Monster '80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Everybody Wants to Rule the World
tecnico:
David Bascombe
produttore:
Chris Hughes (producer, aka “Merrick”)
tecnico di missaggio:
Steven Wilson (founder of Porcupine Tree)
batteria :
Manny Elias (nel 1984)
chitarra e chitarra solista :
Neil Taylor (guitarist) (nel 1984)
chitarra basso :
Curt Smith (nel 1984)
tastiera :
Ian Stanley (nel 1984)
voce di accompagnamento:
Roland Orzabal (UK musician, songwriter and producer) (nel 1984)
voce principale:
Curt Smith
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1985, nel 2014) e Phonogram Ltd. (not for release label use!) (nel 1985)
video musicali:
Everybody Wants to Rule the World di Tears for Fears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 28) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 319)
registrazione di:
Everybody Wants to Rule the World (nel 1984)
autore:
Christopher Merrick Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
editore:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Virgin Music (Publishers) Ltd.
sub-editore:
フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Tears for Fears3.94:14
2What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.752:58
3Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:47
4Jessie's Girl
produttore:
Keith Olsen (US producer and engineer)
arrangiatore:
Neil Geraldo, Keith Olsen (US producer and engineer) e Rick Springfield
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1981), BMG Music (nel 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 2001) e Wizard Records (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 20) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 55)
registrazione di:
Jessie’s Girl
paroliere e compositore:
Rick Springfield
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. e Wizard Music
Rick Springfield4.453:14
5One Thing Leads to Another
tecnico:
Stephen W. Tayler (UK engineer)
produttore:
Rupert Hine
batteria :
Adam Woods (drummer)
chitarra :
Jamie West‐Oram
tastiera :
Rupert Greenall
voce:
Cy Curnin
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990)
registrata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
video musicali:
One Thing Leads to Another di The Fixx
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 72)
registrazione di:
One Thing Leads to Another (The Fixx song)
autore e compositore:
Alfie Agius, Cy Curnin, Rupert Greenall, Jamie West‐Oram e Adam Woods (drummer)
The Fixx4.353:18
6Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:14
7Cars
tecnico e tecnico di missaggio:
Rikki Sylvan e Harvey Webb
produttore:
Gary Numan
batteria , batteria e tamburello e percussione :
Cedric Sharpley
chitarra basso :
Paul Gardiner
percussione [synthetic percussion] :
Gary Numan
tastiera :
Gary Numan e Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
voce principale:
Gary Numan (nel 1979)
diritti fonografici (℗) detenuti da:
Beggars Banquet (, nel 1979) e WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (nel 1979)
registrata presso:
Marcus Recording Studios (London) in London (Greater London), England, Regno Unito
video musicali:
Cars di Gary Numan
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 11), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 16) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 93)
registrazione di:
Cars
paroliere e compositore:
Gary Numan
autore:
Nick Hemming e Gary Numan
editore:
Beggars Banquet Music Ltd. e Momentum Music Ltd.
Gary Numan4.23:57
8Hazy Shade of Winter
produttore:
Rick Rubin (US record producer, former co‐president of Columbia Records)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1987)
video musicali:
Hazy Shade of Winter di The Bangles
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 3)
registrazione cover di:
A Hazy Shade of Winter
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music e Universal/MCA Music Ltd. (not for release label use!)
Bangles4.62:47
9Too Shy
programmazione degli strumenti:
Jez Strode
tecnico:
Colin Thurston
produttore:
Nick Rhodes e Colin Thurston
chitarra e ebow [e bow] :
Steve Askew
chitarra basso :
Nick Beggs
sintetizzatore :
Stuart Croxford Neale
voce aggiuntiva:
Nick Beggs e Stuart Croxford Neale
voce principale:
Limahl
arrangiatore:
Kajagoogoo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982, nel 1983)
video musicali:
Too Shy di Kajagoogoo
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 9) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 27)
registrazione di:
Too Shy
paroliere:
Nick Beggs e Christopher Hamill
compositore:
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale e Jez Strode
editore:
EMI Songs e Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.653:41
10Goody Two Shoes
produttore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
batteria :
Bogdan Wiczling
chitarra acustica e chitarra basso :
Adam Ant (English new wave singer and actor)
sassofono :
Jeff Daly
tromba :
Martin Drover
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1982-06)
remixata presso:
Alchemy Studio (London studio owned by Kenny Jones) in London (Greater London), England, Regno Unito (nel 1982-06)
video musicali:
Goody Two Shoes di Adam Ant (English new wave singer and actor)
parte di:
The Downloader’s Music Source Book (numero: 149)
registrazione di:
Goody Two Shoes
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1982)
Adam Ant2.353:32
11I Ran (So Far Away)
tecnico di registrazione:
Mike Score
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
batteria :
Ali Score
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
tastiera e voce principale:
Mike Score
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982), Zomba Productions Limited (nel 1982) e Zomba Records Limited (not strictly a label - avoid adding releases here) (nel 1986)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
video musicali:
I Ran di A Flock of Seagulls
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 55)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:06
12Voices Carry
assistente tecnico:
Jeff Lippay e Mike Krowiak
tecnico:
Domenic Maita
produttore:
Mike Thorne (UK producer & keyboardist)
assistente tecnico di missaggio:
Moira Marquis
tecnico di missaggio:
Bob Clearmountain e Harvey Goldberg
batteria e percussione :
Michael Hausman
chitarra :
Robert Holmes (guitarist, member of 'Til Tuesday)
chitarra basso :
Aimee Mann
pianoforte e sintetizzatore :
Joey Pesce
voce:
Aimee Mann, Joey Pesce e Robert Holmes (guitarist, member of 'Til Tuesday)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
registrata presso:
RPM Studios in New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 56)
registrazione di:
Voices Carry
paroliere:
Aimee Mann
compositore:
Michael Hausman, Robert Holmes (guitarist, member of 'Til Tuesday), Aimee Mann e Joey Pesce
editore:
'til tunes associates e Intersong U.S.A. (publisher)
’Til Tuesday4.554:22
13Working for the Weekend
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer) e Rob Porter
tecnico:
Bob Rock e Keith Stein
produttore:
Paul Dean (Canadian guitarist) e Bruce Fairbairn
batteria :
Matt Frenette
chitarra e voce di accompagnamento:
Paul Dean (Canadian guitarist)
chitarra basso :
Scott Smith (Canadian bassist for Loverboy)
tastiera :
Doug Johnson (Canadian keyboardist for Loverboy)
voce principale:
Mike Reno
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Mushroom Studios in Vancouver, British Columbia (Columbia Britannica), Canada
mixata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 100)
registrazione di:
Working for the Weekend
autore:
Paul Dean (Canadian guitarist), Matt Frenette e Mike Reno
Loverboy4.23:42
14If This Is It
tecnico di registrazione:
Jim Gaines
produttore:
Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Bob Clearmountain
batteria :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra [lead] :
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce principale:
Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983), Chrysalis Records, Inc. (not for release label use!) (nel 1999) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2013)
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
registrazione di:
If This Is It
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Huey Lewis
editore:
Hulex Music (publisher)
Huey Lewis & the News3.83:52
15Our House
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 13) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 29)
registrazione di:
Our House
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Graham McPherson, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness3.93:21
16I Melt With You
tecnico e produttore:
Hugh Jones (UK producer)
batteria [drums] e percussione :
Richard Brown (Modern English)
chitarra :
Gary McDowell
chitarra basso [bass] e violino :
Michael Conroy
tastiera [keyboards] :
Stephen Walker (of Modern English)
voce:
Robbie Grey
lavorazione tecnica effettuata presso:
Rockfield in Monmouth, Monmouthshire, Wales, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 7)
registrazione di:
I Melt With You
autore:
Richard Brown (Modern English), Michael Conroy, Robbie Grey, Gary McDowell e Stephen Walker (of Modern English)
editore:
Universal–Songs of PolyGram International, Inc.
Modern English43:49
17Everybody Have Fun Tonight
registrazione di:
Everybody Have Fun Tonight
autore:
Nick Feldman, Jack Hues e Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
editore:
Chong Music Ltd., Spirit One Music e Warner Bros. Music Co., Ltd.
Wang Chung4.54:17
18You Spin Me 'Round (Like a Record)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 19)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive44:27
2▼CD
#TitoloArtistaValutazioneDurata
1Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:26
2Do You Really Want to Hurt Me?
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
3Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a-ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:50
4Sunglasses at Night
registrazione di:
Sunglasses at Night
paroliere e compositore:
Corey Hart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edition Meridian
Corey Hart3:55
5Hold Me Now
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4:16
6She Blinded Me With Science
programmazione degli strumenti:
Thomas Dolby
produttore:
Thomas Dolby e Tim Friese‐Greene
moog [Moog bass] ospite :
Matthew Seligman (nel 1982-08)
violino :
Simon House (nel 1982-08)
voce:
Thomas Dolby (nel 1982-08)
voce di accompagnamento:
Robert John “Mutt” Lange (Robert John Lange) (nel 1982-08) e Miriam Stockley (nel 1982-08)
voce parlata:
Magnus Pyke (nel 1982-08)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1983)
registrata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito (nel 1982-08)
mixata presso:
Odyssey Studio (London) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 76)
registrazione di:
She Blinded Me With Science (nel 1982-08)
paroliere:
Thomas Dolby e Tim Kerr (songwriter working with Thomas Dolby)
compositore:
Thomas Dolby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Participation Music Inc.
Thomas Dolby43:42
7Who Can It Be Now?
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Who Can It Be Now?
paroliere e compositore:
Colin Hay
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Men at Work4.43:22
8Broken Wings
tecnico:
Paul DeVilliers
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister4.24:38
9Der Kommissar
produttore:
ATF e John Eden (producer)
batteria :
Peter King (UK drummer for After the Fire/BAP) (nel 1982)
chitarra :
John Russell (British guitarist, member of After The Fire) (nel 1982)
chitarra basso e voce principale:
Andy Piercy (nel 1982)
tastiera :
Peter 'Memory' Banks (keyboard player) (nel 1982)
voce:
Peter 'Memory' Banks (keyboard player) (nel 1982) e John Russell (British guitarist, member of After The Fire) (nel 1982)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 51) e The Downloader’s Music Source Book (numero: 250)
registrazione cover di:
Der Kommissar (English version) (nel 1982)
paroliere:
Johann Hölzel (Austrian pop & rock musician)
compositore:
Robert Ponger
traduttore:
Andy Piercy
editore:
IQ Music Ltd.
versione tradotta di:
Der Kommissar
After the Fire54:07
10Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:20
11Caribbean Queen (No More Love on the Run)
registrazione di:
Caribbean Queen
autore:
Keith Diamond e Billy Ocean
Billy Ocean53:43
12Mickey
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 43), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 57) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 497)
registrazione cover di:
Kitty (more well known as "Mickey")
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
versione tradotta di:
Mickey
Toni Basil3.84:14
13Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:40
14Stray Cat Strut
registrazione di:
Stray Cat Strut
paroliere e compositore:
Brian Setzer
editore:
Zomba Enterprises, Inc.
Stray Cats3:17
15True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:36
16Come Dancing
registrazione di:
Come Dancing
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Davray Music Ltd.
The Kinks3:57
17Always Something There to Remind Me
produttore:
Tony Mansfield (producer & songwriter)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1982-09)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Naked Eyes4.33:39