Guitar Rock: Monsters (disc 1)

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#TitoloArtistaValutazioneDurata
1All Day and All of the Night
produttore:
Shel Talmy
batteria :
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (il 1964-09-23)
chitarra :
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (il 1964-09-23)
chitarra basso :
Pete Quaife (Kinks' bass guitarist) (il 1964-09-23)
pianoforte :
Perry Ford (English pop singer) (il 1964-09-23)
voce di accompagnamento:
Johnny B. Great (il 1964-09-23)
voce principale:
Ray Davies (UK singer/songwriter, member of The Kinks) (il 1964-09-23)
editore:
Edward Kassner Music Co. Ltd.
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 23)
registrazione di:
All Day and All of the Night (il 1964-09-23)
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Edward Kassner Music Co. Ltd., Jay Boy e Kassner Associated Publishers Ltd.
The Kinks4.552:24
2Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:32
3Walk Away
registrazione di:
Walk Away
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Songs of Universal, Inc. (BMI) e Universal Duchess Music Corp.
James Gang2:53
4The Loco‐Motion
produttore:
Todd Rundgren
registrazione cover di:
The Loco‐Motion (aka Locomotion) (nel 1974)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1962 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Grand Funk Railroad52:49
5Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.552:50
6Woman From Tokyo
tecnico:
Martin Birch
produttore:
Deep Purple
tecnico di missaggio:
Roger Glover e Ian Paice
basso elettrico :
Roger Glover (nel 1972-07)
batteria :
Ian Paice (nel 1972-07)
chitarra elettrica :
Ritchie Blackmore (nel 1972-07)
organo Hammond e tastiera :
Jon Lord (nel 1972-07)
voce principale:
Ian Gillan (nel 1972-07)
registrazione di:
Woman From Tokyo (nel 1972-07)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp. e HEC Music Ltd.
Deep Purple3.85:51
7Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.454:26
8I’d Love to Change the World
registrazione di:
I’d Love to Change the World
paroliere e compositore:
Alvin Lee
Ten Years After3:46
9Saturday Night Special
supporto a vario titolo:
Artimus Pyle (Lynyrd Skynyrd member) e Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico e voce di accompagnamento:
Leon Wilkeson
batteria :
Artimus Pyle (Lynyrd Skynyrd member)
chitarra elettrica :
Allen Collins, Ed King (US guitarist, bassist & songwriter) e Gary Rossington
sintetizzatore :
Al Kooper
tastiera :
Billy Powell
voce:
Allen Collins
voce principale:
Ronnie Van Zant
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1974-10)
registrazione di:
Saturday Night Special (nel 1974-10)
supporto a vario titolo:
Artimus Pyle (Lynyrd Skynyrd member) e Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter) e Ronnie Van Zant
Lynyrd Skynyrd4.25:11
10Oh Well, Part 1
registrazione parziale di:
Oh Well
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Crosstown Downtown Songs, Fleetwood Music, Leosong (publisher), Palan Music America, Rachel Music, Rachel Music Ltd. e Melodie der Welt (publisher) (nel 1989)
Fleetwood Mac3:32
11Sweet Jane
tecnico:
Adrian Barber (producer/engineer) e Geoffrey Haslam
produttore:
Geoffrey Haslam e Shel Kagan
batteria e chitarra basso :
Doug Yule
chitarra elettrica :
Sterling Morrison
chitarra elettrica [rhythm guitar] e voce principale:
Lou Reed
diritti fonografici (℗) detenuti da:
Warner Special Products e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1970)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1970-04 al 1970-08)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 294) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 335)
registrazione di:
Sweet Jane
paroliere e compositore:
Lou Reed
editore:
Oakfield Avenue Music Ltd.
The Velvet Underground53:16
12School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:30
13Can’t Get Enough
registrazione di:
Can’t Get Enough
paroliere e compositore:
Mick Ralphs
editore:
Badco Music, Inc.
Bad Company4:17
14Feels Like the First Time
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977)
registrazione di:
Feels Like the First Time
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Music (publisher) (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner43:30
15Long Train Runnin’
tecnico:
Donn Landee
produttore:
Ted Templeman
armonica (a bocca) :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
chitarra :
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
chitarra steel :
Jeff “Skunk” Baxter
congas , piatti e timbales :
Michael Hossack
membranofono :
John Hartman (drummer for the Doobie Brothers) e Michael Hossack
organo , pianoforte e tastiera :
Bill Payne
percussione :
John Hartman (drummer for the Doobie Brothers) e Ted Templeman
sintetizzatore :
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) e Patrick Simmons
sintetizzatore ospite :
Malcolm Cecil e Robert Margouleff
voce:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter e Patrick Simmons
arrangiatore archi :
Nick de Caro
arrangiatore basso :
Tiran Porter
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1973) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Long Train Runnin’
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (nel 1982) e Warner Chappell Music (publisher as Warner/Chappell Music) (nel 1991)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:28
16Cat Scratch Fever
registrazione di:
Cat Scratch Fever
paroliere e compositore:
Ted Nugent
editore:
IQ Music Ltd., Magicland Music e Round Hill Works
Ted Nugent3:08
17Do Ya
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
diritti fonografici (℗) detenuti da:
Jet Records (nel 1976) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Do Ya (nel 1976-07)
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
registrazione cover di:
Do Ya
scritta a:
Birmingham, West Midlands, England, Regno Unito
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.153:48
18Life’s Been Good
Joe Walsh4:39

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parte di:Guitar Rock (Time-Life Music) (numero: R105-24) (ordine: 39)