Best Mozart 100

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 8 available)

Tracklist

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1▼CD
#TitleRatingLength
1Symphony No. 40 in G minor K550: I. Molto allegro
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (from 1971-09-21 until 1971-09-25)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:42
2Clarinet Concerto in A K622: II. Adagio
engineer:
Neville Boyling (engineer) (from 1958-05-22 until 1959-05-08) and Paul Vavasseur (engineer) (from 1959-05-14 until 1959-05-15)
producer:
Peter Andry (producer) and Victor Olof
clarinet:
Jack Brymer (clarinettist) (from 1958-05-14 until 1959-05-08)
orchestra:
Royal Philharmonic Orchestra (from 1958-05-14 until 1959-05-08)
conductor:
Sir Thomas Beecham (conductor) (from 1958-05-14 until 1959-05-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1958-05-14 until 1958-05-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-22 until 1959-05-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1958-05-14 until 1959-05-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
8:54
3Symphony No. 25 in G minor K183: I. Allegro (opening)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
4:44
4Piano Concerto No. 21 in C K467: II. Andante
producer:
Gerd Berg (producer) and Theodor Holzinger (German producer)
piano:
Christian Zacharias (pianist and conductor) (from 1989-04-18 until 1989-04-21)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1989-04-18 until 1989-04-21)
conductor:
David Zinman (conductor) (from 1989-04-18 until 1989-04-21)
balance engineer:
Gerhard v. Knobelsdorff (from 1989-04-18 until 1989-04-21)
phonographic copyright (℗) by:
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2003)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1989-04-18 until 1989-04-21)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-04-18 until 1989-04-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
5:18
5Symphony No. 35 in D K385 'Haffner': IV. Finale. Presto
orchestra:
English Chamber Orchestra (in 1984)
conductor:
Jeffrey Tate (conductor) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
4:17
6Violin Concerto No. 3 in G K216: II. Adagio
recording engineer:
Christfried Bickenbach (from 1984-03-19 until 1984-03-21)
producer:
Gerd Berg (producer)
violin:
Frank Peter Zimmermann (violinist) (from 1984-03-19 until 1984-03-21)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1984-03-19 until 1984-03-21)
conductor:
Jörg Faerber (conductor) (from 1984-03-19 until 1984-03-21)
balance engineer:
Wolfgang Gülich (engineer) (from 1984-03-19 until 1984-03-21)
recorded at:
Kreuzkirche in Heilbronn, Baden-Württemberg, Germany (from 1984-03-19 until 1984-03-21)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (from 1984-03-19 until 1984-03-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:59
7Divertimento in D K334: III. Menuetto - Trio
orchestra:
Stockholm Chamber Orchestra
conductor:
Franz Welser‐Möst (conductor)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 17 in D major, K. 320b/334
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet (unspecified movement)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1780)
4:26
8Symphony No. 41 in C K551 'Jupiter': IV. Allegro
producer:
Michel Glotz
orchestra:
Orchestre Philharmonique de Berlin (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25)
balance engineer:
Wolfgang Gülich (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (from 1971-09-21 until 1971-09-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
6:09
9Piano Concerto No. 23 in A K488: II. Adagio
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor) (in 1967-01)
orchestra:
English Chamber Orchestra (in 1967-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1967-01)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1967-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1967-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
7:38
10Horn Concerto No. 4 in E-flat K495: III. Rondo. Allegro vivace
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
3:36
11Concerto for flute and harp in C K299: II: Andantino
producer:
Michel Glotz
flute:
James Galway (flautist) (from 1971-08-17 until 1971-08-24)
harp:
Fritz Helmis (harpist) (from 1971-08-17 until 1971-08-24)
solo flute:
James Galway (flautist)
solo harp:
Fritz Helmis (harpist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-08-17 until 1971-08-24)
conductor:
Herbert von Karajan (conductor) (from 1971-08-17 until 1971-08-24)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1971-08-17 until 1971-08-24)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino (from 1971-08-17 until 1971-08-24)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
8:18
12Sinfonia concertante for violin, viola & orchestra in E flat K364: III. Presto
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
6:09
2▼CD
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1Le Nozze di Figaro K492: Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:56
2Le Nozze di Figaro K492: "Non più andrai" (Figaro)
baritone vocals [Figaro]:
Sir Thomas Allen (baritone) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:37
3Le Nozze di Figaro K492: "Porgi amor" (Countess)
soprano vocals [La Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:44
4Le Nozze di Figaro K492: "Voi che sapete" (Cherubino)
mezzo-soprano vocals [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:53
5Le Nozze di Figaro K492: "Hai già vinta la causa!... Vedrò mentr'io sospiro" (Count)
baritone vocals:
Jorma Hynninen (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:37
6Le Nozze di Figaro K492: "Dove sono" (Countess)
soprano vocals [Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:17
7Le Nozze di Figaro K492: "Canzonetta sull'aria... Che soave zefiretto" (Countess & Susanna)
soprano vocals:
Kathleen Battle (soprano) and Margaret Price (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:26
8Le Nozze di Figaro K492: "Deh vieni, non tardar" (Susanna)
soprano vocals:
Kathleen Battle (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
3:22
9Cosi fan tutte K588: "Bella vita militar" (Chorus)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
1:40
10Cosi fan tutte K588: "Soave sia il vento" (Fiordiligi, Dorabella & Don Alfonso)
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
3:19
11Cosi fan tutte K588: "Smanie implacabili" (Dorabella)
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
2:02
12Cosi fan tutte K588: "L'intatta fede...Come scoglio" (Fiordiligi)
soprano vocals and soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
5:13
13Cosi fan tutte K588: "Un'aura amorosa" (Ferrando)
tenor vocals [Ferrando]:
Francisco Araiza (tenor)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
5:12
14Don Giovanni K527: "Madamina, il catalogo è questo" (Leporello)
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (from 1990-09-03 until 1990-09-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:46
15Don Giovanni K527: "Là ci darem la mano" (Don Giovanni & Zerlina)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
soprano vocals [Zerlina]:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:18
16Don Giovanni K527: "Or sai chi l'onore" (Donna Anna)
soprano vocals and soprano vocals [Donna Anna]:
Cheryl Studer (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:55
17Don Giovanni K527: "Dalla sua pace" (Don Ottavio)
tenor vocals and tenor vocals [Don Ottavio]:
Frank Lopardo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:58
18Don Giovanni K527: "Finch'han dal vino" (Don Giovanni)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:13
19Don Giovanni K527: "Deh, vieni alla finestra" (Don Giovanni)
baritone vocals:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:01
20Don Giovanni K527: "Vedrai, carino" (Zerlina)
soprano vocals:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:46
21Don Giovanni K527: "In quali eccessi, o Numi... Mi tradi, quell'alma ingrata" (Donna Elvira)
soprano vocals:
Carol Vaness (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
medley including a recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
6:00
22Don Giovanni K527: "Questo è il fin" (ensemble)
soprano vocals:
Donna Anna, Susanne Mentzer (mezzo soprano), Cheryl Studer (soprano) and Carol Vaness (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:47
3▼CD
#TitleRatingLength
1Der Schauspieldirektor K486: Overture
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (from 1981-06-15 until 1981-06-16)
conductor:
Sir Neville Marriner (conductor) (from 1981-06-15 until 1981-06-16)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1981-06-15 until 1981-06-16)
recording of:
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre (from 1981-06-15 until 1981-06-16)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Johann Gottlieb Stephanie ('The Younger')
part of:
Der Schauspieldirektor, K. 486
3:46
2Idomeneo K366: "Fuor del mar ho un mar in seno" (Idomeneo)
tenor vocals:
Ian Bostridge (tenor) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
6:16
3Idomeneo K366: "Zeffiretti lusinghieri" (Ilia)
soprano vocals:
Lisa Milne (soprano) (from 2001-07 until 2001-08)
orchestra:
Scottish Chamber Orchestra (from 2001-07 until 2001-08)
conductor:
Charles Mackerras (Australian conductor) (from 2001-07 until 2001-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2002)
recorded at:
Usher Hall in Edinburgh, Scotland, United Kingdom (from 2001-07 until 2001-08)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (from 2001-07 until 2001-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
4:54
4Die Entführung aus dem Serail K384: "Konstanze, dich wieder zu sehen, dich!" (Belmonte)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
tenor vocals:
Nicolai Gedda (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
5:01
5Die Entführung aus dem Serail K384: "Martern aller Arten" (Konstanze)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Konstanze]:
Anneliese Rothenberger (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
8:49
6Die Entführung aus dem Serail K384: "Welche Wonne, welche Lust" (Blonde)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
soprano vocals and soprano vocals [Blonde]:
Lucia Popp (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:32
7Die Entführung aus dem Serail K384: "Vivat Bacchus" (Osmin & Pedrillo)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
bass vocals:
Gottlob Frick (operatic bass) and Gerhard Unger (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
2:10
8Die Entführung aus dem Serail K384: "O, wie will ich triumphieren" (Osmin)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer) and Helmut Storjohann (German producer)
bass vocals:
Gottlob Frick (operatic bass)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1966-02)
conductor:
Josef Krips (conductor/violinist) (in 1966-02)
balance engineer:
Ernst Rothe (engineer) (in 1966-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recorded at:
Theater an der Wien in Mariahilf, Wien (Vienna), Austria (in 1966-02)
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1966-02)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
recording of:
Die Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin) (in 1966)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt III
3:32
9Die Zauberflöte K620: Overture
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Bernard Haitink (conductor)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
6:50
10Die Zauberflöte K620: "Der Vogelfänger bin ich ja" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
performer:
Bavarian RSO (Bavarian Radio Symphony Orchestra)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:50
11Die Zauberflöte K620: "Dies Bildnis ist bezaubernd schön" (Tamino)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
tenor vocals [Tamino]:
Siegfried Jerusalem (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
4:03
12Die Zauberflöte K620: "Bei Männern" (Pamina & Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
13Die Zauberflöte K620: "Schnelle Füße" (Pamina, Papageno & Monostatos)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
tenor vocals [Monostatos]:
Heinz Zednik (tenor) (from 1981-04-01 until 1981-04-13)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt I. "Schnelle Füsse, rascher Mut … Nur geschwinde, nur geschwinde … Wer viel wagt, gewinnt oft viel! … Das klinget so herrlich … Könnte jeder brave Mann" (Pamina, Papageno, Monostatos, Sklaven) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:13
14Die Zauberflöte K620: "O Isis und Osiris" (Sarastro & Chorus)
bass vocals [Sarastro]:
Roland Bracht (bass-baritone) (from 1981-04-01 until 1981-04-13)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:54
15Die Zauberflöte K620: "Der Hölle Rache" (Queen of Night)
soprano vocals [Königin der Nacht]:
Edita Gruberová (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:50
16Die Zauberflöte K620: "Ach, ich fühl's" (Pamina)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (from 1981-04-01 until 1981-04-13)
soprano vocals [Pamina]:
Lucia Popp (soprano) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:14
17Die Zauberflöte K620: "Ein Mädchen oder Weibchen" (Papageno)
baritone vocals [Papageno]:
Wolfgang Brendel (baritone) (from 1981-04-01 until 1981-04-13)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:12
18Die Zauberflöte K620: "Pa-pa-pa-pa-Papagena!" (Papagena & Papageno)
baritone vocals:
Wolfgang Brendel (baritone)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
soprano vocals:
Brigitte Linder (soprano)
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1981-04-01 until 1981-04-13)
conductor:
Bernard Haitink (conductor) (from 1981-04-01 until 1981-04-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1981-04-01 until 1981-04-13)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1981-04-01 until 1981-04-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:38
19O du eselhafter Martin K560
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in F major, K. 560: "O du eselhafter Martin"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 560) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 560b)
2:46
20Bona nox, bist a rechta Ox K561
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 561) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 561)
1:22
21Essen und trinken K234
orchestra:
Convivium musicum München
conductor:
Xaver Mayer (conductor)
recording of:
Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken, das erhält"
composer:
Wenzel Trnka
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 234) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 382e)
1:37
4▼CD
#TitleRatingLength
1Piano Sonata in A minor K331: III. Rondo alla turca. Allegretto
piano:
Andrei Gavrilov (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:29
2Serenade in B flat K361 ' Gran Partita': III. Adagio
producer:
Gerd Berg (producer) and Hartwig Paulsen
basset horn:
Joachim Klemm (hornist and clarinetist) (in 1991-07) and Reiner Wehle (clarinetist) (in 1991-07)
basset horn [basset horn I]:
Reiner Wehle (clarinetist) (from 1991-07-12 until 1991-07-15)
basset horn [basset horn II]:
Joachim Klemm (hornist and clarinetist) (from 1991-07-12 until 1991-07-15)
bassoon:
Sergio Azzolini (bassoonist) (in 1991-07) and Georg Klütsch (bassoonist) (in 1991-07)
bassoon [bassoon I]:
Sergio Azzolini (bassoonist) (from 1991-07-12 until 1991-07-15)
bassoon [bassoon II]:
Georg Klütsch (bassoonist) (from 1991-07-12 until 1991-07-15)
clarinet:
Karl-Theo Adler (in 1991-07) and Sabine Meyer (clarinetist) (in 1991-07)
clarinet [clarinet I]:
Sabine Meyer (clarinetist) (from 1991-07-12 until 1991-07-15)
clarinet [clarinet II]:
Karl-Theo Adler (from 1991-07-12 until 1991-07-15)
contrabassoon:
Klaus Lohrer (bassoonist) (in 1991-07)
contrabassoon [Contrabassoon]:
Klaus Lohrer (bassoonist) (from 1991-07-12 until 1991-07-15)
French horn:
Nikolaus Frisch (horn player) (in 1991-07), Bruno Schneider (horn player) (in 1991-07), Richard Schneider (hornist) (in 1991-07) and Dietmar Ullrich (hornist) (in 1991-07)
horn [horn I]:
Bruno Schneider (horn player) (from 1991-07-12 until 1991-07-15)
horn [horn II]:
Nikolaus Frisch (horn player) (from 1991-07-12 until 1991-07-15)
horn [horn III]:
Dietmar Ullrich (hornist) (from 1991-07-12 until 1991-07-15)
horn [horn IV]:
Richard Schneider (hornist) (from 1991-07-12 until 1991-07-15)
instruments:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble)
oboe:
Diethelm Jonas (oboist) (in 1991-07) and Albrecht Mayer (oboist) (in 1991-07)
oboe [oboe I]:
Diethelm Jonas (oboist) (from 1991-07-12 until 1991-07-15)
oboe [oboe II]:
Albrecht Mayer (oboist) (from 1991-07-12 until 1991-07-15)
wind instruments:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble) (in 1991-07, from 1991-07-12 until 1991-07-15)
balance engineer:
Hartwig Paulsen (from 1991-07-12 until 1991-07-15)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1992)
recorded at:
Pfarrkirche Pleis, Vella (CH) in Switzerland (from 1991-07-12 until 1991-07-15)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1991-07-12 until 1991-07-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:27
3Das Butterbrot
piano:
Émile Naoumoff (pianist)
recording of:
La Tartine de beurre
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. Anh. 284n), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. Anh. C 29.23) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. Anh. C 27.09)
1:15
4Violin Sonata in E minor K304: I. Allegro
piano:
Alexander Lonquich (pianist)
violin:
Frank Peter Zimmermann (violinist)
recording of:
Violin Sonata in E minor, K. 300c/304: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
9:03
5'Ah! vous dirais-je Maman' in C K265
piano:
Aldo Ciccolini (pianist) (in 1981)
recording of:
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 (in 1981)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 265) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 300e)
arrangement of:
Twinkle, Twinkle, Little Star
is based on:
Ah ! Vous dirai‐je, maman
9:36
6Serenade in G K525 'Eine kleine Nachtmusik': I. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:54
7Serenade in G K525 'Eine kleine Nachtmusik': II. Romance. Andante
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:45
8Serenade in G K525 'Eine kleine Nachtmusik': III. Minuetto. Allegretto & Trio
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
1:58
9Serenade in G K525 'Eine kleine Nachtmusik': IV. Rondo. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
3:04
10Die Schlittenfahrt K605 No.3
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
3:09
11Fantasia in D minor K397
piano:
Alexander Lonquich (pianist)
recording of:
Fantasia for Piano in D minor, K. 397/385g
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 397), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 397) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 385g)
5:38
12Divertimento for string trio in E flat K563: VI. Finale. Allegro
cello:
Gary Hoffman (Canadian cellist)
viola:
Gérard Caussé (violist)
violin:
Gérard Caussé (violist) and Augustin Dumay (violinist)
recording of:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-09-27)
part of:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563
6:35
13Masonic Funeral Music K477
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-12)
recording of:
Maurerische Trauermusik für Orchester c-Moll, K. 479a/477 (Masonic Funeral Music for Orchestra in C minor, K. 479a/477) (in 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 477), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 477) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 479a)
5:56
14Piano Sonata in C K545: I. Allegro
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
3:08
15Piano Sonata in C K545: II. Andante
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
5:45
16Piano Sonata in C K545: III. Allegro
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 3. Rondo (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
1:41
5▼CD
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1Sonata for two pianos in D K448: I. Allegro con spirito
producer:
Helene Steffan
piano [Piano I]:
Christian Zacharias (pianist and conductor) (from 1995-07-12 until 1995-07-13)
piano [Piano II]:
Marie-Luise Hinrichs (German pianist) (from 1995-07-12 until 1995-07-13)
balance engineer:
Herbert Frühbauer (from 1995-07-12 until 1995-07-13), Andreas Scheurer (engineer) (from 1995-07-12 until 1995-07-13) and Markus Spatz (engineer) (from 1995-07-12 until 1995-07-13)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1996)
recording of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (from 1995-07-12 until 1995-07-13)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
arrangement of:
Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito (catch-all for arrangements)
part of:
Sonata for 2 Pianos in D major, K. 375a/448
8:02
2Clarinet Quintet in A K581: II. Larghetto
clarinet:
Sabine Meyer (clarinetist)
strings:
Wiener Streichsextett (Vienna String Sextet)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
6:30
3Serenade for winds in C minor K388: III. Menuetto in canone
wind instruments:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble)
recording of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782-07)
part of:
Serenade no. 12 for Winds in C minor, K. 384a/388 "Nacht musique"
4:11
4Flute Quartet in G K285a: I. Andante
producer:
Martin Compton (producer)
cello:
Christopher van Kampen (British cellist) (in 1988-07)
flute:
Philippa Davies (flautist) (in 1988-07)
viola:
Roger Chase (violist) (in 1988-07) and Jeremy Williams (UK violist) (in 1988-07)
violin:
Marcia Crayford (violinist) (in 1988-07)
performer:
Nash Ensemble (in 1988-07)
balance engineer:
Tryggvi Tryggvason (classical music engineer and producer, aka Trygg Tryggvason)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-07)
recording of:
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest: I. Andante (in 1988-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Quartet for Flute, Violin, Viola & Cello no. 2 in G major, K. 285a/deest
6:51
5Quintet for piano, oboe, clarinet, horn & bassoon in E flat K452: III. Rondo. Allegretto
bassoon:
William Waterhouse (bassoonist)
clarinet:
Gervase de Peyer (clarinetist)
French horn:
Neill Sanders (horn player)
oboe:
Peter Graeme (oboist)
piano:
Lamar Crowson (pianist)
performer:
Melos Ensemble
recording of:
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Rondo. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452
5:55
6Duo for violin and viola in G K423: II. Adagio
viola:
Gérard Caussé (violist)
violin:
Augustin Dumay (violinist)
recording of:
Duo for Violin & Viola no. 1 in G major, K. 423: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Duo for Violin & Viola no. 1 in G major, K. 423
4:15
7Piano Sonata in A minor K310: III. Presto
piano:
Daniel Barenboim (pianist and conductor)
recording of:
Sonata for Piano no. 8 in A minor, K. 300d/310: III. Presto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Sonata for Piano no. 8 in A minor, K. 300d/310
3:01
8String Quartet in B flat K458 'Hunt': IV. Allegro assai
cello:
Valentin Erben (cellist)
string quartet:
Alban Berg Quartett (Alban Berg Quartet, string quartet)
viola:
Thomas Kakuska
violin:
Günter Pichler (violinist) and Gerhard Schulz (violinist)
recording of:
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Quartet for Strings no. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt"
6:33
9Oboe Quartet in F K370: III. Rondo. Allegro
producer:
Martin Compton (producer)
cello:
Christopher van Kampen (British cellist) (in 1989-02)
flute:
Philippa Davies (flautist) (in 1989-02)
oboe:
Gareth Hulse (oboist) (in 1989-02)
piano:
Ian Brown (classical pianist) (in 1989-02)
viola:
Roger Chase (violist) (in 1989-02) and Jeremy Williams (UK violist) (in 1989-02)
violin:
Marcia Crayford (violinist) (in 1989-02)
performer:
Nash Ensemble (in 1989-02)
balance engineer:
Anthony Howell (engineer)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370: III. Rondeau. Allegro (in 1989-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Quartet for Oboe, Violin, Viola & Cello in F major, K. 368b/370
4:27
10Piano Concerto No.26 in D K537 'Coronation': II. Adagio
piano:
Christian Zacharias (pianist and conductor)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
David Zinman (conductor)
recording of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”: II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-02-24)
part of:
Concerto for Piano no. 26 in D major, K. 537 “Coronation”
7:00
11Violin Concerto No.5 in A K219: III. Rondeau. Tempo di Minuetto
producer:
Andrew Keener (engineer/editor/producer)
violin:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
orchestra:
Deutsche Kammerphilharmonie Bremen (from 1995-05-29 until 1995-05-31)
conductor:
Christian Tetzlaff (violinist) (from 1995-05-29 until 1995-05-31)
balance engineer:
Mike Clements (engineer)
recorded at:
Galeriegebäude Hannover-Herrenhausen in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1995-05-29 until 1995-05-31)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro (from 1995-05-29 until 1995-05-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
8:35
12Menuet in D K355
piano:
Alexander Lonquich (pianist)
recording of:
Minuet in D major, K. 355/576b (fragment, attribution doubtful)
composed in:
Wien (Vienna), Austria (in 1781)
additional composer:
Maximilian Stadler
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
NMA volume of Fragments ([Fr]) (number: Fr 178X/c), Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 355), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 594a), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 355), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 355) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 576b)
2:53
13Serenade for wind instruments in E flat K375: V. Finale. Allegro
producer:
Gerd Berg (producer)
bassoon [bassoon I]:
Karl-Otto Hartmann (bassoonist) (from 1974-04-14 until 1974-04-21)
bassoon [bassoon II]:
Eberhard Buschmann (bassoonist) (from 1974-04-14 until 1974-04-21)
clarinet [clarinet I]:
Dieter Klöcker (German clarinetist) (from 1974-04-14 until 1974-04-21)
clarinet [clarinet II]:
Waldemar Wandel (clarinettist) (from 1974-04-14 until 1974-04-21)
double bass:
Walter Meuter (German double bassist) (from 1974-04-14 until 1974-04-21)
horn [horn I]:
Nikolaus Grüger (horn player) (from 1974-04-14 until 1974-04-21)
horn [horn II]:
Klaus Wallendorf (horn player) (from 1974-04-14 until 1974-04-21)
orchestra:
Consortium Classicum (from 1974-04-14 until 1974-04-21)
balance engineer:
Johann-Nikolaus Matthes (sound engineer) (from 1974-04-14 until 1974-04-21)
recorded at:
Studio Zehlendorf in Berlin, Germany (from 1974-04-14 until 1974-04-21)
recording of:
Serenade no. 11 for Winds in E-flat major, K. 375: V. Allegro (for wind sextet, original version) (from 1974-04-14 until 1974-04-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1781-10-15)
part of:
Serenade no. 11 for Winds in E-flat major, K. 375 (for wind sextet, original version)
3:29
14Ein musikalischer Spaß in F K522: I. Allegro
double bass:
Herbert Duft (double bass player) (from 1966-06 until 1973-07)
horn [Horn / cor I]:
Hans Pizka (from 1966-06 until 1973-07)
horn [Horn / cor II]:
Volker Hardt (hornist) (from 1966-06 until 1973-07)
viola:
Herbert Blendinger (violist and composer) (from 1966-06 until 1973-07)
violin [Violine I]:
Ingo Sinnhoffer (from 1966-06 until 1973-07)
violin [Violine II]:
Werner Grobholz (violinist) (from 1966-06 until 1973-07)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) and Sinnhoffer Kammerorchester München (from 1966-06 until 1973-07)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1966-06 until 1973-07)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro (from 1966-06 until 1973-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
3:30
15Ein musikalischer Spaß in F K522: IV. Presto
double bass:
Herbert Duft (double bass player) (from 1966-06 until 1973-07)
horn [Horn / cor I]:
Hans Pizka (from 1966-06 until 1973-07)
horn [Horn / cor II]:
Volker Hardt (hornist) (from 1966-06 until 1973-07)
viola:
Herbert Blendinger (violist and composer) (from 1966-06 until 1973-07)
violin [Violine I]:
Ingo Sinnhoffer (from 1966-06 until 1973-07)
violin [Violine II]:
Werner Grobholz (violinist) (from 1966-06 until 1973-07)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) and Sinnhoffer Kammerorchester München (from 1966-06 until 1973-07)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1966-06 until 1973-07)
recording of:
Divertimento for 2 Horns & Strings in F major, K. 522 “Ein musikalischer Spaß”: IV. Presto (from 1966-06 until 1973-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1787)
part of:
Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß" (Divertimento for 2 horns & strings in F major, K. 522 "A musical joke")
4:34
6▼CD
#TitleRatingLength
1Requiem in D minor K626: Introit. Requiem aeternam
recording engineer:
Mike Clements (engineer) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
London Philharmonic Choir (in 1989-04)
soprano vocals:
Felicity Lott (soprano) (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
chorus master:
Richard Cooke (chorus master/conductor)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: I. Introitus: “Requiem aeternam” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
4:28
2Requiem in D minor K626: Kyrie
recording engineer:
Mike Clements (engineer) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: II. “Kyrie eleison” (Beyer/Kunzelmann Edition) (in 1989-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (Beyer/Kunzelmann Edition)
2:34
3Requiem in D minor K626: Lacrimosa
recording engineer:
Mike Clements (engineer) (in 1989-04)
producer:
Andrew Keener (engineer/editor/producer)
organ:
David Bell (organist) (in 1989-04)
choir vocals:
London Philharmonic Choir (in 1989-04)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1989-04)
conductor:
Franz Welser‐Möst (conductor) (in 1989-04)
arranger:
Franz Beyer (violist)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1989-04)
recording of:
Requiem in D minor, K. 626: IIIf. Sequenz: “Lacrimosa” (Beyer/Kunzelmann Edition) (in 1989-04)
additional orchestrator:
Franz Beyer (violist)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Beyer/Kunzelmann Edition)
3:00
4Vesperae solennes de confessore K339: Laudate Dominum
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
5:29
5Ave verum corpus K618
producer:
James Mallinson (producer)
choir vocals:
Stockholmer Kammerchor (Stockholm Chamber Choir) (from 1987-02-14 until 1987-02-15) and Swedish Radio Choir (from 1987-02-14 until 1987-02-15)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1987-02-14 until 1987-02-15)
conductor:
Riccardo Muti (conductor) (from 1987-02-14 until 1987-02-15)
chorus master:
Eric Ericson (from 1987-02-14 until 1987-02-15)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1987-02-14 until 1987-02-15)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1987-02-14 until 1987-02-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
3:27
6Litaniae lauretanae K195: Agnus Dei
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
choir vocals:
Academy of St Martin in the Fields Chorus (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
chorus master:
László Heltay (British/Hungarian conductor and composer) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Litaniae Lauretanae B.M.V., K. 186d/195: V. Agnus Dei (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Litaniae Lauretanae B.M.V., K. 186d/195
6:25
7Mass in C minor K427: Et incarnatus est
producer:
Suvi Raj Grubb
soprano vocals:
Kiri Te Kanawa (soprano) and Ileana Cotrubaș (Romanian soprano) (in 1973-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-02)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1973-02)
balance engineer:
Neville Boyling (engineer) (in 1973-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1973-02)
recording of:
Missa in c-Moll, K.427/417a ('Große Messe'): IIIb. Credo: “Et incarnatus est” (in 1973-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1782 until 1783)
part of:
Missa in c-Moll, K.427/417a ('Große Messe'): III. Credo
8:29
8Mass in C major K317 'Coronation': Benedictus
producer:
Friedrich Welz (engineer/producer) and John Willan (producer)
alto vocals and mezzo-soprano vocals:
Júlia Hamari (Hungarian mezzo-soprano) (from 1976-07-07 until 1976-07-09)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1976-07-07 until 1976-07-09)
choir vocals:
Bavarian Radio Chorus (Bavarian Radio Choir) (from 1976-07-07 until 1976-07-09)
soprano vocals:
Edda Moser (soprano) (from 1976-07-07 until 1976-07-09)
tenor vocals:
Nicolai Gedda (tenor) (from 1976-07-07 until 1976-07-09)
orchestra:
Bavarian Radio Symphony Orchestra (from 1976-07-07 until 1976-07-09)
conductor:
Eugen Jochum (conductor) (from 1976-07-07 until 1976-07-09)
chorus master:
Josef Schmidhuber (chorus master) (from 1976-07-07 until 1976-07-09)
balance engineer:
Neville Boyling (engineer) and Martin Wöhr
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Warner Music UK Ltd. (not for release label use!) (in 1977)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1976-07-07 until 1976-07-09)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus (Mass in C, K. 317 "Coronation Mass": V. Benedictus) (from 1976-07-07 until 1976-07-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
3:17
9Exsultate, jubilate K165
soprano vocals:
Lucia Popp (soprano)
orchestra:
English Chamber Orchestra
conductor:
György Fischer (pianist and conductor)
recording of:
Exsultate, jubilate, K. 158a/165
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1773)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 165) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 158a)
15:41
10Regina coeli K127: Regina coeli
choir vocals:
Cologne Chamber Choir (Cologne Chamber Orchestra)
soprano vocals:
Patrizia Kwella (soprano)
orchestra:
Collegium Cartusianum
conductor:
Peter Neumann (conductor)
recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 127), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 127) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 127)
4:06
11Sancta Maria, mater Dei K273
choir vocals:
Cologne Chamber Choir (Cologne Chamber Orchestra)
orchestra:
Collegium Cartusianum
conductor:
Peter Neumann (conductor)
recording of:
Sancta Maria, mater Dei, K. 273
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 273), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 273) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 273)
4:07
12Betracht dies Herz K42
producer:
David Groves (classical music producer at EMI)
organ:
Justin Sillman (from 1987-04-24 until 1987-04-28)
soprano vocals:
Barbara Hendricks (soprano) (from 1987-04-24 until 1987-04-28)
orchestra:
Academy of St Martin in the Fields (from 1987-04-24 until 1987-04-28)
conductor:
Sir Neville Marriner (conductor) (from 1987-04-24 until 1987-04-28)
balance engineer:
Stuart Eltham (engineer) (from 1987-04-24 until 1987-04-28)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1987-04-24 until 1987-04-28)
recording of:
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel) (from 1987-04-24 until 1987-04-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1767)
part of:
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik"
6:15
13An die Freundschaft K125h
piano:
Daniel Barenboim (pianist and conductor) (from 1971-07-06 until 1971-07-07)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-07-06 until 1971-07-07)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-07-06 until 1971-07-07)
recording of:
Song for Tenor, Men's Chorus & Piano in D major, K. 125h/148 "Lobgesang auf die feierliche Johannisloge": "O heiliges Band" (from 1971-07-06 until 1971-07-07)
lyricist:
Ludwig Friedrich Lenz
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775 until 1776)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 125h), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 148), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 148) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 125h)
2:11
14Die Zauberflöte
bass vocals:
Kurt Moll (operatic bass)
choir vocals:
Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Wolfgang Sawallisch (conductor)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:05

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part of:100 Best (EMI Classics) (order: 3)