa Normandie
lyricist and composer:
Gérard Blanchard
Gérard Blanchard3:40
14Fight for Your Right
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
Beastie Boys4.13:30
15Sowing the Seeds of Love
producer:
David Bascombe
Hammond organ:
Ian Stanley
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears4.26:12
16You Keep Me Hangin’ On
recorded in:
England, United Kingdom
engineer:
Peter Wade Schwier (producer, mixing and recording engineer)
producer:
Ricky Wilde
guitar:
Steve Byrd
keyboard:
Ricky Wilde
lead vocals:
Kim Wilde
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M (Bigbeat, House label) and Big M Productions Ltd. (British record and publishing company)
recorded at and mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, United States, Select Sound Studios in Knebworth, Hertfordshire, England, United Kingdom and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
part of:
Cachitos Nochevieja 2022 (number: 108)
cover recording of:
You Keep Me Hangin’ On
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Kim Wilde3.74:14
17I Don’t Want a Lover
engineer:
Simon Vinestock
producer:
Tim Palmer (British producer/mixer)
bass:
Johnny McElhone
drums (drum set):
Stuart Kerr
guitar:
Giuliano Gizzi, Ally McErlaine (Scottish guitarist) and Sharleen Spiteri
harmonica:
Mark Fletman
keyboard:
Craig Armstrong (Scottish score composer) and Wix (UK / Paul Wickens)
background vocals:
Stuart Kerr and Sharleen Spiteri
publisher:
10 Music Ltd.
recording of:
I Don’t Want a Lover
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
BMG 10 Music Ltd.
Texas3.655:01
18What a Feeling (Flashdance) (House radio edit)
cover recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Global Deejays3:34
19Didi (edit vers.)
recording of:
Didi
lyricist and composer:
Khaled (Algerian raï singer‐songwriter)
Khaled3:20
20Only You
piano:
Buck Ram (on 1955-04-26)
lead vocals:
Tony Williams (lead singer for The Platters) (on 1955-04-26)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey) (on 1955-04-26)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1955) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 10)
recording of:
Only You (on 1955-04-26)
lyricist, writer and composer:
Buck Ram and Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music and Sherwin Music (publisher) (in 1973)
The Platters2:37
5CD
#TitleArtistRatingLength
1Marie
recording of:
Marie
lyricist and composer:
De Palmas
publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), Passport Songs Music, Pimiento, Victor Music Arts, フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Johnny Hallyday3:57
2Savoir aimer
recording of:
Savoir aimer
lyricist:
Lionel Florence
composer:
Pascal Obispo
part of:
Prix Vincent Scotto (number: 1998)
Florent Pagny4:40
3Né quelque part
vocals:
Maxime Le Forestier (in 1988-07)
recorded at:
Studio des Dames in Paris, Île-de-France, France (in 1988-07)
recording of:
Né quelque part (in 1988-07)
lyricist:
Maxime Le Forestier
composer:
Jean-Pierre Sabar and Maxime Le Forestier
part of:
Victoire de la chanson originale de l’année (number: 1988)
Maxime Le Forestier43:57
4Enfants de tous pays
vocals:
Enrico Macias (in 1963)
conductor:
Anne Huruguen (in 1963)
recording of:
Enfants de tous pays (in 1963)
lyricist:
Jacques Demarny and René Blanc (French songwriter)
composer:
Enrico Macias
part of:
Prix Vincent Scotto (number: 1965)
Enrico Macias2:54
5J’ai tout oublié
background vocals:
Claire Keim (French actress & singer)
guest vocals:
Cristina Marocco
vocals:
Marc Lavoine and Cristina Marocco
phonographic copyright (℗) by:
Mercury France (“un label PolyGram” ; “un label Universal Music”) (in 2001)
recording of:
J’ai tout oublié
publisher:
Marc Lavoine
lyricist:
Marc Lavoine
composer:
Georges Lunghini
publisher:
GM Musipro
Marc Lavoine & Cristina Maroco4:00
6Entre nous
lead vocals:
Chimène Badi
recording of:
Entre nous (« Entre nous, c’est l’histoire… »)
lyricist and composer:
Rick Allison (Belgian-born Canadian musician)
publisher:
La 25ème heure
Chimène Badi33:20
7Connected
assistant engineer:
Neil Douglas and Elliot Singerman
engineer:
Al Stone (UK engineer)
producer:
Stereo MC’s
additional keyboard:
James Hallawell
brass:
Kick Horns
additional vocals:
Cath Coffey, Verona Davis, Andrea Groves and Jennifer Ismail
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1992)
recorded at:
The Workhouse in London (Greater London), England, United Kingdom
samples:
Let Me Let Me Be Your Lover by Jimmy “Bo” Horne
recording of:
Connected
writer:
Rob Birch (Stereo MCs), Harry Wayne Casey, Richard Finch, Nick Hallam and Jimmy “Bo” Horne
publisher:
EMI Virgin Songs, Inc., Harrick Music, Longitude Music Co. and Virgin Music Ltd.
Stereo MCs3.95:11
8Superfreak, Pt. I
recording engineer and mixer:
Tom "Super" Flye
assistant engineer:
Rick "Port Hole" Sanchez
engineer:
Bobby Brooks (US producer/engineer/remixer), Rick "Port Hole" Sanchez and Tom "Super" Flye
executive producer:
Alonzo Miller (Singer-songwriter, producer)
producer:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
bass:
Oscar Alston
drums (drum set):
Lanise Hughes
electric piano and synthesizer [Crumar]:
Levi Ruffin, Jr.
guitar:
Tom McDermott (guitarist)
handclaps and percussion:
Oscar Alston, Rick James (US vocalist, multi‐instrumentalist, composer & producer) and Tom McDermott (guitarist)
other instruments [flexatone] and vibraslap:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
tenor saxophone:
Daniel LeMelle
background vocals:
Dennis Edwards (US soul & R’n’B singer), Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams (US baritone singer, member of The Temptations & The Distants)
horn arranger:
Daniel LeMelle and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
recorded at:
Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 477)
recording of:
Super Freak
lyricist and composer:
Alonzo Miller (Singer-songwriter, producer) and Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Jobete Music Co., Inc. and Stone Diamond Music Corporation
Rick James4.153:20
9Hey Sexy WowLord Kossity feat. Chico3:05
10Elle me contrôle
recording of:
Elle me contrôle
lyricist:
Da Team, G. Padey, M. Pokora and Sweety
composer:
Kore & Skalp
M. Pokora feat. Sweety3:47
11Satisfaction
recording of:
Satisfaction
writer:
Alle Benassi
Benny Benassi34:06
12Living on Video
cover recording of:
Living on Video
lyricist and composer:
Pascal Languirand
publisher:
Costa Demo Productions (publisher) (in 1983)
Pakito33:20
13What’s Up
recording engineer:
David Tickle (in 1992) and Mark Hensley (in 1992)
additional engineer:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
producer and mixer:
David Tickle
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass and background vocals:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
piano:
Laurent Tardy (in 1992)
lead vocals:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981–2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
music videos:
What’s Up? by 4 Non Blondes
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
4 Non Blondes3.84:54
14A Thousand Miles
additional recording engineer:
Bill Schnee
recording engineer:
Tal Herzberg and Michael C. Ross (US engineer, active 1980s–present)
engineer:
Tal Herzberg
producer:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
mixer:
Jack Joseph Puig
piano and lead vocals:
Vanessa Carlton
conductor:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
arranger:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
concertmaster:
Endre Granat (Hungarian violinist)
phonographic copyright (℗) by:
Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2009)
music videos:
A Thousand Miles by Vanessa Carlton
part of:
Billboard Year-End Hot 100 2002 (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 94)
recording of:
A Thousand Miles
lyricist and composer:
Vanessa Carlton
Vanessa Carlton3.73:57
15Papa chanteurJean‐Luc Lahaye3:56
16Le jour se lève
recording of:
Le jour se lève (in 1971)
lyricist:
Gilles Péram
composer:
Jacqueline Nero
Esther Galil3:25
17Je n’aurai pas le temps
vocals:
Michel Fugain
conductor:
Jean Bouchéty (musician, composer and bandleader)
arranger:
Jean Bouchéty (musician, composer and bandleader)
recording of:
Je n’aurai pas le temps (in 1967)
lyricist:
Pierre Delanoë
composer:
Michel Fugain
publisher:
Barclay S.A. (in 1967) and Warner Chappell Music France (in 1967)
version of:
En de tijd staat niet stil
Michel Fugain2:43
18Capri c’est fini
vocals:
Hervé Vilard (in 1965)
conductor:
Jacques Denjean (in 1965)
recording of:
Capri c’est fini (in 1965)
lyricist and composer:
Hervé Vilard
Hervé Vilard3:35
19La Javanaise
producer:
Jacques Plait (task: direction artistique)
vocals:
Serge Gainsbourg (in 1963-01)
orchestra:
Harry Robinson and His Orchestra (in 1963-01)
conductor:
Harry Robinson (UK composer/arranger/bandleader) (in 1963-01)
arranger:
Harry Robinson (UK composer/arranger/bandleader)
recorded at:
Studio Philips-Fontana in London (Greater London), England, United Kingdom (from 1963-01-02 until 1963-01-05)
recording of:
La Javanaise (in 1963-01)
lyricist and composer:
Serge Gainsbourg
publisher:
Melody Nelson Publishing and Warner Chappell Music France
Serge Gainsbourg2:30
20Comme d’habitude
vocals:
Claude François (in 1967-11)
orchestra:
David Whitaker et son orchestre (in 1967-11)
recording of:
Comme d’habitude (in 1967-11)
lyricist:
Claude François and Gilles Thibaut
composer:
Claude François and Jacques Revaux
publisher:
Jeune Musique Éditions
Claude François4:09

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part of:Les 100 plus grands tubes (order: 3)
ASIN:FR: B01G4DW4FK [info]