100 Greatest Pop Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1Purple Rain
tecnico di registrazione:
David Rivkin (producer/engineer David Rivkin) (il 1983-08-03) e David Leonard (US producer and engineer) (il 1983-08-03)
produttore:
Prince (“The Artist Formerly Known as…”) e The Revolution (founded by Prince)
basso elettrico :
Brown Mark (il 1983-08-03)
batteria elettronica [Pearl SY-1 Syncussion] , batteria elettronica [Simmons SDS-V] , drum machine [Linn LM-1] e percussione :
Bobby Z. (il 1983-08-03)
chitarra elettrica :
Wendy Melvoin (il 1983-08-03) e Prince (“The Artist Formerly Known as…”) (il 1983-08-03)
pianoforte elettrico a coda [Yamaha CP-70] :
Dr. Fink (il 1983-08-03)
sintetizzatore :
Lisa Coleman (US pianist/keyboardist & composer) (il 1983-08-03) e Prince (“The Artist Formerly Known as…”) (il 1983-08-03)
viola e violino :
Novi Novog (dal 1983-08-15 al 1983-09-15)
violoncello :
David Coleman (American cellist & composer) (dal 1983-08-15 al 1983-09-15) e Suzie Katayama (dal 1983-08-15 al 1983-09-15)
voce di accompagnamento:
Brown Mark (il 1983-08-03), Lisa Coleman (US pianist/keyboardist & composer) (il 1983-08-03), Dr. Fink (il 1983-08-03) e Wendy Melvoin (il 1983-08-03)
voce principale:
Prince (“The Artist Formerly Known as…”) (il 1983-08-03)
direttore d'orchestra:
Lisa Coleman (US pianist/keyboardist & composer) (archi) e Wendy Melvoin (archi)
esecutore:
Prince (“The Artist Formerly Known as…”) (il 1983-08-03) e The Revolution (founded by Prince) (il 1983-08-03)
arrangiatore archi :
Lisa Coleman (US pianist/keyboardist & composer) e Prince (“The Artist Formerly Known as…”)
arrangiatore:
Prince (“The Artist Formerly Known as…”) e The Revolution (founded by Prince)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e NPG Records, Inc. (nel 2017)
registrata presso:
First Avenue in Minneapolis, Minnesota, Stati Uniti (il 1983-08-03) e Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (dal 1983-08 al 1983-09)
lavorazione tecnica effettuata presso:
Sunset Sound, Studio 3 in Hollywood, Los Angeles, California, Stati Uniti (dal 1983-08 al 1983-09)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 18), Billboard Hot 100: 2026-01-17 (numero: 27), Billboard Hot 100: 2026-01-24 (numero: 30), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 39), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 143)
registrazione dal vivo di:
Purple Rain (il 1983-08-03)
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Because Éditions, Controversy Music e Island Music Ltd.
Prince4.28:41
2Can’t Get You out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
Billboard Year-End Hot 100 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue3.853:51
3Rockabye
programmazione:
Jack Patterson (British multi-instrumentalist , singer-songwriter) e Hal Ritson
programmazione degli strumenti aggiuntiva:
Luke Patterson
tecnico audio:
Dann Pursey (UK engineer), Chris Laws (engineer, keyboardist & songwriter) e Anthony Leung (Hong Kong engineer)
tecnico audio aggiunto:
Hal Ritson
tecnico audio:
Drew Smith (engineer) e Tom AD Fuller
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Jack Patterson (British multi-instrumentalist , singer-songwriter) e Mark Ralph
tecnico di missaggio:
Jack Patterson (British multi-instrumentalist , singer-songwriter) e Mark Ralph
batteria :
Luke Patterson
pianoforte :
Jack Patterson (British multi-instrumentalist , singer-songwriter)
tastiera :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
viola :
James Boyd (UK viola player)
violino :
Braimah Kanneh‐Mason e Beatrice Philips (violinist)
violoncello :
Grace Chatto
voce aggiuntiva:
Kelly Barnes
voce di accompagnamento:
Caroline Ailin e Grace Chatto
voce principale:
Anne‐Marie (British singer) e Sean Paul (Jamaican reggae/dancehall)
esecutore:
Clean Bandit
diritti fonografici (℗) detenuti da:
Asylum Records (Warner Music subsidiary) (nel 2016), Atlantic Records UK (company credits only; do not use as release label!) (nel 2016) e Major Toms (nel 2016)
registrata presso:
Club Ralph in London (Greater London), England, Regno Unito, Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito e The Crypt Studio in Crouch End, Haringey, London (Greater London), England, Regno Unito
mixata presso:
Club Ralph in London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 2017 (numero: 44) e BILLIONS CLUB
registrazione di:
Rockabye
autore:
Steve Mac (British pop producer/songwriter Steve McCutcheon), Ammar Malik, Jack Patterson (British multi-instrumentalist , singer-songwriter), Sean Paul Henriques (Jamaican reggae/dancehall) e Ina Wroldsen
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Dutty Rock Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Lotzah Balls Soup, Maru Cha Cha, Reservoir Reverb Music Publishing Ltd, Rokstone Music Ltd. e Where Da Katz At
Clean Bandit feat. Sean Paul & Anne‐Marie3.154:10
4These Days
diritti fonografici (℗) detenuti da:
Asylum Records UK (company credits only; do not use as release label!) (nel 2017)
parte di:
BILLIONS CLUB
registrazione di:
These Days
autore:
Piers Aggett, Amir Amor (Amir Izadkhah), Ben Haggerty, Julian Bunetta, Dan Caplen (British R&B singer/songwriter and musician), Kesi Dryden, Jamie Scott (UK singer-songwriter), John Ryan (American pop singer/producer a/k/a “John the Blind”) e Leon “Locksmith” Rolle
Rudimental feat. Jess Glynne, Macklemore & Dan Caplen4.353:32
5Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a-ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:45
6Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
basso :
Tommy Cogbill (il 1967-02-14)
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
pianoforte :
Dewey "Spooner" Oldham (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
tromba :
Melvin Lastie (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin2:27
7Le Freak
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrazione di:
Le Freak
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:30
8Hungry Like the Wolf (2009 remaster)
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:41
9True (single edit)
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:28
10Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
11I’ll Be Missing You
registrazione di:
I’ll Be Missing You
autore:
F. Evans, Sting (singer, songwriter & member of The Police) e T. Gaither
editore:
Blue Turtle Music, Chyna Baby Music, EMI Blackwood Music, Illegal Songs, Inc., Janice Combs Publishing, Inc., Magnetic Publishing Ltd. e September Six Music
si basa su:
Every Breath You Take
Diddy feat. Faith Evans & 11235:02
12West End Girls (2001 remaster)
tecnico:
David Jacob
produttore:
Stephen Hague
voce aggiuntiva:
Helena Springs
voce di accompagnamento, voce parlata e voce principale:
Neil Tennant
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985, nel 1991)
video musicali:
West End Girls di Pet Shop Boys
registrazione di:
West End Girls (nel 1985)
autore:
Chris Lowe (1/2 of Pet Shop Boys) e Neil Tennant
editore:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (dal 1984 a oggi) e CBS, Inc. (US broadcasting company; file no releases here!) (dal 1984 a oggi)
Pet Shop Boys3.84:05
13The Best (edit)
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman e Tina Turner
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
edit di:
The Best di Tina Turner
video musicali:
The Best di Tina Turner
registrazione cover di:
The Best
autore:
Holly Knight e Michael Chapman (Australian producer and songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.94:10
14December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Valli & The Four Seasons3.653:32
15Crazy
tecnico:
Ben H. Allen
produttore:
Danger Mouse (Brian Burton)
tecnico di missaggio:
Ben H. Allen e Danger Mouse (Brian Burton)
tecnico di missaggio aggiunto:
Kennie Takahashi
video musicali:
Crazy di Gnarls Barkley
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 307), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 355) e Indie 88: Top 500 Indie Rock Songs (numero: 357)
registrazione di:
Crazy (Gnarls Barkley song)
paroliere:
Thomas DeCarlo Callaway
autore:
Gian Franco Reverberi e Gian Piero Reverberi
compositore:
Brian Burton
Gnarls Barkley4.152:58
16Believe
produttore:
Brian Rawling e Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
tecnico di missaggio:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1998)
è stato produttore per:
Metro (production company) e Rive Droite Music Productions
registrata presso e mixata presso:
Dreamhouse Studios in London (Greater London), England, Regno Unito
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 337)
registrazione di:
Believe
paroliere:
Brian Higgins (British producer and song writer) e Matt Gray (UK techno DJ/producer, former video game composer)
compositore:
Brian Higgins (British producer and song writer) (nel 1998), Matt Gray (UK techno DJ/producer, former video game composer) (nel 1998), Stuart McLennan (nel 1998), Paul Michael Barry (songwriter/musician) (nel 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (nel 1998) e Steve Torch (nel 1998)
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Rive Droite Music e Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.73:59
17New Rules
programmazione e tecnico:
Ian Kirkpatrick (producer/songwriter)
produttore:
Ian Kirkpatrick (producer/songwriter) (incarico: and vocal)
tecnico di missaggio:
Josh Gudwin
voce:
Dua Lipa
diritti fonografici (℗) detenuti da:
Dua Lipa Limited (nel 2017)
supporto a vario titolo:
Warner Music UK Limited (not for release label use!) (incarico: under exclusive license to)
registrata presso:
Atlantic Recording Studios in Hollywood, Los Angeles, California, Stati Uniti, NRG Studios in North Hollywood, Los Angeles, California, Stati Uniti, Strongroom 7 in Shoreditch, Hackney, London (Greater London), England, Regno Unito, TaP Studio in London (Greater London), England, Regno Unito e Zenseven Studios in Woodland, California, Stati Uniti
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 1), Billboard Year-End Hot 100 singles of 2018 (numero: 16), Stereogum: The 200 Best Songs of the 2010s (numero: 114) e BILLIONS CLUB
registrazione di:
New Rules
autore:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) e Emily Warren
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Waterfall Music
sub-editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3.43:29
18Blue Monday ’88
produttore:
Quincy Jones e New Order (UK synth pop band)
remixer:
John Potoker (producer/engineer aka Tokes)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order44:05
19Girls and Boys
produttore:
Stephen Street (famous producer, songwriter)
registrazione di:
Girls & Boys
paroliere:
Damon Albarn
compositore:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) e Dave Rowntree
editore:
MCA Music Ltd.
Blur3.74:19
20Titanium
produttore:
Afrojack (dutch DJ and producer), David Guetta e Giorgio Tuinfort
tecnico di missaggio:
Afrojack (dutch DJ and producer) e David Guetta
voce principale ospite:
Sia (Australian singer‐songwriter)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 240) e BILLIONS CLUB
registrazione di:
Titanium
paroliere:
Sia Furler (Sia, Australian singer‐songwriter)
compositore:
David Guetta, Sia Furler (Sia, Australian singer‐songwriter), Giorgio Tuinfort e Nick van de Wall
David Guetta feat. Sia3.94:05
21Hold My Hand
programmazione aggiuntiva:
Wez Clarke
programmazione degli strumenti:
Starsmith
programmazione degli strumenti aggiuntiva:
Wez Clarke e TIEKS
tecnico:
Mike Horner
co-produttore:
Jack Patterson (British multi-instrumentalist , singer-songwriter)
produttore:
Starsmith
tecnico di missaggio:
Wez Clarke
basso :
Dominic Grant
batteria :
Anthony "Sweetstix" Lewis (drummer)
percussione :
Jack Dow-Smith
pianoforte :
Starsmith e Anthony Strong
sassofono tenore e sintetizzatore [synthesizers] :
Starsmith
tromba :
Jon Eades
voce principale:
Jess Glynne
arrangiatore corno :
Starsmith
diritti fonografici (℗) detenuti da:
Atlantic Records UK Ltd (nel 2015)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito, RAK Studios in London (Greater London), England, Regno Unito e The Estate in London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Hold My Hand
autore:
Jess Glynne, Jin Jin (Janée Bennett), Jack Patterson (British multi-instrumentalist , singer-songwriter) e Ina Wroldsen
editore:
Black Butter Music Publishing Ltd, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Reverb America Music, Reverb Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Jess Glynne3.653:47
22Baker Street
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra elettrica :
Hugh Burns e Nigel Jenkins
moog e tastiera :
Tommy Eyre
percussione :
Glen LeFleur
sassofono :
Raphael Ravenscroft
voce principale:
Gerry Rafferty
arrangiatore archi :
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1978), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 26)
registrazione di:
Baker Street
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty3.656:06
23Ain’t Nobody
basso :
Bobby Watson (bassist)
batteria :
John “JR” Robinson (session drummer)
chitarra :
Tony Maiden
flauto :
Gary Herbig, Ernie Watts (Ernest James Watts, jazz and blues saxophonist) e Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
percussione :
Paulinho da Costa (Brazilian percussionist)
sassofono contralto :
Larry Williams ([Jazz] keyboard, sax, flute & clarinet - Producer, composer, arranger, and multi-instrumentalist)
sassofono tenore :
Gary Herbig e Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore aggiunto:
James Newton Howard (American score composer)
tastiera :
Kevin Murphy (American keyboardist, Rufus & The American Breed) e David “Hawk” Wolinski
tromba :
Jerry Hey
voce:
Chaka Khan e Tony Maiden
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 88) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 403)
registrazione di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Rufus & Chaka Khan4.054:46
24Pure Shores
programmazione:
Sean Spuehler
produttore:
William Orbit (English musician, composer and record producer)
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
voce:
Melanie Blatt e Shaznay Lewis
diritti fonografici (℗) detenuti da:
Warner Music UK Limited (not for release label use!) (nel 2000)
parte di:
The Downloader’s Music Source Book (numero: 380)
registrazione di:
Pure Shores
compositore:
Shaznay Lewis e William Orbit (English musician, composer and record producer)
All Saints3.654:29
25My Girl
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
My Girl (nel 1965-07)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Otis Redding4.352:55
26We Are Family
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 444)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:37
27Around the World
produttore:
Thomas Bangalter e Guy‐Manuel de Homem‐Christo
diritti fonografici (℗) detenuti da:
Daft Trax (nel 1996) e Daft Life Ltd. (holding, file NO releases here!) (nel 1997)
è stato produttore per:
Daft Trax
registrata presso e mixata presso:
Daft House in Paris, Île-de-France, Francia
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 135)
registrazione di:
Around the World (Daft Punk song)
autore:
Thomas Bangalter e Guy‐Manuel de Homem‐Christo
editore:
Daft Music, Delabel Éditions (publisher; do NOT use as release label) e Zomba Music Publishing (music publisher – add no releases here!)
Daft Punk4.17:10
28Just the Way You Are
tecnico:
Ari Levine
produttore:
Needlz (hip hop producer) e The Smeezingtons
assistente tecnico di missaggio:
Erik Madrid (engineer) e Christian Plata
tecnico di missaggio:
Manny Marroquin
strumenti:
Ari Levine e Bruno Mars (US singer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2010)
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
lavorazione tecnica effettuata presso:
Levcon Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Just the Way You Are di Bruno Mars (US singer)
parte di:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 5), Billboard Year-End Hot 100 singles of 2011 (numero: 15), Billboard Year-End Hot 100 singles of 2010 (numero: 18) e BILLIONS CLUB
registrazione di:
Just the Way You Are
autore:
Khari Cain (hip hop producer), Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) e Khalil Walton
editore:
Art for Art's Sake Music, BMG Gold Songs, BMG Onyx Songs, Bughouse, Dry Rain Entertainment, Mars Force Music, Music Famamanem LP, Roc Nation Music, Round Hill Harmonies, Toy Plane Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Upper Deck, Warner Geo‐Met‐Ric Music, WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bruno Mars43:41
29Return of the Mack
registrazione di:
Return of the Mack
paroliere e compositore:
Mark Morrison (r&b vocalist)
Mark Morrison43:31
30Mysterious Girl (radio edit)
supporto a vario titolo:
Bubbler Ranx (incarico: toast)
produttore e tecnico di missaggio:
Ollie J
basso , batteria [drums] e tastiera [keyboards] :
Ollie J
sassofono :
Claudio Galdes
voce di accompagnamento [backing vocals]:
Glen Goldsmith, Bubbler Ranx e Samantha Scott
mixata per e è stato produttore per:
Roll Over Productions
registrata presso:
Roll Over Studios London in London (Greater London), England, Regno Unito
registrazione di:
Mysterious Girl
autore:
Peter Andre, Glen Goldsmith, Phillip Jacobs, Oliver Jacobs e Bubbler Ranx
editore:
Int. Music Network, Mushroom Music (Mushroom label’s publishing company), Perfect Songs (UK publisher, affiliated with BMI), Roll Over Music e Warner Chappell Music (publisher as Warner/Chappell Music)
Peter Andre3.13:37
31Attention
tecnico di registrazione e produttore:
Charlie Puth
assistente tecnico di missaggio:
Chris Galland e Jeff Jackson (American mixing engineer)
tecnico di missaggio:
Manny Marroquin
basso :
Charlie Puth
chitarra :
Jan Ozveren
diritti fonografici (℗) detenuti da:
Artist Partner Group, Inc. (copyright use only, imprint: 𝗮𝗽𝗴) (nel 2018) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2018)
registrata presso:
Atlantic Records @ A Studio in Los Angeles, California, Stati Uniti
mixata presso:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Attention (music video) di Charlie Puth
parte di:
Billboard Year-End Hot 100 singles of 2017 (numero: 22) e BILLIONS CLUB
registrazione di:
Attention
autore:
Jacob Kasher (American songwriter, producer) e Charlie Puth
editore:
Artist 101 Publishing Group, Charlie Puth Music Publishing, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Prescription Songs e Rap Kingpin Music
Charlie Puth3.83:29
32Heatwave
registrazione di:
Heatwave
autore:
Rodney Kumbirayi Hwingwiri, Dayo Olatunji e Richard Cowie (UK grime/hip hop artist Richard Cowie, aka Eskiboy, aka Wiley Kat)
Wiley feat. Ms. D33:15
33You’re Beautiful
assistente tecnico:
John Morrical
tecnico:
Mike Tarantino
produttore e tecnico di missaggio:
Tom Rothrock (American musician, composer and record producer)
archi :
E. Gorfain e The Section
batteria [drums] :
C. Paxon
chitarra acustica :
J. Blunt
chitarra basso [bass] :
S. Krivtsov
chitarra elettrica :
M. Tarantino
pianoforte :
Mr Nau
voce:
J. Blunt
video musicali:
You’re Beautiful (music video) di James Blunt
parte di:
The Village Voice – The 50 Worst Songs of the ’00s (numero: 45)
registrazione di:
You’re Beautiful
autore:
James Blunt, Amanda Ghost e Sacha Skarbek
editore:
David Platz Music Inc., EMI Blackwood Music Inc. e Universal–Songs of PolyGram International, Inc.
James Blunt4.153:33
34You Sexy Thing
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:05
35I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
36New Shoes
programmazione:
Matt Benbrook
tecnico aggiunto:
Richard Wilkinson (production music)
produttore:
Matt Benbrook e Jim Duguid
produttore aggiunto:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
batteria :
Jim Duguid
chitarra :
Matt Benbrook e Donny Little (guitar player)
chitarra basso :
Matt Benbrook
tastiera :
Matt Benbrook e Jim Duguid
voce principale:
Paolo Nutini
registrazione di:
New Shoes
autore:
Matt Benbrook, Jim Duguid e Paolo Nutini
Paolo Nutini33:24
37Kiss From a Rose
assistente produttore:
Richard Lowe (UK producer/engineer)
produttore:
Trevor Horn
assistente tecnico di missaggio:
Tom Elmhirst (mixing engineer)
tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
voce principale:
Seal (English‐born singer and songwriter)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1994), Warner Music Argentina S.A. (nel 2009) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2009)
è stato produttore per:
Horn Productions
registrata presso e mixata presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 308)
registrazione di:
Kiss From a Rose
paroliere e compositore:
Seal (English‐born singer and songwriter) (nel 1987)
editore:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) e SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
38Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush44:27
39Rio
produttore:
Colin Thurston
registrazione di:
Rio
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran45:15
40I Want to Know What Love Is (1999 remaster)
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott "Abada" Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:05
41House of the Rising Sun
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4:30
42Stars
tecnico e tecnico di missaggio:
Daren Klein
co-produttore:
Mick Hucknall (lead singer of Simply Red)
produttore:
Stewart Levine (record producer and saxophonist)
registrazione di:
Stars
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
43That’s the Way (I Like It)
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band45:06
44I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:47
45Hooked on a Feeling
produttore:
Bengt Palmers
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1973) e EMI Records Group (nel 1973)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 284)
registrazione di:
Hooked on a Feeling
paroliere e compositore:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
46Yellow
tecnico:
Ken Nelson (UK record producer)
tecnico aggiunto:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) e Andrea Wright
produttore:
Coldplay e Ken Nelson (UK record producer)
tecnico di missaggio:
Michael Brauer (engineer)
batteria e percussione :
Will Champion
chitarra acustica , pianoforte , tastiera e voce principale:
Chris Martin (lead singer of Coldplay)
chitarra basso :
Guy Berryman
chitarra elettrica :
Jonny Buckland
voce di accompagnamento:
Jonny Buckland e Will Champion
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (nel 2000)
video musicali:
Yellow di Coldplay
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 52) e BILLIONS CLUB
registrazione di:
Yellow
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd. e Universal Music Publishing MGB Limited
Coldplay3.254:27
47Song 2 (2012 remaster)
tecnico:
John Smith (UK producer/engineer)
produttore:
Stephen Street (famous producer, songwriter)
batteria :
Graham Coxon e Dave Rowntree
chitarra acustica :
Damon Albarn e Graham Coxon
chitarra basso :
Alex James (UK bassist for Blur/Fat Les)
chitarra elettrica , theremin e voce di accompagnamento:
Graham Coxon
organo Hammond , pianoforte , tastiera e voce principale:
Damon Albarn
percussione :
Dave Rowntree
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
diritti fonografici (℗) detenuti da:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
video musicali:
Song 2 (music video) di Blur (UK alternative rock band)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 8), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 15), Indie 88: Top 500 Indie Rock Songs (numero: 57) e BILLIONS CLUB
registrazione di:
Song 2
paroliere:
Damon Albarn
compositore:
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) e Dave Rowntree
editore:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-editore:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch) e 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
48Feel Good Inc.
programmazione:
James Dring
tecnico:
Jason Cox (UK production/engineer)
produttore:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring e Gorillaz (virtual band)
tecnico di missaggio:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) e Gorillaz (virtual band)
chitarra aggiunto:
Simon Tong (The Verve)
voce principale:
De La Soul
video musicali:
Feel Good Inc. di Gorillaz (virtual band)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 40) e BILLIONS CLUB
registrazione di:
Feel Good Inc.
autore:
Damon Albarn, Brian Burton, Jamie Hewlett e Dave Jolicoeur (Plug 2 of De La Soul)
editore:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. e Underground Animals
Gorillaz4.053:43
49Work It
registrazione di:
Work It
autore:
Melissa Elliott (American rapper, singer, dancer & record producer) e Timothy Mosley
Missy Elliott4:21
507 Years
remixer:
T-Mass
parte di:
BILLIONS CLUB, Billboard Year-End Hot 100 singles of 2016 (numero: 12) e Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2017)
registrazione di:
7 Years
autore:
Brody Brown, Lukas Forchhammer (Lead singer of "Lukas Graham"), Stefan Forrest (Danish-born producer, singer and songwriter), David Labrel, Morten Pilegaard (Morten Pilegaard) e Morten Ristorp
Lukas Graham3.653:57
51Dry Your Eyes
produttore:
Mike Skinner (Mike Skinner)
violino :
Gita Langley
voce aggiuntiva:
Matt Sladen
voce di accompagnamento [backing vocals]:
Sam Blewitt e Tony Walters
video musicale per:
Dry Your Eyes di The Streets (Mike Skinner)
registrazione di:
Dry Your Eyes
compositore:
Mike Skinner (Mike Skinner)
The Streets3.654:29
52Forget You
video musicali:
Forget You di CeeLo Green
registrazione di:
Forget You
autore:
Brody Brown, CeeLo Green, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine e Bruno Mars (US singer)
revisione di:
Fuck You
CeeLo Green3.353:43
53Love Shack (single version)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52’s3.54:21
54There Is a Light That Never Goes Out (2011 remaster)
tecnico:
Stephen Street (famous producer, songwriter)
produttore:
Johnny Marr e Morrissey (English singer‐songwriter)
batteria :
Mike Joyce (UK drummer)
chitarra :
Johnny Marr
chitarra basso :
Andy Rourke
voce principale:
Morrissey (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 2017)
parte di:
NME: Greatest “Indie” Anthems Ever: 2007 (numero: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 86), Indie 88: Top 500 Indie Rock Songs (numero: 159) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 226)
registrazione di:
There Is a Light That Never Goes Out (nel 1985)
paroliere:
Morrissey (English singer‐songwriter)
compositore:
Johnny Marr
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:05
55Are You Gonna Be My Girl
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra aggiunto:
Brooklyn’s own Dave Sardy (American score composer)
chitarra basso :
Mark Wilson (Bass player for Jet)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003), Real Horrorshow Pty. Ltd. (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2003), Sean Michaels: The Top 30 Songs of 2003 (numero: runner-up) e Indie 88: Top 500 Indie Rock Songs (numero: 364)
registrazione di:
Are You Gonna Be My Girl
autore:
Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:34
56I’ll Be There for You
produttore esecutivo:
Kevin Bright (producer), David Crane (creator of the television sitcom Friends) e Marta Kauffman
voce:
The Soldiers (singing trio of British Army soldiers)
registrazione di:
I’ll Be There for You (theme from ‘Friends’)
paroliere:
Allee Willis
compositore:
Michael Skloff
compositore aggiunto:
David Crane (creator of the television sitcom Friends), Marta Kauffman, Phil Solem e Danny Wilde (The Rembrandts, Great Buildings & The Quick)
The Rembrandts43:08
57I Love It
edit di:
I Love It (explicit) di Icona Pop (Swedish dance/electropop duo) feat. Charli XCX
parte di:
Rolling Stone: The 100 Best Songs of the 2010s (numero: 67)
registrazione di:
I Love It
autore:
Patrik Berger, Charlotte Aitchison e Linus Eklöw
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Indiscipline Rights e Universal Music Publishing AB (Sweden)
parte di:
Matuschkes Lieblinge 2012
Icona Pop feat. Charli XCX3.952:36
58Feel So Good
tecnico di registrazione:
Doug Wilson (engineer)
programmazione aggiuntiva:
J‐Dub (production, real name Jeffrey Walker)
produttore:
Deric “D‐Dot” Angelettie e Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
tecnico di missaggio:
Michael Patterson (engineer)
voce ospite aggiuntiva:
Kelly Price
campionamenti:
Hollywood Swinging di Kool & the Gang
registrazione di:
Feel So Good
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Lawrence Dermer (producer, singer-songwriter, synthesizer player), Joe Galdo (US drummer & percussionist), Robert Spike Mickens, Richard Westfield (Kool & The Gang member), Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) e Rafael Vigil
Mase3:25
59Just a Friend
tecnico:
Ivan “Doc” Rodriguez
co-produttore:
Cutmaster Cool V (hip hop DJ Vaughan Lee)
produttore e tecnico di missaggio:
The Diabolical Biz Markie
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 477) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 480)
registrazione di:
Just a Friend
paroliere:
Joe Flizzow, Leaflizard, Malique e Biz Markie
compositore:
Biz Markie
Biz Markie3.83:58
60Girls Like
registrazione di:
Girls Like
Tinie Tempah feat. Zara Larsson43:15
61Prayer in C (Robin Schulz radio edit)
produttore:
Pierre Guimard
voce:
Lilly Wood and The Prick
remixer:
Robin Schulz
arrangiatore:
Pierre Guimard
diritti fonografici (℗) detenuti da:
Choke Industry (dal 2014 a oggi) e Wagram Music (imprint/distributor) (nel 2014)
remix di:
Prayer in C di Lilly Wood & The Prick
registrazione di:
Prayer in C
autore:
Benjamin Cotto e Nili Hadida
editore:
Choke Industry e Warner Chappell Music France
parte di:
Matuschkes Lieblinge 2014 e Prix Rolf Marbot de la chanson de l’année (numero: 2014)
Lilly Wood and The Prick3.553:09
62Ironic (2015 remaster)
tecnico di registrazione:
Glen Ballard e Ted Blaisdell
produttore:
Glen Ballard
tecnico di missaggio:
Chris Fogel (engineer)
basso :
Lance Morrison
batteria e percussione :
Rob Ladd
chitarra :
Glen Ballard e Basil Fung
organo :
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
voce:
Alanis Morissette
video musicali:
Ironic di Alanis Morissette
registrazione di:
Ironic
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Aerostation Corporation, Arlovol Music e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette43:50
63Like Glue
registrazione di:
Like Glue
paroliere:
Sean Paul (Jamaican reggae/dancehall)
compositore:
Tony Kelly (reggae producer)
Sean Paul43:53
64Airplanes
tecnico di registrazione:
Paul Bailey (American engineer) e Mike Wilson (hip hop engineer)
co-produttore:
Frank E. (Justin Franks)
produttore:
Alex da Kid (UK musician, record producer, songwriter, record executive & fashion designer)
assistente tecnico di missaggio:
Erik Madrid (engineer) e Christian Plata
tecnico di missaggio:
Manny Marroquin
chitarra [guitars] aggiunto:
J Browz (for Veers Music) e Josh Lopez (guitarist/singer/songwriter from Colorado)
voce aggiuntiva:
Hayley Williams (Paramore vocalist)
voce principale:
B.o.B (US rapper Bobby Ray Simmons, Jr.)
è stato produttore per:
Wonderland Music, LLC
supporto a vario titolo:
Veers Music (incarico: additional guitars for)
registrata presso:
Paramount Studios in Hollywood, Los Angeles, California, Stati Uniti e Patchwerk Studios in Atlanta, Georgia, Stati Uniti
mixata presso:
Larrabee North in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Airplanes di B.o.B (US rapper Bobby Ray Simmons, Jr.) feat. Hayley Williams of Paramore (Paramore vocalist)
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 6)
registrazione di:
Airplanes
editore:
J. Franks (Justin Franks), Kinetics (US rapper, producer & songwriter) e One Love
autore:
Alex Grant (UK musician, record producer, songwriter, record executive & fashion designer), Bobby Simmons Jr. (US rapper Bobby Ray Simmons, Jr.), Jeremy Dussolliet (US rapper, producer & songwriter), Justin Franks (Justin Franks) e Tim Sommers
editore:
Artist Publishing Group West, Ham Squad Music, Shady Music Publishing, LLC (BMI), Songs of Universal, Inc. (BMI) e WB Music Corp. (1929–2019)
B.o.B feat. Hayley Williams4.53:00
65Sleeping Satellite
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer44:19
66Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.153:04
67Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
68Light My Fire
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Paul A. Rothchild
batteria :
John Densmore (nel 1966-09)
chitarra :
Robby Krieger (American guitarist, member of The Doors) (nel 1966-09)
tastiera :
Ray Manzarek (nel 1966-09)
voce:
Jim Morrison (lead vocalist of the Doors) (nel 1966-09)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1967), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1967, nel 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1971) e Rhino Entertainment Company (not for release label use!) (nel 2017)
lavorazione tecnica effettuata presso:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Light My Fire di The Doors
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 310)
registrazione di:
Light My Fire (nel 1966-09)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:10
69Golden Brown
co-produttore:
Steve Churchyard
produttore:
Steve Churchyard e The Stranglers
tecnico di missaggio:
Tony Visconti
esecutore:
The Stranglers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrazione di:
Golden Brown
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. e Plumbshaft-Ltd.
The Stranglers4.43:27
70Good Feeling
campionamenti:
Something's Got a Hold on Me di Etta James
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 16)
registrazione di:
Good Feeling
autore:
Arash Pournouri, Tim Bergling, Cirkut, Dr. Luke, Flo Rida (American rapper), Breyan Isaac, Etta James, Leroy Kirkland e Pearl Woods (60s R&B)
Flo Rida3.54:08
71We Are Young
programmazione aggiuntiva:
Ken Lewis (recording engineer and mixer)
programmazione degli strumenti:
Jeff Bhasker
tecnico:
Andrew Dawson (US mix engineer), Sonny Pinnar (UK producer/engineer John Simpson, aka Sonny Pinna) (archi) e Stuart White
produttore:
Jeff Bhasker e TommyD (incarico: orchestral producer)
assistente tecnico di missaggio:
Stuart White
tecnico di missaggio:
Jeff Bhasker
archi :
Wired Strings
contrabbasso :
Lucy Shaw (double bassist)
corno francese :
Richard Ashton, Corinne Bailey (British hornist) e Richard Bissel (British horn player and composer)
flauto :
Chloe Vincent
tastiera [keyboards] e voce di accompagnamento:
Jeff Bhasker
trombone :
Mark Frost (trombone), Pat Hartley e Trevor Mires
viola :
Natalie Cavey e Emma Owens (violist, violinist, strings)
violino :
Natalia Bonner (violinist), Stephanie Cavey, Sally Jackson (violinist) e Jenny Sacha
violoncello :
Rosie Danvers e Jane Oliver (cellist)
cori:
Ky'lee Abrams, Boyce Buchanan, Marley Mulvihill, Lowell Novitch, Renata Robins, Skye Saltzman, Finn Snyder, Genevieve Thomas, West Los Angeles Children’s Choir e Janet Yang
direttore d'orchestra:
Barbara Klaskin Silberg
orchestratore:
Jeff Bhasker e Rosie Danvers
diritti fonografici (℗) detenuti da:
Fueled by Ramen, LLC (not for release label use; fka Fueled by Ramen, Inc.) (nel 2011)
registrata presso:
Enormous Studios in Los Angeles, California, Stati Uniti, Jungle City in New York, New York, Stati Uniti, Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito (archi) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (cori)
versioni a cappella:
We Are Young di The Beelzebubs (Tufts University all-male a cappella group)
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 3), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2013), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 276), BILLIONS CLUB e Indie 88: Top 500 Indie Rock Songs (numero: 420)
registrazione di:
We Are Young
autore:
Jeff Bhasker e Fun. (American indie pop band)
editore:
Bearvon Music, FBR Music, Rough Art, Shira Lee Lawrence Rick Music, SonyATV Songs LLC, Way Above Music e WB Music Corp. (1929–2019)
fun. feat. Janelle Monáe4.054:11
72One Week
tecnico di registrazione e tecnico:
David Leonard (US producer and engineer) e Susan Rogers (US sound engineer)
supporto a vario titolo:
Ed (incarico: Dans la Maison) e Tyler (incarico: Dans la Maison)
produttore:
Barenaked Ladies, David Leonard (US producer and engineer) e Susan Rogers (US sound engineer)
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Tyler
chitarra acustica :
Ed
chitarra elettrica :
Ed e Kevin
contrabbasso elettrico [electric double bass] :
Jim
tastiera :
Kevin
voce:
Ed e Steven (Barenaked Ladies)
registrata presso:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Stati Uniti (nel 1998-02) e Phase One Studios in Toronto, Ontario, Canada (nel 1998-03)
mixata presso:
East Iris Studios in Nashville, Tennessee, Stati Uniti (dal 1998-03 al 1998-04)
video musicali:
One Week di Barenaked Ladies
registrazione di:
One Week
paroliere e compositore:
Ed Robertson
editore:
Treat Baker Music e WB Music Corp. (1929–2019)
Barenaked Ladies4.12:50
73Turn Me On
registrazione di:
Turn Me On (Lyttle original)
paroliere:
Daron Jones, Michael Keith (US r&b artist, in 112), Kevin Lyttle, Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker, Raeon Primus e Courtney Sills
compositore:
Arnold Hennings, Daron Jones, Kevin Lyttle e Raeon Primus
Kevin Lyttle4.153:12
74Listen to Your Heart
tecnico:
Anders Herrlin (nel 1988-08) e Alar Suurna (nel 1988-08)
produttore:
Clarence Öfwerman
tecnico di missaggio:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman e Alar Suurna
batteria :
Pelle Alsing (nel 1988-08)
chitarra elettrica :
Jonas Isacsson (nel 1988-08)
tastiera :
Clarence Öfwerman (nel 1988-08)
voce di accompagnamento:
Marie Fredriksson (nel 1988-08), Per Gessle (Swedish singer and guitarist) (nel 1988-08) e Clarence Öfwerman (nel 1988-08)
voce principale:
Marie Fredriksson (nel 1988-08)
diritti fonografici (℗) detenuti da:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) e EMI Svenska AB (not for release label use!)
registrata presso:
Audio Sweden in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08) e EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia (nel 1988-08)
mixata presso:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Svezia
registrazione di:
Listen to Your Heart (Roxette song) (nel 1988-08)
paroliere:
Per Gessle (Swedish singer and guitarist)
compositore:
Per Gessle (Swedish singer and guitarist) e Mats Arne Persson (“M.P.”)
editore:
Jimmy Fun Music
Roxette3.65:28
75Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek (nel 1983)
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
76Ain’t No Doubt
registrazione di:
Ain’t No Doubt
autore:
Charlie Dore, Jimmy Nail, Guy Pratt e Danny Schogger
Jimmy Nail34:08
77Somewhere Only We Know
programmazione, produttore e tecnico di missaggio:
Paul Beard (violinist)
tecnico:
Joe Kearns (British record producer, writer and engineer)
co-tecnico di missaggio:
Joe Kearns (British record producer, writer and engineer)
chitarra acustica :
Paul Sayer
percussione e pianoforte :
Paul Beard (violinist)
voce principale:
Lily Allen
arrangiatore archi :
James Banbury, Andy Cook (engineer), Matt Doughty e Will Hicks
arrangiatore:
Paul Beard (violinist)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2014)
registrazione cover di:
Somewhere Only We Know
autore:
Tom Chaplin, Richard Hughes (Keane member) e Tim Rice‐Oxley
editore:
BMG Music Publishing Ltd.
Lily Allen43:29
78Replay
parte di:
Billboard Year-End Hot 100 singles of 2010 (numero: 25), Billboard Year-End Hot 100 singles of 2009 (numero: 83) e BILLIONS CLUB
registrazione di:
Replay
autore:
Jason Desrouleaux, Jonathan Rotem, Keidran Jones, Kisean Anderson (Jamaican-American rapper, singer, composer & record producer), Thomas Theron e Timothy Theron (US-based caribbean R&B/hip hop musician)
editore:
Art in the Fodder Music, Beluga Heights Music, Eyes above Water Music, Irving Music, Inc., Jason Derulo Publishing, Jonathan Rotem Music, Sony/ATV Songs LLC, TNT Explosive Publishing, Universal Music Corp. (USA, affiliated with ASCAP) e Yaggamentz Music
Iyaz3.83:02
79Move On Up
edit di:
Move On Up di Curtis Mayfield
registrazione di:
Move on Up
paroliere e compositore:
Curtis Mayfield
editore:
Camad Music Company (conclusa), Curtom Publishing Co Inc (conclusa), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
80Love Like This
registrazione di:
Love Like This
autore:
Schon-Jomel Crawford, Bernard Edwards (American bassist and record producer), Clarence Emery, Faith Evans, Ron Lawrence (US hip-hop producer aka Amen-Ra), Nile Rodgers e Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy)
Faith Evans44:36
81Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:27
82You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:18
83If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:55
84Life’s Been Good
registrazione di:
Life’s Been Good
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Wow & Flutter Music
Joe Walsh44:39
85La bamba
produttore:
Mitchell Froom
esecutore:
Los Lobos (Chicano rock band)
arrangiatore:
Ritchie Valens
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987) e Slash Records (company, do not use as release label!) (nel 1987)
registrazione cover di:
La bamba (additional lyrics by Ritchie Valens)
paroliere e compositore:
[traditional] (special purpose artist)
paroliere aggiunto:
Ritchie Valens
arrangiatore:
Ritchie Valens
editore:
Carlin Music Corporation, EMI Longitude Music e M.P.A. (M.P.A.)
versione di:
La bamba
Los Lobos4.152:56
86Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:38
87Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
88When a Man Loves a Woman
produttore:
Marlin Greene (’60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene (’60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis, Percy Sledge e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.352:50
89I Wanna Be the Only One
tecnico di missaggio:
Andy Bradfield
voce ospite:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1997)
registrazione di:
I Wanna Be the Only One
paroliere:
BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
compositore:
Rhett Lawrence e BeBe Winans (American gospel/soul singer, R&B producer and radio presenter)
editore:
Benny’s Music (BeBe Winans publisher), BMG Songs Inc., EMI Blackwood Music Inc. e Rhettrhyme Music
Eternal feat. Bebe Winans2.53:37
90You Might Need Somebody
tecnico di registrazione e tecnico:
Ben ‘Jammin’ Robbins (UK producer, engineer, songwriter, arranger and keyboardist) e Ed Lover
programmazione degli strumenti:
Ed Baden Powell
produttore:
D’Influence
archi :
Stephen Hussey
chitarra basso :
Ed Baden Powell
corno :
D-I Horny Horns, Steve Marston e Kenny Wellington
tastiera aggiunto:
Kwame Kwaten
voce di accompagnamento e voce principale:
Shola Ama
esecutore:
D-I Horny Horns
arrangiatore archi :
Ed Baden Powell
arrangiatore:
D’Influence
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1997)
registrata presso:
R G Jones in Wimbledon, Merton, London (Greater London), England, Regno Unito e The D Lab
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Shola Ama3.654:53
91Sailing
Rod Stewart4:38
92Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:56
93I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
94Cannonball
video musicali:
Cannonball (Music video) di Damien Rice
registrazione di:
Cannonball
autore:
Damien Rice
Damien Rice4.355:10
95All I Have to Do Is Dream
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 141) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 323)
registrazione di:
All I Have to Do Is Dream (il 1958-03-06)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers42:24
96Summer Holiday
produttore:
Norrie Paramor
voce:
Cliff Richard
esecutore:
The Shadows (British pop/rock band that once backed Cliff Richard)
registrazione di:
Summer Holiday
autore:
Brian Bennett (Shadows drummer) e Bruce Welch (English guitarist, singer, songwriter and producer)
editore:
Elstree Music e EMI Music Publishing Australia Pty. Ltd. (not for release label use!)
Cliff Richard & The Shadows52:07
97Iris
assistente tecnico:
Greg Burns (engineer) (incarico: second engineer) e Rafa Sardina (incarico: second engineer)
tecnico:
Allen Sides
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
basso :
Robby Takac
batteria e percussione :
Mike Malinin
chitarra :
John Rzeznik
mandolino :
Tim Pierce (US session guitarist)
pianoforte :
Jamie Muhoberac
voce:
John Rzeznik
arrangiatore archi [string] :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
video musicali:
Iris di Goo Goo Dolls
registrazione di:
Iris
paroliere e compositore:
John Rzeznik
editore:
EMI Virgin Songs, Inc. e Scrap Metal Music
The Goo Goo Dolls4.154:50
98(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:47
99Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals and Crofts4.353:25
100Beyond the Sea
produttore:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:52

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2019)
streaming gratuito:https://open.spotify.com/album/58IL53Y9hzyWQDarCKElbi [info]