Singers and Songwriters: 1975-1979

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1You Make Loving Fun
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You Make Loving Fun
Texter und Komponist(in):
Christine McVie
publisher:
Careers–BMG Music Publishing, Inc. und Gentoo Music, Inc.
Fleetwood Mac3.953:34
2Minute by Minute
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Synthesizer:
Bill Payne
Sologesang:
Michael McDonald (R&B & soul singer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Minute by Minute
Verfasser(in):
Lester Abrams und Michael McDonald (R&B & soul singer)
publisher:
BMG Firefly, Bughouse, Kobalt Music Publishing Ltd. (UK) und Snug Music
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Doobie Brothers43:29
3Right Down the Line
recording engineer:
Barry Hammond
Produzent(in):
Hugh Murphy (UK producer, engineer) und Gerry Rafferty
Mix:
Declan O’Doherty
Bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
guitar family:
Hugh Burns
Orgel und Klavier:
Tommy Eyre
Perkussion:
Glen LeFleur
Schlagzeug:
Henry Spinetti
Steel-Gitarre:
Brian Cole
Sologesang:
Gerry Rafferty
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 1)
recording of:
Right Down the Line
Texter und Komponist(in):
Gerry Rafferty
publisher:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. und Music of Stage Three (in 1978)
Gerry Rafferty3.54:21
4Have You Never Been Mellow
Ko-Techniker(in):
Alan Rouse
Techniker(in):
Tony Clark (engineer, Abbey Road)
Produzent(in):
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Have You Never Been Mellow
Texter und Komponist(in):
John Farrar
publisher:
ATV Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambuck Music Ltd., John Farrar Music, Jumbuck Music, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) und Universal/MCA Music Publishing Pty Ltd
Olivia Newton‐John3.53:33
5Nights Are Forever Without You
phonographisches Urheberrecht (℗) von:
Big Tree Enterprises Ltd. (in 1976)
recording of:
Nights Are Forever Without You
Texter und Komponist(in):
Parker McGee
England Dan and John Ford Coley42:55
6Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.754:24
7Love Will Find a Way
assistierende(r) Techniker(in):
Jim Scheffler
Techniker(in), Produzent(in) und Mix:
Bill Schnee
zusätzliche(r) assistierende(r) Techniker(in):
Greg Price (engineer)
assistierende(r) Mix:
Gabe Beltri
Bassgitarre [bass]:
Bruce Day (US soft rock bassist)
Gitarre [guitars]:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific)
Keyboard [keyboards]:
Cory Lerios
Perkussion und Schlagzeug:
Stephen Price (US drummer, founding member of Pablo Cruise)
Hintergrundgesang:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific), Bruce Day (US soft rock bassist) und Cory Lerios
Sologesang:
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Bruce Day (US soft rock bassist)
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1978-02 bis 1978-03)
zusätzlich aufgenommen bei:
Redwing Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten
additionally mixed at:
The Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 44)
recording of:
Love Will Find a Way
Verfasser(in):
David Jenkins (US guitarist for Pablo Cruise & Southern Pacific) und Cory Lerios
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), Irving Music, Inc., Pablo Cruise Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pablo Cruise24:15
8Strange Way
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
Strange Way (Firefall song)
Texter und Komponist(in):
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
publisher:
El Sueno Music, Stephen Stills Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Firefall4:45
9I Only Have Eyes for You
recording engineer:
Brooks Arthur
Koproduzent(in):
Art Garfunkel
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre, Klavier und Schlagzeug:
Andrew Gold
Hybrid-Piano:
Nicky Hopkins (pianist and organist)
Hintergrundgesang:
Stephen Bishop (American singer-songwriter)
Sologesang:
Art Garfunkel
conductor:
Del Newman (British conductor, orchestrator, arranger)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Art Garfunkel23:41
10Chevy Van
phonographisches Urheberrecht (℗) von:
Mike Curb Productions (in 1975)
recording of:
Chevy Van
Texter und Komponist(in):
Sammy Johns (country music singer and songwriter)
publisher:
Careers–BMG Music Publishing, Inc., EMI Longitude Music und Sony/ATV Songs LLC
Sammy Johns52:58
11Thunder Island
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1977)
recording of:
Thunder Island
Texter und Komponist(in):
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
publisher:
Painless Music
Jay Ferguson4:04
12I Like Dreamin'
phonographisches Urheberrecht (℗) von:
20th Century Records (1972–1978; name reverted in 1978 to 20th Century-Fox Records) (bis 1977)
recording of:
I Like Dreamin’
Texter und Komponist(in):
Kenny Nolan
publisher:
EMI Sosaha Music, Inc., Forty West Music Corp., Sound of Nolan Music und Two One Two Music Co.
Kenny Nolan43:29
2▼CD
Nr.TitelKünstlerBewertungLänge
1Amie
phonographisches Urheberrecht (℗) von:
BMG Music (in 1975)
recording of:
Amie
Texter und Komponist(in):
Craig Fuller
publisher:
Unichappell Music, Inc.
Pure Prairie League44:22
2How Much I Feel
Produzent(in):
Freddie Piro
Bass:
Joe Puerta
Gitarre, Keyboard und Sologesang:
David Pack
Perkussion, Schlagzeug und Hintergrundgesang:
Burleigh Drummond
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und Warner Music H.K. Ltd. (in 1997)
recording of:
How Much I Feel
Texter und Komponist(in):
David Pack
publisher:
EMI Longitude Music und Longitude Music Co.
Ambrosia54:45
3Nightingale
assistierende(r) Techniker(in):
Milt Calice
Techniker(in):
Norm Kinney
Produzent(in):
Lou Adler
Hintergrundgesang:
Louise Goffin und Sherry Goffin
phonographisches Urheberrecht (℗) von:
A&M Records (in 1974) und Ode Records (1967–78; reactivated in 1989 as Ode Sounds & Visuals) (in 1974)
recording of:
Nightingale
Verfasser(in):
Carole King und David Palmer (early Steely Dan vocalist)
publisher:
Colgems-EMI Music Inc., ELORAC Music und Colgems Music Corp. (in 1974)
Carole King3:40
4She's Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:16
5Lady
produced in:
Australien
assistierende(r) Techniker(in) und assistierende(r) Mix:
Jim Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Techniker(in) und Mix:
Ern Rose
Produzent(in):
John Boylan und Little River Band
Akustikgitarre:
Graham Goble (in 1978-03)
Bass:
George McArdle (in 1978-03)
E-Gitarre:
David Briggs (producer, guitarist of Little River Band) (in 1978-03) und Graham Goble (in 1978-03)
elektronisches Schlagzeug / E-Drums [syndrum], Perkussion und Schlagzeug:
Derek Pellicci (in 1978-03)
Klavier:
Peter Sullivan (in 1978-03)
Talkbox:
David Briggs (producer, guitarist of Little River Band) (in 1978-03)
Hintergrundgesang und Sologesang:
Beeb Birtles (in 1978-03), Graeham Goble (in 1978-03) und Glenn Shorrock (in 1978-03)
Orchester:
Melbourne Symphony Orchestra (in 1978-03)
conductor:
Rick Formosa (in 1978-03: Saiteninstrumente)
Saiteninstrumente arranger:
Riccardo Formosa
vocals arranger:
Graeham Goble
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Australia (company credits only; file no releases here!) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978) und EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien (in 1978-03)
mixed at:
Armstrong Audio Visual (later renamed AAV Studios) in Melbourne, Victoria, Australien
recording of:
Lady (in 1978-03)
Texter und Komponist(in):
Graeham Goble
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band3.354:58
6Today's the Day
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Perkussion und Schlagzeug:
Willie Leacox
conductor:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
zusätzlich arranger:
Mark Guercio (Engineer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Today’s the Day
Texter und Komponist(in):
Dan Peek
publisher:
WB Music Corp. (1929–2019)
America33:18
7Imaginary Lover
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1978) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 51)
recording of:
Imaginary Lover (1982 from Champagne Jam)
Verfasser(in):
Buddy Buie, J. R. Cobb und Robert Nix
publisher:
Low‐Sal, Inc. und Sony/ATV Songs LLC
Atlanta Rhythm Section55:08
8Count on Me
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1977) und BMG Music (in 1978)
recording of:
Count on Me (Jefferson Starship song)
Texter und Komponist(in):
Jesse Barish
publisher:
Bright Moments Music, Diamondback Music Co. und Painted Desert Music Corporation
Jefferson Starship23:17
9Shake It
phonographisches Urheberrecht (℗) von:
Varèse Sarabande Records, LLC (not for release label use!) (in 1978)
cover recording of:
Shake It
Verfasser(in):
Terence Boylan
publisher:
Steamed Clam Music
Iain Matthews3:25
10This Night Won't Last Forever
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1979)
recording of:
This Night Won’t Last Forever
Verfasser(in):
Bill LaBounty und Roy Freeland
publisher:
Captain Crystal Music, Careers–BMG Music Publishing, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Michael Johnson3:40
11Someone Saved My Life Tonight
assistierende(r) Techniker(in):
Mark Guercio (Engineer)
Techniker(in):
Jeff Guercio
Produzent(in):
Gus Dudgeon
Akustikgitarre und E-Gitarre [Lesie guitar]:
Davey Johnstone
Bassgitarre:
Dee Murray
Becken, shakers und Tamburin:
Ray Cooper (percussionist)
Rhodes Piano, Klavier und string synthesizer [ARP String Ensemble] und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1975) und This Record Co. Ltd. (copyright holder) (in 2004, in 2005, in 2011)
aufgenommen bei:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten
recording of:
Someone Saved My Life Tonight
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc. und WB Music Corp. (1929–2019)
Elton John3.46:47
12Broken Hearted Me
Produzent(in):
Jim Ed Norman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 1979)
cover recording of:
Broken Hearted Me
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Sailmaker Music
Anne Murray53:57

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
Fotografie:Michael Ochs Archives
leitende(r) Produzent(in):Robert Hull (Production)
Produzent(in):Joe Sasfy
mastering:Ron Rice
design:The Fiddler Group
hergestellt von:Warner Special Products
urheberrechtlich geschützt (©) von:Time Life Inc. (in 2001)
phonographisches Urheberrecht (℗) von:Warner Special Products (in 2001)
lizensiert von:BMG Special Products
EMI‐Capitol Music Special Markets
Sony Music Special Products
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
produced for und hergestellt für:Time–Life Music
Discogs:https://www.discogs.com/release/4446369 [Info]
ASIN:US: B000KAD2R8 [Info]

Veröffentlichungsgruppe

Teil von:Singers and Songwriters (Time-Life Music) (Nummer: 12) (Reihenfolge: 12)