| # | Title | Artist | Rating | Length |
|---|
| 1 | Valerie- assistant recording engineer:
- Iain Gore and Rohan Onraet
- recording engineer:
- Gabriel Roth, Taz Mattar, Dom Morley, Derek Pacuk and Mark Ronson
- producer:
- Mark Ronson
- assistant mixer:
- Dan Parry
- mixer:
- Tom Elmhirst
- baritone saxophone:
- Ian Hendrickson-Smith
- bass:
- Nick Movshon
- guitar:
- Thomas Brenneck and Binky Griptite
- membranophone:
- Homer Steinweiss
- percussion:
- ?uestlove
- tenor saxophone:
- Neal Sugarman
- trumpet:
- Dave Guy
- viola:
- Rachel Bolt , Peter Lale , Ivo van der Werff and Bruce White
- violin:
- Mark Berrow , Thomas Bowes , Boguslaw Kostecki , Julian Leaper , Rita Manning , Everton Nelson , Jonathan Rees, Jackie Shave, Emlyn Singleton , Cathy Thompson , David Woodcock and Warren Zielinski
- guest lead vocals:
- Amy Winehouse
- conductor:
- Chris Elliott
- strings arranger:
- Chris Elliott
- phonographic copyright (℗) by:
- Mark Ronson (in 2007)
- recorded at:
- Allido Sound in New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States, Metropolis in London , England, United Kingdom and SARM West in Notting Hill, Kensington and Chelsea, London , England, United Kingdom
- mixed at:
- Metropolis in London , England, United Kingdom
- cover recording of:
- Valerie
- writer:
- Boyan Chowdhury, Dave McCabe , Abi Harding, Sean Payne and Russ Pritchard
- publisher:
- EMI Music Publishing Ltd.
| Mark Ronson Ft. Amy Winehouse | 4 | 3:42 |
| 2 | If I Ain't Got You- recording engineer:
- Tony Black
- programming:
- Kerry "Krucial" Brothers
- producer:
- Alicia Keys
- mixer:
- Manny Marroquin
- bass guitar [bass]:
- Fred Cash, Jr.
- drums (drum set) [drums]:
- Steve Jordan
- guitar:
- Hugh McKracken
- horn [horns]:
- "Chops", David Watson , Darryl Dixon and Joe Romano
- organ:
- Arcell Vickers
- piano and lead vocals:
- AK
- background vocals:
- AK, Katreese Barnes, L. Green and Cindy Mizelle
- phonographic copyright (℗) by:
- J Records LLC (in 2003) and Sony BMG Music Entertainment (in 2003)
- produced for:
- Krucial/Keys Enterprise and MBK Entertainment
- recorded at:
- Kampo Studios in Manhattan, New York, New York, United States
- mixed at:
- Plus XXX in Paris, Île-de-France, France
- part of:
- BILLIONS CLUB, Billboard: The 500 Best Pop Songs (number: 422) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 440)
- recording of:
- If I Ain’t Got You
- lyricist and composer:
- Alicia Keys
- publisher:
- EMI Music Publishing, Inc., Lellow Productions, Inc. and Universal Music Corp.
- sub-publisher:
- EMI Music Publishing Australia Pty Ltd , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Alicia Keys | 3.6 | 3:51 |
| 3 | When the Lady Smiles | Golden Earring | 4 | 5:40 |
| 4 | Stay High (Habits remix) | Tove Lo Ft. Ft. Hippie Sabotage | 4.15 | 4:20 |
| 5 | Hoe | Nielson & Miss Montreal | | 2:51 |
| 6 | Down Under- additional engineer:
- Paul Ray
- engineer:
- Jim Barbour and Peter McIan
- producer:
- Peter McIan
- bass:
- John Rees
- drums (drum set):
- Jerry Speiser
- guitar:
- Ron Strykert
- keyboard and woodwind:
- Greg Ham
- vocals:
- Colin Hay
- phonographic copyright (℗) by:
- CBS Records Australia Limited (in 1981), Columbia Records (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (in 1981), Sony Music Productions Pty. Ltd. (in 1981, in 1982), CBS, Inc. (in 1982), Sony Music Entertainment Inc. (in 1982) and Diski CBS AEBE (in 1986)
- recorded at:
- Richmond Recorders in Melbourne, Victoria, Australia
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 96)
- recording of:
- Down Under
- lyricist:
- Colin Hay
- composer:
- Colin Hay and Ron Strykert
- publisher:
- April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music , EMI Music Australia Pty. Limited , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present)
| Men at Work | 3.95 | 3:43 |
| 7 | If I Could Turn Back the Hands of Time | R. Kelly | 2.75 | 4:57 |
| 8 | Stole the Show | Kygo Ft. Parson James | | 3:33 |
| 9 | Leaving on a Jetplane | John Denver | | 4:02 |
| 10 | Waka Waka (This Time for Africa) | Shakira ft. Freshlyground | 2.75 | 3:24 |
| 11 | Payphone- recording engineer:
- Noah “Mailbox” Passovoy and Shellback
- miscellaneous support:
- David “D Silb” Silberstein (task: production coordination) and Jeremy “JBoogs” Levin (task: production coordination)
- programming:
- benny blanco , Shellback and James Valentine
- assistant engineer:
- Andrew “muffman” Luftman, Eric Eylands, Sam “Såklart” Holland , Scott “Yarmov” Yarmovsky and Phil Seaford
- engineer:
- benny blanco , John Hanes , Jonathan Mann , Chris Sclafani and Bradford Smith
- additional producer:
- Robopop
- producer:
- benny blanco and Shellback
- mixer:
- Serban Ghenea
- additional acoustic guitar, additional bass and additional background vocals:
- Shellback
- additional guitar:
- Dan Omelio
- additional keyboard and additional synthesizer:
- benny blanco , Dan Omelio and Shellback
- drums (drum set) and percussion:
- Matt Flynn
- electric bass guitar:
- Mickey Madden
- guitar [lead and rhythm]:
- James Valentine
- keyboard, synthesizer and background vocals:
- PJ Morton
- guest lead vocals:
- Wiz Khalifa
- lead vocals:
- Adam Levine
- phonographic copyright (℗) by:
- A&M/Octone Records (in 2012), Interscope Records (in 2012) and UMG Recordings, Inc. (in 2020)
- produced for:
- Matzah Ball Productions, Inc. and MXM Productions
- recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Downtown Music Studios in SoHo, New York, New York, United States, Jon Mann Studios in Reston, Virginia, United States and The Record Plant in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2012 (number: 4) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2013)
- recording of:
- Payphone
- lyricist:
- Benjamin Levin , Cameron Jibril Thomaz and Adam Levine
- composer:
- Benjamin Levin , Daniel Thomas Omelio, Johan Karl Schuster and Ammar Malik
- arranger:
- Daniel Thomas Omelio and Johan Karl Schuster
- publisher:
- BMG Ruby Songs, E A R Entertainment Ltd., Kobalt Music Publishing Limited , Lotzah Balls Soup, Maru Cha Cha, Matza Ball Music, Music Edition Discoton GmbH, MXM Music, Neue Welt Musikverlag GmbH & Co. KG. , Sudgee Music, Warner–Tamerlane Publishing Corp. , Where da Kasz At and Wiz Khalifa Publishing
| Maroon 5 Ft. Wiz Khalifa | 3.2 | 3:53 |
| 12 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited , EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group, Universal Music Publishing Ltd. , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:30 |
| 13 | Pump It | The Black Eyed Peas | 3.9 | 3:36 |
| 14 | Not Over You | Gavin DeGraw | 3.75 | 3:39 |
| 15 | September- producer:
- Maurice White
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1975, in 1978), Columbia Records (in 1978) and Sony Music Entertainment (in 1978)
- part of:
- Billboard: The 500 Best Pop Songs (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
- recording of:
- September
- writer:
- Al McKay, Maurice White and Allee Willis
- publisher:
- Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music , Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Earth, Wind & Fire | 4.55 | 3:36 |
| 16 | Slave to the Music- programming and mixer:
- Tom Elmhirst
- engineer:
- Dougal Lott
- producer:
- Bernard Butler
- assistant mixer:
- Ben Baptie
- acoustic guitar:
- James Morrison
- baritone saxophone and tenor saxophone:
- Jim Hunt
- cello:
- Ian Burdge
- drums (drum set) and percussion:
- 坂元真
- electric bass guitar:
- Nathan Fisher
- guitar [guitars] and keyboard [keyboards]:
- Bernard Butler
- trombone:
- Nichol Thomson
- trumpet:
- Dominic Glover
- viola:
- Claire Orsler and Bruce White
- violin:
- Natalia Bonner , Frances Dewar , Alison Dods , Richard George , Sally Herbert , Oli Langford and Julia Singleton
- violin [violin (leader)]:
- Everton Nelson
- background vocals:
- Beverly Brown , Andrea Grant and James Morrison
- strings arranger:
- Sally Herbert
- produced at:
- Konk Studios in Hornsey, Haringey, London , England, United Kingdom and Studio 355 in London , England, United Kingdom
- recording of:
- Slave to the Music
- writer:
- Toby Gad and James Morrison
- publisher:
- EMI and Sony/ATV
| James Morrison | 3 | 3:25 |
| 17 | Timber- programming and producer:
- Cirkut and Dr. Luke
- engineer:
- Al Burna , Rachael Findlen , Alana Da Fonseca, Clint Gibbs and Ryan Gladieux
- mixer:
- John Hanes
- instruments:
- Cirkut and Dr. Luke
- phonographic copyright (℗) by:
- RCA Records (from 2013 to present)
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 11) and Billboard Decade End Chart: Streaming Songs (number: 42)
- recording of:
- Timber
- writer:
- Armando C. Perez , Steve Arrington, Breyan Stanley Isaac, Charles Carter , Greg Errico, Łukasz Gottwald, Waung Hankerson, Henry Walter, Kesha Sebert , Keri Oskar, Lee Oskar, Roger Parker , Priscilla “Priscilla Renea” Hamilton, Jamie Sanderson and Pebe Sebert
- publisher:
- Abuela y Tía Songs, Artist 101 Publishing Group, Artist Publishing Group West, BMG Rights Management (US) LLC , Dynamite Cop Music, Far Out Music, Far Out Music, Inc., Ikke-Bad Music, Ikke-Bad Music, Inc., Kasz Money Publishing , Keep It Simple Stupid Publishing, Kesce Rose Music, Oneirology Publishing, Prescription Songs, Radio Active Material Publishing Co., Songs of Lastrada , Sony/ATV Songs LLC, Warner/Chappell , WB Music Corp. and Where da Kasz At
| Pitbull ft. Ke$ha | 3.7 | 3:26 |
| 18 | Come On Eileen | Dexys Midnight Runners | 4.15 | 4:07 |
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