| # | Title | Artist | Rating | Length |
|---|
| 1 | Groovy Times | Alan Price | | 5:35 |
| 2 | Wino Junko- assistant recording engineer and assistant mixer:
- Mark Vigars (from 1976-01-13 until 1976-03)
- recording engineer and mixer:
- Pete Henderson (from 1976-01-13 until 1976-03)
- producer:
- Paul McCartney
- lead vocals:
- Jimmy McCulloch (from 1976-01-13 until 1976-03)
- performer:
- Joe English (from 1976-01-13 until 1976-03), Denny Laine (from 1976-01-13 until 1976-03), Linda McCartney (from 1976-01-13 until 1976-03), Paul McCartney (from 1976-01-13 until 1976-03) and Jimmy McCulloch (from 1976-01-13 until 1976-03)
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1976-01-13, from 1976-01-13 until 1976-03)
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1976-01-13 until 1976-03)
- recording of:
- Wino Junko (from 1976-01-13 until 1976-03)
- lyricist and composer:
- Colin Allen and Jimmy McCulloch
| Paul McCartney & Wings | 4.65 | 5:20 |
| 3 | Not Guilty | George Harrison | | 3:33 |
| 4 | Bless You | John Lennon | | 4:37 |
| 5 | Silver Dreams, Golden Smiles | Santana | 2 | 4:09 |
| 6 | Lady Blue | George Benson | | 3:26 |
| 7 | Just the Two of Us | Grover Washington, Jr. feat. Bill Withers | 5 | 7:18 |
| 8 | When the Cookie Jar Is Empty | Michael Franks | | 5:09 |
| 9 | Creepin' | Stevie Wonder | 4 | 4:20 |
| 10 | Feel Like Makin' Love | Roberta Flack | | 2:55 |
| 11 | Little Darling (I Need You) | The Doobie Brothers | 3.35 | 3:24 |
| 12 | So Into You | Atlanta Rhythm Section | 5 | 4:18 |
| 13 | I Wouldn't Want to Be Like You | The Alan Parsons Project | 3.9 | 3:22 |
| 14 | Inner City Blues | Joe Cocker | | 5:51 |
| 15 | It's Ecstacy When You Lay Down Next to Me | Barry White | 3 | 6:57 |
| 16 | Nature Boy | George Benson | | 4:17 |
| 17 | One Bad Habit- recording engineer and mixer:
- Al Schmitt
- producer:
- André Fischer and Tommy LiPuma
- bass guitar:
- Dennis Belfield
- brass [horns]:
- Bill Reichenbach , Larry Hall , Jerry Hey, Kim Hutchcroft and Larry Williams
- drums (drum set) and percussion:
- André Fischer
- guitar:
- Eric Gale
- guitar [rhythm guitar]:
- David Spinozza
- Rhodes piano:
- Tennyson Stephens
- synthesizer:
- Larry Williams
- lead vocals:
- Michael Franks
- conductor:
- Bill Reichenbach and Larry Williams
- brass [horns] arranger:
- Bill Reichenbach and Larry Williams
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- One Bad Habit
- lyricist and composer:
- Michael Franks
- publisher:
- Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. and 大洋音楽
| Michael Franks | | 4:08 |
| 18 | Hard Times | Eric Clapton | 3.5 | 3:14 |
| 19 | Darlin' What Happened | B.B. King | | 5:22 |
| 20 | Break It to Me Gently | Brenda Lee | | 2:35 |
| 21 | Georgia on My Mind | Ray Charles | 4.2 | 3:35 |
| 22 | The Same Thing Again | Billy Preston | | 4:29 |
| 23 | I'd Rather Go Blind | Chicken Shack | | 3:12 |
| 24 | Little Girl Blue- producer:
- Gabriel Mekler
- lead vocals:
- Janis Joplin (on 1969-06-25)
- performer:
- Kozmic Blues Band (on 1969-06-25)
- cover recording of:
- Little Girl Blue (on 1969-06-25)
- lyricist:
- Lorenz Hart (in 1935)
- composer:
- Richard Rodgers (in 1935)
- arranger:
- Sarah Latto
- publisher:
- Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. , Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
- part of:
- Jumbo
| Janis Joplin | | 3:48 |
| 25 | I Can't Hold Out | Eric Clapton | 5 | 4:14 |
| 26 | I Don't Know | Oscar Benton | | 7:14 |
| 27 | Tell It Like It Is | Don Johnson | 2 | 4:31 |
| 28 | Makin' Whoopee | Dr. John & Rickie Lee Jones | | 4:07 |
| 29 | Baseball- recording engineer and mixer:
- Al Schmitt
- producer:
- André Fischer and Tommy LiPuma
- bass guitar:
- Neil Jason
- brass [horns]:
- Bill Reichenbach , Larry Hall , Jerry Hey, Kim Hutchcroft and Larry Williams
- drums (drum set):
- Rick Marotta
- guitar:
- David Spinozza
- percussion:
- Ray Armando
- Rhodes piano:
- Don Grolnick
- background vocals:
- Yolande Howard, Petsye Powell and Sylvia Shemwell
- lead vocals:
- Michael Franks
- conductor:
- Jerry Hey
- brass [horns] arranger:
- Jerry Hey
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Baseball
- lyricist and composer:
- Michael Franks
- publisher:
- Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. and 大洋音楽
| Michael Franks | | 3:47 |
| 30 | She's a Woman | Jeff Beck | | 4:29 |
| 31 | Something- engineer:
- Geoff Emerick , Jeff Jarratt , Glyn Johns and Phil McDonald
- producer:
- George Martin and Chris Thomas
- drums (drum set) [1968 Ludwig Hollywood Maple]:
- Ringo Starr (on 1969-05-02)
- electric bass guitar [1964 Rickenbacker 4001 S]:
- Paul McCartney (on 1969-05-05)
- electric guitar:
- George Harrison (on 1969-05-05, on 1969-08-15)
- electric guitar [1957 Gibson Les Paul Standard]:
- George Harrison (on 1969-05-02)
- Hammond organ:
- Billy Preston (from 1969-05-02 until 1969-08-15)
- handclaps:
- George Harrison (on 1969-07-16), Paul McCartney (on 1969-07-16) and Ringo Starr (on 1969-07-16)
- piano:
- John Lennon (on 1969-05-02)
- background vocals:
- Paul McCartney (on 1969-07-16)
- lead vocals:
- George Harrison (on 1969-07-16)
- strings arranger:
- George Martin
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1969, in 1987, in 2009) and The Gramophone Co., Ltd. (in 1969)
- recorded at:
- Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London , England, United Kingdom (on 1969-05-02), Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (on 1969-05-05), Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London , England, United Kingdom (on 1969-07-16, on 1969-08-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London , England, United Kingdom (on 1969-08-15)
- music videos:
- Something by The Beatles
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 110) and Rolling Stone: 500 Greatest Songs of All Time (number: 273)
- recording of:
- Something (from 1969-05-02 until 1969-08-15)
- lyricist and composer:
- George Harrison
- publisher:
- EMI Music Publishing , Harrisongs Ltd. and Nichion Synch Division
| The Beatles | 4.1 | 3:03 |
| 32 | Tell Me Why | Bee Gees | | 3:13 |
| 33 | If | Bread | 3.5 | 2:34 |
| 34 | It's Too Late | Carole King | 4 | 3:53 |
| 35 | Here Comes the Sun | George Benson | | 2:33 |
| 36 | World of Stone | George Harrison | 3 | 4:39 |
| 37 | He Tells Himself He's Happy- recording engineer and mixer:
- Al Schmitt
- producer:
- André Fischer and Tommy LiPuma
- bass guitar:
- Dennis Belfield
- brass [horns]:
- Bill Reichenbach , Larry Hall , Jerry Hey, Kim Hutchcroft and Larry Williams
- drums (drum set) and percussion:
- André Fischer
- guitar:
- Eric Gale
- piano and Rhodes piano:
- Tennyson Stephens
- background vocals:
- Yolande Howard, Petsye Powell and Sylvia Shemwell
- lead vocals:
- Michael Franks
- conductor:
- Larry Williams
- brass [horns] arranger:
- Larry Williams
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1980)
- recorded at and mixed at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and Power Station Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- He Tells Himself He’s Happy
- lyricist and composer:
- Michael Franks
- publisher:
- Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. and 大洋音楽
| Michael Franks | | 5:07 |
| 38 | Summer Soft | Stevie Wonder | 2 | 4:13 |
| 39 | Some Other Time | The Alan Parsons Project | 4.75 | 3:54 |
| 40 | I'll Be Waiting | Santana | | 3:10 |
| 41 | Mr. Bagatelle | Mud | | 3:13 |
| 42 | Highway Knees | T. Rex | 5 | 2:34 |
| 43 | Me and My Arrow | Harry Nilsson | 4 | 2:04 |
| 44 | Soul Satisfying | Bill Wyman | | 2:40 |
| 45 | We're Into Something Good | Roy Orbison | | 2:58 |
| 46 | Antonio's Song (The Rainbow) | Michael Franks | | 5:04 |
| 47 | Bonfire | Cat Stevens | 3.5 | 4:10 |
| 48 | What Does It Take (To Win Your Love) | Santana | | 3:25 |
| 49 | Shake It Down | Mud | | 3:49 |
| 50 | Silly Love Songs- assistant recording engineer and assistant mixer:
- Mark Vigars (from 1976-01-16 until 1976-03)
- recording engineer and mixer:
- Pete Henderson (from 1976-01-16 until 1976-03)
- producer:
- Paul McCartney
- bass and lead vocals:
- Paul McCartney (from 1976-01-16 until 1976-03)
- drums (drum set):
- Joe English (from 1976-01-16 until 1976-03)
- electric guitar:
- Jimmy McCulloch (from 1976-01-16 until 1976-03)
- horn:
- Howie Casey (from 1976-01-16 until 1976-03), Tony Dorsey (from 1976-01-16 until 1976-03), Steve Howard (from 1976-01-16 until 1976-03) and Thaddeus Richard (from 1976-01-16 until 1976-03)
- background vocals:
- Denny Laine (from 1976-01-16 until 1976-03), Linda McCartney (from 1976-01-16 until 1976-03) and Paul McCartney (from 1976-01-16 until 1976-03)
- conductor:
- Paul McCartney (from 1976-01-16 until 1976-03)
- strings arranger:
- Tony Dorsey
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 2014) and MPL Communications Ltd. (in 2014)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (on 1976-01-16, from 1976-01-16 until 1976-03)
- mixed at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom (from 1976-01-16 until 1976-03)
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 45) and Billboard: The 500 Best Pop Songs (number: 67)
- recording of:
- Silly Love Songs (from 1976-01-16 until 1976-03)
- lyricist and composer:
- Paul McCartney
- writer:
- Linda McCartney
- publisher:
- MPL Communications Ltd.
| Paul McCartney & Wings | 3.4 | 5:55 |
| 51 | Dreams | Fleetwood Mac | 4.25 | 4:16 |
| 52 | Waiting in Vain- assistant engineer:
- Terry Barham and Guy Bidmead
- engineer:
- Karl Pitterson
- producer:
- Bob Marley & The Wailers
- mixer:
- Aston Barrett, Chris Blackwell and Karl Pitterson
- acoustic guitar:
- Bob Marley (from 1977-01 until 1977-04)
- bass:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04)
- drums (drum set):
- Carlton Barrett (from 1977-01 until 1977-04)
- guitar:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04) and Junior Marvin (from 1977-01 until 1977-04)
- keyboard:
- Tyrone Downie (from 1977-01 until 1977-04)
- percussion:
- Aston “Familyman” Barrett (from 1977-01 until 1977-04), Carlton Barrett (from 1977-01 until 1977-04), Tyrone Downie (from 1977-01 until 1977-04), Bob Marley (from 1977-01 until 1977-04) and Alvin “Seeco” Patterson (from 1977-01 until 1977-04)
- background vocals:
- Tyrone Downie (from 1977-01 until 1977-04), Marcia Griffiths (from 1977-01 until 1977-04), Rita Marley (from 1977-01 until 1977-04) and Judy Mowatt (from 1977-01 until 1977-04)
- vocals:
- Bob Marley (from 1977-01 until 1977-04)
- phonographic copyright (℗) by:
- Island Records Ltd. (in 1977), Island Records, Inc. (in 1977) and The Island Def Jam Music Group (in 2001)
- mixed at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1977-03 until 1977-04)
- recording of:
- Waiting in Vain (from 1977-01 until 1977-04)
- lyricist and composer:
- Bob Marley
- publisher:
- Almo Music Corp. , Bob Marley Music, Bob Marley Music Inc., Copyright Control , Rondor Music (London) Ltd., Blue Mountain Music (in 1977), Fifty Six Hope Road Music Limited (in 1977) and Odnil Music Ltd. (in 1977)
| Bob Marley | 3.35 | 4:11 |
| 53 | Here Comes the Moon- engineer:
- Lee Herschberg, Phil McDonald and Kumar Shankar
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom and F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- remixed at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- recording of:
- Here Comes the Moon
- written in:
- Hawaii, United States (in 1978-02)
- writer:
- George Harrison (in 1978-02)
- publisher:
- Umlaut
| George Harrison | | 4:48 |
| 54 | Rio de Janeiro | Bill Wyman | | 4:16 |
| 55 | Sweet Jamaica | Cat Stevens | 2.85 | 3:31 |
| 56 | Tiger in the Rain- recording engineer and mixer:
- Glenn Berger
- assistant engineer:
- Howie Silberberg
- assistant producer:
- Bob Kuttruf
- producer:
- John Simon
- acoustic guitar:
- Bucky Pizzarelli (in 1978-11)
- double bass:
- Ron Carter (in 1978-11)
- drums (drum set):
- Ben Riley (in 1978-11)
- percussion:
- Rubens Bassini (in 1978-11)
- piano:
- Kenny Barron (in 1978-11)
- strings:
- Harold Coletta (in 1978-11), Lewis Eley (in 1978-11), Jesse Levy (in 1978-11), Charles Libove (in 1978-11), Guy Lumia (in 1978-11), Joe Malin (in 1978-11), Richard Maximoff (in 1978-11), Charles McCracken (in 1978-11), Tony Posk (in 1978-11), Alan Shulman (in 1978-11), Richard Sortomme (in 1978-11), Harry Urbont (in 1978-11) and Emanuel Vardi (in 1978-11)
- tenor saxophone:
- Seldon Powell (in 1978-11)
- vibraphone:
- Mike Mainieri (in 1978-11)
- lead vocals:
- Michael Franks
- arranger:
- John Simon
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979)
- produced for:
- Sundown Sound Production
- recorded at:
- A&R Recording Studio in New York, New York, United States (in 1978-11)
- mixed at:
- A&R Recording Studio in New York, New York, United States
- recording of:
- Tiger in the Rain
- lyricist and composer:
- Michael Franks
- publisher:
- Mississippi Mud Music Co., Warner–Tamerlane Publishing Corp. and 大洋音楽
| Michael Franks | | 4:18 |
| 57 | Above the Clouds | Paul Weller | | 3:50 |
| 58 | Visions | Bill Wyman | | 4:14 |
| 59 | Dark Sweet Lady- engineer:
- Lee Herschberg, Phil McDonald and Kumar Shankar
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom and F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- remixed at:
- F.P.S.H.O.T. in Henley-on-Thames, Oxfordshire, England, United Kingdom
- recording of:
- Dark Sweet Lady
- written in:
- Hawaii, United States (in 1978-02)
- writer:
- George Harrison (in 1978-02)
| George Harrison | | 3:22 |
| 60 | Life- producer:
- David Kershenbaum and Cat Stevens
- additional drums (drum set):
- Barry Morgan
- bass guitar:
- Bruce Lynch
- drums (drum set):
- Bill Berg
- electric piano, electronic organ [Yamaha E5AR organ], glockenspiel and synthesizer [ARP flutes]:
- Jean Roussel
- Moog [Polymoog], bouzouki, classical guitar, guitar [Ovation guitar], harpsichord [Baldwin electric harpischord], percussion and synthesizer [Yamaha GX1]:
- Cat Stevens
- vocals:
- Suzanne Lynch
- phonographic copyright (℗) by:
- Yusuf Islam (in 1977)
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1977) and Island Records Ltd. (in 1977)
- recorded at:
- CBS Studios in London , England, United Kingdom and Sound 80 Studios in Minneapolis, Minnesota, United States
- recording of:
- Life
- lyricist and composer:
- Cat Stevens
- publisher:
- Ashtar Music B.V.
| Cat Stevens | 4 | 4:56 |
| 61 | Monkey See (Monkey Do) | Michael Franks | | 3:35 |
| 62 | Have a Talk With God | Stevie Wonder | | 2:42 |
| 63 | Last Train to Clarksville | George Benson | | 5:01 |
| 64 | Marrakesh Express- recording engineer:
- Bill Halverson (in 1969)
- producer:
- David Crosby, Graham Nash and Stephen Stills
- mixer:
- David Crosby, Bill Halverson, Graham Nash and Stephen Stills
- acoustic guitar:
- Graham Nash (in 1969)
- bass guitar, guitar, organ and piano:
- Stephen Stills (in 1969)
- drums (drum set):
- Jim Gordon (in 1969)
- vocals:
- David Crosby (in 1969), Graham Nash (in 1969) and Stephen Stills (in 1969)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1969)
- recorded at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States (on 1969-02-22)
- mixed at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States
- recording of:
- Marrakesh Express (on 1969-02-22)
- lyricist and composer:
- Graham Nash
- publisher:
- Siquomb Pub. Corp.
| Crosby, Stills & Nash | 4 | 2:37 |
| 65 | Here, There and Everywhere | The Beatles | | 2:22 |
| 66 | You Can Try It | Nirvana | | 3:14 |
| 67 | Electric Slim & the Factory Hen | T. Rex | 5 | 3:04 |
| 68 | My Life Has Been a Song | Bee Gees | | 4:22 |
| 69 | Spring, Summer, Winter & Fall | Aphrodite’s Child | | 4:54 |
| 70 | Make It With You | Bread | 5 | 3:14 |
| 71 | Helplessly Hoping- recording engineer:
- Bill Halverson
- producer:
- David Crosby, Graham Nash and Stephen Stills
- mixer:
- David Crosby, Bill Halverson, Graham Nash and Stephen Stills
- acoustic guitar:
- Stephen Stills (on 1969-02-15)
- vocals:
- David Crosby (on 1969-02-15), Graham Nash (on 1969-02-15) and Stephen Stills (on 1969-02-15)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1969)
- recorded at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States (on 1969-02-15)
- mixed at:
- Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California, United States
- recording of:
- Helplessly Hoping (on 1969-02-15)
- lyricist and composer:
- Stephen Stills
- publisher:
- Gold Hill Music
| Crosby, Stills & Nash | 4.35 | 2:38 |
| 72 | Tequila Sunrise | Eagles | 3.75 | 2:54 |
| 73 | Sentimental Lady | Fleetwood Mac | | 4:30 |
| 74 | The 59th Street Bridge Song (Feelin' Groovy) | Simon & Garfunkel | 3.65 | 1:37 |
| 75 | Turning Tide | Bee Gees | | 3:11 |
| 76 | Sweet Surrender | Bread | | 2:36 |
| 77 | Uncle Albert/Admiral Halsey- assistant recording engineer:
- Ted Brosnan (from 1970-11-06 until 1971-04-07) and Dixon Van Winkle (from 1970-11-06 until 1971-04-07)
- recording engineer:
- Tim Geelan (from 1970-11-06 until 1971-04-07), Jim Guercio (from 1970-11-06 until 1971-04-07), Phil Ramone (from 1970-11-06 until 1971-04-07) and Armin Steiner (from 1970-11-06 until 1971-04-07)
- producer:
- Linda McCartney and Paul McCartney
- mixer:
- Eirik “The Norwegian” Wangberg (in 1971-04)
- acoustic guitar and electric guitar:
- Paul McCartney (from 1970-11-06 until 1971-04-07) and Hugh McCracken (from 1970-11-06 until 1971-04-07)
- bass, piano and lead vocals:
- Paul McCartney (from 1970-11-06 until 1971-04-07)
- brass:
- Raymond Crisara (from 1970-11-06 until 1971-04-07), Mel Davis (from 1970-11-06 until 1971-04-07), Marvin Stamm (from 1970-11-06 until 1971-04-07) and Snooky Young (from 1970-11-06 until 1971-04-07)
- drums (drum set):
- Denny Seiwell (from 1970-11-06 until 1971-04-07)
- strings:
- New York Philharmonic (from 1970-11-06 until 1971-04-07)
- synthesizer:
- Paul Beaver (from 1970-11-06 until 1971-04-07)
- violin:
- David Nadien (from 1970-11-06 until 1971-04-07)
- background vocals:
- Linda McCartney (from 1970-11-06 until 1971-04-07) and Paul McCartney (from 1970-11-06 until 1971-04-07)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. (in 1971, in 2012) and MPL Communications Ltd. (in 2012)
- recorded at:
- CBS Recording Studios in New York, New York, United States (on 1970-11-06), A&R Recording Studio in New York, New York, United States (from 1971-01-03 until 1971-01-11) and Sunset Sound in Hollywood, Los Angeles, California, United States (from 1971-03-01 until 1971-04-07)
- mixed at:
- Sunset Sound Recorders in Hollywood, Los Angeles, California, United States (in 1971-04)
- recording of:
- Uncle Albert/Admiral Halsey (from 1970-11-06 until 1971-04-07)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- MPL Communications Inc. and MPL Communications Ltd.
| Paul & Linda McCartney | 4 | 4:54 |
| 78 | Mystic Lady | T. Rex | | 3:11 |
| 79 | Never Been Alone | Bee Gees | | 3:15 |
| 80 | Sunny | José Feliciano | 4 | 3:34 |
| 81 | I Have to Say I Love in a Song | Jim Croce | 4.8 | 2:29 |
| 82 | Gasoline Alley Bred | The Hollies | 5 | 3:54 |
| 83 | Seasons in the Sun | Terry Jacks | 3.2 | 3:28 |
| 84 | Mighty Fine Time | Bill Wyman | | 3:36 |
| 85 | Picasso’s Last Words (Drink to Me)- assistant engineer:
- Monday (from 1973-09-01 until 1973-10) and Pete Swettenham (from 1973-09-01 until 1973-10)
- engineer:
- Geoff Emerick (from 1973-09-01 until 1973-10)
- producer:
- Paul McCartney
- mixer:
- Geoff Emerick (from 1973-10 until 1973-11)
- acoustic guitar and electric guitar:
- Denny Laine (from 1973-09-01 until 1973-10) and Paul McCartney (from 1973-09-01 until 1973-10)
- additional shakers:
- Ginger Baker (from 1973-09-01 until 1973-10)
- bass, drums (drum set), electric piano and lead vocals:
- Paul McCartney (from 1973-09-01 until 1973-10)
- shakers and background vocals:
- Denny Laine (from 1973-09-01 until 1973-10), Linda McCartney (from 1973-09-01 until 1973-10) and Paul McCartney (from 1973-09-01 until 1973-10)
- orchestra:
- Beaux Arts Orchestra (from 1973-09-01 until 1973-10)
- orchestrator:
- Tony Visconti
- recorded at:
- Arc Studio, Lagos in Lagos, Lagos , Nigeria (from 1973-09-01 until 1973-09-23) and Air Recording Studio No. 1 in London , England, United Kingdom (in 1973-10)
- mixed at:
- Kingsway Studios in Camden , London , England, United Kingdom (from 1973-10 until 1973-11)
- recording of:
- Picasso’s Last Words (Drink to Me) (from 1973-09-01 until 1973-10)
- written in:
- Montego Bay, Saint James , Jamaica
- lyricist and composer:
- Paul McCartney
- publisher:
- ATV Music Corp., McCartney Music Ltd. and McCartney Music, Inc.
| Paul McCartney & Wings | 3 | 5:49 |
| 86 | Method to My Madness | Bee Gees | | 3:10 |
| 87 | This Old Heart of Mine | Rod Stewart | | 4:04 |
| 88 | Stuck in the Middle | Grand Funk Railroad | | 3:03 |
| 89 | Everything We Know | Kim Wilde | 3.5 | 3:41 |
| 90 | Every Breath You Take- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4.1 | 4:13 |
| 91 | Some Guys Have All the Luck | Maxi Priest | | 3:34 |
| 92 | Mercy Mercy Me / I Want You | Robert Palmer | 3.5 | 5:50 |
| 93 | Gold | Spandau Ballet | 3.5 | 3:53 |
| 94 | Music | F.R. David | | 3:25 |
| 95 | Joy Inside My Tears | Stevie Wonder | 3 | 6:29 |
| 96 | Could You Be Loved | Bob Marley | 4 | 5:26 |
| 97 | Everything but Love | Alan Price | | 4:18 |
| 98 | Starship 109 | Mistral | | 2:59 |
| 99 | Words | F.R. David | 4.5 | 3:30 |
| 100 | I Just Called to Say I Love You | Stevie Wonder | 4 | 6:16 |
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