| # | Title | Artist | Rating | Length |
|---|
| 1 | The Boys Are Back in Town | Thin Lizzy | 4.35 | 4:24 |
| 2 | Feels Like the First Time | Foreigner | | 3:12 |
| 3 | Hold the Line | Toto | 3.7 | 3:31 |
| 4 | Baby Hold On | Eddie Money | 4.5 | 3:30 |
| 5 | Any Way You Want It | Journey | 4.15 | 3:22 |
| 6 | Come Sail Away | Styx | | 3:06 |
| 7 | Locomotive Breath- engineer:
- John Burns
- executive producer:
- Terry Ellis
- producer:
- Ian Anderson and Terry Ellis
- acoustic guitar and flute and lead vocals:
- Ian Anderson (on 1971-02-12)
- bass guitar and treble recorder / alto recorder:
- Jeffrey Hammond Hammond (on 1971-02-12)
- drums (drum set) and percussion:
- Clive Bunker (on 1971-02-12)
- electric guitar and soprano recorder:
- Martin Barre (on 1971-02-12)
- Hammond organ, piano, piano accordion and synthesizer and mellotron, organ and piano:
- John Evan (on 1971-02-12)
- conductor:
- Dee Palmer (on 1971-02-12)
- remixer:
- Robin Black
- orchestrator:
- Dee Palmer
- phonographic copyright (℗) by:
- Chrysalis Records Ltd. (in 1971)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (on 1971-02-12)
- remixed at:
- Morgan Studios in Willesden, Brent , London , England, United Kingdom
- recording of:
- Locomotive Breath (on 1971-02-12)
- lyricist and composer:
- Ian Anderson
| Jethro Tull | 4.45 | 4:23 |
| 8 | Crazy on You | Heart | | 4:17 |
| 9 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:11 |
| 10 | Lola | The Kinks | | 4:00 |
| 11 | 25 or 6 to 4 | Chicago | | 2:51 |
| 12 | Take the Money and Run | Steve Miller Band | | 2:50 |
| 13 | Blinded by the Light | Manfred Mann’s Earth Band | 4.5 | 3:48 |
| 14 | Paradise by the Dashboard Light (medley) | Meat Loaf | 4.2 | 8:30 |
| 15 | I Want You to Want Me (live)- recording engineer:
- 鈴木智雄 (from 1978-04-28 until 1978-04-30)
- assistant engineer:
- Mike Beriger
- engineer:
- Gary Ladinsky
- producer:
- Cheap Trick and Jack Douglas
- mixer:
- Cheap Trick, Gary Ladinsky and Jay Messina (in 1978)
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1977), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), EPC (in 1978), Epic/Sony Inc. (in 1978, in 1979), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Nippon Budokan in Kitanomaru Kōen, Chiyoda , Tokyo, Japan (from 1978-04-28 until 1978-04-30)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978)
- live recording of:
- I Want You to Want Me (from 1978-04-28 until 1978-04-30)
- lyricist and composer:
- Rick Nielsen
- publisher:
- Copyright Control , EMI Music Publishing , Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (in 1977)
- part of:
- 10 Things I Hate About You
| Cheap Trick | 3.85 | 3:36 |
| 16 | Do You Feel Like We Do (live) | Peter Frampton | 5 | 7:17 |
| 17 | Free Bird | Lynyrd Skynyrd | 4.8 | 9:06 |
| 18 | Ramblin’ Man- engineer:
- Johnny Sandlin , Ovie Sparks and Buddy Thornton
- producer:
- The Allman Brothers Band and Johnny Sandlin
- bass:
- Berry Oakley (in 1972-10)
- congas:
- Jai Johanny Johanson (in 1972-10)
- drums (drum set):
- Jai Johanny Johanson (in 1972-10) and Butch Trucks (in 1972-10)
- guitar:
- Les Dudek (in 1972-10)
- guitar [lead guitar] and lead vocals:
- Dickey Betts (in 1972-10)
- organ:
- Gregg Allman (in 1972-10)
- piano and background vocals:
- Gregg Allman (in 1972-10) and Chuck Leavell (in 1972-10)
- vocals:
- Gregg Allman (in 1972-10)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1973) and The Island Def Jam Music Group (in 2013)
- recorded at:
- Capricorn Sound Studio in Macon, Georgia, United States (in 1972-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- Ramblin’ Man (in 1972-10)
- lyricist and composer:
- Dickey Betts
- publisher:
- F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Australia Pty. Ltd.
| The Allman Brothers Band | 4.5 | 4:48 |
| 19 | Feelin’ Alright | Joe Cocker | | 4:09 |
| 20 | Maggie May- producer:
- Rod Stewart
- 12 string guitar, bass guitar and electric guitar:
- Ronnie Wood (in 1971)
- acoustic guitar:
- Martin Quittenton (in 1971)
- celesta:
- Pete Sears (in 1971)
- cymbal and membranophone:
- Micky Waller (in 1971)
- Hammond organ:
- Ian McLagan (in 1971)
- mandolin:
- Ray Jackson (in 1971) and David Lindley (in 1971)
- lead vocals:
- Rod Stewart (in 1971)
- phonographic copyright (℗) by:
- Mercury Records Inc. (in 1971), PolyGram Records, Inc. (in 1971), The Island Def Jam Music Group (in 1971) and UMG Recordings, Inc. (in 1971)
- recording of:
- Maggie May (in 1971)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.2 | 5:14 |
| 21 | American Pie- engineer:
- Tom Flye
- producer:
- Ed Freeman
- electric guitar:
- David Spinozza (from 1971-05 until 1971-06)
- piano:
- Paul Griffin (from 1971-05 until 1971-06)
- vocals:
- Don McLean (from 1971-05 until 1971-06)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1971, in 2000)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 131)
- recording of:
- American Pie (from 1971-05 until 1971-06)
- lyricist and composer:
- Don McLean
- publisher:
- Benny Bird Co. Inc. , Illegal Songs Inc., Mayday Music, MCA Music , MCA Music Publishing , MCA Publishing Ltd., Songs of Universal, Inc. , Universal , Universal Music Publishing Ltd. , Universal Records , Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Don McLean | 4.3 | 8:32 |
| 22 | The Weight | The Band | 4.1 | 4:34 |
| 23 | Fooled Around and Fell in Love | Elvin Bishop | | 4:35 |
| 24 | Get Ready | Rare Earth | | 2:52 |
| 25 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:56 |
| 26 | Stuck in the Middle With You | Stealers Wheel | 4 | 3:24 |
| 27 | Signs | Five Man Electrical Band | | 3:03 |
| 28 | Free Ride | The Edgar Winter Group | 4.65 | 3:08 |
| 29 | Rock and Roll, Hoochie Koo | Rick Derringer | 3 | 3:43 |
| 30 | Black Magic Woman- recorded in:
- San Francisco, California, United States (in 1970-06)
- engineer:
- David Brown and John Fiore
- producer:
- Fred Catero and Santana
- bass guitar:
- David Brown (from 1970-06-04 until 1970-06-05)
- congas:
- José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
- congas and percussion:
- Michael Carabello (from 1970-06-04 until 1970-06-05)
- congas, percussion and timbales and timbales:
- José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
- drums (drum set):
- Michael Shrieve (from 1970-06-04 until 1970-06-05)
- guitar:
- Carlos Santana (from 1970-06-04 until 1970-06-05)
- keyboard and lead vocals:
- Gregg Rolie (from 1970-06-04 until 1970-06-05)
- percussion:
- Rico Reyes (from 1970-06-04 until 1970-06-05)
- tabla:
- Steven Saphore (from 1970-06-04 until 1970-06-05)
- background vocals:
- Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
- vocals:
- Gregg Rolie (in 1970-06)
- arranger:
- Santana
- phonographic copyright (℗) by:
- CBS, Inc. (in 1970) and Sony Music Entertainment Inc. (in 1970)
- recorded at:
- Wally Heider Studios in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
- cover recording of:
- Black Magic Woman (in 1970-06)
- lyricist and composer:
- Peter Green
- publisher:
- Bourne Music Ltd., Copyright Control , King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
- cover recording of:
- Gypsy Queen (in 1970-06)
- composer:
- Gábor Szabó (in 1966)
- publisher:
- Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
| Santana | 4.15 | 5:19 |
| 31 | American Woman- producer:
- Nimbus 9 and Jack Richardson
- phonographic copyright (℗) by:
- RCA (in 1970) and Sony Music Entertainment (in 1972)
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 3) and Huffington Post: 100 Best Canadian Songs Ever (number: 4)
- recording of:
- American Woman (from 1969-08 until 1969-11)
- writer:
- Randy Bachman , Burton Cummings, Jim Kale and Garry Peterson
- publisher:
- BMG Rights Management (UK) Ltd. , Bug Music , Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control , Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music and Unichappell Music, Inc.
| The Guess Who | 4.1 | 5:06 |
| 32 | Evil Woman- engineer:
- Jimmy Iovine and Reinhold Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (from 1975-05 until 1975-06)
- cello:
- Melvyn Gale (from 1975-05 until 1975-06) and Hugh McDowell (from 1975-05 until 1975-06)
- clavinet, Moog and piano:
- Richard Tandy (from 1975-05 until 1975-06)
- drums (drum set) and percussion:
- Bev Bevan (from 1975-05 until 1975-06)
- guitar:
- Jeff Lynne (from 1975-05 until 1975-06) and Richard Tandy (from 1975-05 until 1975-06)
- violin:
- Mik Kaminski (from 1975-05 until 1975-06)
- background vocals:
- Susan Collins (from 1975-05 until 1975-06), Ellie Greenwich (from 1975-05 until 1975-06), Nancy O'Neill (from 1975-05 until 1975-06) and Margaret Raymond (from 1975-05 until 1975-06)
- lead vocals:
- Jeff Lynne (from 1975-05 until 1975-06)
- conductor:
- Louis Clark
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 1975, in 2005) and Sony Music Entertainment Inc. (in 1975)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (from 1975-05 until 1975-06), Musicland Studios in München , Bayern , Germany (from 1975-05 until 1975-06) and The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975-05 until 1975-06: background vocals)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- Evil Woman (from 1975-05 until 1975-06)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Electric Light Orchestra | 4.1 | 4:18 |
| 33 | Changes | David Bowie | 5 | 3:33 |
| 34 | I’ve Seen All Good People: Your Move / All Good People- engineer:
- Eddy Offord
- producer:
- Eddy Offord and Yes
- bass pedals and electric bass guitar:
- Chris Squire (from 1970-10 until 1970-11)
- drums (drum set):
- Bill Bruford (from 1970-10 until 1970-11)
- electric guitar and Portuguese guitar [vachalia]:
- Steve Howe (from 1970-10 until 1970-11)
- guest recorder:
- Colin Goldring (from 1970-10 until 1970-11)
- Hammond organ and piano:
- Tony Kaye (from 1970-10 until 1970-11)
- percussion:
- Jon Anderson (from 1970-10 until 1970-11) and Bill Bruford (from 1970-10 until 1970-11)
- background vocals:
- Jon Anderson (from 1970-10 until 1970-11), Steve Howe (from 1970-10 until 1970-11) and Chris Squire (from 1970-10 until 1970-11)
- lead vocals:
- Jon Anderson (from 1970-10 until 1970-11)
- phonographic copyright (℗) by:
- WEA International Inc. (in 1971)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (from 1970-10 until 1970-11)
- recording of:
- I’ve Seen All Good People (from 1970-10 until 1970-11)
- writer:
- Jon Anderson and Chris Squire
- publisher:
- Cotillion Music Inc. , Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. and Yessongs Ltd.
- quotes lyrics from:
- Give Peace a Chance
| Yes | 4 | 6:54 |
| 35 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:12 |
| 36 | Hold Your Head Up | Argent | | 6:10 |
| 37 | Long Cool Woman (In a Black Dress) | The Hollies | 4.2 | 3:16 |
| 38 | Gimme Some Lovin’- recording of:
- Gimme Some Lovin’
- writer:
- Spencer Davis, Muff Winwood and Steve Winwood
- publisher:
- Kobalt Music Publishing Ltd. , Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. , Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. , Warner Chappell Music Ltd. , Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
| The Spencer Davis Group | | 2:59 |
| 39 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.25 | 3:05 |
| 40 | Bang a Gong (Get It on)- engineer:
- Roy Thomas Baker , Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4.65 | 4:22 |
| 41 | Ballroom Blitz | The Sweet | 4.6 | 4:01 |
| 42 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music and Universal Music Publishing
| Free | 4.15 | 5:30 |
| 43 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4 | 2:53 |
| 44 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:28 |
| 45 | Detroit Rock City | KISS | 4.8 | 5:15 |
| 46 | Hair of the Dog | Nazareth | 3.5 | 4:10 |
| 47 | (Don’t Fear) The Reaper- recording engineer:
- Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
- engineer:
- Andy Abrams and Shelly Yakus
- producer:
- Murray Krugman, David Lucas and Sandy Pearlman
- mixer:
- Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Sony BMG Music Entertainment (in 1976) and Sony Music Entertainment Inc. (in 1976)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1976-03)
- mixed at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 55)
- recording of:
- (Don’t Fear) The Reaper (in 1976-03)
- lyricist and composer:
- Donald Roeser
- publisher:
- Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC , Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (in 1976)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Blue Öyster Cult | 4.55 | 5:09 |
| 48 | Radar Love- recording engineer:
- Pieter Nieboer
- executive producer:
- Fred Haayen
- producer:
- Golden Earring
- mixer:
- Damon Lyon-Shaw
- acoustic guitar and electric guitar:
- George Kooymans
- drums (drum set) and percussion:
- Cesar Zuiderwijk
- electric bass guitar and keyboard:
- Rinus Gerritsen
- slide guitar:
- Eelco Gelling
- vocals:
- Barry Hay and George Kooymans
- arranger:
- Golden Earring
- phonographic copyright (℗) by:
- Dutch Record Company (in 1973), Polydor B.V. (in 1973), Red Bullet Productions B.V. (in 1973), Track Records Ltd. (in 1973) and Geffen Records (in 1974)
- produced for:
- Red Bullet Productions
- recorded at:
- Phonogram Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands
- mixed at:
- IBC Studios in London , England, United Kingdom
- recording of:
- Radar Love
- lyricist:
- Barry Hay
- composer:
- George Kooymans
- publisher:
- Dayglow Music , Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music and Sony/ATV Music Publishing
| Golden Earring | 4.3 | 6:24 |
| 49 | Don’t Look Back | Boston | 3 | 5:57 |
| 50 | Flirtin’ With Disaster | Molly Hatchet | 4 | 4:59 |
| 51 | Werewolves of London | Warren Zevon | 4.9 | 3:25 |
| 52 | The House Is Rockin’- additional engineer:
- Richard McKernen
- assistant engineer:
- Bob Lacivita, Jim Champagne, Ryan Dorn, Danny Jones and Evan Rush
- engineer:
- Jim Gaines and Richard Mullen
- producer:
- Jim Gaines and Stevie Ray Vaughan and Double Trouble
- mixer:
- Jim Gaines and Dave McNair
- bass guitar:
- Tommy Shannon (on 1989-02-10)
- drums (drum set) and percussion:
- Chris Layton (on 1989-02-10)
- guitar:
- Stevie Ray Vaughan (on 1989-02-10)
- keyboard:
- Reese Wynans (on 1989-02-10)
- vocals:
- Stevie Ray Vaughan (on 1989-02-10)
- mixed at:
- Kiva Studios in Memphis, Tennessee, United States, Sound Castle Recording Studios in Silver Lake, Los Angeles, California, United States and Summa Studios in Los Angeles, California, United States
- recording of:
- The House Is Rockin’ (on 1989-02-10)
- writer:
- Doyle Bramhall and Stevie Ray Vaughan
- publisher:
- Hello Mr. Wilson, Stevie Ray Songs and Two Thirty Music
| Stevie Ray Vaughan and Double Trouble | 4 | 2:24 |
| 53 | One Bourbon, One Scotch, One Beer (live) | George Thorogood & the Destroyers | 5 | 5:48 |
| 54 | Hold On Loosely- engineer:
- “Lightnin’ Rod” Mills and Gregory M. Quesnel
- associate producer:
- Don Barnes and Jeff Carlisi
- producer:
- Rodney Mills
- bass guitar:
- Larry Junstrom
- drums (drum set):
- Jack Grondin and Steve Brookins
- guitar:
- Don Barnes and Jeff Carlisi
- background vocals:
- Don Barnes and Carol Veto
- lead vocals:
- Don Barnes and Donnie Van Zant
- phonographic copyright (℗) by:
- A&M Records (in 1980), A&M Records, Inc. (in 1980), UMG Recordings, Inc. (in 1981, in 1987), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at and mixed at:
- Studio One in Doraville, Georgia, United States
- recording of:
- Hold On Loosely
- writer:
- Jeff Carlisi, James Peterik and Richard Donald Barnes
- publisher:
- Easy Action Music, Rocknocker Music Co., Universal Music–MGB Songs and WB Music Corp.
| .38 Special | 3.8 | 4:38 |
| 55 | The Stroke | Billy Squier | 3.75 | 3:37 |
| 56 | Centerfold- engineer:
- Dave Thoener
- producer:
- Seth Justman
- arranger:
- Seth Justman
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1981), Capitol Records, LLC (in 1981), EMI Records USA (in 1981) and EMI Catalog (in 2006)
- recorded at:
- Long View Farm in North Brookfield, Massachusetts, United States
- mixed at:
- Mix Room, Record Plant in New York, New York, United States
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 38), Billboard: Greatest of All Time Hot 100 Songs (number: 73) and Billboard: The 500 Best Pop Songs (number: 314)
- recording of:
- Centerfold
- lyricist and composer:
- Seth Justman
- publisher:
- Center City Music, Copyright Control , Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. and Warner/Chappell Music Ltd.
| The J. Geils Band | 4 | 3:37 |
| 57 | Rebel Yell- engineer:
- Michael Frondelli
- producer:
- Keith Forsey
- mixer:
- Dave Wittman
- bass guitar:
- Steve Webster (in 1983)
- bass, guitar and keyboard:
- Steve Stevens (in 1983)
- drums (drum set):
- Thommy Price (in 1983)
- keyboard:
- Judi Dozier (in 1983)
- lead vocals:
- Billy Idol (in 1983)
- arranger:
- Billy Idol and Steve Stevens
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1983), Capitol Records, LLC (in 1983), Chrysalis Records, Inc. (in 1983, in 1999) and Chrysalis Records Ltd. (in 1986)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- music videos:
- Rebel Yell by Billy Idol
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 79)
- recording of:
- Rebel Yell (in 1983)
- lyricist and composer:
- Billy Idol and Steve Stevens
- publisher:
- BMG Monarch, Boneidol Music, Chrysalis Music , Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. , Neue Welt Musikverlag GmbH & Co. KG , Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. , Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. and WC Music Corp.
| Billy Idol | 4.55 | 4:47 |
| 58 | Roxanne | The Police | 4.3 | 3:11 |
| 59 | Lunatic Fringe | Red Rider | 5 | 4:21 |
| 60 | Heartbreaker | Pat Benatar | 4.2 | 3:27 |
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