Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1One Too Many Mornings
recording engineer:
Charlie Bragg and Neil Wilburn
producer:
Bob Johnston (US record producer and early rockebilly singer) and Rick Rubin (US record producer, former co‐president of Columbia Records)
mixer:
Ryan Hewitt
acoustic guitar:
Seth Avett
banjo:
Scott Avett
guitar and lead vocals:
Johnny Cash (country music legend)
additional vocals:
Bob Dylan and Seth and Scott Avett
mixed at:
Lock Stock Studios in Venice, Los Angeles, California, United States
cover recording of:
One Too Many Mornings
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Johnny Cash featuring The Avett Brothers3.53:47
2Leopard‐Skin Pill Box Hat
cover recording of:
Leopard‐Skin Pill‐Box Hat
lyricist and composer:
Bob Dylan (in 1966-01)
publisher:
Dwarf Music (from 1966 to present)
Raphael Saadiq33:43
3Drifter’s Escape
engineer:
Stewart Lerman
producer:
Patti Smith Band
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass:
Tony Shanahan
drums (drum set):
Jay Dee Daugherty
guitar:
Lenny Kaye and Jack Petruzzelli
piano:
Jesse Smith
vocals:
Patti Smith
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Drifter’s Escape
lyricist and composer:
Bob Dylan (in 1967-10)
publisher:
Dwarf Music (from 1968 to present)
Patti Smith33:26
4Ballad of Hollis Brown
engineer:
Andrew Berlin, Jason Livermore and Bill Stevenson (US punk drummer/producer)
additional producer:
Andrew Berlin
producer:
Jason Livermore and Bill Stevenson (US punk drummer/producer)
mixer:
Jason Livermore
performer:
Brandon Barnes (drummer for Rise Against), Tim McIlrath, Joe Principe and Zach Zeisler
recorded at:
The Blasting Room in Fort Collins, Colorado, United States (in 2011-06)
mixed at:
The Blasting Room in Fort Collins, Colorado, United States
cover recording of:
Ballad of Hollis Brown
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Rise Against3.55:13
5Blind Willie McTell
recorded in:
Chicago, Illinois, United States
mixed in:
Los Angeles, California, United States, New York, New York, United States and Toronto, Ontario, Canada
drum machine [drum] programming:
Carl “The Wizard” Restivo
producer and mixer:
Carl Restivo
bass and keyboard:
Robbie “Seahag” Mangano
guitar:
Carl “The Wizard” Restivo and Tom Morello the Nightwatchman
vocals:
Tom Morello the Nightwatchman
cover recording of:
Blind Willie McTell
lyricist and composer:
Bob Dylan (in 1983)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1983 to present)
Tom Morello the Nightwatchman45:17
6Corrina, Corrina
assistant recording engineer:
Martin Hollis
recording engineer:
Bob Pridden
engineer:
Myles Clarke (task: Pro Tools)
executive producer:
Martin Lewis (humorist)
producer:
Pete Townshend (of The Who)
mixer:
Myles Clarke and Bob Pridden
bass guitar:
Stuart Ross (drummer and bass player)
drums (drum set):
Peter Huntington
guitar:
Pete Townshend (of The Who)
harmonica [mouth organ]:
Peter Hope‐Evans
piano:
Rachel Fuller
vocals:
Pete Townshend (of The Who)
recorded at and mixed at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
cover recording of:
Corrina, Corrina (Bob Dylan version)
additional lyricist:
Bob Dylan (in 1962-04)
lyricist:
Robert Johnson (1930s blues legend)
writer:
[traditional] (special purpose artist)
arranger:
Bob Dylan (in 1962-04)
publisher:
Special Rider Music and Warner Bros. (holding: file NO releases)
version of:
32‒20 Blues
version of:
Corrina (traditional song published by the Lomaxes)
version of:
Corrine, Corrina
version of:
Hellhound on My Trail
version of:
Me and the Devil Blues
version of:
Stones in My Passway
Pete Townshend32:34
7Most of the Time
assistant engineer:
Jason Mott
producer:
Joe Henry (US singer-songwriter, guitarist & producer)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar:
Chris Bruce
bass guitar and electric upright bass [electric bass]:
Paul Bryan (bass, engineer, Los Angeles-based musician)
double bass [upright bass]:
David Piltch
drums (drum set):
Earl Harvin
electric guitar:
Doyle Bramhall II and Chris Bruce
organ, piano and Wurlitzer electric piano [Wurlitzer]:
Lisa Coleman (US pianist/keyboardist & composer)
vocals:
Bettye LaVette
recorded at:
Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Most of the Time
additional lyricist:
Bob Dylan (on 1989-04-12, on 1990-03-02)
lyricist and composer:
Bob Dylan (in 1989-03)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Special Rider Music (from 1989 to present)
Bettye LaVette35:19
8This Wheel’s on Fire
producer:
Tony Berg (record producer, executive, and session guitarist)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass:
Ashley Dzerigian
drums (drum set):
Barbara Gruska
electric guitar:
Blake Mills
keyboard:
Patrick Warren
piano:
Ethan Gruska
recorded at:
Apogee’s Berkeley Street Studio in Glasgow, Scotland, United Kingdom and Zeitgeist Studio in Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
This Wheel’s on Fire
lyricist:
Bob Dylan (in 1967)
composer:
Rick Danko (in 1967)
publisher:
Dwarf Music (from 1967 to present)
Charlie Winston3.53:10
9Simple Twist of Fate
producer:
Diana Krall
vocals:
Diana Krall
recorded at:
Smec Studio
cover recording of:
Simple Twist of Fate
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Diana Krall3.53:56
10You Ain’t Goin’ Nowhere
engineer:
Josh Peck (member of Weak Knees)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
double bass [upright bass] and ukulele:
Tom Freund
guitar:
Brett Dennen and Julia Wilde
harmonica:
Joshua Osswald
background vocals:
Tom Freund, Joshua Osswald and Julia Wilde
lead vocals [vox]:
Brett Dennen
recorded at:
Mick Studios in Brooklyn, New York, New York, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
You Ain’t Goin’ Nowhere
additional lyricist:
Bob Dylan (in 1971)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
Dwarf Music (from 1967 to present)
Brett Dennen33:05
11Love Sick
producer:
Joby J. Ford
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Matt Caughthran, Joby J. Ford, Vincent Hidalgo, Ken Mochikoshi Horne, Brad Magers, Ray Suen and Jorma Vik
recorded at:
Big Game Lodge in Van Nuys, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Love Sick
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1997 to present)
Mariachi El Bronx3.53:44
12Blowin’ in the Wind
producer:
Ziggy Marley
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Ziggy Marley
recorded at:
Tuff Gong Worldwide in Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Blowin’ in the Wind
lyricist and composer:
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1962 until 1990) and Special Rider Music (from 1990 to present)
Ziggy Marley3.52:46
13Changing of the Guards
producer:
The Gaslight Anthem and Wes Kleinknecht
mixer:
Nick Bellmore, The Gaslight Anthem and Frank Marra
performer:
Brian Fallon, Benny Horowitz, Alex Levine (The Gaslight Anthem) and Alex Rosamilia
recorded at:
The Treehouse in Jersey City, New Jersey, United States
cover recording of:
Changing of the Guards
lyricist and composer:
Bob Dylan (from 1977-12 until 1978-04)
publisher:
Special Rider Music (from 1978 to present)
The Gaslight Anthem45:21
14Not Dark Yet
engineer and producer:
Fritz Michaud
assistant producer:
Todd Clifford
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Dangerbird Records, LLC (in 2011)
recorded at:
Dangerbird Studios in Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Not Dark Yet
lyricist and composer:
Bob Dylan (from 1996-09 until 1996-10)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1997 to present)
version of:
Doing Alright
Silversun Pickups3.56:26
15You’re a Big Girl Now
producer and mixer:
Yim Yames
performer:
Carl Broemel and Yim Yames
phonographic copyright (℗) by:
ATO Records, LLC (company credits only; file no releases here!) (in 2011)
recorded at:
Removador Fun Ranch in Louisville, Kentucky, United States
cover recording of:
You’re a Big Girl Now
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
My Morning Jacket35:19
16Boots of Spanish Leather
producer:
The Airborne Toxic Event (American indie band)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Anna Bullbrook, Steven Chen, Noah Harmon, Mikel Jollett (singer, musician, and author) and Daren Taylor
recorded at:
Hans Zimmer’s Studio
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Boots of Spanish Leather
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
M. Witmark & Sons and Special Rider Music
The Airborne Toxic Event35:18
17Girl From the North Country
producer:
Rob Mathes and Sting (singer, songwriter & member of The Police)
mixer:
Donal Hodgson and Sting (singer, songwriter & member of The Police)
performer:
Sting (singer, songwriter & member of The Police)
recorded at:
Steerpike Studio in Wiltshire, England, United Kingdom
cover recording of:
Girl From the North Country
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Sting32:56
18Restless Farewell
producer:
Mark Knopfler
mixer:
Guy Fletcher (keyboardist)
accordion:
Phil Cunningham (Scottish folk musician and composer)
bass:
Glenn Worf
fiddle:
John McCusker
guitar:
Richard Bennett (American guitarist)
guitar [guitars]:
Mark Knopfler
organ:
Guy Fletcher (keyboardist)
pedal steel guitar:
Paul Franklin (steel guitarist)
piano:
Jim Cox (US keyboard player, composer)
whistle:
Mike McGoldrick
vocals:
Mark Knopfler
recorded at:
British Grove Studios (owned and built by Mark Knopfler) in Chiswick, Hounslow, London (Greater London), England, United Kingdom
cover recording of:
Restless Farewell
lyricist and composer:
Bob Dylan (on 1963-10-30)
publisher:
M. Witmark & Sons, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Mark Knopfler3.55:53
2▼CD
#TitleArtistRatingLength
1Outlaw Blues
producer and mixer:
Joshua Homme (Queens of the Stone Age frontman)
performer:
Joey Castillo, Dean Fertita (American rock multi-instrumentalist), Joshua Homme (Queens of the Stone Age frontman), Michael Shuman (QOTSA bassist) and Troy Van Lee Uwen
recorded at:
Pink Duck Studios in Los Angeles, California, United States
cover recording of:
Outlaw Blues
lyricist and composer:
Bob Dylan (from 1964-12 until 1965-01)
publisher:
Blossom Music Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
version of:
California
Queens of the Stone Age44:08
2Rainy Day Women #12 & 35
assistant engineer:
Alex Alvarez (Romanian artist)
engineer:
Craig Ross (guitarist) (task: Pro Tools)
audio engineer:
Tom “Bone” Edmonds
mixer:
Lenny Kravitz, Craig Ross (guitarist) and Tom “Bone” Edmonds
bass drum:
Joshua Daniels (bass drum)
membranophone [drums]:
Taval Bethel, Davon Gibson, Conrad Lee, Thaddeus Petty and Brent Thompson (drummer)
piano:
George Laks
saxophone:
Kevin Cambridge and Harold Todd (Flutist - Saxophonist)
tambourine, background vocals and lead vocals:
Lenny Kravitz
trombone:
Anthony Thompson (trombone player)
trumpet:
Jadian Curtis, Clarence Gibson (member of Mustangs), Akeen Johnson, Ludovic Louis (trumpeter) and Mario Woods
tuba:
Zaccheus Thompson
conductor:
Lenny Kravitz
recorded at:
Gregory Town Sound (Lenny Kravitz' studio) in Bahamas
cover recording of:
Rainy Day Women #12 & 35
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
Lenny Kravitz34:07
3One More Cup of Coffee (Valley Below)
assistant engineer:
Chris Longwood (mastering engineer)
engineer:
Steve Christensen
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass:
Kelley Looney
drums (drum set):
Will Rigby
electric guitar:
Chris Masterson
guitar:
Steve Earle (US folk/rock singer/songwriter)
mandolin:
Eleanor Whitmore
piano:
Allison Moorer
violin:
Lucia Micarelli
vocals:
Steve Earle (US folk/rock singer/songwriter) and Lucia Micarelli
recorded at:
Sugar Hill Studios in Houston, Texas, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
One More Cup of Coffee (Valley Below)
lyricist and composer:
Bob Dylan (in 1975)
publisher:
Ram’s Horn Music (from 1975 until 2003) and Special Rider Music (from 2003 to present)
Steve Earle & Lucia Micarelli3.54:42
4Heart of Mine
producer:
Danielle Haim and Blake Mills
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Danielle Haim and Blake Mills
recorded at:
Apogee’s Berkeley Street Studio in Glasgow, Scotland, United Kingdom
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Heart of Mine
lyricist and composer:
Bob Dylan (in 1981)
publisher:
Special Rider Music (from 1981 to present)
Blake Mills featuring Danielle Haim35:30
5You’re Gonna Make Me Lonesome When You Go
recording engineer:
Paul LaMalfa
miscellaneous support:
Shari Sutcliffe (task: production coordinator)
producer:
John Shanks
mixer:
Paul LaMalfa and John Shanks
acoustic guitar:
John Shanks and Johnzo West
keyboard, string synthesizer [synth strings] and synthesizer [synths]:
Charlie Judge (American guitarist, pianist, arranger and songwriter)
omnichord, piano and slide guitar:
John Shanks
vocals:
Miley Cyrus
recorded at and mixed at:
Henson Recording Studios (former A&M Studios) in Hollywood, Los Angeles, California, United States
cover recording of:
You’re Gonna Make Me Lonesome When You Go
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Miley Cyrus33:31
6Lay Down Your Weary Tune
engineer:
Greg Griffith (choir vocals) and Grant Showbiz
mixer:
Dan Silver (producer/mixer/engineer)
acoustic guitar and lead vocals:
Billy Bragg
background vocals:
The Salerno Chorale
choir vocals [choral] arranger:
Mark Hudson (US songwriter/record producer)
recorded at:
Elias Arts in Manhattan, New York, New York, United States (choir vocals) and Street‐Level 3 in London (Greater London), England, United Kingdom
mixed at:
Silver Sessions Studios and WhatInTheWhatThe Studio in Los Angeles, California, United States
cover recording of:
Lay Down Your Weary Tune
lyricist and composer:
Bob Dylan (in 1963-10)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Billy Bragg3.54:17
7License to Kill
producer:
Elvis Costello
mixer:
Paul Silveira
performer:
Elvis Costello
recorded at:
The Armoury Studios in Vancouver, British Columbia, Canada
cover recording of:
License to Kill
lyricist and composer:
Bob Dylan (in 1983)
publisher:
Special Rider Music (from 1983 to present)
Elvis Costello35:11
8Lay, Lady, Lay
producer:
Jean Hebrail
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
drums (drum set):
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
guitar:
Dominic James and Joao Mota
percussion:
Magatte Snow
recorded at:
Obatala Studio in Brooklyn, New York, New York, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Lay, Lady, Lay
additional lyricist:
Bob Dylan (in 1976)
lyricist and composer:
Bob Dylan (from 1968 until 1969)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
sub-publisher:
Sonora Musikförlags AB
Angélique Kidjo33:08
9Ring Them Bells
assistant recording engineer:
Drew Bollman
recording engineer:
Justin Neibank
producer:
Marshall Altman
mixer:
Craig Alvin (engineer)
acoustic guitar:
Ilya Toshinsky (Russian guitar and banjo player)
bass:
Tony Lucido
drums (drum set):
Jeremy Lutito
electric guitar:
Adam Shoenfeld and Tom Bucovac
organ and piano:
Tim Lauer
percussion:
Marshall Altman
vocals:
Natasha Bedingfield
recorded at:
House of Blues Studios in Nashville, Tennessee, United States
mixed at:
The Great Gazoo Reading Room in Nashville, Tennessee, United States
cover recording of:
Ring Them Bells
lyricist and composer:
Bob Dylan (from 1989-02 until 1989-03)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Special Rider Music (from 1989 to present)
Natasha Bedingfield34:08
10Love Minus Zero/No Limit
assistant recording engineer:
Bil Lane and Glenn Suravech
recording engineer:
Paul Dieter (American sound engineer and producer.)
producer:
Jackson Browne (American singer-songwriter)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar:
Jackson Browne (American singer-songwriter)
bass:
Tal Wilkenfeld
drums (drum set):
Jim Keltner
electric guitar:
Jonathan Wilson (singer/songwriter/producer)
keyboard [keys]:
Benmont Tench
vocals:
Jackson Browne (American singer-songwriter)
recorded at:
Groove Masters in Santa Monica, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Love Minus Zero / No Limit
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Jackson Browne34:20
11Seven Curses
recorded in:
Nashville, Tennessee, United States (in 1991)
producer:
Kenny Greenberg and Wally Wilson (US producer, publisher, songwriter and keyboardist)
guitar:
Joan Baez (US folk singer)
vocals:
Joan Baez (US folk singer)
cover recording of:
Seven Curses
lyricist and composer:
Bob Dylan (in 1963)
publisher:
Sony/ATV Music Publishing and Special Rider Music
version of:
Anathea
Joan Baez35:03
12No Time to Think
producer:
The Belle Brigade
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar and Wurlitzer electric piano [Wurlitzer]:
Ethan Gruska
bass and pedal steel guitar:
Keith Karman
drums (drum set):
Barbara Gruska
guitar:
Blake Mills
vocals:
Barbara Gruska and Ethan Gruska
recorded at:
Apogee’s Berkeley Street Studio (Santa Monica, CA) in Santa Monica, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
No Time to Think
lyricist and composer:
Bob Dylan (from 1977-12 until 1978-04)
publisher:
Special Rider Music (from 1978 to present)
The Belle Brigade38:04
13Tonight I’ll Be Staying Here With You (live)
recording engineer:
Troy Milner
producer:
Kristian Bush
assistant mixer:
Steven Morrison (engineer)
mixer:
Tim Jones (mixer) and Tom Tapley
performer:
Thad Beaty, Brandon Bush (US keyboardist & producer, formerly of Train), Kristian Bush, Annie Clements, Travis McNabb, Jennifer Nettles and Scott Patton
recorded at:
State Fair Grandstand in Syracuse, New York, United States (on 2011-09-03)
mixed at:
Murray Soundlab in Kennesaw, Georgia, United States
live cover recording of:
Tonight I’ll Be Staying Here With You (on 2011-09-03)
lyricist and composer:
Bob Dylan
publisher:
Sony/ATV Music Publishing (UK) Ltd. and Big Sky Music (publisher for Bob Dylan) (from 1969 to present)
Sugarland33:55
14Mr. Tambourine Man
programming and producer:
Andrew McMahon (singer for Something Corporate, Jack's Mannequin, Andrew McMahon in the Wilderness) and Jim Wirt
additional engineer:
Max Coane (producer/engineer) and Jeff Hannan
engineer:
Spencer Guerra (engineer)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass and guitar [guitars]:
Jim Wirt
drums (drum set):
Chris Roberts (dummer)
keyboard, percussion and piano:
Andrew McMahon (singer for Something Corporate, Jack's Mannequin, Andrew McMahon in the Wilderness)
vocals:
Andrew McMahon (singer for Something Corporate, Jack's Mannequin, Andrew McMahon in the Wilderness) and Jim Wirt
recorded at:
Mid City Sound in Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Mr. Tambourine Man
lyricist and composer:
Bob Dylan (from 1964-02 until 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Jack’s Mannequin34:25
154th Time Around
recording engineer:
Asaf Shay and Ori Winokur
producer:
Oren Lavie and Ori Winokur
mixer:
Ori Winokur
acoustic guitar:
Oren Lavie and Uzi Feinerman
double bass [upright bass]:
Adam Ben‐Ezra (upright bass virtuoso, composer, multi-instrumentalist)
drums (drum set):
אמיר ברסלר (Amir Bresler)
electric bass guitar:
Ori Winokur
electric guitar:
Roi Peled
piano:
Oren Lavie
sitar, swarmandal and tambura:
Yotam Haimovitch (sitar player)
trumpet:
Avishai Cohen (trumpeter, member of Third World Love)
viola:
Yair Dalal
vocals:
Oren Lavie
recorded at:
Kicha Studio (Kicha Studio) in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel and Pluto Studios in Manchester, Greater Manchester, England, United Kingdom
cover recording of:
4th Time Around
lyricist and composer:
Bob Dylan (in 1966-02)
publisher:
Dwarf Music (from 1966 to present)
Oren Lavie34:22
16All I Really Want to Do
recording engineer:
Flash (engineer) (lead vocals [vocal]) and William Spaceman Patterson (udu, shakers [African shakers], tambura [tambour tops], hi-hat)
drum machine [drum] programming:
Richard Horowitz
drum machine [percussion] programming:
Sussan Deyhim
producer:
Sussan Deyhim and Richard Horowitz
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass, bass [processed bass] and percussion:
Peter Freeman
hi-hat, shakers [African shakers], tambura [tambour tops] and udu:
Will Calhoun
keyboard, ney and piano:
Richard Horowitz
mandocello [electric mandocello], pedal steel guitar, tiple and ukulele:
Anton Sanko (American score composer)
piano [plucked piano]:
Michel Forman
vocals:
Sussan Deyhim
vocals arranger:
Sussan Deyhim
recorded at:
VRR Studio
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
All I Really Want to Do
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Special Rider Music and Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Sussan Deyhim35:17
17Make You Feel My Love (recorded live at WXPN)
engineer:
Chris Williams (engineer)
phonographic copyright (℗) by:
XL Recordings Limited (not for release label use! use its imprint XL Recordings instead) (in 2007)
recorded at:
WXPN in Philadelphia, Pennsylvania, United States (on 2011-02-04)
live cover recording of:
Make You Feel My Love (on 2011-02-04)
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Special Rider Music (from 1997 to present)
Adele34:06
3▼CD
#TitleArtistRatingLength
1With God on Our Side
programming and producer:
Chuck Harmony
engineer:
Mike “Guru” Johnson ("TrakGuru", engineer)
mixer:
Claudio Cueni
instruments:
Chuck Harmony
produced for:
Harmony House Entertainment LLC
recorded at:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
cover recording of:
With God on Our Side
additional lyricist:
Bobby Clancy (in 1961), Liam Clancy (in 1961), Tom Clancy (singer) (in 1961), Patrick "Paddy" Clancy (in 1961) and Bob Dylan (in 1963)
additional composer:
Dominic Behan (in 1957) and Bob Dylan (in 1963)
composer:
[traditional] (special purpose artist)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
version of:
The Patriot Game (version with altered lyrics by the Clancy Brothers)
K’naan33:38
2I Want You
assistant engineer:
Jeffrey Swart
producer:
Alex Wong (US producer & singer/songwriter)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
bass, drums (drum set), piano and synthesizer [synths]:
Alex Wong (US producer & singer/songwriter)
keyboard [keys]:
Ximena Sariñana
mellophone:
Brad Gordon (songwriter/producer/engineer, owns Magic Carpet Studios)
vocals:
Ximena Sariñana
arranger:
Alex Wong (US producer & singer/songwriter)
recorded at:
Angel House Studios in Venice, Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
I Want You
lyricist and composer:
Bob Dylan (from 1966-02 until 1966-03)
publisher:
Dwarf Music (from 1966 to present)
adaptations:
Chambermaid
Ximena Sariñana3.53:36
3She Belongs to Me
recording engineer:
Nick Abbot (NZ producer/studio engineer) and Jordan Stone (New Zealand engineer/mixer/producer)
producer:
Neil Finn
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar:
Cameron Rowe
bass:
Sharon Finn
electric guitar:
Sean Donnelly
harmonium and vibraphone [vibes]:
Neil Finn
vocals:
Neil Finn
recorded at:
Cottons Gardens and Roundhead Studios in Auckland, Auckland (Auckland Region), North Island, New Zealand
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
She Belongs to Me
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Neil Finn with Pajama Club32:56
4Bob Dylan’s Dream
associate producer:
Colin Good
producer:
Rhett Davies and Bryan Ferry
mixer:
Rhett Davies and Simon Willey
cello:
Anthony Pleeth (cellist)
drums (drum set):
Andy Newmark
guitar:
Chris Spedding and Oliver Thompson
harmonica:
Bryan Ferry
keyboard and piano:
Colin Good
percussion:
Frank Ricotti (percussionist)
viola:
Jonathan Thorne (viola player)
violin:
Jacki Shave and Gavyn Wright (UK violinist, conductor)
vocals:
Bryan Ferry
recorded at:
Studio One (Bryan Ferry’s studio) in London (Greater London), England, United Kingdom and Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
Bob Dylan’s Dream
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing France, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
is based on:
Lady Franklin’s Lament
Bryan Ferry33:53
5Tomorrow Is a Long Time
producer:
David Hurwitz (music critic)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
lute [sape]:
David Hurwitz (music critic)
lead vocals [voice]:
Zee Avi
recorded at:
Dustbunny Studios
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Tomorrow Is a Long Time
lyricist and composer:
Bob Dylan (in 1962)
publisher:
M. Witmark & Sons, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Zee Avi33:58
6Just Like a Woman
producer:
Ben Taylor (musician and actor, son of folk rock artists James Taylor and Carly Simon) and Julie Wolf
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
accordion and piano:
Julie Wolf
vocals:
Carly Simon
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Just Like a Woman
lyricist and composer:
Bob Dylan (on 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons and Dwarf Music (from 1966 to present)
Carly Simon35:10
7The Times They Are A‐Changin’
assistant recording engineer and assistant mixer:
Brandon Duncan (engineer) and Jordon Silva
recording engineer and mixer:
Ryan Hewitt
producer:
Flogging Molly and Ryan Hewitt
performer:
Bob Schmidt, Dennis Casey, Matt Hensley (member of Flogging Molly), Dave King (Dublin-born singer/guitarist/songwriter of Flogging Molly), Nathen Maxwell, Bridget Regan and George Schwindt
recorded at:
Apogee’s Berkeley Street Studio (Santa Monica, CA) in Santa Monica, California, United States
mixed at:
Lock Stock Studios in Venice, Los Angeles, California, United States
cover recording of:
The Times They Are A‐Changin’
lyricist and composer:
Bob Dylan (in 1963)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Flogging Molly43:00
8Buckets of Rain
engineer and mixer:
Paul Hicks
producer:
Fistful of Mercy
performer:
Joseph Arthur, Ben Harper (singer, Weissenborn guitar player, The Innocent Criminals), Dhani Harrison and Jesse Greene
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
cover recording of:
Buckets of Rain
lyricist:
Bob Dylan (in 1974)
composer:
Bob Dylan
publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Fistful of Mercy33:12
9Man of Peace
engineer:
Warren Huart
executive producer:
Martin Lewis (humorist)
producer:
Jack Douglas and Joe Perry (guitarist for Aerosmith)
mixer:
Jack Douglas and Warren Huart
acoustic guitar:
Warren Huart
bass, electric guitar and slide guitar:
Joe Perry (guitarist for Aerosmith)
drums (drum set):
Jack Douglas
guitar synthesizer [brass synth]:
Brad Whitford (Aerosmith)
Hammond organ [Hammond]:
Paul Santo (engineer)
vocals:
Joe Perry (guitarist for Aerosmith)
recorded at:
The Boneyard in United States
mixed at:
Pandora’s Box (Aerosmith studio)
cover recording of:
Man of Peace
lyricist and composer:
Bob Dylan (in 1983)
publisher:
Special Rider Music (from 1983 to present)
Joe Perry37:41
10It’s All Over Now, Baby Blue
recording engineer:
Marc McClusky
additional engineer:
Marc McClusky
producer:
Brett Gurewitz (guitarist and songwriter in Bad Religion)
assistant mixer:
Celso A. Estrada
mixer:
Dave Trumfio
bass:
Jay Bentley
drums (drum set):
Brooks Wackerman
guitar:
Greg Graffin, Brett Gurewitz (guitarist and songwriter in Bad Religion) and Greg Hetson
background vocals:
Brett Gurewitz (guitarist and songwriter in Bad Religion)
vocals:
Greg Graffin
recorded at:
Chateau Trumfio in Silver Lake, Los Angeles, California, United States, Dangerbird Studios in Los Angeles, California, United States, Polypterus Studios in Ithaca (city), New York, United States and Sonora Recorders in Los Angeles, California, United States
mixed at:
Chateau Trumfio in Silver Lake, Los Angeles, California, United States
cover recording of:
It’s All Over Now, Baby Blue
lyricist and composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Bad Religion3.53:05
11Desolation Row (live)
recording engineer and mixer:
Dave Rupsch
performer:
Frank Iero, Ray Toro (guitarist), Gerard Way and Mikey Way (bassist in My Chemical Romance)
live cover recording of:
Desolation Row (in 2008)
lyricist and composer:
Bob Dylan (from 1965-06 until 1965-07)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
My Chemical Romance2.52:59
12Knockin’ on Heaven’s Door
co-producer:
Trevor Muzzy
producer:
RedOne
mixer:
Trevor Muzzy
performer:
Trevor Muzzy and RedOne
mixed for and produced for:
RedOne Productions
co-produced for:
RedOne Productions
recorded at:
Nomad Studios in Tétouan, Tanger-Tetouan-Al Hoceima (Tangier-Tetouan), Morocco
cover recording of:
Knockin’ on Heaven’s Door
additional lyricist:
Bob Dylan (on 1975-03-23)
lyricist and composer:
Bob Dylan
publisher:
Sony Music Publishers, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Ram’s Horn Music (in 1973)
RedOne featuring Nabil Khayat33:51
13Abandoned Love
recording engineer:
Patrick Glover (lead vocals) and Jamison Weddle (audio engineer)
executive producer:
Martin Lewis (humorist)
producer:
Nils Lofgren and Paul Rodgers
mixer:
Jamison Weddle (audio engineer)
drums (drum set):
Todd Chuba
guitar [guitars], keyboard and background vocals [harmony vocals]:
Nils Lofgren
lead vocals:
Paul Rodgers
arranger:
Nils Lofgren and Paul Rodgers
recorded at:
Glovebox Studios in White Rock, British Columbia, Canada (lead vocals) and Studiocat Productions in Hollywood, Los Angeles, California, United States
mixed at:
Studiocat Productions in Hollywood, Los Angeles, California, United States
cover recording of:
Abandoned Love
lyricist and composer:
Bob Dylan (in 1975)
publisher:
Ram’s Horn Music (from 1975 to present)
Paul Rodgers & Nils Lofgren34:31
14New Morning
miscellaneous support:
Mick Management (task: management)
engineer and mixer:
Josh Peck (member of Weak Knees)
fiddle:
Sarah Charness (violinist)
guitar:
Chuck Criss and Darren Criss
vocals:
Chuck Criss, Darren Criss, Judah Dadone and Jacob Hyman
recorded at:
Sons of Radio
cover recording of:
New Morning
writer:
Bob Dylan
publisher:
Big Sky Music (publisher for Bob Dylan) (from 1970 to present)
Darren Criss featuring Chuck Criss of Freelance Whales33:05
15The Lonesome Death of Hattie Carroll
assistant engineer:
Matt Wheeler (engineer)
engineer:
Jason Hall (engineer, mixer)
producer:
Jay Joyce
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2011)
recorded at:
Tragedy/Tragedy Studios in Nashville, Tennessee, United States
cover recording of:
The Lonesome Death of Hattie Carroll
lyricist:
Bob Dylan (in 1963-10)
composer:
[traditional] (special purpose artist)
publisher:
M. Witmark & Sons and Special Rider Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
version of:
Mary Hamilton (child ballad 173)
Cage the Elephant44:59
16It Ain’t Me, Babe
producer:
Band of Skulls
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Matthew Hayward, Russell Marsden and Emma Richardson
recorded at:
Pilgrim Way
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
It Ain’t Me, Babe
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Band of Skulls33:21
17Property of Jesus
producer:
Pat Donne (Irish producer, composer, recording/mixing engineer) and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Pat Donne (Irish producer, composer, recording/mixing engineer)
guitar:
Bill Shanley
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
recorded at:
Sun Studio in Dublin, County Dublin, Leinster, Ireland
cover recording of:
Property of Jesus
lyricist and composer:
Bob Dylan (from 1980-09 until 1981-04)
publisher:
Special Rider Music (from 1981 to present)
Sinéad O’Connor33:34
18Shelter From the Storm
engineer and mixer:
Shawn Grove
producer:
The Sweet Tea Project
performer:
Brian Bisky, Nathan Cooley, Ed Roland, Emerson St. Pierre, Jesse Triplett and Christopher Alan Yates
recorded at:
Edible Studios in Sandy Springs, Georgia, United States
cover recording of:
Shelter From the Storm
lyricist and composer:
Bob Dylan (in 1974)
publisher:
Ram’s Horn Music (from 1974 until 2002) and Special Rider Music (from 2002 to present)
Ed Roland & the Sweet Tea Project34:10
19Don’t Think Twice, It’s All Right
additional recording engineer:
Hunter Hayes (recording engineer)
recording engineer:
Justin Cortelyou and Kesha (American singer fka Ke$ha)
producer:
Bob Ezrin
mixer:
Justin Cortelyou and Bob Ezrin
cello and guitar:
Devin Malone
keyboard:
Bob Ezrin
recorded at:
Black River Studios in Nashville, Tennessee, United States
mixed at:
Anarchy Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Don’t Think Twice, It’s All Right
lyricist:
Bob Dylan (in 1962)
composer:
[traditional] (special purpose artist) (in 1962) and Bob Dylan (in 1962)
arranger:
Paul Clayton (in 1962) and Bruce Langhorne (in 1962)
publisher:
Budde Musikverlag (German publisher), Neue Welt Musikverlag, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Witmark & Sons Essex Music, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991), Warner Bros.-Seven Arts Records, Inc. (not a label) (in 1965) and Special Rider Music (from 1991 to present)
version of:
Who’s Gonna Buy You Ribbons (When I’m Gone)
Kesha33:48
20Don’t Think Twice, It’s All Right (instr)
assistant engineer:
Willie Samuels (engineer)
engineer and mixer:
Scott Fraser (ambient/avant garde producer/engineer)
producer:
Scott Fraser (ambient/avant garde producer/engineer) and Kronos Quartet
cello:
Jeffrey Zeigler (cellist - Kronos Quartet, Corigliano Quartet)
electric sitar:
Scott Fraser (ambient/avant garde producer/engineer)
viola:
Hank Dutt
violin:
David Harrington (US violinist, member of Kronos Quartet) and John Sherba
arranger:
Philip Glass (US composer & pianist)
additional orchestrator:
Kronos Quartet
recorded at:
Studio Trilogy in San Francisco, California, United States
mixed at:
Architecture (studio founded by Scott Fraser) in Los Angeles, California, United States
instrumental cover recording of:
Don’t Think Twice, It’s All Right
lyricist:
Bob Dylan (in 1962)
composer:
[traditional] (special purpose artist) (in 1962) and Bob Dylan (in 1962)
arranger:
Paul Clayton (in 1962) and Bruce Langhorne (in 1962)
publisher:
Budde Musikverlag (German publisher), Neue Welt Musikverlag, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Witmark & Sons Essex Music, Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991), Warner Bros.-Seven Arts Records, Inc. (not a label) (in 1965) and Special Rider Music (from 1991 to present)
version of:
Who’s Gonna Buy You Ribbons (When I’m Gone)
Kronos Quartet3.54:03
4▼CD
#TitleArtistRatingLength
1I Shall Be Released
recording engineer, producer and mixer:
Noah Passovoy
additional engineer:
Jim Ebdon and Stephen Walsh (engineer)
performer:
Jesse Carmichael, Matt Flynn (Maroon 5 drummer), Adam Levine (Maroon 5’s lead vocalist), Mickey Madden, PJ Morton and James Valentine (Maroon 5)
recorded at:
Backstage in Derbyshire, England, United Kingdom
cover recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
recording of:
I Shall Be Released (original lyrics)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Dwarf Music (from 1967 to present)
Maroon 534:09
2Political World
producer:
Jac Holzman
mixer:
Chris Allen (recording engineer, at Sear Sound since 2003) and Jac Holzman
performer:
Dom Flemons, Rhiannon Giddens, Hubby Jenkins and Adam Matta
recorded at:
Sear Sound in New York, New York, United States
cover recording of:
Political World
lyricist and composer:
Bob Dylan (in 1989-03)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Special Rider Music (from 1989 to present)
Carolina Chocolate Drops3.52:48
3Like a Rolling Stone
recording engineer:
Trevor Horn (lead vocals [vocal track])
assistant engineer:
Jared Nugent
engineer:
Dan Silver (producer/mixer/engineer)
producer:
Mark Hudson (US songwriter/record producer) and Martin Lewis (humorist)
mixer:
Steve Greenwell
bass:
Leland Sklar (bassist, session musician)
drums (drum set):
Russ Kunkel (session drummer)
guitar:
Jeff Beck (English rock guitarist), Mark Hudson (US songwriter/record producer) and Laurence Juber
Hammond organ [Hammond B3]:
Jim Cox (US keyboard player, composer)
percussion:
Mark Hudson (US songwriter/record producer)
background vocals:
“Brown Splenda”, Sarah Garrison, Lisa Margaroli and Antonia Salerno
vocals:
Seal (English‐born singer and songwriter)
recorded at:
Sarm West Coast in Los Angeles, California, United States (lead vocals), Silver Sessions Studios (lead vocals), The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States and WhatInTheWhatThe Studio in Los Angeles, California, United States
mixed at:
Stevestudio (Steve Greenwell studio) in New York, New York, United States
cover recording of:
Like a Rolling Stone
lyricist and composer:
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Seal & Jeff Beck3.57:23
4Bob Dylan’s 115th Dream
engineer:
Johnny Lee Schell and Michael Sena (harmonica)
producer:
Tony Braunagel
mixer:
Joe McGrath
bass:
Reggie McBride
drums (drum set):
Tony Braunagel
guitar:
Taj Mahal (US blues musician) and Johnny Lee Schell
Hammond organ [B3]:
Mike Finnigan (keyboardist)
harmonica:
Taj Mahal (US blues musician)
saxophone [saxophones]:
Joe Sublett (The Texacali Horns)
trumpet and valve trombone [trombonium]:
Darrell Leonard
vocals:
Taj Mahal (US blues musician)
recorded at:
Shoreline Studios (harmonica) and Ultratone Studios in Studio City, Los Angeles, California, United States
cover recording of:
Bob Dylan’s 115th Dream
lyricist and composer:
Bob Dylan
publisher:
Blossom Music Ltd., Sony/ATV Music Publishing France, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993) and Special Rider Music (from 1993 to present)
Taj Mahal & the Phantom Blues Band34:59
5Señor (Tales of Yankee Power) (live)
producer:
Jon Randall Stewart (US country singer, guitarist, and songwriter)
mixer:
Gary Paczosa
acoustic guitar:
Chris Eldridge
banjo:
Noam Pikelny
bass:
Paul Kowert
fiddle:
Gabe Witcher
mandolin and background vocals [harmony vocals]:
Chris Thile
recorded at:
Ryman Auditorium in Nashville, Tennessee, United States (in 2010-05)
live cover recording of:
Señor (Tales of Yankee Power) (in 2010-05)
lyricist and composer:
Bob Dylan (from 1977-12 until 1978-04)
publisher:
Special Rider Music (from 1978 to present)
Dierks Bentley3.53:49
6One of Us Must Know (Sooner or Later)
engineer:
Adrian Hall
producer:
Mick Hucknall (lead singer of Simply Red) and Andy Wright (UK songwriter, producer and Simply Red keyboardist)
mixer:
Adrian Hall and Johnny Wow
bass:
Steve Lewinson
drums (drum set):
Pete Lewinson
guitar:
Kenji Suzuki (Simply Red)
keyboard:
Dave Clayton
cover recording of:
One of Us Must Know (Sooner or Later)
lyricist and composer:
Bob Dylan (in 1966-01)
publisher:
Dwarf Music (from 1966 to present)
Mick Hucknall34:57
7I’ll Remember You
recording engineer:
Mike Cave
producer:
Nigel Stonier
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
instruments:
Nigel Stonier
percussion:
Dan Logan
trumpet:
Alex Smith (trumpet)
viola:
Fluff (violinist but not to be confused with the classical violinist, aka Fluff)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
I'll Remember You
lyricist and composer:
Bob Dylan (in 1985-01)
publisher:
Special Rider Music (from 1985 to present)
Thea Gilmore3.54:47
8John Brown
producer and mixer:
Craig Welsch
drums (drum set):
Mike Najarian
guitar:
Chad Stokes Urmston
vocals:
Chad Stokes Urmston
recorded at:
Rear Window Studio in Brookline, Massachusetts, United States
cover recording of:
John Brown
lyricist and composer:
Bob Dylan (in 1962)
publisher:
Special Rider Music
State Radio44:47
9All Along the Watchtower (live)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
Carter Beauford, David Matthews (of Dave Matthews Band), Stefan Lessard, LeRoi Moore and Boyd Tinsley
recorded at:
Mann Music Center (Mann Center for the Performing Arts) in Philadelphia, Pennsylvania, United States (on 1995-08-29)
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
live cover recording of:
All Along the Watchtower (on 1995-08-29)
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) and Dwarf Music (from 1968 to present)
Dave Matthews Band3.57:02
10Subterranean Homesick Blues
producer:
Michael Franti (US rapper, musician and singer-songwriter)
mixer:
Michael Franti (US rapper, musician and singer-songwriter) and Jason Bowman
performer:
Michael Franti (US rapper, musician and singer-songwriter)
phonographic copyright (℗) by:
Boo Boo Wax Records (in 2011)
recorded at:
The Sugar Shack in San Francisco, California, United States
cover recording of:
Subterranean Homesick Blues
lyricist:
Bob Dylan (from 1964-12 until 1965-01)
composer:
Bob Dylan (in 1965-01)
publisher:
Blossom Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) (from 1965 until 1993), Warner Bros. Music (publisher; do NOT use as release label) (in 1974) and Special Rider Music (from 1993 to present)
Michael Franti32:16
11Mama, You Been on My Mind
engineer:
Brian Forbes (engineer)
producer:
We Are Augustines (indie rock group based in Brooklyn, NY)
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
performer:
William McCarthy (indie rock guitarist/songwriter from Brooklyn, NY), Robert Allen (member of Augustines) and Eric Sanderson (multi-instrumentalist, part of Augustines)
phonographic copyright (℗) by:
We Are Augustines (indie rock group based in Brooklyn, NY) (in 2011)
recorded at:
The Gallery Studios (New York) in New York, New York, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Mama, You Been on My Mind
lyricist and composer:
Bob Dylan (in 1964-05)
publisher:
Special Rider Music
We Are Augustines33:28
12Tryin’ to Get to Heaven
engineer:
Brandon Duncan (engineer)
producer:
Bob Clearmountain and Tom Overby
assistant mixer:
Brandon Duncan (engineer)
mixer:
Bob Clearmountain
acoustic guitar:
Lucinda Williams
bass:
David Sutton (American bass player)
drums (drum set):
Butch Norton (drummer for Eels, real name: Jonathan Norton)
guitar:
Blake Mills
vocals:
Lucinda Williams
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Tryin’ to Get to Heaven
lyricist and composer:
Bob Dylan (in 1997-01)
publisher:
Sony/ATV Music Publishing France and Special Rider Music (from 1997 to present)
Lucinda Williams34:40
13Quinn the Eskimo (The Mighty Quinn)
assistant producer and assistant mixer:
Brandon Duncan (engineer)
producer and mixer:
Bob Clearmountain
performer:
Kris Kristofferson
recorded at:
MixThis! in Pacific Palisades, Los Angeles, California, United States
mixed at:
Mix This! in Pacific Palisades, Los Angeles, California, United States
produced at:
MixThis! in Pacific Palisades, Los Angeles, California, United States
cover recording of:
Quinn the Eskimo (The Mighty Quinn)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Kris Kristofferson3.52:37
14Gotta Serve Somebody
producer:
Eric Burdon
mixer:
Justin Fox and Joe McGrath (task: final mix)
bass:
Terry Wilson (US bassist/songwriter)
drums (drum set):
Tony Braunagel
guitar:
Billy Watts
percussion:
Wally Ingram
vocals:
Eric Burdon
phonographic copyright (℗) by:
Eric Burdon (in 2011)
recorded at:
Ultratone Studios in Studio City, Los Angeles, California, United States
cover recording of:
Gotta Serve Somebody
lyricist and composer:
Bob Dylan (in 1979)
publisher:
Special Rider Music (from 1979 to present)
Eric Burdon3.54:56
15I’d Have You Anytime
assistant engineer:
Vanessa Parr (engineer) and Scott Smith (engineer)
engineer:
Bill Smith (US recording engineer)
executive producer:
Helen Garrett
producer:
Martin Lewis (humorist)
assistant mixer:
Vanessa Parr (engineer) and Dan Silver (producer/mixer/engineer)
mixer:
John Richards (engineer)
bass:
Edwin Livingston
drums (drum set):
Clayton Cameron
guitar:
Laurence Juber
piano:
Patrice Rushen
tenor saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
arranger:
John Altman
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
I’d Have You Anytime
written in:
Woodstock, New York, United States (in 1968-11)
writer:
Bob Dylan (in 1968-11) and George Harrison (The Beatles) (in 1968-11)
publisher:
Harrisongs Ltd.
Evan Rachel Wood33:53
16Baby Let Me Follow You Down (live)
producer:
François Ravard
guitar:
Marc Ribot (US guitarist)
recorded at:
Coliseum in Buenos Aires, Argentina
live cover recording of:
Baby, Let Me Follow You Down (Bob Dylan version) (in 2011)
additional lyricist:
Bob Dylan (in 1965-10)
lyricist:
Blind Boy Fuller
writer:
[traditional] (special purpose artist)
additional composer:
Eric Von Schmidt
composer:
[traditional] (special purpose artist) and Reverend Gary Davis
arranger:
Bob Dylan (in 1965-10)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
version of:
Baby, Let Me Follow You Down (Eric Von Schmidt version)
Marianne Faithfull32:26
17Forever Young
assistant engineer:
Vanessa Parr (engineer)
engineer:
C. Lanzbom, Geoff Emerick (British recording engineer), Greg Griffith and Jeffrey Haynes (associated with Pete Seeger)
executive producer:
Helen Garrett
producer:
Mark Hudson (US songwriter/record producer) and Martin Lewis (humorist)
assistant mixer:
Dave Rowland (engineer)
mixer:
Greg Griffith and Mark Hudson (US songwriter/record producer)
acoustic guitar:
Drew Hill (not the group), Mark Hudson (US songwriter/record producer) and John Mejave
banjo and bass guitar:
Glen Burtnik
cello:
Steve Erdody
drums (drum set):
Chris Camilleri
electric guitar:
John Mejave
guest banjo:
Béla Fleck
keyboard:
Drew Hill (not the group) and Mark Hudson (US songwriter/record producer)
percussion:
Mark Hudson (US songwriter/record producer)
viola:
Shawn Mann (violist)
violin:
Bruce Dukov and Phillip Levy (violinist)
conductor:
Dan Einbender and Tery Udell
performer:
Julia Barnett, Sierra Caban, Xavier Collins, Kara Dunderdale, Elyse “Foxy” Fox, Jean Garrison, Jazzy Gustave, Ally Hockler, Anastasia LaGuerre, Autumn Lennon, A.J. Lukan, Kirsten Lutley, Gabe O’Reilly, Chris Richards (member of The Rivertown Kids), Maddy Rosaler, Luisa Uribe, Sebastian Uribe and Jillian Warner
strings arranger:
John Altman
arranger:
Mark Hudson (US songwriter/record producer)
choir vocals [choral] arranger:
Mark Hudson (US songwriter/record producer)
recorded at:
Elias Arts in Manhattan, New York, New York, United States, Komunyaka Music in Beacon, New York, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Germano Studios in Manhattan, New York, New York, United States
cover recording of:
Forever Young (Bob Dylan song)
lyricist and composer:
Bob Dylan
publisher:
Ram’s Horn Music
Pete Seeger with The Rivertown Kids3.53:12
18Chimes of Freedom
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
acoustic guitar, harmonica and piano:
Bob Dylan (on 1964-06-09)
vocals:
Bob Dylan (on 1964-06-09)
recorded at:
Columbia (CBS) Studio ‘A’ in Manhattan, New York, New York, United States (on 1964-06-09)
recording of:
Chimes of Freedom (on 1964-06-09)
lyricist and composer:
Bob Dylan (in 1964)
publisher:
M. Witmark & Sons, Warner Bros. Inc. (not for release label use!), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1964 until 1992) and Special Rider Music (from 1992 to present)
Bob Dylan47:12

Credits

Release

manufactured in:USA
art direction:Jeff Ayeroff
Mick Haggerty
Frank Maddocks
photography:Jerry Schatzberg (photographer and film director)
liner notes:Sean Wilentz
executive producer:Jeff Ayeroff
Helen Garrett
Karen Scott
Julie Yannatta
producer:Martin Lewis (humorist) (task: contributing producer)
mastering:Adam Ayan (Gateway Mastering)
Bob Ludwig (mastering engineer)
illustration:Mick Haggerty
design:Frank Maddocks
manufactured by:Crest Digital
distributed by:Fontana Distribution, LLC
copyrighted (©) by and phonographic copyright (℗) by:Amnesty International USA (in 2012)
licensed to:Oxcart Records
Proper (UK independent distributor, part of Proper Music Group Ltd., also listed as Proper Distribution and Proper Music Distribution)
Turnout Records
produced for:Amnesty International
mastered at:Gateway Mastering Studios in Portland, Maine, United States
Rodney Mills Masterhouse in Atlanta, Georgia, United States
Discogs:https://www.discogs.com/release/3387363 [info]
https://www.discogs.com/release/31962236 [info]
ASIN:US: B006H3MIV8 [info]
show notes:https://www.amnesty.org/en/documents/pre01/024/2012/en/ [info]
https://www.amnesty.org/en/latest/campaigns/2014/01/the-concert-that-moved-a-generation/ [info]