Lust for Life: The Music That Changed a Generation

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

CD 1: 5368491
CD 2: 5368492
CD 3: 5368493

Annotation last modified on 2024-03-21 04:14 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (used for copyrights) (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie (English singer‐songwriter) and Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.455:11
2Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.32:19
3Blitzkrieg Bop
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer)
associate producer:
Thomas Erdelyi (Tommy Ramone)
producer:
Craig Leon (musician, arranger, composer and producer)
bass guitar:
Dee Dee Ramone
drums (drum set):
Tommy Ramone
guitar:
Johnny Ramone
lead vocals:
Joey Ramone
recorded at:
Plaza Sound Studios in New York, New York, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 25), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 64), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 92) and Indie 88: Top 500 Indie Rock Songs (number: 93)
recording of:
Blitzkrieg Bop (in 1976-01)
writer:
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman and John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) and Taco Tunes Inc.
Ramones4.652:12
4Ever Fallen in Love (with Someone You Shouldn't've)
engineer:
Doug Bennett (producer, engineer) and Martin Rushent
producer and mixer:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
lyricist and composer:
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:39
5Top of the Pops
recording of:
Top of the Pops
composer:
Jo Callis
The Rezillos2:54
6In the City
engineer:
Vic Smith
producer:
Chris Parry and Vic Smith
bass:
Bruce Foxton (in 1977-03)
drums (drum set):
Rick Buckler (in 1977-03)
guitar:
Paul Weller (English singer‐songwriter and musician) (in 1977-03)
vocals:
Bruce Foxton (in 1977-03) and Paul Weller (English singer‐songwriter and musician) (in 1977-03)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Polydor Studios in London (Greater London), England, United Kingdom (in 1977-03)
recording of:
In the City (in 1977-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
And Son Music Ltd., BMG Music Publishing Ltd. and Stylist Music Ltd.
The Jam42:17
7Alternative Ulster
engineer:
Doug Bennett (producer, engineer)
producer:
Ed Hollis (British songwriter and producer)
bass:
Ali McMordie
drums (drum set):
Brian Faloon
guitar [lead guitar]:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman)
guitar [rhythm guitar]:
Henry Cluney
vocals:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman)
remixer:
Doug Bennett (producer, engineer)
remixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Alternative Ulster
writer:
Jake Burns (Irish punk rock musician, Stiff Little Fingers frontman) and Gordon Ogilvie (Irish journalist)
Stiff Little Fingers4.52:43
8Babylon's Burning
recording of:
Babylon’s Burning
writer:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen and Dave Ruffy
publisher:
Virgin Music (Publishers) Ltd.
The Ruts2:29
92-4-6-8 Motorway
producer:
Vic Maile
bass:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
drums (drum set):
Dolphin Taylor (on 1977-09-14)
guitar:
Danny Kustow (on 1977-09-14)
organ and piano:
Mark Ambler (on 1977-09-14)
vocals:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (on 1977-09-14)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
Berwick Street Studios in Westminster, London (Greater London), England, United Kingdom (on 1977-09-14)
recording of:
2‐4‐6‐8 Motorway (on 1977-09-14)
lyricist and composer:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
publisher:
Konkwest Music Limited
Tom Robinson Band43:15
10Psycho Killer
additional engineer:
Matt Cohen (US producer and engineer)
engineer:
Ed Stasium (US record producer & audio engineer)
executive producer:
Karen Ahmed and Robin Hurley
producer:
Tony Bongiovi, Lance Quinn and Talking Heads
bass guitar:
Tina Weymouth (from 1976 until 1977)
drums (drum set):
Chris Frantz (from 1976 until 1977)
guitar:
David Byrne (Talking Heads) (from 1976 until 1977) and Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
guitar and keyboard and keyboard:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
lead vocals:
David Byrne (Talking Heads) (from 1976 until 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (from 1976 until 1977)
phonographic copyright (℗) by:
Sire Records Inc. (in 1977)
recorded at:
Sundragon Studios in Flatiron District, New York, New York, United States (from 1976 until 1977)
mixed at:
Mediasound Studios in New York, New York, United States (in 2005)
samples from:
Lexicon Valley #190, "Beyond the Five Ws" by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 108)
recording of:
Psycho Killer (from 1976 until 1977)
lyricist:
David Byrne (Talking Heads), Chris Frantz and Tina Weymouth
composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads4.054:25
11Smash It UpThe Damned52:55
12Into the Valley
producer:
David Batchelor
recording of:
Into the Valley
lyricist:
Richard Jobson
composer:
Stuart Adamson
Skids43:09
13The Sound of the SuburbsThe Members3:53
14I Heard It Through the GrapevineThe Slits43:58
15Right to Work
recording of:
Right to Work
composer:
Gene October
Chelsea43:02
16Don't Dictate
engineer:
Tony Platt (UK engineer and producer)
producer:
Mike Howlett
bass:
Robert Blamire
drums (drum set):
Gary Smallman
guitar:
Gary Chaplin
vocals:
Pauline Murray
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Pebble Beach Studios in Worthing, West Sussex, England, United Kingdom
recording of:
Don’t Dictate
writer:
Gary Chaplin and Pauline Murray
publisher:
Virgin Music (Publishers) Ltd.
Penetration52:53
17Sonic Reducer
recording engineer:
Dave Wittman
assistant engineer:
Jim Galante
producer:
Genya Ravan (pop rock singer Goldie)
mixer:
Harvey Goldberg
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
recording of:
Sonic Reducer
writer:
Stiv Bators, Johnny Blitz, Cheetah Chrome, Jeff Magnum, David Thomas (US singer-songwriter/musician: Pere Ubu/Rocket From the Tombs) and Jimmy Zero
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dead Boys53:04
18Homicide
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
bass guitar:
Jon Watson
drums (drum set):
Pablo Labritain
guitar:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
vocals:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
recording of:
Homicide (999)
writer:
Nick Cash (UK punk vocalist/guitarist for 999) and Guy Days
publisher:
R.L. August Music Co.
9994:24
19I'm an UpstartAngelic Upstarts2:19
20Holiday in Cambodia
engineer:
Oliver DiCicco (in 1980-06)
assistant producer:
Ray Pepperell (in 1980-06)
producer:
Norm (fictitious producer for Dead Kennedys) (in 1980-06)
drums (drum set):
Ted (Bruce Slesinger, Former (original) member of Dead Kennedys) (in 1980-06)
electric bass guitar:
Klaus Flouride (Geoffrey Lyall) (in 1980-06)
electric guitar:
East Bay Ray (Ray Pepperell) (in 1980-06)
vocals:
Jello Biafra (former lead singer of Dead Kennedys) (in 1980-06)
recorded at:
Möbius Music, San Francisco in San Francisco, California, United States (in 1980-06)
recording of:
Holiday in Cambodia (in 1980-06)
lyricist:
Jello Biafra (former lead singer of Dead Kennedys)
composer:
Jello Biafra (former lead singer of Dead Kennedys), Bruce Slesinger (Former (original) member of Dead Kennedys), Klaus Flouride (Geoffrey Lyall) and East Bay Ray (Ray Pepperell)
publisher:
Decay Music
Dead Kennedys4.34:38
2CD
#TitleArtistRatingLength
1Teenage Kicks
engineer:
Roger Bechirian
producer:
Roger Bechirian and The Undertones (Northern Irish punk rock band)
recorded at:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 59)
recording of:
Teenage Kicks
lyricist and composer:
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) and Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:25
2No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:27
3Another Girl Another Planet
assistant engineer:
Kevin Dallimore (engineering) and Andy Lyden
engineer:
Robert Ash (sound engineer)
assistant producer:
Robert Ash (sound engineer)
producer:
The Only Ones
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
lyricist and composer:
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.353:00
4Where's Captain KirkSpizzenergi52:16
5Hersham Boys
producer:
Jimmy Pursey (Founder member of Sham 69) and Peter Wilson (UK Producer)
recording of:
Hersham Boys
writer:
Dave Parsons (Sham 69 guitarist) and Jimmy Pursey (Founder member of Sham 69)
Sham 693:24
6Sex & Drugs & Rock & Roll
drums (drum set):
Charley Charles (UK drummer) (in 1976)
electric bass guitar:
Norman Watt-Roy (in 1976)
electric guitar:
Chaz Jankel (English musician and songwriter) (in 1976)
lead vocals:
Ian Dury (in 1976)
phonographic copyright (℗) by:
Stiff Records (in 1977) and Templemill Music Ltd (in 1977)
recorded at:
Alvic Studios (Wimbledon) in Wimbledon, Merton, London (Greater London), England, United Kingdom (in 1976)
recording of:
Sex & Drugs & Rock & Roll (in 1976)
lyricist:
Ian Dury
composer:
Chaz Jankel (English musician and songwriter)
publisher:
Blackhill Music Ltd. and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Ian Dury3.83:05
7Germ Free Adolescents
assistant engineer:
Andy Pearce (Mastering engineer)
engineer:
John Mackenzie Burns
producer:
Falcon Stuart and X‐Ray Spex
lead vocals:
Poly Styrene
recording of:
Germ Free Adolescents
lyricist and composer:
Poly Styrene
X‐Ray Spex23:11
8Is She Really Going Out With Him?
engineer:
Rod Hewison
producer:
David Kershenbaum
bass guitar:
Graham Maby (in 1978-08)
drums (drum set):
David Houghton (in 1978-08)
guitar:
Gary Sanford (in 1978-08)
lead vocals:
Joe Jackson (English musician) (in 1978-08)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson4.43:34
9Watching the DetectivesElvis Costello3:43
10Public Image
recording of:
Public Image
writer:
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) and Jim Walker (PIL member)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd2:57
11Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
DEVO4.52:38
12Back of My Hand
The Jags3:19
13Do Anything You Wanna Do
recording of:
Do Anything You Wanna Do
composer:
Graeme Douglas and Ed Hollis (British songwriter and producer)
Eddie & the Hot Rods4:02
14I Love the Sound of Breaking Glass
recording engineer:
Barry Farmer
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
mixer:
Roger Bechirian
bass guitar:
Andrew Bodnar (bass player)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
guitar:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
piano:
Bob Andrews (keyboardist and producer)
tambourine:
Roger Bechirian
background vocals:
Roger Bechirian and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
recording of:
I Love the Sound of Breaking Glass
lyricist:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
composer:
Andrew Bodnar (bass player), Steve Goulding (English drummer for the Rumour, Mekons, etc.) and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Nick Lowe43:12
151 2 X U
live recording of:
1 2 X U
writer:
Bruce Gilbert (UK musician; guitarist in Wire), Robert Gotobed (drummer in Wire), Graham Lewis (bassist in Wire) and Colin Newman (UK vocalist / songwriter)
publisher:
Virgin Songs, Inc.
Wire1:55
16White Punks on Dope
recording of:
White Punks on Dope
writer:
Michael Evans (songwriter), Bill Spooner and Roger Steen
The Tubes46:44
17Stranglehold
UK Subs2:26
18Shot by Both Sides
producer:
Mick Glossop (producer & engineer) and Magazine (70s/80s UK post-punk/new wave band)
bass:
Barry Adamson
drums (drum set):
Martin Jackson
guitar:
John McGeoch
vocals:
Howard Devoto
recording of:
Shot by Both Sides
lyricist:
Howard Devoto
composer:
Howard Devoto and Pete Shelley (Buzzcocks lead singer)
Magazine54:01
19Where Have All the Boot Boys Gone
recording of:
Where Have All the Bootboys Gone (Slaughter and The Dogs)
writer:
Wayne Barrett, Howard Bates, Brian Grantham and Mick Rossi (guitarist for Slaughter and The Dogs)
Slaughter and the Dogs3:11
20Marquee Moon
assistant engineer:
Jim Boyer (producer/engineer)
engineer and mixer:
Andy Johns
producer:
Andy Johns and Tom Verlaine
assistant mixer:
Jimmy Douglass (engineer) and Randy Mason
bass guitar:
Fred Smith (bassist)
drums (drum set):
Billy Ficca
guitar:
Richard Lloyd (American guitarist and singer, Television) and Tom Verlaine
solo guitar [after the second chorus]:
Richard Lloyd (American guitarist and singer, Television)
solo guitar [after the third chorus] and lead vocals:
Tom Verlaine
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Marquee Moon
lyricist and composer:
Tom Verlaine
Television4.510:38
3CD
#TitleArtistRatingLength
1A Forest
co-producer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Mike Hedges (UK producer/recording engineer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Lol Tolhurst
electric bass guitar:
Simon Gallup
electric guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Matthieu Hartley
music videos:
A Forest by The Cure
recording of:
A Forest
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4?:??
2Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.5?:??
3Kings of the Wild Frontier
recording of:
Kings of the Wild Frontier
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Adam and the Ants?:??
4Happy House
producer:
Nigel Gray (UK producer) and Siouxsie and the Banshees
recording of:
Happy House
lyricist:
Siouxsie Sioux (Susan Janet Ballion)
composer:
Steven Severin and Siouxsie Sioux (Susan Janet Ballion)
publisher:
Chappell and Pure Noise (Siouxsie and the Banshees publisher)
Siouxsie and the Banshees4.75?:??
5Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.6?:??
6My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.2?:??
7Eighth Day
producer:
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
recorded at and mixed at:
Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Eighth Day
lyricist, writer and composer:
Hazel O’Connor
Hazel O’Connor?:??
8Is Vic There?Department S5?:??
9Jilted John
recording of:
Jilted John
lyricist and composer:
Graham Fellows
Jilted John?:??
10Sgt. Rock (Is Going to Help Me)
recording of:
Sgt. Rock (Is Going to Help Me)
lyricist and composer:
Andrew Partridge
XTC4?:??
11I Only Want to Be With YouThe Tourists?:??
12Tom Hark
part of:
TV Cream: Real 100 Best Singles Ever (number: 75)
recording of:
Tom Hark (The Piranhas revision with added lyrics)
lyricist:
Bob Grover
composer:
Rupert Bopape
revision of:
Tom Hark (Original instrumental)
The Piranhas4?:??
13She's So Modern
recording of:
She’s so Modern
lyricist and composer:
Johnnie Fingers and Bob Geldof
The Boomtown Rats?:??
14You'll Always Find Me in the Kitchen at Parties
Jona Lewie?:??
15Swords of 1000 Men
producer:
Bob Andrews (keyboardist and producer) and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1981)
recording of:
Swords of a Thousand Men
lyricist and composer:
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.2?:??
16Airport
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
part of:
TV Cream: Real 100 Best Singles Ever (number: 19)
recording of:
Airport
writer:
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and Island Music Ltd. (from 1978 to present)
The Motors3.35?:??
17Lucky Number
producer:
The Stateless (possibly Lene Lovich and Les Chappell)
mixer:
Roger Bechirian
lead vocals:
Lene Lovich
remixer:
Roger Bechirian
phonographic copyright (℗) by:
Oval Records (in 1978) and Oval Sounds LLP (in 1979)
recording of:
Lucky Number
writer:
Les Chappell and Lene Lovich
publisher:
Oval Music
Lene Lovich4?:??
18Take Me I'm Yours
recording of:
Take Me I’m Yours
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze4?:??
19Money (That's What I Want)
The Flying Lizards?:??
20Turning Japanese
producer:
Vic Coppersmith‐Heaven
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 30)
recording of:
Turning Japanese
lyricist and composer:
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) and Glenwood Music Corp.
The Vapors3.65?:??