Classic Cuts Presents: 80s Night: The Ultimate DJ Collection: M to O

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1House of Fun
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
House of Fun
Texter:
Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Carl Smyth und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.652:52
2Baggy Trousers
recording of:
Baggy Trousers
Texter:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
Komponist(in):
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) und Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:48
3Holiday
Produzent(in):
Jellybean (US producer John Benitez)
Mix:
Goh Hotoda und Shep Pettibone
produced for:
Jellybean Productions, Inc.
mixed at:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Holiday
Verfasser(in):
Curtis Hudson und Lisa Stevens
publisher:
House of Fun Music, Pure Energy Pub. Co. Inc. und Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.)
recording of:
Holiday
Verfasser(in):
Madonna (“Queen of Pop”)
Madonna3.84:06
4Like a Prayer
assistierende(r) Techniker(in):
Stacy Baird, Robert Salcedo und Joe Schiff
Techniker(in) und Mix:
Bill Bottrell
zusätzliche(r) Techniker(in):
Michael Vail Blum
Produzent(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
Bassgitarre:
Guy Pratt
Sologesang:
Madonna (“Queen of Pop”)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
aufgenommen bei:
Johnny Yuma Recording in Burbank, California (Kalifornien), Vereinigte Staaten, Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Saturn Sound in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Smoketree Studios in Chatsworth, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 55) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 300)
recording of:
Like a Prayer
Verfasser(in):
Patrick Leonard (producer, songwriter and pianist) und Madonna (“Queen of Pop”)
publisher:
Bleu Disque Music Co., Inc. (publisher), EMI Blackwood Music Inc., Orangejello Music (BMI-affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner / Chappell Music Publishing (Warner/Chappell Music, Inc.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Johnny Yuma Music (publisher) (in 1988), Webo Girl Publishing, Inc. (in 1988), WB Music Corp. (1929–2019) (von 1989 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Madonna4.155:41
5Feels Like I’m in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Grade One Music, Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie54:36
6Could You Be Loved
assistierende(r) Techniker(in):
Chiao Ng (engineer)
Techniker(in):
Errol Brown (Jamaican engineer and dub producer)
leitende(r) Produzent(in):
Chris Blackwell (Island Records)
Produzent(in):
Bob Marley & The Wailers
Mix:
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Bassgitarre [1972 Fender Jazz Bass] und Klavier [Hamburg Steinway Piano]:
Aston “Family Man” Barrett
Clavinet [Hohner D6] und Hammond-Orgel [B-3]:
Earl “Wya” Lindo
Cuíca, Klanghölzer / Claves, Perkussion, shakers und Tamburin:
Alvin “Seeco” Patterson
E-Gitarre [1973 Gibson Les Paul Special] und Sologesang:
Bob Marley (Jamaican reggae artist)
E-Gitarre [1977 Gibson Les Paul Standard]:
Al Anderson (Bob Marley & The Wailers guitarist)
E-Gitarre [1978 Gibson Les Paul Custom]:
Junior Marvin
Instrumente:
Bob Marley & The Wailers
Schlagzeug [1979 Yamaha 9000]:
Carlton “Carly” Barrett
Hintergrundgesang:
Tyrone Downie, Marcia Griffiths (reggae singer from Jamaica), Rita Marley, Junior Marvin und Judy Mowatt
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1980)
aufgenommen bei und mixed at:
Tuff Gong Studios in Kingston (Kingston Parish), Jamaika
Teil von:
BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 363)
recording of:
Could You Be Loved
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Gallo Music Publishers, Rondor Music (London) Ltd., Blue Mountain Music (in 1980), Bob Marley Music Inc. (in 1980), Fifty Six Hope Road Music Limited (in 1980) und Odnil Music Ltd. (in 1980)
Bob Marley & The Wailers4.153:55
7Pump Up the Volume
Techniker(in):
John Fryer (British producer and engineer)
Produzent(in):
Martyn Young
Gitarre:
A.R. Kane (British dreampop duo)
Sampler:
John Fryer (British producer and engineer)
turntable:
Dave Dorrell und C.J. Mackintosh
recording of:
Pump Up the Volume
Komponist(in):
Martyn Young und Steven Young (UK musician, member of Colourbox & MARRS)
Teil von:
American Psycho
M/A/R/R/S3.84:10
8Echo Beach
assistierende(r) Techniker(in):
Laurence Diana
Techniker(in):
Richard Manwaring (Producer)
Produzent(in):
Mike Howlett
phonographisches Urheberrecht (℗) von:
Dindisc Ltd (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1979-08)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 87)
recording of:
Echo Beach
Texter und Komponist(in):
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha & the Muffins3.63:32
9I Feel the Earth Move
Schlagzeug [drum programming]-Programmierung:
Michael Jay (producer/engineer) (von 1988-04 bis 1988-05)
assistierende(r) Techniker(in):
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) und Karen Siegel (engineer)
Techniker(in) und Mix:
Michael McDonald (engineer)
Produzent(in):
Michael Jay (producer/engineer)
Gitarre:
Don Kirkpatrick (guitarist/songwriter) (von 1988-04 bis 1988-05)
Keyboard [keyboards]:
Greg Smith (Producer/Keyboards) (von 1988-04 bis 1988-05)
zusätzlich Keyboard [keyboards]:
Claude Gaudette (session musician, songwriter, composer) (von 1988-04 bis 1988-05)
Hintergrundgesang:
Donna DeLory (von 1988-04 bis 1988-05), Rick Jude Palombi (von 1988-04 bis 1988-05) und Mona Lisa Young (US funk / soul singer) (von 1988-04 bis 1988-05)
arranger:
Michael Jay (producer/engineer)
vocals arranger:
Michael Jay (producer/engineer) und Martika (American singer‐songwriter and actress)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1988)
aufgenommen bei:
Trax Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1988-04 bis 1988-05)
mixed at:
Garden Rake Studio in Studio City, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Feel the Earth Move (von 1988-04 bis 1988-05)
Texter und Komponist(in):
Carole King
publisher:
Colgems-EMI Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) und Screen Gems–EMI Music Ltd. (in 1988)
Martika24:13
10Get Out of Your Lazy Bed
Techniker(in):
John Buckley (British production music composer)
Produzent(in):
Peter Collins (producer)
Mix:
Phil Harding (engineer, producer and remixer)
baritone saxophone:
Ronnie Ross
Keyboard:
Danny White (keyboardist)
Schlagzeug und Perkussion:
Peter Ross
vocals:
Basia und Mark Reilly (guitarist, vocalist, producer, songwriter)
vocals arranger:
Basia
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1984)
recording of:
Get Out of Your Lazy Bed
Verfasser(in):
Mark Reilly (guitarist, vocalist, producer, songwriter) und Danny White (keyboardist)
Matt Bianco2.653:24
11Dead Ringer for Love
Bassgitarre:
Steve Buslowe
Gitarre [guitars]:
Davey Johnstone
Horn:
Alan Rubin, Lou Delgatto, Lou Marani und Tom Malone (US trombonist)
Klavier:
Roy Bittan
Perkussion:
Jimmy Maelen (percussion)
Schlagzeug:
Liberty DeVitto (US drummer)
Schlitztrommel [African logs]:
Neleam Ymmij
Hintergrundgesang:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley und Eric Troyer
vocals:
Cher und Meat Loaf
Interpret(in):
Cher
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1981) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Dead Ringer for Love
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1981), Neverland Music Publishing Company (in 1981) und Peg Music Company (in 1981)
Meatloaf3.84:24
12(I’ve Had) The Time of My Life
assistierende(r) Techniker(in):
Jeff DeMorris (Aufgabe: 2nd assistant engineer) und Dan Nebenzal (Aufgabe: 1st assistant engineer)
Techniker(in):
Carmine Rubino
Produzent(in):
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley und Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal und Carmine Rubino
arranger:
Gene Page
zusätzlich arranger:
John D’Andrea und Michael Lloyd (US guitarist/singer producer)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) und Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
(I’ve Had) The Time of My Life
Texter:
Franke Previte
Komponist(in):
John DeNicola und Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (beendet), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) und R.U. Cyrius Publishing (in 1987)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1987 winner)
Bill Medley & Jennifer Warnes3.754:47
13Respectable
Produzent(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) und Mark McGuire (UK producer/engineer)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) und The Supreme Record Company Ltd. (in 1987)
Musikvideos:
Respectable von Mel & Kim (Appleby sisters)
recording of:
Respectable
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:22
14Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:43
15Safety Dance
Produzent(in):
Marc Durand (Canadian producer)
phonographisches Urheberrecht (℗) von:
Statik Records (in 1982) und Marc Durand Production (in 1983)
Bearbeitung von:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Musikvideos:
The Safety Dance von Men Without Hats (Canadian new wave/synthpop group)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 39) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 48)
recording of:
The Safety Dance (von 1982-01 bis 1982-03)
Texter und Komponist(in):
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) und Wintrup Musik (in 1982)
Men Without Hats3.82:44
16Live it Up
recording of:
Live It Up
Texter und Komponist(in):
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything4:12
17The Great Pretender
Techniker(in):
Richard Dodd (mastering engineer, producer and engineer) und David Richards (Swiss-based producer and engineer)
Produzent(in):
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) und David Richards (Swiss-based producer and engineer)
Bass:
Alan Jones (bass player)
Keyboard und Klavier:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
Schlagzeug:
Harold Fisher
Hintergrundgesang:
Peter Straker (Jamaican born singer) und Roger Taylor (Queen drummer)
Hintergrundgesang und Sologesang:
Freddie Mercury
phonographisches Urheberrecht (℗) von:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (in 1987, von 1999 bis 2000)
aufgenommen bei:
Ripe Studios in London (Greater London), England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
cover recording of:
The Great Pretender
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music (publisher), Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
Freddie Mercury3.53:27
18Dr. Beat
Sologesang:
Gloria Estefan
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. und Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:19
19Faith
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Bass:
Deon Estus
Gitarre:
Hugh Burns
Orgel [Cathedral Organ]:
Chris Cameron (British pianist, singer-songwriter, arranger and producer)
vocals:
George Michael
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1987, in 2010)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 74) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 104)
recording of:
Faith
Texter und Komponist(in):
George Michael
George Michael3.43:15
2▼CD
Nr.TitelKünstlerBewertungLänge
1Beds are Burning
A&R-Management:
S. Ralbovsky
assistierende(r) Techniker(in):
Kathy Naunton (editor)
Techniker(in):
Guy Gray
Produzent(in):
Warne Livesey und Midnight Oil (Australian rock band)
Bass:
Peter Gifford
Cello:
John Ockwell (Cello Artist)
Gitarre:
Jim Moginie und Martin Rotsey
Keyboard:
Warne Livesey und Jim Moginie
Posaune:
Glad Reed
Schlagzeug [drums]:
Rob Hirst
Waldhorn:
Jeremy Smith (Horns)
phonographisches Urheberrecht (℗) von:
Midnight Oil (Australian rock band) (in 1987)
phonographisches Urheberrecht (℗) von:
Midnight Oil Ents Pty Ltd (in 1987) und Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1987)
aufgenommen bei:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australien
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 95)
recording of:
Beds Are Burning
Verfasser(in):
Peter Garrett, Rob Hirst und Jim Moginie
publisher:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sprint Music Pty. Ltd.
Midnight Oil4.54:17
2Abracadabra
phonographisches Urheberrecht (℗) von:
Sailor Music (in 1982)
Musikvideos:
Abracadabra von Steve Miller Band (American rock band)
recording of:
Abracadabra
Texter und Komponist(in):
Steve Miller (leader of Steve Miller Band)
publisher:
Sailor Music
Steve Miller Band4.33:39
3Never Knew Love Like This Before
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:30
4I Should Be So Lucky
Techniker(in):
Karen Hewitt, Mark McGuire (UK producer/engineer) und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Produzent(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
Mix:
Mixmaster Pete Hammond (UK producer aka “Mixmaster”)
phonographisches Urheberrecht (℗) von:
Mushroom Records (vom 1988 bis heute)
Musikvideos:
I Should Be So Lucky von Kylie Minogue
recording of:
I Should Be So Lucky
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
Mushroom Music Pty. Ltd. (vom 1988 bis heute)
Kylie Minogue4.353:25
5Hand on Your Heart
Techniker(in):
Karen Hewitt und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Mix:
Phil Harding (engineer, producer and remixer)
vocals:
Kylie Minogue
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1989)
recording of:
Hand on Your Heart
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys USA Music (in 1989)
Kylie Minogue33:51
6Everybody Salsa
recording of:
Everybody Salsa
Verfasser(in):
Geoffrey Deane und David Jaymes
Modern Romance3:22
7Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
Giorgio Moroder feat. Phil Oakey2.353:53
8Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:22
9Hole in My Shoe
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Barbara Gaskin
Sologesang:
Neil (The Young Ones character)
cover recording of:
Hole in My Shoe
Verfasser(in):
Dave Mason (co‐founder of Traffic)
Neil3:37
10Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd., Dessca Entertainment Company (in 1984) und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:03
1199 Red Balloons
Produzent(in):
Jay Faires, Tricia Holloway, Reinhold Heil (von 1982 bis 1983) und Manne Praeker (von 1982 bis 1983)
Sologesang:
Nena (the person, performing solo since 1987) (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (von 1982 bis 1983)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 64)
recording of:
99 Red Balloons (von 1982 bis 1983)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Übersetzer:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Songs Ltd.
übersetzte Version von:
99 Luftballons
Nena3.83:51
12C’est la Vie
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 45)
recording of:
C’est la vie
Verfasser(in):
Mark Holding, Robbie Nevil und Duncan Pain (songwriter)
publisher:
AFG House Music, BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) und WC Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Robbie Nevil3:42
13Candy Girl
Produzent(in):
Michael Jonzun und Maurice Starr
recording of:
Candy Girl
Komponist(in):
Michael Jonzun und Maurice Starr
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. und Universal‐MCA Music Publishing (US)
New Edition43:35
14Living by Numbers
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
GTO Records Ltd. (holding company - file no releases here!) (in 1980) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980)
aufgenommen bei:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1979 bis 1980-03)
recording of:
Living by Numbers (von 1979 bis 1980-03)
Texter und Komponist(in):
Tony Mansfield (producer & songwriter)
publisher:
April Music Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Musik53:22
15Blue Monday
Produzent(in):
Quincy Jones und New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order44:09
16True Faith
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1987)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order3.755:52
17Physical
phonographisches Urheberrecht (℗) von:
ONJ Productions (Olivia Newton-John) (in 1981)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 11), Cachitos Nochevieja 2022 (Nummer: 97) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 457)
recording of:
Physical
Verfasser(in):
Steve Kipner und Terry Shaddick
publisher:
EMI April Music Inc., EMI Songs Australia Pty. Ltd. und Floating World Music
Olivia Newton John4.43:43
18I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:37
19When the Going Gets Tough, the Tough Get Going
leitende(r) Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Produzent(in):
Barry J. Eastmond und Wayne Brathwaite
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
Musikvideos:
When the Going Gets Tough, the Tough Get Going von Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean34:07

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Cuts Presents: 80s Night: The Ultimate DJ Collection (Nummer: 9/10) (Reihenfolge: 5)