The Perfect Blues Collection: No. 6: Elvis Presley for LP Fans Only

~ Release by Elvis Presley (see all versions of this release, 5 available)

Annotation

Album n°6 of The Perfect Blues Collection
© 2011 SONY MUSIC ENTERTAINMENT

Annotation last modified on 2012-08-30 00:08 UTC.

Tracklist

1▼CD-R
#TitleRatingLength
1That’s All Right
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1954-07-05)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1954-07-05)
guitar and lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1954-07-05)
phonographic copyright (℗) by:
BMG Music (in 1954) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Sun Studio in Memphis, Tennessee, United States (on 1954-07-05)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 112)
cover recording of:
That’s All Right (on 1954-07-05)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
3.21:59
2Lawdy, Miss Clawdy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-02-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-02-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (US R&B/soul singer) (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
3.852:10
3Mystery Train
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
3.42:30
4Poor Boy
recording of:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley)
lyricist and composer:
Ken Darby
publisher:
Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:54
5Playing for Keeps
cover recording of:
Playing for Keeps
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
2:16
6My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
recording of:
My Baby Left Me
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
3.652:16
7I Was the One
recording of:
I Was the One
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
2:35
8Shake, Rattle and Roll
cover recording of:
Shake, Rattle and Roll (in 1956)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
42:29
9You’re a Heartbreaker
recording of:
You’re a Heartbreaker
writer:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2:39
10I’m Left, You’re Right, She’s Gone
cover recording of:
I’m Left, You’re Right, She’s Gone
writer:
Stan Kesler (US session musician, composer and producer) and Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
publisher:
Hi Lo Music Inc. (BMI-affiliated)
2:11