Classic Pop: The Ultimate Collection

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1The Look of Love
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:29
2Baggy Trousers
producer:
Clive Langer and Alan Winstanley (English record producer)
recorded at:
Hammersmith Palais (not to be confused with Hammersmith Apollo aka Hammersmith Odeon) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom (on 1981-12-19)
recording of:
Baggy Trousers
lyricist:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
composer:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) and Daniel Woodgate
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness42:28
3Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.753:58
4Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King
Level 4233:56
5Flashdance… What a Feeling
producer:
Giorgio Moroder
vocals:
Irene Cara
phonographic copyright (℗) by:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983), Unidisc Music Inc. (not for release label use! use “Unidisc” instead) (in 1983) and Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1995)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 38) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 492)
recording of:
Flashdance… What a Feeling
lyricist:
Irene Cara and Keith Forsey (drummer, producer and songwriter)
composer:
Giorgio Moroder
publisher:
Alcor Music (publisher), Carasmatic Music, Carub Music (publisher), Chappell Music Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), GMPC, Intersong Music, Intersong Music Ltd., Intersong U.S.A. (publisher), Sony/ATV Harmony and WB Music Corp. (1929–2019)
part of:
The 56th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1983 winner)
Irene Cara3.553:51
6Jackie Wilson Said
Dexys Midnight Runners3:06
7Respectable
producer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall) and Mark McGuire (UK producer/engineer)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987) and The Supreme Record Company Ltd. (in 1987)
music videos:
Respectable by Mel & Kim (Appleby sisters)
recording of:
Respectable
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
8Love on Your Side
Thompson Twins3:33
9New Song
engineer and producer:
Colin Thurston
lead vocals:
Howard Jones (English singer, songwriter)
part of:
Anti-Hit List: March 18, 1996 (number: 9)
recording of:
New Song
lyricist and composer:
Howard Jones (English singer, songwriter)
Howard Jones4.54:14
10A New England
producer:
Steve Lillywhite
phonographic copyright (℗) by:
Stiff Records Ltd. (in 1985)
music videos:
A New England by Kirsty MacColl
cover recording of:
A New England
lyricist and composer:
Billy Bragg
publisher:
BMG Music Publishing Ltd. and Chappell Music Ltd.
Kirsty MacColl43:49
11Say Hello Wave Goodbye
recording of:
Say Hello, Wave Goodbye
lyricist:
Marc Almond (English pop singer and songwriter)
writer:
Almond (English pop singer and songwriter) and David Ball (UK electronic musician, part of Soft Cell)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
Soft Cell5:25
12Wonderful Life
producer:
Dave Dix (Dave Dix)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1987)
music videos:
Wonderful Life by Black (UK indie pop musician Colin Vearncombe)
recording of:
Wonderful Life
lyricist and composer:
Colin Vearncombe
publisher:
Rondor Music Ltd. (publisher)
Black4.354:48
13Never Never
recording of:
Never Never
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sonet (Scandinavia) (in 1983)
The Assembly3:42
14Reward
producer:
Clive Langer and Alan Winstanley (English record producer)
recording of:
Reward
composer:
Julian Cope and Alan Gill
The Teardrop Explodes4.52:42
15Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:30
16Open Your Heart
assistant programming and assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
programming:
Martin Rushent
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
recording of:
Open Your Heart (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis and Philip Oakey
The Human League3.53:54
17There It Is
miscellaneous support:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer) (task: arranged by [horns, strings] / uncredited)
drums (drum set) [uncredited]:
Wardell Potts
guitar [uncredited]:
Richard Randolph (Guitarist) and Ricky Sylvers (Joseph Richard "Ricky" Sylvers; member of The Sylvers)
keyboard [uncredited]:
Leon Sylvers
percussion [uncredited]:
Wayne Milstein
background vocals:
Jeffrey Daniel (soul singer), Howard Hewett and Jody Watley
lead vocals:
Howard Hewett
arranger:
Ricky Sylvers (Joseph Richard "Ricky" Sylvers; member of The Sylvers)
recording of:
There It Is
writer:
Nidra Beard, Dana Meyers and Charmaine Sylvers
Shalamar4:26
18Pass the Dutchie
producer:
Peter Collins (producer)
bass guitar:
Patrick
drums (drum set):
Junior
guitar:
Kelvin
keyboard:
Michael (Keyboard player for Musical Youth)
vocals:
Dennis
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 25)
cover recording of:
Pass the Kouchie
writer:
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) and Fitzroy “Bunny” Simpson
part of:
My Kind of People
Musical Youth43:23
19Land of Make Believe
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
miscellaneous support:
Andy Hill (English producer & songwriter)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs and Universal Music–Z Tunes LLC
Bucks Fizz3.353:49
20Wedding Bells
recording of:
Wedding Bells
writer:
Lol Creme and Kevin Godley
Godley & Creme3:23
2CD
#TitleArtistRatingLength
1Two Tribes
engineer:
Stuart Bruce and Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) and Anne Dudley (English score composer)
guest percussion:
Luís Jardim
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
lead vocals:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) and Paul Rutherford (member of Frankie Goes to Hollywood)
part of:
TV Cream: Real 100 Best Singles Ever (number: 27)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:23
2Doctorin’ the House
recording of:
Doctorin’ the House
writer:
Matt Black (British DJ and one half of Coldcut), Jonathan More (of Coldcut), Winston Riley and Yazz (UK pop singer Yasmin Marie Evans)
Coldcut3:45
3Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.43:33
4Don’t Turn Around
producer:
Aswad (British reggae group)
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad43:39
5Teardrops
producer:
Chris Blackwell (Island Records), Lee Hamblin and The Gypsy Wave Power Co.
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:50
6Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:04
7Walls Come Tumbling Down
producer:
Paul Weller (English singer‐songwriter and musician) and Peter Wilson (UK Producer)
12 string guitar, bass guitar, guitar, synthesizer [synth] and lead vocals:
Paul Weller (English singer‐songwriter and musician) (from 1984-12 until 1985-03)
drums (drum set) [drums] and percussion:
Steve White (Style Council drummer) (from 1984-12 until 1985-03)
fortepiano [piano forte], Hammond organ and keyboard [electronic keyboards]:
Mick Talbot (from 1984-12 until 1985-03)
piano:
Helen Turner (from 1984-12 until 1985-03)
saxophone:
Mike Mower (from 1984-12 until 1985-03)
trombone:
Chris Lawrence (from 1984-12 until 1985-03)
trumpet:
David DeFries (from 1984-12 until 1985-03) and Stewart Prosser (from 1984-12 until 1985-03)
vocals:
D.C. Lee (from 1984-12 until 1985-03)
strings arranger:
John Mealing (British keyboards player, composer and arranger.)
recorded at:
Solid Bond Studio in London (Greater London), England, United Kingdom (from 1984-12 until 1985-03)
recording of:
Walls Come Tumbling Down (from 1984-12 until 1985-03)
lyricist and composer:
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Co. Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Style Council33:23
8Happy Hour
engineer:
Phil Bodger (engineer)
producer:
John Williams (English A&R executive, producer, songwriter...)
bass guitar:
Norman Cook (in 1986)
chimes:
P.d. Heaton (in 1986)
drums (drum set):
Hugh Whitaker (in 1986)
guitar:
Stan Cullimore (in 1986)
background vocals:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) and Hugh Whitaker (in 1986)
lead vocals:
Paul Heaton (in 1986)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!)
recorded at:
Strongroom in Shoreditch, Hackney, London (Greater London), England, United Kingdom (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Happy Hour (in 1986)
lyricist:
Paul Heaton
composer:
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:21
9Down to Earth
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986)
recording of:
Down to Earth
writer:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp and Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
publisher:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. and Warner Bros. (holding: file NO releases)
Curiosity Killed the Cat43:48
10I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
additional bass:
Paul Westwood (bassist) (in 1983)
lead vocals:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal and Rondor Music (London) Ltd.
Nik Kershaw3.53:15
11Wishing I Was Lucky
phonographic copyright (℗) by:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recording of:
Wishing I Was Lucky
writer:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell and Marti Pellow
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Precious Music Ltd. (publisher)
Wet Wet Wet3:50
12Sowing the Seeds of Love
producer:
David Bascombe and Tears for Fears
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1989)
edit of:
Sowing the Seeds of Love by Tears for Fears
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears4.55:43
13Love Resurrection
producer:
Steve Jolley and Tony Swain (songwriter, producer)
drums (drum set):
Tim Goldsmith
keyboard:
Tony Swain (songwriter, producer)
background vocals and lead vocals:
Alison Moyet
music videos:
Love Resurection by Alison Moyet
recording of:
Love Resurrection
writer:
Steve Jolley, Alison Moyet and Tony Swain (songwriter, producer)
Alison Moyet33:49
1499 Red Balloons
producer:
Jay Faires, Tricia Holloway, Reinhold Heil (from 1982 until 1983) and Manne Praeker (from 1982 until 1983)
lead vocals:
Nena (the person, performing solo since 1987) (in 1983)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff Studio in Berlin, Germany (from 1982 until 1983)
part of:
TV Cream: Real 100 Best Singles Ever (number: 64)
recording of:
99 Red Balloons (from 1982 until 1983)
lyricist:
Carlo Karges (in 1982)
composer:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
translator:
Kevin McAlea (in 1983)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and EMI Songs Ltd.
translated version of:
99 Luftballons
Nena3.83:51
15Touch Me (I Want Your Body)
producer:
Jon Astrop (British musician, songwriter and painter)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1986), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recording of:
Touch Me (I Want Your Body) (Full moon in the city and the night was young... I was hungry for love)
writer:
Jon Astrop (British musician, songwriter and painter), Peter Brian Harris and Mark Shreeve
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Imagem London Ltd.
Samantha Fox3.653:43
16I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
17Happenin’ All Over Again
Lonnie Gordon3:19
18You’ll Never Stop Me Loving You
Sonia3:24
19Too Many Broken Hearts
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
recording of:
Too Many Broken Hearts
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan23:24
20Better the Devil You Know
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
phonographic copyright (℗) by:
Mushroom Records Pty Ltd (in 1990) and PWL Records Ltd. (not release use) (in 1990)
part of:
TV Cream: Real 100 Best Singles Ever (number: 40)
recording of:
Better the Devil You Know
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, BMG Music Publishing Ltd., Mike Stock Publishing Ltd., Mushroom Music (Mushroom label’s publishing company) and Sid’s Songs Ltd.
Kylie Minogue33:53
3CD
#TitleArtistRatingLength
1Poker Face
recording engineer, programming and producer:
RedOne
engineer:
Dave Russell (British engineer, producer)
mixer:
Robert Orton
background vocals:
RedOne
background vocals and lead vocals:
Lady Gaga
performer:
RedOne
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
music videos:
Poker Face by Lady Gaga
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 2), Grammy Award: Best Dance/Electronic Recording nominees (number: 2010 winner) and BILLIONS CLUB
recording of:
Poker Face
writer:
Nadir Khayat and Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga4.153:58
2Scream & Shout
will.i.am & Britney Spears4:44
3Call Me MaybeCarly Rae Jepsen4.053:13
4Fireflies
recording of:
Fireflies
lyricist and composer:
Adam Young (American musician, songwriter; Owl City)
publisher:
Ocean City Park, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Owl City3:13
5Five Colours in Her Hair
recording of:
5 Colours in Her Hair
lyricist and composer:
Benjamin Sargeant, James Bourne (Busted, Son of Dork), Tom Fletcher (McFly) and Danny Jones (McFly)
McFly2:57
6Murder on the Dancefloor
recording engineer:
Marco Rakascan
assistant engineer:
Laurence Brazil (production music composer)
engineer:
James Loughrey
producer:
Gregg Alexander and Matt Rowe
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
bass guitar:
Guy Pratt
guitar:
John Themis
strings:
Wired Strings
lead vocals:
Sophie Ellis‐Bextor
conductor:
Rosie Wetters
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
recorded at:
Mayfair Studios (England) in London (Greater London), England, United Kingdom
mixed at:
Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Murder on the Dancefloor by Sophie Ellis‐Bextor
part of:
Best of 2024: Viral Hits (number: 26)
recording of:
Murder on the Dancefloor
writer:
Gregg Alexander and Sophie Ellis‐Bextor
publisher:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor4.153:48
7Round Round
lead vocals:
Keisha Buchanan, Mutya Buena and Heidi Range
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
music videos:
Round Round by Sugababes
recording of:
Round Round
writer:
Keisha Buchanan, Mutya Buena, Nick Coler, Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) and Heidi Range
additional composer:
Robin Hofmann, Florian Pflueger, Rino Spadavecchia and Felix Stecher
is based on:
Tango Forte
Sugababes3.53:55
8Don’t Stop Movin’
additional programming:
Stephen Lipson, Chuck Norman and Richard Robson
programming and producer:
Simon Ellis (producer)
engineer:
James Reynolds (mixer/writer/music producer)
additional producer:
Stephen Lipson
mixer:
Heff Moraes
bass:
Ernie McKone
instruments:
Dave Rainger
keyboard:
Simon Ellis (producer)
additional lead vocals and additional soprano vocals:
Jo O’Meara
lead vocals:
Bradley McIntosh
conductor:
Nick Ingman
performer:
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographic copyright (℗) by:
S Club Ltd. (in 2001) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
samples:
Billie Jean (album / single version) by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop Movin’ by S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
writer:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:52
9Crashed the Wedding
recording of:
Crashed the Wedding
writer:
James Bourne (Busted, Son of Dork) and Tom Fletcher (McFly)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Prestige Songs, Songs of Kobalt Music Publishing and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Busted2:40
10MMMBop
Hanson3:49
11Barbie Girl
producer and mixer:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen and Søren Rasted
phonographic copyright (℗) by:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
music videos:
Barbie Girl by Aqua (Danish Euro‐dance group)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 48), Cachitos Nochevieja 2022 (number: 157) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 220)
recording of:
Barbie Girl
writer:
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted and René Dif
publisher:
MCA Music Scandinavia AB and Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:15
12Picture of You
assistant engineer:
Tim Wills
producer:
Absolute (UK house/garage/production/songwriting team)
mixer:
Absolute (UK house/garage/production/songwriting team) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
lead vocals:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham and Shane Lynch
recording of:
Picture of You
writer:
Ronan Keating, Eliot Kennedy (songwriter, producer), Andrew Watkins (writer, musician, producer-Flies on you) and Paul Wilson (member of “Absolute”)
publisher:
19, ATV Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), PolyGram Music Publishing Ltd. and Sony Music Publishing (worldwide except Japan, ended 1995)
Boyzone2.53:25
13Lifted
recording of:
Lifted
writer:
Tunde Baiyewu, Martin Brammer (English singer-songwriter, composer, record producer, vocalist and lyricist) and Paul Tucker
publisher:
Lots of Hits Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family4:31
14Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (Eurodance)
phonographic copyright (℗) by:
Ariola (German label, used worldwide in the past) (in 1992) and Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!3.853:42
15It’s My Life
engineer:
Gundars Rullis (choir vocals)
producer and mixer:
Denniz PoP
background vocals:
Paola Toro
choir vocals:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar and Ricco (background vocals on "It's My Life")
choir vocals arranger:
Anders Hansson (producer / writer / performer)
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1992, in 1993)
produced for:
SweMix Productions (in 1992)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (choir vocals) and SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
It’s My Life by Dr. Alban
recording of:
It’s My Life
lyricist:
Dr. Alban
composer:
Denniz PoP
publisher:
SweMix Music, SweMix Songs and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dr. Alban3.84:00
16Killer
phonographic copyright (℗) by:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1990)
recording of:
Killer
lyricist:
Seal (English‐born singer and songwriter)
writer:
Seal (English‐born singer and songwriter) and Adam Paul Tinley
publisher:
EMI Virgin Music Publishing Germany GmbH & Co. KG (ended), Virgin Music (Publishers) Ltd. (ended), Beethoven Street Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), MCA Music, Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing GmbH
Adamski33:47
17The Time Is NowMoloko3:42
18You’re Gorgeous
recording of:
You're Gorgeous
lyricist and composer:
Stephen Jones (Babybird)
Babybird3:42
19Good Enough
Dodgy3:54
20Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp4:05
4CD
#TitleArtistRatingLength
1Mamma Mia
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
additional guitar and guitar:
Janne Schaffer (on 1975-03-16)
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1975-03-12)
cello:
Kjell Bjurling (Swedish cellist) (on 1975-03-15) and Olle Gustafsson (cellist) (on 1975-03-15)
drums (drum set):
Roger Palm (on 1975-03-12)
electric guitar:
Finn Sjöberg (on 1975-03-12)
marimba:
Benny Andersson (ABBA) (in 1975-03)
oboe:
Lars-Erik Rönn (on 1975-03-15)
viola:
Nils Heie (on 1975-03-15) and Håkan Roos (Swedish violist) (on 1975-03-15)
violin:
Anders Dahl (Swedish media artist creates artworks and experimental sound) (on 1975-03-15), Inge Lindstedt (on 1975-03-15), Gunnar Michols (Swedish violinist) (on 1975-03-15), Sixten Strömvall (Swedish violinist) (on 1975-03-15), Harry Teike (on 1975-03-15) and Krzysztof Zdrzalka (Swedish violinist) (on 1975-03-15)
lead vocals:
Agnetha Fältskog (on 1975-03-12) and Frida (Swedish singer and member of ABBA) (on 1975-03-12)
cello, viola and violin arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1975), Polar Music International AB (in 2001, in 2014) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (on 1975-03-12, on 1975-03-15, on 1975-03-16)
mixed at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
Mamma Mia (from 1975-03-12 until 1975-03-16)
written in:
Lidingö municipality, Stockholms län (Stockholm county), Sweden
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Polar Music AB (ended), Union Songs AB (publisher) (ended), EMI Grove Park Music, Inc., Universal–Songs of PolyGram International, Inc. and Universal/Union Songs Musikförlag AB
part of:
Mamma Mia! (1999 musical)
recording of:
Mamma Mia (Spanish version)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
translator:
Buddy McCluskey (translator) and Mary McCluskey (translator)
translated version of:
Mamma Mia
ABBA3.83:32
2Love’s Unkind
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer24:27
3Upside Down
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3:38
4Celebration
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.43:39
5Feels Like I’m in LoveKelly Marie3:18
6Pop MuzikM3.53:19
7Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:24
8This Ole House
cover recording of:
This Ole House
lyricist and composer:
Stuart Hamblen
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Universal/MCA Music Publishing Pty Ltd
Shakin’ Stevens3:03
9Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The Beat4.753:07
10I Second That Emotion
recording of:
I Second That Emotion
writer:
Al Cleveland (songwriter 1930-1996) and Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3:51
11You’ll Always Find Me in the Kitchen at Parties
phonographic copyright (℗) by:
Stiff Records (in 1980)
recording of:
(You’ll Always Find Me in the) Kitchen at Parties
writer:
Jona Lewie and Keith Trussell
publisher:
Imagem London Ltd. and Street Music Ltd.
Jona Lewie33:01
12Drowning in Berlin
producer:
Paul Lynton
bass:
David Blundell
drums (drum set):
Eddie Fragile
guitar:
Jhon and Russell Madge
guitar [lead]:
Chris Downton
lead vocals:
Anna Maria (Mobiles singer)
phonographic copyright (℗) by:
Rialto Records (Record company. Label -> see Rialto)
recording of:
Drowning in Berlin
writer:
David Blundell, Chris Downton and Russell Madge
publisher:
Servecity Ltd.
Mobiles23:26
13This Town Ain’t Big Enough for the Both of Us
producer:
Muff Winwood (bass player, songwriter, producer)
mixer:
Bill Price (UK producer/engineer)
bass:
Martin Gordon
drums (drum set):
Dinky Diamond
guitar:
Adrian Fisher
keyboard [keyboards]:
Ron Mael
vocals:
Russell Mael
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
music videos:
This Town Ain’t Big Enough for the Both of Us (silent film version) by Sparks (US rock and pop duo, The Mael Brothers) and This Town Ain’t Big Enough for the Both of Us (version 2) by Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
lyricist and composer:
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:02
145.7.0.5
producer:
Robert John “Mutt” Lange (Robert John Lange)
recording of:
5.7.0.5.
lyricist:
Lol Mason
composer:
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:13
15Love Is in the Air
producer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
phonographic copyright (℗) by:
Albert Productions (in 1977, in 1978), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1978) and Volcano Entertainment III, L.L.C. (in 1998)
recording of:
Love Is in the Air (in 1978)
writer:
Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
John Paul Young33:27
16Uptown Top Ranking
recording of:
Uptown Top Ranking
writer:
Althea Forrest, Joe Gibbs, Donna Reid and Errol Thompson (Jamaican reggae/dub producer & engineer)
publisher:
Carlin Music and EMI Virgin Music Ltd. (do not use this as a release label!)
Althea & Donna3.53:52
17Dreadlock Holiday
engineer:
Keith Bessey, Eric Stewart and Tony Spath
producer:
Graham Gouldman and Eric Stewart
mixer:
Eric Stewart
agogô, congas, cowbell, marimba, timbales and triangle:
Paul Burgess (UK rock drummer)
bass guitar, cabasa and background vocals and lead vocals:
Graham Gouldman
drums (drum set) and tambourine:
Stuart Tosh
electric guitar:
Rick Fenn and Graham Gouldman
electric piano and maracas:
Eric Stewart
organ:
Rick Fenn and Eric Stewart
synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
background vocals:
Rick Fenn, Eric Stewart and Stuart Tosh
arranger:
10cc
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1978) and Phonogram Ltd. (not for release label use!) (in 1978)
recorded at and mixed at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom
music videos:
Dreadlock Holiday by 10cc
recording of:
Dreadlock Holiday
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Man-Ken Music Ltd.
10cc4.654:24
18It’s a Heartache
producer:
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
acoustic guitar and background vocals:
Steve Wolfe (producer, songwriter and guitar player)
bass:
Kevin Dunne
drums (drum set) and percussion:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
produced for:
Soundbarrier Ltd. (production company)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 24)
recording of:
It’s a Heartache
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Mighty Music (publisher) (in 1977) and RAK Publishing (in 1977)
Bonnie Tyler3.83:31
19Whatever You Want
recording of:
Whatever You Want
written in:
Jersey
writer:
Andy Bown and Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton and Shawbury Music Ltd. (publisher)
Status Quo3:48
20Cool for Cats
recording of:
Cool for Cats
lyricist:
Chris Difford
composer:
Glenn Tilbrook
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3:07
5CD
#TitleArtistRatingLength
1(Is This the Way to) Amarillo
Tony Christie3:12
2Blockbuster
producer:
Phil Wainman
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973) and Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1973)
recording of:
Block Buster!
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd. and RAK Publ. Ltd.
The Sweet53:12
3A Glass of Champagne
engineer:
Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
associate producer:
Rupert Holmes
producer:
Georg Kajanus, Jeffrey Lesser and Al Scott (Oysterband, engineer, song writer)
mixer:
Jeffrey Lesser
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1975-10)
recording of:
Glass of Champagne (in 1975-10)
lyricist and composer:
Georg Kajanus
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner/Chappell Music Ltd. (1996–2019)
Sailor52:40
4Get Down
recording of:
Get Down
lyricist and composer:
Gilbert O’Sullivan
Gilbert O’Sullivan4.52:39
5How Long
Ace3:22
6Beach Baby
phonographic copyright (℗) by:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4.54:50
7You See the Trouble With MeBarry White4.53:29
8ABC
recording of:
ABC
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
part of:
MJ: The Musical
The Jackson 53:12
9In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 40) and Billboard Year-End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:32
10Melting Pot
recording of:
Melting Pot (Blue Mink Song)
writer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Polygram Island Music Publishing
Blue Mink3:49
11Ob
Marmalade3:01
12Israelites
producer:
Leslie Kong
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
writer:
Desmond Dacres and Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) and Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces42:33
13Baby Now That I’ve Found You
recording of:
Baby Now That I’ve Found You (in 1967)
lyricist and composer:
Tony Macaulay and John MacLeod (producer & songwriter, partner of Tony Macaulay)
publisher:
ATV Music Ltd., Belmont (publisher), BMG Music Pub. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Music Pub. Ltd.
The Foundations42:37
14Let’s Go to San Francisco
recording of:
Let’s Go to San Francisco
writer:
John Carter (songwriter & producer, b. 1942) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
publisher:
Peermusic Ltd. (BMI)
The Flower Pot Men33:36
15Everlasting Love
Love Affair3:02
16Nights in White Satin
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. and Tyler Music Ltd.
The Moody Blues4.554:25
17Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:43
18Sweets for My Sweet
recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers2:27
19Do You Love Me?
The Tremeloes2:23
20Downtown
vocals:
Petula Clark (English singer & actress) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.53:04

Credits

Release group

part of:The Ultimate Collection (Union Square Music, ULTIM5CD) (number: 038) (order: 28)