The Complete Island Recordings

~ Release by Bob Marley & The Wailers (see all versions of this release, 3 available)

Tracklist

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112" Vinyl: Catch a Fire
#TitleRatingLength
A1Concrete Jungle
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Robert “Robbie” Shakespeare (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10), Wayne Perkins (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10)
organ:
Tyrone Downie (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Concrete Jungle (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
4.354:12
A2Slave Driver
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Slave Driver (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
42:54
A3400 Years
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar and lead vocals:
Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Peter Tosh (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Four Hundred Years (in 1972-10)
writer:
Lee “Scratch” Perry (aka The Upsetter) and Peter Tosh
publisher:
Jamrec Music and Rondor Music (London) Ltd.
32:45
A4Stop That Train
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar and lead vocals:
Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10), Earl “Wya” Lindo (in 1972-10) and Peter Tosh (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
tenor vocals [harmony vocals]:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Stop That Train (in 1972-10)
lyricist, writer and composer:
Peter Tosh
publisher:
Axum Zion Music Limited, B & C Music Publishing Ltd., Blue Mountain Music Ltd, Iron Zion Music Limited, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
43:55
A5Baby We’ve Got a Date (Rock It Baby)
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Bunny Wailer (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
organ:
Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Marcia Griffiths (reggae singer from Jamaica) (in 1972-10), Rita Marley (in 1972-10), Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Baby We’ve Got a Date (Rock It Baby) (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blue Mountain Music, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
44:06
B1Stir It Up
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Robert “Robbie” Shakespeare (in 1972-10)
drums (drum set):
Sparrow Martin (in 1972-10)
guitar:
Cat Coore (in 1972-10), Roger Lewis (founder and member of Inner Circle) (in 1972-10) and Wayne Perkins (in 1972-10)
organ:
Tyrone Downie (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Stir It Up (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Because Éditions, Cayman Music, Odnil Music, PolyGram, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
4.45:30
B2Kinky Reggae
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Kinky Reggae (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
3.553:36
B3No More Trouble
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
Earl “Wya” Lindo (in 1972-10) and Winston Wright (Jamaican piano and keyboard player) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
No More Trouble (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
43:56
B4Midnight Ravers
engineer:
Carlton Lee
producer:
The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
bass:
Aston “Family Man” Barrett (in 1972-10)
drums (drum set):
Carlton “Carly” Barrett (in 1972-10)
guitar:
Bob Marley (Jamaican reggae artist) (in 1972-10) and Peter Tosh (in 1972-10)
keyboard:
John “Rabbit” Bundrick (in 1972-10) and Bernard “Touter” Harvey (Jamaican keyboard player and engineer) (in 1972-10)
percussion:
Alvin “Seeco” Patterson (in 1972-10) and Bunny Wailer (in 1972-10)
piano:
Earl “Wya” Lindo (in 1972-10)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1972-10)
tenor vocals [harmony vocals]:
Peter Tosh (in 1972-10) and Bunny Wailer (in 1972-10)
recorded at:
Dynamic Sounds in Kingston (Kingston Parish), Jamaica (in 1972-10)
recording of:
Midnight Ravers (in 1972-10)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
44:57
212" Vinyl: Burnin’
#TitleRatingLength
C1Get Up, Stand Up
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar and lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973, from 1973 until 1983)
recorded at:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 260) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 296)
recording of:
Get Up, Stand Up (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist) and Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Stuck On Music (in 1974)
4.153:15
C2Hallelujah Time
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Hallelujah Time
composer:
Neville Livingston
43:27
C3I Shot the Sheriff
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 443)
recording of:
I Shot the Sheriff
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3.94:39
C4Burnin’ and Lootin’
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Burnin’ and Lootin’
lyricist and composer:
Bob Marley (Jamaican reggae artist)
44:11
C5Put It On
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
recorded at:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Put It On (in 1973-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bronjo Music
43:58
D1Small Axe
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recorded at:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Small Axe (in 1973-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Fifty Six Hope Road
4.254:00
D2Pass It On
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Pass It On
composer:
Bob Marley (Jamaican reggae artist)
43:32
D3Duppy Conqueror
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
bass:
Aston “Family Man” Barrett (in 1973-04)
drums (drum set):
Carlton “Carly” Barrett (in 1973-04)
guitar:
Bob Marley (Jamaican reggae artist) (in 1973-04) and Peter Tosh (in 1973-04)
keyboard:
Earl “Wya” Lindo (in 1973-04)
percussion:
Alvin “Seeco” Patterson (in 1973-04) and Bunny Wailer (in 1973-04)
lead vocals:
Bob Marley (Jamaican reggae artist) (in 1973-04)
tenor vocals [harmony vocals]:
Peter Tosh (in 1973-04) and Bunny Wailer (in 1973-04)
publisher:
Trojan Records
recorded at:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaica (in 1973-04)
recording of:
Duppy Conqueror (in 1973-04)
writer:
Bob Marley (Jamaican reggae artist) and Lee “Scratch” Perry (aka The Upsetter)
publisher:
Bronjo Music, Cayman Music Inc and Rondor Music (London) Ltd.
43:44
D4One Foundation
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
One Foundation
composer:
Peter Tosh
43:20
D5Rastaman Chant
recording engineer:
Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Phill Brown (UK engineer) and Tony Platt (UK engineer and producer)
recording of:
Rasta Man Chant (in 1973-04)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
43:43
312" Vinyl: Natty Dread
#TitleRatingLength
E1Lively Up Yourself
recording of:
Lively Up Yourself
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Odnil Music Ltd. (from 1974 to present), Blue Mountain Music (in 1974) and Fifty Six Hope Road Music Limited (in 1974)
5:29
E2No Woman No Cry
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 37) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 140)
recording of:
No Woman, No Cry
lyricist and composer:
Vincent Ford
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Global Musikverlag (Global Musik GmbH & Co. KG), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) and Global (publisher) (in 1976)
3.64:06
E3Them Belly Full (But We Hungry)
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Them Belly Full (but We Hungry)
writer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
23:10
E4Rebel Music (3 O’Clock Roadblock)
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Rebel Music (3 O’Clock Roadblock) (in 1974)
writer:
Aston “Family Man” Barrett and Hugh Peart
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
2.56:40
F1So Jah S’eh
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
So Jah Seh
writer:
Willy Francisco and Rita Marley
publisher:
Bob Marley Music BVI, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
3.554:25
F2Natty Dread
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Natty Dread
writer:
Allen Cole (Jamaican songwriter) and Rita Marley
publisher:
Bob Marley Music BVI, Cayman Music ltd., Kobalt Music Publishing Ltd. (UK), Marley Marl Music Inc, Odnil Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
3:33
F3Bend Down Low
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Bend Down Low (in 1974)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968) and Odnil Music Ltd. (in 1968)
3:10
F4Talkin’ Blues
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Talkin’ Blues
composer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Because Éditions, Bob Marley Music BVI, Stichting Bob Marley, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music (in 1974)
4:06
F5Revolution
recording engineer:
Phil Ault and Sylvan Morris
producer:
Chris Blackwell (Island Records) and The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
mixer:
Sid Bucknor
mixed at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
recording of:
Revolution
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) and Odnil Music Ltd. (in 1975)
1.54:20
412" Vinyl: LIVE!
#TitleRatingLength
G1Trenchtown Rock (live at the Lyceum, London 1975)
live recording of:
Trenchtown Rock (in 1975-07)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
4:00
G2Burnin’ and Lootin’ (live at the Lyceum, London 1975)
recording of:
Burnin’ and Lootin’
lyricist and composer:
Bob Marley (Jamaican reggae artist)
4:55
G3Them Belly Full (But We Hungry) (live at the Lyceum, London 1975)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
Them Belly Full (but We Hungry) (on 1975-07-18)
writer:
Carlton “Carly” Barrett and Lecon Cogil
publisher:
Bob Marley Music BVI, Rondor Music (London) Ltd., Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
4:24
G4Lively Up Yourself (live at the Lyceum, London 1975)
4:24
H1No Woman, No Cry (live at the Lyceum, London 1975)
6:55
H2I Shot the Sheriff (live at the Lyceum, London 1975)
recording engineer:
Steve Smith (US recording engineer, mainly rock & game scores) (on 1975-07-18)
producer:
Chris Blackwell (Island Records), Bob Marley & The Wailers and Steve Smith (US recording engineer, mainly rock & game scores)
mixer:
Phill Brown (UK engineer) and Dave Harper (on 1975-07-18)
bass:
Aston “Family Man” Barrett (on 1975-07-18)
drums (drum set):
Carlton “Carly” Barrett (on 1975-07-18)
guitar:
Al Anderson (Bob Marley & The Wailers guitarist) (on 1975-07-18) and Bob Marley (Jamaican reggae artist) (on 1975-07-18)
keyboard:
Tyrone Downie (on 1975-07-18)
percussion:
Alvin “Seeco” Patterson (on 1975-07-18)
background vocals:
I Threes (on 1975-07-18)
lead vocals:
Bob Marley (Jamaican reggae artist) (on 1975-07-18)
recorded at:
Lyceum Theatre in London (Greater London), England, United Kingdom (on 1975-07-18)
live recording of:
I Shot the Sheriff (on 1975-07-18)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
5:07
H3Get Up, Stand Up (live at the Lyceum, London 1975)
6:19
512" Vinyl: Rastaman Vibration
#TitleRatingLength
I1Positive Vibration
recording of:
Positive Vibration
lyricist and composer:
Vincent Ford
publisher:
Bob Marley Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Primary Wave/Blue Mountain, Tuff Gong Music, Blue Mountain Music (in 1976), Bob Marley Music Inc. (in 1976), Fifty Six Hope Road Music Limited (in 1976) and Odnil Music Ltd. (in 1976)
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:20
I2Roots, Rock, Reggae
3:35
I3Johnny Was
3:35
I4Cry to Me
engineer:
Jack Nuber, Alex Sadkin, Syl Morris and Errol Thompson (Jamaican reggae/dub producer & engineer)
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett and Chris Blackwell (Island Records)
lead vocals:
Bob Marley (Jamaican reggae artist)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Criteria Studios in Miami, Florida, United States
recording of:
Cry to Me
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972), Odnil Music Ltd. (in 1972) and Cayman Music (in 1976)
32:40
I5Want More
4:10
J1Crazy Baldhead
3:05
J2Who the Cap Fit
4:05
J3Night Shfit
3:10
J4War (album version)
3:40
J5Rat Race
2:50
612" Vinyl: Exodus
#TitleRatingLength
K1Natural Mystic
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Natural Mystic (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:28
K2So Much Things to Say
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
So Much Things to Say (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3:08
K3Guiltiness
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Guiltiness (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3:20
K4The Heathen
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
The Heathen (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
2:32
K5Exodus (album version)
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Exodus (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Cayman Music Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
4.157:35
L1Jamming
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 177)
recording of:
Jamming (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
4.153:31
L2Waiting in Vain
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Waiting in Vain (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
3.354:15
L3Turn Your Lights Down Low
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
Turn Your Lights Down Low (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
23:39
L4Three Little Birds
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 246) and BILLIONS CLUB
recording of:
Three Little Birds (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Bob Marley Music Inc., Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
4.13:00
L5One Love / People Get Ready
assistant engineer:
Terry Barham and Guy Bidmead
engineer:
Karl Pitterson
producer:
Bob Marley & The Wailers
mixer:
Aston Barrett, Chris Blackwell (Island Records) and Karl Pitterson
acoustic guitar:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
bass:
Aston “Familyman” Barrett (from 1977-01 until 1977-04)
drums (drum set):
Carlton Barrett (from 1977-01 until 1977-04)
guitar:
Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
keyboard:
Tyrone Downie (from 1977-01 until 1977-04)
percussion:
Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
background vocals:
Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (reggae singer from Jamaica) (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (from 1977-01 until 1977-04)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1977-03 until 1977-04)
recording of:
One Love / People Get Ready (from 1977-01 until 1977-04)
lyricist and composer:
Bob Marley (Jamaican reggae artist) and Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (from 1991 to present) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (from 1991 to present)
is based on:
People Get Ready
4.32:51
712" Vinyl: Babylon by Bus (LP-01)
#TitleRatingLength
M1Positive Vibration (live at the Pavillion de Paris 1977)
5:38
M2Punky Reggae Party (live at the Pavillion de Paris 1977)
5:38
M3Exodus (live at the Pavillion de Paris 1977)
7:26
N1Stir It Up (live at the Pavillion de Paris 1977)
5:11
N2Rat Race (live at the Pavillion de Paris 1977)
3:25
N3Concrete Jungle (live at the Pavillion de Paris 1977)
recorded at:
Pavillon de Paris in Paris, Île-de-France, France (on 1977-05-10)
5:25
N4Kinky Reggae (live at the Pavillion de Paris 1977)
4:36
812" Vinyl: Babylon by Bus (LP-02)
#TitleRatingLength
O1Lively Up Yourself (live at the Pavillion de Paris 1977)
6:10
O2Rebel Music – (3 O’Clock Roadblock) (live at the Pavillion de Paris 1977)
5:02
O3Medley: War/No More Trouble (live at the Pavillion de Paris 1977)
5:20
P1Is This Love (live at the Pavillion de Paris 1977)
7:05
P2Heathen (live at the Pavillion de Paris 1977)
4:14
P3Jammin’ (live at the Pavillion de Paris 1977)
5:05
912" Vinyl: Kaya
#TitleRatingLength
Q1Easy Skanking
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Easy Skanking
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
32:53
Q2Kaya
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Kaya (Bob Marley song) (in 1977)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
version of:
Kaya (Lee “Scratch” Perry song)
23:15
Q3Is This Love
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
acoustic guitar [1972 Guild F-112 12-string], electric guitar [1973 Gibson Les Paul Special] and lead vocals:
Bob Marley (Jamaican reggae artist)
bass guitar [1972 Fender Jazz Bass]:
Aston “Family Man” Barrett
drums (drum set) [1967 Ludwig Hollywood Maple]:
Carlton “Carly” Barrett
electric guitar [1970s Fender Stratocaster Natural]:
Junior Marvin
Hammond organ [B-3], mellotron [1970s ARP PE-IV Solina String-Ensemble] and piano [Hamburg Steinway Piano]:
Tyrone Downie
percussion:
Alvin “Seeco” Patterson
tenor saxophone:
Glen DaCosta
trombone:
Vin Gordon
trumpet:
David Madden (Jamaican trumpeter)
background vocals:
Marcia Griffiths (reggae singer from Jamaica), Rita Marley and Judy Mowatt
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1978) and Island Records, Inc. (US, Island holding) (in 1978)
recorded at and mixed at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Is This Love
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Bob Marley Music, Blue Mountain Music (in 1977, in 1978), Fifty Six Hope Road Music Limited (in 1977, in 1978), Odnil Music Ltd. (in 1977, in 1978) and PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1978)
4.13:52
Q4Sun Is Shining
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Sun Is Shining (new lyrics Kaya version) (in 1977)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music Inc, Tanabe Music Publishing (Tanabe Music Publishing Co., Ltd.), Blue Mountain Music (in 1975), Fifty Six Hope Road Music Limited (in 1975) and Odnil Music Ltd. (in 1975)
version of:
Sun Is Shining (original version)
3.954:58
Q5Satisfy My Soul
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1978)
recording of:
Satisfy My Soul (from 1977-01 until 1977-02)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Cayman Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
version of:
Don’t Rock the Boat
3.554:30
R1She’s Gone
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
She’s Gone
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1972), Fifty Six Hope Road Music Limited (in 1972) and Odnil Music Ltd. (in 1972)
22:25
R2Misty Morning
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Misty Morning
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
43:32
R3Crisis
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Crisis
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
33:54
R4Running Away
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Running Away
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
24:15
R5Time Will Tell
assistant engineer:
Terry Barham
engineer:
Karl Pitterson and Alex Sadkin
executive producer:
Chris Blackwell (Island Records)
producer:
Bob Marley & The Wailers
mixer:
Robert Ash (sound engineer) and Chris Blackwell (Island Records)
recording of:
Time Will Tell
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Blue Mountain Music (in 1978), Fifty Six Hope Road Music Limited (in 1978) and Odnil Music Ltd. (in 1978)
13:25
1012" Vinyl: Survival
#TitleRatingLength
S1So Much Trouble in the World
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
So Much Trouble in the World
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979), Odnil Music Ltd. (in 1979), Blue Mountain Music Ltd. (from 1991 to present) and Bob Marley Music (from 1991 to present)
4.354:00
S2Zimbabwe
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Zimbabwe (Bob Marley)
composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:51
S3Top Rankin’
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Top Rankin’
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
3.53:11
S4Babylon System
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Babylon System
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
34:21
S5Survival
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Survival
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:54
T1Africa Unite
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Africa Unite (in 1979)
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
32:55
T2One Drop
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
One Drop (in 1979)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:51
T3Ride Natty Ride
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
phonographic copyright (℗) by:
Island Records, Inc. (US, Island holding) (in 1979)
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Ride Natty Ride
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
2.53:51
T4Ambush in the Night
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Ambush in the Night (in 1979)
writer:
Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
33:14
T5Wake Up and Live
assistant engineer:
Errol Brown (Jamaican engineer and dub producer), Chiao (engineer), Philip Zadie and Dennis Thompson (reggae sound and mastering engineer)
engineer:
Alex Sadkin
producer and mixer:
Bob Marley & The Wailers and Alex Sadkin
recorded at and mixed at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
recording of:
Wake Up and Live (in 1979)
writer:
Anthony Davis and Bob Marley (Jamaican reggae artist)
publisher:
Bob Marley Music, Rondor Music (London) Ltd., Blue Mountain Music (in 1979), Bob Marley Music Inc. (in 1979), Fifty Six Hope Road Music Limited (in 1979) and Odnil Music Ltd. (in 1979)
45:00
1112" Vinyl: Uprising
1212" Vinyl: Confrontation

Credits

Release group

includes:Babylon by Bus
Burnin’ by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Catch a Fire by The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Confrontation
Exodus
Kaya
Live! (Live at the Lyceum) by Bob Marley and The Wailers
Natty Dread
Rastaman Vibration
Survival
Uprising
Discogs:https://www.discogs.com/master/905669 [info]