Faszination Klassik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Faszination Barock
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1Brandenburgisches Konzert No. 3 G-Dur BWV 1048 - 1. (Allegro)
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
cello:
Jennifer Ward Clarke (cellist) (from 1982-03 until 1982-05), Anthony Pleeth (cellist) (from 1982-03 until 1982-05) and Richard Webb (cellist) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
viola:
Annette Isserlis (violist) (from 1982-03 until 1982-05), Trevor Jones (British violist, ex. Salomon Quartet) (from 1982-03 until 1982-05) and Jan Schlapp (violist Janet Schlapp) (from 1982-03 until 1982-05)
violin:
Micaela Comberti (English violinist) (from 1982-03 until 1982-05), Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05) and Elizabeth Wilcock (violinist) (from 1982-03 until 1982-05)
violone:
Amanda MacNamara (double bass player) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:51
2Feuerwerksmusik - La Paix: Largo alla siciliana
producer:
Hans Weber (producer/engineer)
harpsichord:
Wolfgang Meyer (organist, harpsichordist) (in 1963-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-03)
conductor:
Rafael Kubelík (conductor) (in 1963-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1963-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-03)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana (in 1963-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel4:00
3Feuerwerksmusik - La Réjouissance: Allegro
producer:
Hans Weber (producer/engineer)
harpsichord:
Wolfgang Meyer (organist, harpsichordist) (in 1963-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1963-03)
conductor:
Rafael Kubelík (conductor) (in 1963-03)
balance engineer:
Günter Hermanns (producer/engineer) (in 1963-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1963)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1963-03)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1963-03)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
Georg Friedrich Händel2:04
4Konzert für 2 Violinen D-Moll BWV 1043 »Doppelkonzert« - 2. Largo ma non tanto
producer:
Hans Weber (producer/engineer)
harpsichord:
George Malcolm (English harpsichordist, conductor) (in 1961-02)
violin:
David Oistrakh (violinist) (in 1961-02) and Igor Oistrakh (violinist) (in 1961-02)
orchestra:
Royal Philharmonic Orchestra (in 1961-02)
conductor:
Eugene Goossens (Sir Eugene Goossens, composer and conductor, third of the Eugène Goossens dynasty) (in 1961-02)
balance engineer:
Harald Baudis (sound engineer) (in 1961-02)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1961-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1961-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:36
5Die Vier Jahreszeiten - Der Frühling - 1. Allegro
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
harpsichord and organ:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (in 1980-02)
solo cello [violoncello]:
Douglas Cummings (cellist) (in 1980-02)
violin:
Gidon Kremer (violinist) (in 1980-02)
orchestra:
London Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Hans‐Peter Schweigmann (engineer)
concertmaster:
Michael Davis (UK classical violinist 1944-2025, former LSO leader) (in 1980-02)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (in 1980-02)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:08
6Oboenkonzert D-Moll 2. Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:28
7Canon D-Dur
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon) (in 1989-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel54:15
8Trompetenkonzert D-Dur - 1. Allegro
producer:
Rudolf Werner (producer at Deutsche Grammophon)
organ:
Hedwig Bilgram (harpsichordist and organist)
trumpet:
Maurice André (French trumpeter) (in 1976-09)
orchestra:
English Chamber Orchestra (in 1976-09)
conductor:
Charles Mackerras (Australian conductor) (in 1976-09)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1976-09)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-09)
recording of:
Trumpet Concerto in D major "Estienne Roger 188": I. Allegro (in 1976-09)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Trumpet Concerto in D major "Estienne Roger 188"
Giuseppe Torelli2:39
9Wassermusik Suite No.1 F-Dur HWV 348 - 5. Air
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
violin:
Simon Standage (English violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (harpsichord) and Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
Georg Friedrich Händel3:08
10Wassermusik Suite No.2 D-Dur HWV 349 - 2. Alla Hornpipe
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
harpsichord:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
violin:
Simon Standage (English violinist and conductor) (in 1983-04) and Elizabeth Wilcock (violinist) (in 1983-04)
orchestra:
The English Concert (in 1983-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1983-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) and Polydor International GmbH (not for release label use!)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1983-04)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1983-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
Georg Friedrich Händel4:19
11Chaconne G-Moll - Andante
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
harpsichord:
Edward Brewer (harpsichordist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Chacony in G minor for 2 violins, viola and continuo, Z. 730 (in 1989-04)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 730)
Henry Purcell54:51
12Adagio G-Moll
engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
organ:
Edward Brewer (harpsichordist) (in 1989-04)
violin:
Eriko Sato (violinist) (in 1989-04)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1989-04 to present) and State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Adagio for Strings and Organ in G minor (in 1989-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni7:23
13Flötenkonzert D-Dur Op. 10 No.3 RV 428 »Il gardellino« - 1. Allegro
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
flute:
Patrick Gallois (flutist) (in 1992-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1992-12)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1992-12)
recording of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”: I. Allegro (in 1992-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major, op. 10 no. 3, RV 428 “Il gardellino”
Antonio Vivaldi3:55
14Lautenkonzert D-Dur RV 93 - 2. Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:10
15Concerto grosso G-Moll Op. 6 No. 8 - 5. Allegro
orchestra:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:13
16Konzert F-Dur für Blockflöte und Fagott - 1. Largo
bassoon:
Klaus Thunemann (bassoonist) (in 1981-07)
recorder:
Michala Petri (recorder player) (in 1981-07)
orchestra:
Academy of St Martin in the Fields (in 1981-07)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1981-07)
recording of:
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1: I. Largo (in 1981-07)
composer:
Georg Philipp Telemann (composer)
part of:
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1
Georg Philipp Telemann4:05
17Orchester-Suite No. 3 D-Dur BWV 1068 - 2. Air
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1989-04)
balance engineer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion) (in 1989-04)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1989-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1989-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach54:40
2▼CD: Faszination Klassik
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1Symphonie No. 5 C-Moll Op. 67 - 1. Allegro con brio
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Kurt Masur (conductor)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven7:28
2Symphonie No. 94 G-Dur »Mit dem Paukenschlag« - 2. Andante
producer:
Günther Breest (producer for classical music)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-04)
conductor:
Eugen Jochum (conductor) (in 1972-04)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1972-04)
recorded at:
Barking Assembly Hall in Barking, Barking and Dagenham (London Borough of Barking and Dagenham), London (Greater London), England, United Kingdom (in 1972-04)
recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (in 1972-04)
composer:
Joseph Haydn (composer) (in 1791)
part of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn6:53
3Streichquintett E-Dur Op. 11 No. 5 - 3. Menuett
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
cello:
Melissa Meell (American cellist) and Mischa Maisky (cellist) (in 1994-05)
viola:
Nardo Poy
violin:
Liang-Ping How and Todd Phillips (violinist)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1994-05)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
Performing Arts Center: Theatre C (Purchase College) in Purchase, Harrison, New York, United States (in 1994-05)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1994-05)
composer:
Luigi Boccherini (Italian composer)
arrangement of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto)
composer:
Luigi Boccherini (Italian composer) (in 1771)
part of:
Quintet in E major, G. 275, op. 11 no. 5
Luigi Boccherini4:10
4Klarinettenkonzert A-Dur KV 622 2. Adagio
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:14
5Symphonie No. 41 C-Dur KV 551 »Jupiter« - 3. Menuetto. Allegretto
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-12)
conductor:
Sir Neville Marriner (conductor) (in 1978-12)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-12)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (in 1978-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart4:35
6Klavierkonzert No. 5 Es-Dur Op. 73 - 2. Adagio
piano:
Christoph Eschenbach (pianist and conductor)
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven8:53
7Trompetenkonzert Es-Dur - 3. Rondo
trumpet:
Pierre Thibaud (French trumpeter)
orchestra:
English Chamber Orchestra
conductor:
Marius Constant (Romanian-born French composer and conductor)
recording of:
Trompetenkonzert Es-dur: III. Rondo. Allegro (Trumpet Concerto in E flat major: III. Rondo. Allegro)
composer:
Johann Nepomuk Hummel (Austrian composer)
version of:
Trompetenkonzert in E-Dur, S. 49: III. Rondo (Trumpet Concerto in E major, S. 49: Rondo)
part of:
Trompetenkonzert Es-dur (Trumpet Concerto in E-flat major)
Johann Nepomuk Hummel3:49
8Eine kleine Nachtmusik G-Dur KV 525 - 2. Romance. Andante
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1982-06)
conductor:
James Levine (US conductor and pianist) (in 1982-06)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1982-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:51
9Violinkonzert No. 3 G-Dur KV 216 - 3. Rondo. Allegro
recording engineer and producer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
violin:
Gidon Kremer (violinist) (in 1984-12)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1984-12)
conductor:
Nikolaus Harnoncourt (conductor) (in 1984-12)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1984-12)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: III. Rondeau. Allegro – Andante – Allegretto (in 1984-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
Wolfgang Amadeus Mozart6:42
10Symphonie No. 8 H-Moll D 759 »Unvollendete« - 1. Allegro moderato
producer:
Karl-Heinz Schneider (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1959-11)
conductor:
Lorin Maazel (conductor) (in 1959-11)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1959-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1959-11)
recording of:
Symphony no. 8 in B minor, D. 759 “Unfinished”: I. Allegro moderato (in 1959-11)
composer:
Franz Schubert (composer) (in 1822)
part of:
Symphony no. 8 in B minor, D. 759 “Unfinished”
Franz Schubert11:04
11La scala di seta (Die seidene Leiter) - Ouvertüre
producer:
Christopher Alder (editor/engineer/producer)
orchestra:
Chamber Orchestra of Europe (in 1989-04)
conductor:
Claudio Abbado (conductor) (in 1989-04)
balance engineer:
Gernot von Schultzendorff (sound engineer and producer of classical releases) and Gregor Zielinsky (Balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Teatro Comunale (The Teatro Comunale) in Ferrara, Ferrara, Emilia-Romagna, Italy (in 1989-04)
recording of:
La scala di seta: Sinfonia (in 1989-04)
composer:
Gioachino Rossini (composer)
librettist:
Giuseppe Maria Foppa
part of:
La scala di seta
Gioachino Rossini5:52
3▼CD: Faszination Romantik
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1Peer Gynt Suite No. 1, Op. 46: Morgenstimmung
orchestra:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
performer:
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) and Neeme Järvi (Estonian conductor)
recorded at:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg, Västra Götaland (Västra Götaland county), Sweden (in 1987-06)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1987-06)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:19
2Symphonie No. 3 F-Dur Op. 90: III. Poco Allegretto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Sinfonie Nr. 3 F-Dur, op. 90: III. Poco allegretto
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms7:07
3Ein Sommernachtstraum, Op.61: V. Intermezzo
producer:
Cord Garben (pianist and conductor)
orchestra:
Chicago Symphony Orchestra (in 1984-07)
conductor:
James Levine (US conductor and pianist) (in 1984-07)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-07)
recording of:
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato (in 1984-07)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn3:49
4Symphonie No. 1 B-Dur Op. 38 "Frühlings-Symphonie": IV. Allegro animato e grazioso
orchestra:
Orchestre Révolutionnaire et Romantique
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”: IV. Allegro animato e grazioso
composer:
Robert Schumann (German classical composer) (from 1841-01-23 until 1841-02-20)
part of:
Symphonie Nr. 1 B-Dur, op. 38 “Frühlings”
Robert Schumann7:49
5Ungarische Rhapsodie No. 2 Cis-Moll (Anfang)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Giuseppe Sinopoli (conductor)
orchestrator:
Franz Doppler
recording of:
Hungarian Rhapsody for Orchestra no. 2 in C minor, S. 359/2 (orch. Liszt/Doppler)
orchestrator:
Franz Doppler and Franz Liszt (Hungarian composer, pianist and conductor)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
orchestration of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 12 in C‐sharp minor, S. 244 no. 12
part of:
6 Hungarian Rhapsodies for Orchestra, S. 359
Franz Liszt7:00
6Klavierkonzert No. 2 F-Moll Op. 21: III. Allegro vivace
piano:
Tamás Vásáry (Hungarian pianist and conductor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Kulka János (János Kulka, conductor and composer)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin8:50
7Mein Vaterland: Die Moldau (Anfang)
orchestra:
Boston Symphony Orchestra
conductor:
Rafael Kubelík (conductor)
partial recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana5:26
8Symphonie No. 9 E-Moll Op. 95 "Aus Der Neuen Welt": III. Scherzo. Molto vivace
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Lorin Maazel (conductor)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 "From the New World": III. Scherzo. Molto vivace — Poco sostenuto)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:31
9Violinenkonzert E-Moll Op. 64: III. Allegretto non troppo
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
violin:
Shlomo Mintz (violinist, violist and conductor) (in 1980-02)
orchestra:
Chicago Symphony Orchestra (in 1980-02)
conductor:
Claudio Abbado (conductor) (in 1980-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1980-02)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1980-02)
recording of:
Violinkonzert in e-Moll, op. 64: III. Allegretto non troppo – Allegro molto vivace (Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace) (in 1980-02)
composer:
Felix Mendelssohn (composer) (from 1838 until 1844-09-16)
revised by:
Felix Mendelssohn (composer) (in 1845)
part of:
Violinkonzert in e-Moll, op. 64 (Violin Concerto in E minor, op. 64)
Felix Mendelssohn7:01
10Symphonie No. 4 Es-Dur "Romantische": III. Scherzo
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1965-07)
conductor:
Eugen Jochum (conductor) (in 1965-07)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1965-07)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-07)
recording of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische”: III. Scherzo (Bewegt) - Trio (Nicht zu schnell, Keinesfalls schleppend) (1878/1880 version with 1886 revisions, ed. Nowak, 1953) (in 1965-07)
composer:
Anton Bruckner (Austrian composer) (from 1873 until 1874)
revised by:
Anton Bruckner (Austrian composer) (from 1878 until 1880)
part of:
Symphony no. 4 in E-flat major, WAB 104 “Romantische” (Symphony No. 4 in E flat major, WAB 104 "Romantic", 1878/1880 version with 1886 revisions, ed. Nowak, 1953)
Anton Bruckner10:09
11Klavierkonzert No. 1 B-Moll Op. 23: III. Allegro con fuoco
piano:
Martha Argerich (Argentine pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Charles Dutoit (conductor)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1888 version, most often performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco (original 1874/75 version, rarely performed)
Пётр Ильич Чайковский6:49
4▼CD: Faszination Oper
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1Turandot: Nessun dorma
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) and London Symphony Orchestra
conductor:
Jesús López Cobos (conductor)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:03
2Tosca: Vissi d'arte, vissi d'amore
producer:
Wolfgang D. Stengel
baritone vocals:
Samuel Ramey (bass-baritone)
bass-baritone vocals:
Samuel Ramey (bass-baritone) (in 1992)
soprano vocals:
Mirella Freni (soprano) (in 1992)
soprano vocals [Tosca]:
Mirella Freni (soprano) (in 1990-05, in 1992)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1990-05, in 1992)
conductor:
Giuseppe Sinopoli (conductor) (in 1990-05, in 1992)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1990-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1990-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 1992)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:38
3Carmen: La fleur que tu m'avais jetée
recorded in:
Los Angeles, California, United States (in 1980-11)
audio engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Günther Breest (producer for classical music)
editor:
Hans Weber (producer/engineer)
tenor vocals:
Plácido Domingo (tenor) (in 1980-11)
orchestra:
Los Angeles Philharmonic (in 1980-11)
conductor:
Carlo Maria Giulini (conductor) (in 1980-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1980-11)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:59
4Roméo et Juliette: Ah, je veux vivre dans le rêve
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Reynald Giovaninetti
recording of:
Roméo et Juliette : Acte I. No. 3 Ariette « Je veux vivre dans ce rêve » (Juliette)
composer:
Charles Gounod (French composer) (from 1865 until 1866)
librettist:
Jules Barbier and Michel Carré (librettist)
publisher:
Choudens
part of:
Roméo et Juliette : Acte I
Charles‐François Gounod3:48
5L'elisir d'amore: Una furtiva lagrima
tenor vocals [Nemorino]:
Gösta Winbergh (tenor) (in 1986)
vocals:
Gösta Winbergh (tenor)
orchestra:
Orchestra del Maggio Musicale Fiorentino (in 1986)
conductor:
Gabriele Ferro (conductor) (in 1986)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (in 1986)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:30
6Die Zauberflöte: Dies Bildnis ist bezaubernd schön
producer:
Wolfgang Lohse
tenor vocals [Tamino]:
Fritz Wunderlich (operatic tenor) (from 1965-10-31 until 1965-11-03)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-10-31 until 1965-11-03)
conductor:
Karl Böhm (Austrian conductor) (from 1965-10-31 until 1965-11-03)
performer:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (from 1965-10-31 until 1965-11-03) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-10-31 until 1965-11-03)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1965-10-31 until 1965-11-03)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart4:41
7Don Giovanni: Là ci darem la mano
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto] and soprano vocals [Zerlina]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08, in 1978)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:46
8Il barbiere di Siviglia: Largo al factotum
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:39
9La Traviata: Libiamo ne lieti calici (Brindisi)
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06-26)
baritone vocals:
Bruno Grella (from 1976-05-14 until 1977-06-26)
bass vocals:
Alfredo Giacomotti (operatic bass) (from 1976-05-14 until 1977-06-26)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
mezzo-soprano vocals [Flora]:
Stefania Malagú (mezzo-soprano) (from 1976-05-14 until 1977-06-26)
other vocals:
Bayerischer Staatsopernchor (Chorus of the Bavarian State Opera) (from 1976-05-14 until 1977-06-26)
soprano vocals [Violetta]:
Ileana Cotrubaș (Romanian soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
tenor vocals [Gastone]:
Walter Gullino (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
chorus master:
Wolfgang Baumgart (from 1976-05-14 until 1977-06-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:00
10Nabucco: Va pensiero sull'ali dorate
producer:
Hans Hirsch (producer at Deutsche Grammophon) and Wolfgang Stengel (in 1982-05)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:00
11Pagliacci: Recitar! ... Vesti la giubba
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
London Symphony Orchestra
conductor:
Jesús López Cobos (conductor)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:51
12Die Entführung aus dem Serail: Ha, wie will ich triumphieren
recording engineer:
Hans‐Peter Schweigmann (engineer) and Claus Strüben (german sound engineer)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Eberhard Geiler
bass vocals [Osmin]:
Kurt Moll (operatic bass) (in 1973-09)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1973-09)
conductor:
Karl Böhm (Austrian conductor) (in 1973-09)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1973-09)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1973-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
Wolfgang Amadeus Mozart3:24
13Le Nozze di Figaro: Non più andrai
executive producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Wolfgang Lohse
baritone vocals [Figaro] and bass vocals [Figaro]:
Hermann Prey (baritone) (in 1968-03)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1968-03)
conductor:
Karl Böhm (Austrian conductor) (in 1968-03)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968) and Polydor International GmbH (not for release label use!) (in 1979)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1968-03)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1968-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:46
14Orfeo ed Euridice: Che farò sebza Eurídice
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
mezzo-soprano vocals [Orfeo]:
Anne Sofie von Otter (mezzo-soprano) (in 1995-04)
orchestra:
The English Concert (in 1995-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1995-04)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (in 1995-04)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:58
15La Bohème: Che gelida manina
tenor vocals [Rodolfo]:
Roberto Alagna (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1998-10)
conductor:
Riccardo Chailly (conductor) (in 1998-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1998-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:39
16Madame Butterfly: Un bel di, vedremo
producer:
Wolfgang Stengel
soprano vocals [Butterfly]:
Mirella Freni (soprano) (in 1987-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1987-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:01
17Rigoletto: La donna è mobile
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1980)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass) (in 1980)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09, in 1980)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09, in 1980)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1979-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:10
18Aida: Gloria all'Egitto
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
bass vocals [Ramfis, capo dei sacerdoti]:
Nicolaï Ghiaurov (operatic bass) (in 1981-01)
choir vocals:
Coro del Teatro alla Scala (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:27
19Aida: Triumpfmarsch
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) and Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
partial recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:39
5▼CD: Faszination Operette
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1Die Fledermaus: Ouvertüre
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
Johann Strauss II7:42
2Die Fledermaus: Komm mit mir zum Souper
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Dr. Falke, Notar]:
Bernd Weikl (baritone) (in 1975-10)
baritone vocals [Gabriel von Eisenstein, Rentier]:
Hermann Prey (baritone) (in 1975-10)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II3:21
3Die Fledermaus: Trinke, Liebchen, trinke schnell
baritone vocals:
Hermann Prey (baritone) and Bernd Weikl (baritone)
soprano vocals:
Júlia Várady (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Carlos Kleiber (conductor)
partial recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
Johann Strauss II2:58
4Das Land des Lächelns: Dein ist mein ganzes Herz
producer:
Günther Breest (producer for classical music) and Bobby Schmidt
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Karl-Heinz Loges
arranger:
Karl-Heinz Loges
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár3:36
5Die lustige Witwe: Lippen schweigen
baritone vocals:
Bo Skovhus (baritone)
soprano vocals:
Cheryl Studer (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:29
6Paganini: Gern hab' ich die Frau'n geküßt
tenor vocals:
Werner Hollweg (tenor) (in 1970)
orchestra:
Orchester der Wiener Volksoper
conductor:
Franz Allers (European-American conductor)
recording of:
Paganini: Akt II. Nr. 9 “Gern hab’ ich die Frau’n geküsst” (Paganini) (in 1970)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
Franz Lehár3:51
7Die schöne Helena: Dem Mann die Treue zu bewahren
soprano vocals:
Anna Moffo (soprano)
orchestra:
Radio‐Sinfonieorchester Stuttgart des SWR (Stuttgart Radio Symphony Orchestra)
conductor:
Franz Allers (European-American conductor)
Jacques Offenbach3:10
8Die Zirkusprinzessin: Wenn man das Leben durch's Champagnerglas betrachtet - Zwei Märchenaugen
tenor vocals:
Werner Krenn (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Anton Paulik (conductor)
Imre Kálmán4:22
9Gräfin Mariza: Wenn es Abend wird - Grüß' mir die süßen, die reizenden Frauen
tenor vocals:
René Kollo (tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Wolfgang Ebert (conductor)
recording of:
Gräfin Mariza: Akt I. „Wenn es Abend wird“ (Tassilo)
composer:
Emmerich Kálmán (Kálmán Imre - composer)
part of:
Gräfin Mariza: Akt I
Imre Kálmán3:13
10Wiener Blut: Wiener Blut
soprano vocals:
Ingeborg Hallstein (soprano)
tenor vocals:
René Kollo (tenor)
orchestra:
Münchner Symphoniker (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Anton Paulik (conductor)
Johann Strauss II5:37
11Boccaccio: Hab' ich nur deine Liebe
soprano vocals:
Renate Holm (soprano)
tenor vocals:
Werner Krenn (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Anton Paulik (conductor)
recording of:
Boccaccio, oder Der Prinz von Palermo: Akt I. “Hab’ ich nur dein Liebe”
composer:
Franz von Suppé (Franz von Suppè, composer)
librettist:
Richard Genée (composer) and Camillo Walzel
translated version of:
恋はやさし野辺の花よ
part of:
Boccaccio, oder Der Prinz von Palermo: Akt I
Franz von Suppé2:54
12Der Vetter aus Dingsda: Ich bin nur ein armer Wandergesell
tenor vocals:
Werner Krenn (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Anton Paulik (conductor)
recording of:
Der Vetter aus Dingsda: „Ich bin nur ein armer Wandergesell”
composer:
Eduard Künneke (composer)
part of:
Der Vetter aus Dingsda
Eduard Künneke3:12
13Der Bettelstudent: Ich knüpfte manche zarte Bande
choir vocals:
Chor der Wiener Volksoper
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Franz Allers (European-American conductor)
Karl Millöcker2:48
14Der Vogelhändler: Schenkt man sich Rosen in Tirol
choir vocals:
Chor des Staatstheaters am Gärtnerplatz
soprano vocals:
Teresa Stratas (soprano)
tenor vocals:
Adolf Dallapozza (tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Franz Bauer-Theussl (conductor)
recording of:
Der Vogelhändler: Akt I. "Schenkt man sich Rosen in Tirol" (Kurfürstin, Adam)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Vogelhändler: Akt I
Carl Zeller2:37
15Eine Nacht in Venedig: Ach, wie so herrlich zu schau'n
tenor vocals:
Werner Krenn (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Anton Paulik (conductor)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
Johann Strauss II4:07
16Die lustige Witwe: Akt I. O Vaterland - Da geh' ich zu Maxim
baritone vocals:
Bo Skovhus (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
Franz Lehár2:20
17Die Fledermaus: Akt II. Klänge der Heimat
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
soprano vocals [Rosalinde, seine Frau]:
Júlia Várady (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:10
18Der Zigeunerbaron: Als flotter Geist - Ja, das alles auf Ehr'
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Orchester der Wiener Volksoper
conductor:
Franz Allers (European-American conductor)
recording of:
Der Zigeunerbaron: Akt I, Nr. 2. „Als flotter Geist“
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
recording of:
Der Zigeunerbaron: Akt I. „Ja! Ja, das alles auf Ehr“ (Barinkay, Chor)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
Johann Strauss II2:40
19Die Fledermaus: Spiel' ich die Unschuld vom Lande
recording engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
executive producer:
Hans Hirsch (producer at Deutsche Grammophon)
producer:
Hans Weber (producer/engineer)
baritone vocals [Frank, Gefängnisdirektor]:
Benno Kusche (baritone) (in 1975-10)
soprano vocals [Adele, Rosalindes Kammermädchen]:
Lucia Popp (soprano) (in 1975-10)
soprano vocals [Ida, Adeles Schwester]:
Evi List (soprano) (in 1975-10)
orchestra:
Bavarian State Orchestra (orchestra of the Bavarian State Opera in Munich, Germany) (in 1975-10)
conductor:
Carlos Kleiber (conductor) (in 1975-10)
chorus master:
Wolfgang Baumgart (in 1975-10)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-10)
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (in 1975-10)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II4:21
20Viktoria und ihr Husar: Reich mir zum Abschied noch einmal die Hände
soprano vocals:
Herta Talmar (austrian soprano)
tenor vocals:
Sándor Kónya (Hungarian tenor)
orchestra:
Großes Operettenorchester
conductor:
Franz Marszalek (conductor and composer)
Paul Abraham2:52
6▼CD: Faszination Geistliche Musik
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1Die Schöpfung - Die Himmel erzählen die Ehre Gottes
bass vocals:
Kurt Moll (operatic bass)
choir vocals:
Radiokören (Swedish Radio Choir)
soprano vocals:
Kathleen Battle (soprano)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
James Levine (US conductor and pianist)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:29
2Messe H-Moll BWV 232 - Benedictus, qui venit
recording engineer:
Klaus Behrens (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Klaus Behrens (engineer) and Gregor Zielinsky (Balance engineer)
flute:
Lisa Beznosiuk (flautist) (in 1985-02)
tenor vocals:
Wynford Evans (tenor) (in 1985-02)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1985-02)
conductor:
John Eliot Gardiner (in 1985-02)
balance engineer:
Karl-August Naegler (balance engineer)
phonographic copyright (℗) by:
Polydor (British label, see annotation) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1985-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:52
3Donna, che in ciel, Marien-Kantate HWV 233 - Maria salue e speme
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano)
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne)
conductor:
Reinhard Goebel (violinist and conductor)
Georg Friedrich Händel4:45
4Ave verum corpus KV 618
choir vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
vocals:
Regensburger Domchor (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:31
5Miserere mei, Deus
choir vocals:
Choir of Westminster Abbey (in 1985-02)
conductor:
Simon Preston (organist, conductor, composer) (in 1985-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-02)
recording of:
Miserere mei, Deus (in 1985-02)
composer:
Gregorio Allegri (composer)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri311:49
6Ave Maria
choir vocals:
Singgemeinschaft R. Lamy
tenor vocals:
Fritz Wunderlich (operatic tenor)
vocals:
Fritz Wunderlich (operatic tenor)
orchestra:
Symphonieorchester Graunke (Munich Symphony Orchestra, German symphonic orchestra pka “Symphonie-Orchester Graunke”; not related to Alfred Scholz)
conductor:
Hans Carste (composer and bandleader)
arranger:
Franz Josef Breuer
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach/Charles-François Gounod3:07
7Herz und Mund und Tat und Leben BWV 147 - Jesus bleibt meine Freude
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:35
8Vesperae solennes de confessore KV 339 - Laudate Dominum
executive producer:
Dr. Peter Czornyj and Charlotte Kriesch
producer:
Hans-Bernhard Bätzing (engineer, producer)
organ:
Paul Nicholson (harpsichordist & organist) (in 1993-09)
choir vocals:
The English Concert Choir (in 1993-09)
soprano vocals:
Barbara Bonney (soprano) (in 1993-09)
orchestra:
The English Concert (in 1993-09)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1993-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1993-09)
concertmaster:
Peter Hanson (violinist) (in 1993-09)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1993-09)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1993-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:57
9Agnus Dei
choir vocals:
Chorus Viennensis and Wiener Sängerknaben (The Vienna Boys Choir)
tenor vocals:
José Carreras (Spanish tenor)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Uwe Christian Harrer (chorus master/conductor)
arranger:
Job Maarse
recording of:
Agnus Dei
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:40
10Motette Ave Maria
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
conductor:
Eugen Jochum (conductor)
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner4:08
11Massa da Requiem - Ingemisco
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Claudio Abbado (conductor)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:55
12Requiem Op. 48 - Pie Jesu
organ:
Timothy Farrell (organist)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
part of:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:05
13Messe C-Moll KV 427 »Große Messe« - Gloria: Laudamus te
organ:
Martin Haselböck (organist, conductor and composer)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
James Levine (US conductor and pianist)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIb. Gloria: “Laudamus te”
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): II. Gloria
Wolfgang Amadeus Mozart5:08
14Stabat Mater - Sancta Mater istud agas
alto vocals:
Teresa Berganza (mezzo-soprano)
soprano vocals:
Mirella Freni (soprano)
conductor:
Ettore Gracis (conductor)
performer:
Solisti dell'Orchestra "Scarlatti" Napoli
recording of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi5:17
15Messiah (Der Messias) - Hallelujah
producer:
Dr. Gerd Ploebsch
harpsichord:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
organ:
Edgar Krapp (organist) (in 1972-11)
solo trumpet:
Gordon Webb (trumpet player) (in 1972-11)
choir vocals:
John Alldis Choir (in 1972-11)
vocals:
The John Alldis Choir
orchestra:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) and London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (in 1972-11)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:01
7▶CD: Faszination Musical
8▶CD: Faszination Ballett
9▶CD: Faszination Filmmusik
10▶CD: Faszination der Ruhe