The Hits Album: The Car Album: On the Road Again…

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Paradise
programming:
Cam Blackwood and Matthew Racher (drummer)
engineer:
Liam Thorne
producer:
Cam Blackwood
assistant mixer:
Joel Davies (engineer) and Charles Haydon Hicks
mixer:
Dan Grech‐Marguerat
bass guitar [bass], keyboard and lead vocals:
George Ezra
drums (drum set) [drums]:
Matthew Racher (drummer)
guitar:
Cam Blackwood and George Ezra
percussion:
Cam Blackwood and Matthew Racher (drummer)
piano and synthesizer [synths]:
Cam Blackwood
background vocals [backing vocals]:
Florrie Arnold (Florence Arnold)
vocals:
Cam Blackwood
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
recorded at:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Paradise
lyricist and composer:
George Ezra
George Ezra2.53:42
2In My Blood
programming:
Teddy Geiger
artist & repertoire support:
Ziggy Chareton (artist & repertoire support), David Massey (Production music composer), James Petronio (artist & repertoire support) and Gabrielle Rosen
assistant engineer:
Kaushlesh “Garry” Purohit
engineer:
George Seara
producer:
Teddy Geiger and Shawn Mendes
assistant mixer:
Harry Burr
mixer:
Andrew Maury
additional guitar:
Nate Mercereau (US guitarist and songwriter)
bass, drums (drum set), keyboard, piano and background vocals:
Teddy Geiger
guitar:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes and Geoff Warburton (Canadian songwriter)
lead vocals:
Shawn Mendes
performer:
Shawn Mendes
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2018)
recorded at:
Geejam Hotel Recording Studios in Port Antonio, Portland (Portland Parish), Jamaica and Woodshed Recording Studios (Malibu) in Malibu, California, United States
mixed at:
Douglass Recording in Brooklyn, New York, New York, United States
part of:
Billboard Year-End Hot 100 singles of 2018 (number: 46)
recording of:
In My Blood
writer:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes and Geoff Warburton (Canadian songwriter)
Shawn Mendes2.653:29
3Uptown Funk
programming:
Mark Ronson (British DJ and producer)
additional engineer:
Riccardo Damian (recording engineer), Ken Lewis (recording engineer and mixer), Devin Nakao and Matthew Stevens (Engineer)
engineer:
Josh Blair, Wayne Gordon, Inaam Haq, Boo Mitchell, Charles Moniz and Mark Ronson (British DJ and producer)
producer:
Jeff Bhasker, Bruno Mars (US singer) and Mark Ronson (British DJ and producer)
assistant mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
additional keyboard:
Phredley Brown
baritone saxophone:
Ian Hendrickson-Smith
drum machine [LinnDrum] and electric guitar:
Mark Ronson (British DJ and producer)
drums (drum set) and lead vocals:
Bruno Mars (US singer)
electric bass guitar:
Jamareo Artis
electric guitar:
Carlos Alomar
keyboard and talkbox:
Jeff Bhasker
tenor saxophone:
Dwayne Dugger and Neal Sugarman
trombone:
Ray Mason (trombone) and Kameron Whalum
trumpet:
David Guy, Jimmy King (American trumpeter) and Michael Leonhart
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2014)
recorded at:
Cherry Beach Studios in Toronto, Ontario, Canada, Daptone Studios in Bushwick, New York, New York, United States, Dunham Studios in Brooklyn, New York, New York, United States, Enormous Studios in Los Angeles, California, United States, Levcon Studios in Hollywood, Los Angeles, California, United States, Royal Studios in Memphis, Tennessee, United States, The Armory in Vancouver, British Columbia, Canada and Zelig Studios in London (Greater London), England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 5), Billboard Decade End Chart: Streaming Songs (2010s) (number: 6), Stereogum: The 200 Best Songs of the 2010s (number: 19), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 66), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 76) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 417)
recording of:
Uptown Funk
writer:
Jeff Bhasker, Bruno Mars (US singer), Charlie Wilson (R&B singer), Devon Gallaspy, Lonnie Simmons (producer, songwriter), Mark Ronson (British DJ and producer), Nicholas Williams, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Robert Wilson (US vocalist/bassist, member of Gap Band), Ronnie Wilson (Gap Band member) and Rudolph Taylor (Memphis soul singer)
publisher:
Imagem CV, Mars Force Songs, LLC, Songs of Zelig (BMI-affiliated), Sony/ATV Ballad, Sony/ATV Songs LLC, Tig7 Publishing LLC, Trinlanta Publishing, Way Above Music and ZZR Music, LCC
is based on:
All Gold Everything
Mark Ronson feat. Bruno Mars3.554:29
4So What
assistant engineer:
Tim Roberts (engineer) (task: engineered for mix)
engineer:
John Hanes (audio engineer, mixer) (task: engineered for mix)
producer:
Al Clay and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
LaFace Records LLC (in 2008) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
produced for:
Maratone Productions
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
produced at:
House of Blues Studios in Encino, California, United States and Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
So What (explicit music video) by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 24) and Billboard Year-End Hot 100 singles of 2009 (number: 45)
recording of:
So What (in 2008)
writer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB and P!nk Inside Publishing
P!nk4.13:35
5One Way or Another (Teenage Kicks)One Direction3.52:38
6Toxic
recording engineer, programming, producer and editor:
Bloodshy and Avant
assistant engineer:
J. D. Andrew and Jonas Östman
mixer:
Niklas Flyckt
bass:
Tomas Lindberg (Swedish bass player)
guitar:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
other instruments:
Bloodshy and Avant
strings:
Stockholm Session Strings
background vocals:
Blackcell (Mathias Johansson, songwriter and producer), Cathy Dennis and Emma Holmgren
background vocals and lead vocals:
Britney Spears
conductor:
Janson+Janson
strings arranger:
Janson+Janson
arranger:
Bloodshy and Avant and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
phonographic copyright (℗) by:
Zomba Recording LLC (in 2003)
recorded at:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Sweden and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
KhaBang Studio in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
Toxic by Britney Spears and Toxic (karaoke) by Britney Spears
a cappella versions:
Toxic (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 1), Grammy Award: Best Dance/Electronic Recording nominees (number: 2005 winner), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 114) and BILLIONS CLUB
recording of:
Toxic
writer:
Cathy Dennis, Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
publisher:
Colgems-EMI Music Inc. and Murlyn Songs AB
Britney Spears4.153:19
7Spice Up Your Life
recording engineer and engineer:
Adrian Bushby
additional programming:
Pete Davis (UK engineer, programmer, keyboards)
programming:
Matt Rowe
additional engineer:
Jake Davies
producer:
Matt Rowe and Richard “Biff” Stannard
assistant mixer:
Paul "P.Dub" Walton
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard [keyboards]:
Matt Rowe
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 4)
recording of:
Spice Up Your Life (in 1997)
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
Spice Girls42:52
8Ghostbusters
producer:
Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
part of:
Billboard Hot 100: 2025-11-15 (number: 22)
recording of:
Ghostbusters
lyricist and composer:
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) and Raydiola Music (in 1984)
part of:
The 57th Academy Award for Best Original Song (number: 2)
is based on:
I Want a New Drug
Ray Parker Jr.3.93:57
9(I’ve Had) The Time of My Life
assistant engineer:
Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
engineer:
Carmine Rubino
producer:
Michael Lloyd (US guitarist/singer producer)
vocals:
Bill Medley and Jennifer Warnes
remixer:
Jimmy Ienner (producer), Michael Lloyd (US guitarist/singer producer), Dan Nebenzal and Carmine Rubino
additional arranger:
John D’Andrea and Michael Lloyd (US guitarist/singer producer)
arranger:
Gene Page
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Music (in 1987) and Vestron Music Inc. (in 1987)
produced for:
Mike Curb Productions
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
(I’ve Had) The Time of My Life
lyricist:
Franke Previte
composer:
John DeNicola and Donald Markowitz
publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) (ended), Calspen Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Tunes LLC (ASCAP), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), Donald Jay Music, Ltd. (publisher) (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
part of:
The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
Bill Medley & Jennifer Warnes3.754:43
10The Winner Takes It All
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass guitar:
Mike Watson (English‐Swedish rock musician) (on 1980-06-06)
cello:
Olle Gustafsson (cellist) (on 1980-06-16) and Åke Olofsson (Swedish cellist) (on 1980-06-16)
drums (drum set):
Ola Brunkert (on 1980-06-06)
guitar:
Lasse Wellander (on 1980-06-06)
keyboard and synthesizer:
Benny Andersson (ABBA) (on 1980-06-06)
percussion:
Åke Sundqvist (on 1980-06-06)
viola:
Nils Heie (on 1980-06-16), Håkan Roos (Swedish violist) (on 1980-06-16) and Bo Söderström (Swedish violinist) (on 1980-06-16)
violin:
Martin Bylund (Swedish violinist) (on 1980-06-16), Anders Dahl (Swedish violinist) (on 1980-06-16), Lars Stegenberg (Swedish violinist) (on 1980-06-16), Gunnar Michols (Swedish violinist) (on 1980-06-16), Bernt Nylund (Swedish violinist) (on 1980-06-16), Bertil Orsin (Swedish violinist) (on 1980-06-16), Sixten Strömvall (Swedish violinist) (on 1980-06-16) and Harry Teike (on 1980-06-16)
background vocals:
Frida (Swedish singer and member of ABBA) (on 1980-06-06)
lead vocals:
Agnetha Fältskog (on 1980-06-06)
cello, viola and violin arranger:
Rutger Gunnarsson (in 1980)
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music International AB (in 1980)
recorded at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-06, on 1980-06-16)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1980-06-18)
part of:
The Downloader’s Music Source Book (number: 66)
recording of:
The Winner Takes It All (in 1980-06)
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
ABBA3.854:54
11Your Song
recording engineer and mixer:
Matt Lawrence
producer:
Ben Lovett (member of Mumford & Sons)
acoustic guitar:
Ellie Goulding
bass drum [kick drum] and piano:
Ben Lovett (member of Mumford & Sons)
cello:
Ruth de Turberville
timpani:
Matt Wiggins (engineer, producer)
background vocals:
Ben Lovett (member of Mumford & Sons) and Ruth de Turberville
vocals:
Ellie Goulding
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2010)
recorded at:
The Pool in Southwark, London (Greater London), England, United Kingdom and The Square (London)
cover recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ellie Goulding3.43:06
12Make Your Own Kind of Music
cover recording of:
Make Your Own Kind of Music
lyricist:
Cynthia Weil
composer:
Barry Mann
publisher:
Screen Gems-Columbia (publisher) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Paloma Faith2:42
13That Don’t Impress Me MuchShania Twain3.53:57
14Call the Shots
programming:
Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) and Toby Scott (UK pop producer and songwriter)
producer:
Brian Higgins (British producer and song writer) and Xenomania
mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
guitar:
Nick Coler and Owen Parker (UK composer, instrumentalist and producer)
keyboard:
Miranda Cooper, Matt Gray (UK techno DJ/producer, former video game composer), Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) and Toby Scott (UK pop producer and songwriter)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2007)
recording of:
Call the Shots
lyricist:
Miranda Cooper, Lisa Cowling, Tim Powell (Songwriter and producer, ex-Xenomania) and Giselle Sommerville
composer:
Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) and Giselle Sommerville
publisher:
Warner Chappell and Xenomania
Girls Aloud2.53:44
15Black Magic
programming:
Edvard Førre Erfjord, Henrik Michelsen and Matt Rad
engineer:
Chris Bishop (breakbeat, alias of Chris Bishop) and Electric (producer duo)
additional producer:
Matt Rad
assistant producer:
Sam Ellison
producer:
Electric (producer duo) and Maegan Cottone
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
instruments:
Edvard Førre Erfjord, Henrik Michelsen and Matt Rad
background vocals:
Camille Purcell (Camille Purcell)
vocals:
JADE (UK vocalist, member of Little Mix), Leigh‐Anne, Jesy Nelson and Perrie (English singer‐songwriter)
performer:
Little Mix (British girl group)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2021) and Warner Music UK Limited (not for release label use!) (in 2021)
recording of:
Black Magic
writer:
Camille Purcell (Camille Purcell), Ed Drewett, Edvard Førre Erfjord and Henrik Michelsen
publisher:
San Remo Music Limited, Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Little Mix3:30
16One Last Time
recording engineer:
Eric Weaver
programming:
Carl Falk (Swedish guitarist and songwriter), ILYA (Swedish/Iranian songwriter, producer, and singer), Max Martin (Swedish record producer), Rami (Swedish record producer and songwriter) and Shellback
engineer:
Peter Carlsson (engineer) and John Hanes (audio engineer, mixer) (task: mix engineered)
additional producer:
Savan Kotecha and Rami (Swedish record producer and songwriter)
co-producer:
ILYA (Swedish/Iranian songwriter, producer, and singer) and Giorgio Tuinfort
producer:
Carl Falk (Swedish guitarist and songwriter)
mixer:
Serban Ghenea
editor:
ILYA (Swedish/Iranian songwriter, producer, and singer) and Rami (Swedish record producer and songwriter)
guitar:
Carl Falk (Swedish guitarist and songwriter)
background vocals:
Savan Kotecha and Jeanette Olsson
phonographic copyright (℗) by:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2014) and Universal International (Japanese label; release must say “制作:Universal International” AND have no logos other than “Universal Music”) (in 2014)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and Kinglet Studios in Stockholm, Stockholms län (Stockholm county), Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
One Last Time by Ariana Grande
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 67) and BILLIONS CLUB
recording of:
One Last Time
writer:
Carl Falk (Swedish guitarist and songwriter), David Guetta, Savan Kotecha, Rami (Swedish record producer and songwriter) and Giorgio Tuinfort
publisher:
MXM Music AB, Piano Music, Piano Songs, Sony/ATV Songs LLC, Talpa Music, Team 2101 Songs and What a Publishing Limited
Ariana Grande4.23:15
17SorryJustin Bieber43:19
18MMMbop (original mix)
programming and engineer:
Mac Quale (US composer)
additional producer:
Stephen Lironi
producer:
The Dust Brothers (production duo John King & Mike Simpson)
recording of:
MMMbop
writer:
Isaac Hanson, Taylor Hanson and Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
Hanson3.23:55
19Pray
engineer:
Pete Craigie
additional producer:
Mark Beswick (task: vocal)
producer:
Paul Jervier, Steve Jervier and Jonathan Wales
lead vocals:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) and Robbie Williams
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1993)
recording of:
Pray
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and EMI-Music Publ. (do not use as a release label!)
Take That1.53:43
20You Raise Me Up
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (in 1984)
cover recording of:
You Raise Me Up
lyricist:
Brendan Graham (Irish songwriter)
composer:
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (from 2002 to present) and Universal Music Publishing AB (Sweden) (from 2002 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
You Raise Me Up
lyricist:
Brendan Graham (Irish songwriter)
composer:
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peer Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Peermusic (UK) Limited (from 2002 to present) and Universal Music Publishing AB (Sweden) (from 2002 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.254:00
2CD
#TitleArtistRatingLength
1I Will Always Love You
engineer:
David Reitzas, Bill Schnee and Peter Yianilos
executive producer:
Clive Davis (record producer, A&R executive and music industry chief executive) and Whitney Houston
producer:
David Foster (Canadian music producer, arranger and composer)
mixer:
David Reitzas
creative direction:
Rickey Minor (bass player, music director, composer, music producer)
solo saxophone:
Kirk Whalum
arranger:
David Foster (Canadian music producer, arranger and composer)
vocals arranger:
Whitney Houston
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1992)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
part of:
The Co-Op: Top 10 British Funeral Songs (number: 3), New York Post: 100 Greatest Covers (2007) (number: 59), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 60), Billboard: Greatest of All Time Hot 100 Songs (number: 60) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 94)
karaoke recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
cover recording of:
I Will Always Love You
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. and Velvet Apple Music
Whitney Houston4.54:31
2My Heart Will Go On
recording engineer:
Humberto Gatica and David Gleeson
miscellaneous support:
Emilie Charlap (task: orchestratra contractor) and Dan Shea (task: sound design)
additional drum machine [drum and rhythm] programming:
Dan Shea
drum machine [drum and rhythm] programming:
Walter Afanasieff
programming:
Dan Shea
assistant engineer:
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer and Greg Thompson (engineer, mixer)
engineer:
Humberto Gatica (lead vocals) and Dan Shea
co-producer:
James Horner (American score composer)
producer:
Walter Afanasieff
mixer:
Humberto Gatica
additional keyboard:
Dan Shea
bass synthesizer [synth bass], Hammond organ [Hammond B-3 organ] and keyboard:
Walter Afanasieff
fiddle [Irish fiddle]:
Paul Peabody (violinist)
guitar:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
background vocals:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens and Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
orchestrator:
William Ross (composer, orchestrator, arranger, conductor)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States and Wallyworld in San Rafael, California, United States
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
music videos:
My Heart Will Go On (love theme from Titanic) by Céline Dion
part of:
The Co-Op: Top 10 British Funeral Songs (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 279)
recording of:
My Heart Will Go On
lyricist:
Will Jennings
composer:
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
part of:
The 70th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1997 winner)
part of:
Titanic
Céline Dion4.354:38
3Beautiful
additional assistant engineer:
Andrew Chavez (engineer)
additional engineer:
David Guerrero
assistant engineer:
Rafael Serrano and Davy Vain
engineer:
Linda Perry (rock singer‐songwriter & producer) and Davy Vain (task: Pro Tools)
producer:
Linda Perry (rock singer‐songwriter & producer)
assistant mixer:
Ethan Willoughby
mixer:
Dave "Hard Drive" Pensado (mixer)
additional strings, bass guitar [bass], guitar [guitars] and piano:
Linda Perry (rock singer‐songwriter & producer)
cello:
Richard Dodd (cellist)
drums (drum set) [drums]:
Brian MacLeod (American drummer)
keyboard [keyboards]:
Damon Fox
strings:
The Section
viola:
Shanti Randall
violin:
Eric Gorfain
additional arranger:
Linda Perry (rock singer‐songwriter & producer)
mixed for:
Essential Arts Management, LTD
additionally recorded at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
mixed at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
engineered at:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, United States
music videos:
Beautiful by Christina Aguilera
part of:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (number: 17) and The Downloader’s Music Source Book (number: 260)
recording of:
Beautiful
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Stuck in the Throat
Christina Aguilera4.24:00
4Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:39
5Take Me Home, Country Roads
recording engineer:
Ray Hall (engineer)
assistant producer:
Jean Kaplow
producer:
Milt Okun
acoustic guitar [6-string guitar] and lead vocals:
John Denver
banjo and pedal steel guitar:
Eric Weissberg
double bass:
Dick Kniss
guitar:
Bill Danoff and Michael Taylor (Guitarist & former member of the John Denver Band)
membranophone:
Gary Chester (studio drummer and educator)
piano:
Frank Owens (American pianist)
background vocals:
Bill Danoff, Taffy Nivert and Starland Vocal Band
vocals:
John Denver
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 94) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 358)
recording of:
Take Me Home, Country Roads (on 1971-02-04)
anthem of:
West Virginia, United States
writer:
Bill Danoff, John Denver and Taffy Nivert
publisher:
BMG Ruby Songs, Dino Park Publishing, JD Legacy Publishing, My Pop’s Songs, Reservoir Media Music and Cherry Lane Music Publishing Company Inc. (in 1971)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
John Denver4.33:09
6A Little Less Conversation (JXL radio edit remix)
assistant engineer:
Dan Milazzo and Claudius Mittendorfer (engineer, producer, mixer)
engineer:
Ray Bardani
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1968-03-07 until 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 2002) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1968-03-07 until 1968-06-23)
mixed at:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
remix of:
A Little Less Conversation by Elvis Presley (“The King of Rock and Roll”)
cover recording of:
A Little Less Conversation (from 1968-03-07 until 1968-06-23)
writer:
Mac Davis (US country singer, songwriter & actor) and Billy Strange
publisher:
Carlin Music Corporation and Elvis Presley Music
Elvis Presley vs. JXL3.453:33
7Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:56
8California Girls (2001 remaster)
recording of:
California Girls
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys2:44
9Monday, Monday (single version)
The Mamas & the Papas3:24
10Unchained Melody (mono version)
engineer:
Larry Levine
producer:
Phil Spector
solo lead vocals:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographic copyright (℗) by:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (in 1965-03)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
The Righteous Brothers33:36
11It’s Not Unusual (2nd studio version)
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.51:59
12Shout
cover recording of:
Shout
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
part of:
MJ: The Musical
Lulu and the Luvvers2:51
13Where Did Our Love Go (single mono version)
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-04-08)
bass:
James Jamerson (on 1964-04-08)
drums (drum set):
Richard "Pistol" Allen (on 1964-04-08)
foot stomps [footstomps]:
Michael Valvano (on 1964-04-08)
guitar:
Robert White (US funk/soul guitarist) (on 1964-04-08) and Eddie Willis (on 1964-04-08)
piano:
Earl Van Dyke (on 1964-04-08)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-04-08)
background vocals:
Florence Ballard (on 1964-04-08) and Mary Wilson (on 1964-04-08)
lead vocals:
Diana Ross (on 1964-04-08)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-04-08)
recording of:
Where Did Our Love Go (on 1964-04-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
writer:
Holland / Dozier / Holland
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Supremes2:33
14I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
arranger:
The Corporation (Motown songwriters)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
lyricist and composer:
The Corporation (Motown songwriters)
publisher:
EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
MJ: The Musical
The Jackson 54.152:55
15Independent Women, Part I (#1's edit)
recording of:
Independent Women, Part I
writer:
Samuel Barnes, Beyoncé Knowles, Jean‐Claude Olivier (hip hop producer Jean Olivier, of Poke and Tone) and Cory Rooney
Destiny’s Child3:37
16Meet Me Halfway (radio edit)
The Black Eyed Peas3:45
17Whenever, Wherever
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning (US recording engineer)
programming:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
additional engineer:
Freddy Piñero, Jr.
assistant engineer:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
co-producer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
producer:
Shakira (Colombian singer-songwriter)
mixer:
Javier Garza
charango, quena and rondador:
Gustavo Patiño
drums (drum set):
Brendan Buckley
electric bass guitar:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist) and Brian Ray
guitar and mandolin:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
percussion:
Miriam Eli, Emilio Estefan, Jr. and Archie Peña
background vocals:
Rita Quintero
background vocals and lead vocals:
Shakira (Colombian singer-songwriter)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001)
co-produced for:
Crescent Moon, Inc.
recorded at:
Compass Point Studios in Nassau, Bahamas, Crescent Moon Studios in Miami, Florida, United States and The Hit Factory Criteria in Miami, Florida, United States
mixed at:
Crescent Moon Studios in Miami, Florida, United States
part of:
Billboard Year-End Hot 100 2002 (number: 28)
recording of:
Whenever, Wherever
lyricist:
Gloria Estefan and Shakira (Colombian singer-songwriter)
composer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer-songwriter)
publisher:
Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
translated version of:
Suerte
Shakira3.83:16
18Conga
producer:
Emilio Estefan, Jr.
performer:
Miami Sound Machine
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
lyricist and composer:
Enrique Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gloria Estefan and Miami Sound Machine3.854:14
19She Bangs (English edit)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2000)
recording of:
She Bangs
writer:
Walter Afanasieff, Desmond Child, Daniel Lopez (US spanish language songwriter), Glenn Monroig (cantautor puertorriqueño), Draco Rosa (Robert Edward Rosa Suárez aka Robi Draco Rosa) and Julia Sierra
Ricky Martin33:57
20Waiting for Tonight
additional programming:
Richie Jones and “Young” Dave Scheuer
assistant engineer:
Juan Bohorquez and Robb Williams
engineer:
Franklyn Grant (Sound engineer and producer), “Young” Dave Scheuer and Thomas R. Yezzi
additional producer:
Richie Jones
producer:
Ric Wake
mixer:
Dan Hetzel
drums (drum set) and percussion:
Richie Jones
keyboard [keyboards]:
Eric Kupper
background vocals:
Jane Barrett, Margaret Dorn and Maria Christiansen (songwriter, singer)
remixer:
Richie Jones
additional arranger:
Richie Jones and “Young” Dave Scheuer
arranger:
Richie Jones and Ric Wake
recorded at:
Cove City Sound Studios in Glen Cove, New York, United States, Sony Music Studios (NYC, closed 2007) in Hell's Kitchen, New York, New York, United States and The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Cove City Sound Studios in Glen Cove, New York, United States
a cappella versions:
Waiting for Tonight (A cappella) by Jennifer Lopez (American singer and actress aka J.Lo)
instrumental versions:
Waiting for Tonight (Instrumental) by Jennifer Lopez (American singer and actress aka J.Lo)
recording of:
Waiting for Tonight
lyricist and composer:
Maria Christensen (songwriter, singer), Michael Garvin (Nashville songwriter and producer) and Phil Temple (songwriter)
adaptations:
Una noche más
Jennifer Lopez3.54:05
3CD
#TitleArtistRatingLength
1Don’t Stop Movin’
additional programming:
Stephen Lipson, Chuck Norman and Richard Robson
programming and producer:
Simon Ellis (producer)
engineer:
James Reynolds (mixer/writer/music producer)
additional producer:
Stephen Lipson
mixer:
Heff Moraes
bass:
Ernie McKone
instruments:
Dave Rainger
keyboard:
Simon Ellis (producer)
additional lead vocals and additional soprano vocals:
Jo O’Meara
lead vocals:
Bradley McIntosh
conductor:
Nick Ingman
performer:
S Club 7 (formerly “S Club 7”)
arranger:
Nick Ingman
phonographic copyright (℗) by:
S Club Ltd. (in 2001) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
samples:
Billie Jean (album / single version) by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop Movin’ by S Club 7 (formerly “S Club 7”)
recording of:
Don’t Stop Movin’
writer:
Tina Barrett, Paul Cattermole, Simon Ellis (producer), Jonathan Lee (singer, S Club 7 & musicals), Bradley McIntosh, Jo O’Meara, Sheppard Solomon, Hannah Spearritt and Rachel Stevens
publisher:
19 Music Ltd., BMG Songs, Concord Entertainment Ltd, Irving Music, Inc., Jumbo Boom Boom Publishing, Rondor Music (London) Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
S Club 73.153:50
2One for Sorrow
recording of:
One For Sorrow
writer:
Lance Ellington (Strictly Come Dancing), Mark Topham and Karl Twigg
publisher:
All Boys Music Ltd.
Steps4:13
3Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.43:33
4Teardrops (7" edit)
Womack & Womack3:48
5Let’s Hear It for the Boy
producer:
George Duke
mixer:
Tom Perry (engineer), Tommy Vicari and Erik Zobler
analog synthesizer [Prophet V], electronic drum set [Linn Drums], Minimoog [Mini-Moog] and Moog [Memory Moog]:
George Duke
guitar:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
George Merrill, Shannon Rubicam and Deniece Williams (US soul/funk vocalist/songwriter)
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
lyricist:
Dean Pitchford
composer:
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 57th Academy Award for Best Original Song (number: 2)
Deniece Williams3.64:18
6Love’s Unkind
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1977) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1977)
recording of:
Love’s Unkind
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
Donna Summer24:27
7Copacabana (At the Copa)
edit of:
Copacabana by Barry Manilow
recording of:
Copacabana (original 1978 disco/pop song)
lyricist:
Jack Feldman and Bruce Sussman
composer:
Barry Manilow
publisher:
Appoggiatura Music, Inc., Camp Songs Music and Universal Music Careers
sub-publisher:
Chappell & Co Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Copacabana (1985 TV film soundtrack)
part of:
Foul Play (1978 film soundtrack)
Barry Manilow43:55
8Love Will Keep Us Together
Captain & Tennille3:18
9The Tide Is High (edit)
cover recording of:
The Tide Is High
additional writer:
Howard Barrett and Tyrone Evans
writer:
John Holt
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie3:47
10Red Red Wine (7" version)
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1983) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Bang Records (Bert Berns label) (in 1968)
UB403.83:01
11Karma Chameleon (remastered 2002)
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club44:09
12Together in Electric Dreams (remastered 2003)Philip Oakey & Giorgio Moroder2.353:51
13Say Hello, Wave Goodbye (7" single version)
engineer:
Don Wershba (engineer)
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
recorded at:
Camden Cell Studios
recording of:
Say Hello, Wave Goodbye
lyricist:
Marc Almond (English pop singer and songwriter)
writer:
Almond (English pop singer and songwriter) and David Ball (UK electronic musician, part of Soft Cell)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Metropolis Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and WB Music Corp. (1929–2019)
Soft Cell55:23
14Everybody Wants to Rule the World (7″ version)
recording of:
Everybody Wants to Rule the World
writer:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears4:09
15You Can Call Me Al
assistant engineer:
Mark Cobrin
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
baritone saxophone and bass saxophone:
Ronald E. Cuber
bass guitar:
Baghiti Khumalo
drums (drum set):
Isaac Mtshali
electric bass guitar [six-string electric bass] and background vocals:
Paul Simon (of Simon & Garfunkel)
guitar:
Chikapa “Ray” Phiri
guitar synthesizer:
Adrian Belew
percussion:
Ralph MacDonald
solo tin whistle [pennywhistle]:
Morris Goldberg (saxophonist and flutist)
synthesizer:
Rob Mounsey
trombone:
Kim Allan Cissel and David W. Bargeron (US trombonist & tubist)
trumpet:
Alan Rubin, John Faddis, Lewis Michael Soloff and Ronald E. Brecker
vocals:
Paul Simon (of Simon & Garfunkel)
horn arranger:
Rob Mounsey
additional arranger:
Chikapa “Ray” Phiri
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
You Can Call Me Al
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.44:38
16Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 208)
recording of:
Manic Monday
lyricist and composer:
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (publisher as Warner/Chappell Music) and WB Music Corp. (1929–2019)
The Bangles43:04
17Holding Out for a Hero
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
recording of:
Holding Out for a Hero
lyricist:
Dean Pitchford
composer:
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody and Sony/ATV Music Publishing LLC (1995–2020)
is based on:
Stark Raving Love
Bonnie Tyler4.154:22
18The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:52
19Bang Bang (1987 version)
recording of:
Bang Bang (My Baby Shot Me Down) (original version, first recorded by Cher)
lyricist and composer:
Sonny Bono
publisher:
April Music (private press label?), Chris Marc Music, Cotillion Music Inc. (BMI), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cher3:45
20Don’t Dream It’s Over
recording engineer:
Tchad Blake and Dennis Kirk
assistant engineer:
Glen Holguin (engineer)
producer:
Mitchell Froom
mixer:
Michael Frondelli
bass:
Nick Seymour
congas, mbira [kalimba] and shakers:
Jorge Bermudez
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric guitar [Gibson Les Paul Goldtop] and lead vocals:
Neil Finn
electric guitar [Tom Anderson “S” Style]:
Tim Pierce (US session guitarist)
keyboard and organ:
Mitchell Froom
background vocals:
Noel Crombie, Jim Gilstrap, Andy Milton and Joe Satriani
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, United States
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Don’t Dream It’s Over
lyricist and composer:
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing and Roundhead Music (Neil Finn)
part of:
APRA Top 100 New Zealand Songs of All Time (number: 2)
Crowded House3.93:50
4CD
#TitleArtistRatingLength
1Valerie (version revisited)
assistant recording engineer:
Iain Gore and Rohan Onraet
recording engineer:
Gabriel Roth, Taz Mattar, Dom Morley, Derek Pacuk and Mark Ronson (British DJ and producer)
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
baritone saxophone:
Ian Hendrickson-Smith
bass:
Nick Movshon
guitar:
Thomas Brenneck and Binky Griptite
membranophone:
Homer Steinweiss
percussion:
?uestlove (US drummer, producer and DJ)
tenor saxophone:
Neal Sugarman
trumpet:
Dave Guy
viola:
Rachel Bolt (violist), Peter Lale (violist), Ivo van der Werff and Bruce White (violist)
violin:
Mark Berrow (violinist), Thomas Bowes (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Rita Manning (violinist), Everton Nelson (violinist), Jonathan Rees, Jackie Shave, Emlyn Singleton (violinist), Cathy Thompson (violinist), David Woodcock (violinist) and Warren Zielinski (violinist)
guest lead vocals:
Amy Winehouse
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2007)
recorded at:
Allido Sound (studio for Mark Ronson's Allido label) in New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and SARM West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
Valerie
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Mark Ronson feat. Amy Winehouse43:40
2Rock DJ (remastered 2004)
Robbie Williams4:15
3Say You Won’t Let Go
phonographic copyright (℗) by:
Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 2016)
part of:
Billboard Year-End Hot 100 singles of 2017 (number: 11)
recording of:
Say You Won’t Let Go
composer:
James Arthur (British winner of X Factor), Andrew Frampton, Steve Kipner, Steven Miller (US producer, engineer), Danny O’Donoghue, Neil Ormandy and Mark Sheehan
James Arthur3.83:28
4She Will Be Loved
programming:
Sam Farrar
assistant engineer:
Posie Muliadi and Danny Wright (US engineer)
engineer:
Mike Landolt
producer and mixer:
Matt Wallace (US producer & engineer)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
recording of:
She Will Be Loved
lyricist and composer:
Adam Levine (Maroon 5’s lead vocalist) and James Valentine (Maroon 5)
publisher:
February Twenty Second Music Inc., Universal Music Careers, Universal Music–MGB Songs and Valentine, Valentine
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Maroon 53.554:16
5Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:02
6Chandelier
additional engineer:
Julian Burg and Alex Pasco
engineer and producer:
Greg Kurstin and Jesse Shatkin (American singer-songwriter, and record producer)
executive producer:
Sia (Australian singer‐songwriter)
assistant mixer:
Delbert Bowers (American engineer) and Chris Galland
mixer:
Manny Marroquin
drums (drum set):
Greg Kurstin and Jesse Shatkin (American singer-songwriter, and record producer)
guitar, mellotron and piano:
Greg Kurstin
keyboard:
Jesse Shatkin (American singer-songwriter, and record producer)
phonographic copyright (℗) by:
Monkey Puzzle Records (imprint of Monkey Puzzle Records Ltd.) (in 2014, in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 25), Rolling Stone: The 100 Best Songs of the 2010s (number: 27), Billboard Year-End Hot 100 singles of 2015 (number: 90), TheNeedleDrop: Top 100 Songs of the 2010s (number: 93), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 99) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 176)
recording of:
Chandelier
writer:
Jesse Shatkin (American singer-songwriter, and record producer) and Sia Furler (Sia, Australian singer‐songwriter)
publisher:
Aidenjulius Music, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing, Inc. and Sony/ATV Music Publishing LLC (1995–2020)
part of:
Moulin Rouge! The Musical: Act 2
Sia4.13:35
7Take Me to the Church (EP version)
producer:
Andrew Hozier-Byrne (Irish singer/songwriter) and Rob Kirwan
mixer:
Rob Kirwan
bass:
Alex Ryan (multi-instrumentalist)
cello:
Kate Ellis (Irish cellist)
drums (drum set) and percussion:
Fiachra Kinder
guitar, piano and synthesizer:
Andrew Hozier-Byrne (Irish singer/songwriter)
vocals:
Andrew Hozier-Byrne (Irish singer/songwriter)
phonographic copyright (℗) by:
Rubyworks (in 2013)
part of:
Billboard Year-End Hot 100 singles of 2015 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 481)
recording of:
Take Me to Church
lyricist, composer and arranger:
Andrew Hozier-Byrne (Irish singer/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and The Evolving Music Co. Ltd.
Hozier4.44:01
8Stay With Me
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 10) and Billboard Year-End Hot 100 singles of 2015 (number: 58)
recording of:
Stay With Me
additional writer:
Jeff Lynne and Tom Petty
writer:
Jimmy Napes, Sam Smith (English singer‐songwriter) and William Phillips
publisher:
EMI April Music Inc., Gone Gator Music (ASCAP affiliated) and Sony/ATV Music Publishing (UK) Ltd.
version of:
I Won’t Back Down
Sam Smith4.252:53
9This Town Ain’t Big Enough for Both of Us
Sparks3:04
10Livin’ Thing
engineer:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) and Duane Scott
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1976-07)
cello:
Melvyn Gale (in 1976-07) and Hugh McDowell (in 1976-07)
clavinet, Moog and piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1976-07)
guitar:
Jeff Lynne (in 1976-07) and Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
violin:
Mik Kaminski (in 1976-07)
background vocals:
Brie Brandt (in 1976-07), Kelly Groucutt (in 1976-07), Addie Lee (in 1976-07) and Patti Quatro (in 1976-07)
lead vocals:
Jeff Lynne (in 1976-07)
conductor:
Louis Clark (in 1976-07)
choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
orchestrator:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1976) and Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1994)
recorded at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, United Kingdom (in 1976-07) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1976-07)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
edited at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Livin’ Thing (in 1976-07)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.153:31
11Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:01
12Sugar Baby Love
recording of:
Sugar Baby Love (The Rubettes)
lyricist:
Wayne Bickerton
composer:
Tony Waddington
premiered by:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) and WB Music Corp. (1929–2019)
The Rubettes3:28
13Bye Bye Baby
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1974)
cover recording of:
Bye, Bye, Baby (Baby Goodbye) (in 1974)
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty. Limited (not for release label use!), Mushroom Music (Mushroom label’s publishing company), Saturday Music, Inc., Seasons Four Music Corp. and Seasons’ Four Music Inc.
Bay City Rollers42:48
14Living Next Door to Alice
associate producer:
Nicky Chinn
producer:
Mike Chapman (Australian producer and songwriter) and G. Kasper (German sound engineer & producer, "Mr. Cool")
phonographic copyright (℗) by:
Chinnichap Records Ltd. (in 1976) and RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
recording of:
Living Next Door to Alice (Original by New World)
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton and Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:26
15Virtual Insanity (remastered)
co-producer:
Jay Kay (English singer, Jamiroquai) and Al Stone (UK engineer)
conductor:
Simon Hale
strings arranger:
Simon Hale
arranger:
Jay Kay (English singer, Jamiroquai)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Virtual Insanity
writer:
Jay Kay (English singer, Jamiroquai) and Toby Smith
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Jamiroquai3.53:46
16King
additional producer:
Andy Smith (performs as Lxury)
producer:
Mark Ralph and Years & Years
assistant mixer:
Geoff Swan
mixer:
Mark “Spike” Stent (producer, engineer)
bass synthesizer [bass synth], hi-hat and percussion:
Michael Goldsworthy
drum machine [beats], effects [FX] and synthesizer [synth pads]:
Emre Turkmen
synthesizer [synth]:
Olly Alexander and Emre Turkmen
vocals:
Olly Alexander
phonographic copyright (℗) by:
Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2022, in 2024)
recording of:
King
lyricist and composer:
Olly Alexander, Michael Goldsworthy, Mark Ralph, Andy Smith (performs as Lxury) and Emre Turkmen
publisher:
Imagem Music BV, Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
Concord Music GmbH, Sony Music Publishing (Germany) GmbH and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Years & Years3.953:33
17Fast Car
phonographic copyright (℗) by:
Jonas Blue Music (in 2015) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2015)
cover recording of:
Fast Car
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
April Music Inc., EMI April Music Inc., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
Kobalt Music Publishing France, Kobalt Music Publishing Italia Ltd and Kobalt Music Publishing Ltd. (UK)
Jonas Blue feat. Dakota4.353:29
18Summertime Sadness (Cederic Gervais mix) (radio edit)
co-producer:
Rick Nowels
producer:
Emile Haynie (hip hop producer, aka "Emile")
additional mixer:
Duncan Fuller
additional guitar and additional keyboard:
Patrick Warren
additional strings:
Rick Nowels, Steve Tirpak and Patrick Warren
additional synthesizer [pads]:
Devrim Karaoğlu
drums (drum set) and keyboard:
Emile Haynie (hip hop producer, aka "Emile")
flute:
Dan Heath (production music)
vocals:
Lana Del Rey
conductor:
Larry Gold
remixer:
Cedric Gervais and Second Sun (Canadian electronic duo)
strings arranger:
Larry Gold
phonographic copyright (℗) by:
Lana Del Rey (in 2013)
remix of:
Summertime Sadness by Lana Del Rey
edit of:
Summertime Sadness (Cedric Gervais remix) by Lana Del Rey vs. Cedric Gervais
music videos:
Summertime Sadness (remix) (music video) by Lana Del Rey vs Cedric Gervais
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 418)
recording of:
Summertime Sadness
lyricist and composer:
Elizabeth Grant and Rick Nowels
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Lana Del Rey & Cedric Gervais3.83:35
19Summer
producer and mixer:
Calvin Harris (Scottish DJ and producer)
instruments, vocals and performer:
Calvin Harris (Scottish DJ and producer)
arranger:
Calvin Harris (Scottish DJ and producer)
recorded at:
Fly Eye Studios (London) in London (Greater London), England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2014 (number: 33)
recording of:
Summer
writer:
Adam Wiles
publisher:
EMI April Music Inc., Sony ATV/EMI Music Publishing and TSJ Merlyn Licensing B.V.
Calvin Harris4.053:39
20Three Lions ’98
producer:
Ian Broudie
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recording of:
Three Lions ’98 (re-recorded with different lyrics)
lyricist:
David Baddiel (comedian) and Frank Skinner (English writer and comedian)
composer:
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
revision of:
Three Lions
Baddiel, Skinner & The Lightning Seeds2.53:53

Credits

Release

ASIN:UK: B07Y4MVZJB [info]