A Groovy Kind of Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1A Groovy Kind of Love
cover recording of:
A Groovy Kind of Love (in 1965-12)
Verfasser(in):
Carole Bayer Sager und Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. und Screen Gems-EMI Music (in 1966)
basiert auf:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
The Mindbenders32:02
2God Only Knows
Techniker(in):
Chuck Britz (am 1966-03-10) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Mark Linett und Brian Wilson (Beach Boys co‐founder)
Mix:
Mark Linett (in 1996)
accordion:
Carl Fortina (am 1966-03-10) und Frank Marocco (am 1966-03-10)
Bassklarinette:
Leonard Hartman (am 1966-03-10)
Bratsche / Viola:
Darrel Terwilliger (am 1966-03-10)
Cello:
Jesse Erlich (am 1966-03-10)
Cembalo:
Larry Knechtel (am 1966-03-10)
E-Bass:
Ray Pohlman (am 1966-03-10)
flute:
Bill Green (woodwind) (am 1966-03-10) und Jim Horn (saxophonist, hornist, flutist and oboist) (am 1966-03-10)
Geige / Violine:
Leonard Malarsky (am 1966-03-10) und Sid Sharp (am 1966-03-10)
Gitarre:
Carol Kaye (am 1966-03-10)
Glocken und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-03-10)
Klarinette:
Leonard Hartman (am 1966-03-10) und Jay Migliori (am 1966-03-10)
Kontrabass:
Lyle Ritz (am 1966-03-10)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1966-03-10)
tack piano:
Don Randi (am 1966-03-10)
Tamburin:
Terry Melcher (am 1966-03-10)
Waldhorn:
Alan Robinson (am 1966-03-10)
Sologesang:
Carl Wilson (Beach Boys) (von 1966-03 bis 1966-04)
vocals:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (von 1966-03 bis 1966-04) und Brian Wilson (Beach Boys co‐founder) (von 1966-03 bis 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-03-10) und Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-03 bis 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California (Kalifornien), Vereinigte Staaten (in 1996)
Remix von:
God Only Knows (mono) von The Beach Boys (American rock band)
recording of:
God Only Knows (von 1966-03 bis 1966-04)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys4.252:50
3Love Is All Around
phonographisches Urheberrecht (℗) von:
Mercury Ltd (London) (for copyrights use only) (in 1967)
recording of:
Love Is All Around
Texter und Komponist(in):
Reg Presley
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc. und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Troggs4.52:59
4Under the Boardwalk
recorded in:
New York, New York, Vereinigte Staaten (am 1964-05-21)
Produzent(in):
Bert Berns und Mike Leander
Gitarre:
Everett Barksdale (am 1964-05-21), Bill Suyker (am 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (am 1964-05-21) und Bob Bushnell (am 1964-05-21)
Klavier:
Ernie Hayes (American pianist, organist and arranger) (am 1964-05-21)
Kontrabass [bass]:
Milt Hinton (am 1964-05-21)
Saiteninstrumente [nine strings]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1964-05-21)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1964-05-21)
Vibraphon [vibes]:
George Devens (am 1964-05-21)
Baritongesang:
Gene Pearson (vocals, Drifters) (am 1964-05-21)
Bass-Gesang:
Winifred Terry (am 1964-05-21)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1964-05-21)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1964-05-21)
conductor:
Gary Sherman (mid-20th century composer, arranger & conductor) (am 1964-05-21)
arranger:
Gary Sherman (mid-20th century composer, arranger & conductor) und Teacho Wiltshire
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 304) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 487)
recording of:
Under the Boardwalk (am 1964-05-21)
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters4.352:43
5My Girl
Produzent(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
Bass:
James Jamerson (von 1964-09-25 bis 1964-11-17)
Gitarre:
Robert White (US funk/soul guitarist) (von 1964-09-25 bis 1964-11-17)
Instrumente:
The Funk Brothers (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente:
Detroit Symphony Orchestra (von 1964-09-25 bis 1964-11-17)
Schlagzeug:
Benny Benjamin (US drummer) (von 1964-09-25 bis 1964-11-17)
Hintergrundgesang:
Eddie Kendricks (von 1964-09-25 bis 1964-11-17), Otis Williams (US baritone singer, member of The Temptations & The Distants) (von 1964-09-25 bis 1964-11-17) und Paul Williams (member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Sologesang:
David Ruffin (soul singer, member of The Temptations) (von 1964-09-25 bis 1964-11-17)
Interpret(in):
The Temptations (Motown soul vocal group) (von 1964-09-25 bis 1964-11-17)
Saiteninstrumente arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1964)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (von 1964-09-25 bis 1964-11-17)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 3), Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 43) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 88)
recording of:
My Girl (von 1964-09-25 bis 1964-11-17)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Temptations4.52:57
6Pretty Flamingo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
Pretty Flamingo
Texter und Komponist(in):
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L und Campbell Connelly & Co. Ltd.
Manfred Mann52:29
7For Once in My Life
Produzent(in):
Henry Cosby
Sologesang:
Stevie Wonder (in 1967)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1968)
cover recording of:
For Once in My Life (in 1967)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Stevie Wonder4.12:49
8Beggin’
Produzent(in):
Bob Crewe
conductor:
Bob Crewe
arranger:
Artie Schroeck
recording of:
Beggin’ (in 1967)
Verfasser(in):
B. Gaudio und P. Farina
publisher:
EMI Longitude Music, Saturday Music, Inc. und Seasons Four Music Corp.
The Four Seasons2:48
9Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James “Buzz” Cason und Mac Gayden
publisher:
Alberts, J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd. und Rising Sons Music Inc. (in 1967)
Love Affair43:04
10Bus Stop
Produzent(in):
The Hollies und Ron Richards
Bass:
Bernie Calvert (am 1966-05-18)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) und Parlophone (Parlophon) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-05-18)
cover recording of:
Bus Stop (am 1966-05-18)
Texter und Komponist(in):
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited und Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.52:55
11Too Busy Thinking ’Bout My Baby
Produzent(in):
Norman Whitfield
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
cover recording of:
Too Busy Thinking About My Baby
Verfasser(in):
Janie Bradford, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye42:57
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
13Try a Little Tenderness
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
E-Bass [electric bass], Klavier, Orgel und Vibraphon [vibes]:
Booker T. Jones
Gitarre:
Steve Cropper
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer)
Tenorsaxophon:
Gilbert Caple und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding3.353:20
14Bring It On Home to Me
Produzent(in):
Mickie Most (English record producer)
cover recording of:
Bring It On Home to Me
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
The Animals2.752:35
15The Letter
Produzent(in):
Dan Penn (songwriter, soul singer)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) und Atoll Music (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 364)
recording of:
The Letter (in 1967)
Texter und Komponist(in):
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:54
16Delta Lady
recording of:
Delta Lady
Texter und Komponist(in):
Leon Russell
publisher:
Embassy Music Corporation, Reservoir 416 und Skyhill Pub. Co., Inc.
adaptations:
Fille de la nuit
Joe Cocker2:52
17Eloise
phonographisches Urheberrecht (℗) von:
PolyGram GmbH (not for release label use!) (in 1969)
recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
Barry Ryan5:47
18The Price of Love
recording of:
The Price of Love
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Opryland Music Ltd., Sony/ATV Acuff Rose Music und Acuff-Rose (BMI) (in 1965)
The Everly Brothers2:06
19Dream Baby (How Long Must I Dream)
phonographisches Urheberrecht (℗) von:
Monument Records (company credits for Monument; do NOT use as release label) (in 1962)
recording of:
Dream Baby (How Long Must I Dream) (am 1962-01-09)
Texter und Komponist(in):
Cindy Walker (US songwriter, singer and dancer)
publisher:
Acuff-Rose Music Ltd. (UK), Combine Music Corp. und Acuff-Rose (BMI) (in 1971)
Roy Orbison32:33
20Can’t Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams2:22
21If I Were a Carpenter
Produzent(in):
Charles Koppelman (American businessman and musician) und Don Rubin
conductor:
Donald Peake
arranger:
Donald Peake
cover recording of:
If I Were a Carpenter
Texter und Komponist(in):
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Faithful Virtue Music
Bobby Darin2:22
22Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:37
23You’ve Made Me So Very Happy
cover recording of:
You’ve Made Me So Very Happy
Verfasser(in):
Berry Gordy, Jr., Brenda Holloway Davis, Patrice Yvonne Holloway und Frank Wilson (Motown singer/songwriter)
publisher:
Stone Agate Music Division
Blood, Sweat & Tears43:30
24Darling Be Home Soon
recording of:
Darling Be Home Soon
Texter und Komponist(in):
John Sebastian
The Lovin’ Spoonful3:34
25La La Means I Love You
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1971)
recording of:
La La (Means I Love You) (in 1968)
Verfasser(in):
Thom Bell (keyboards, songwriter, producer) und William Hart (of The Delfonics)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Delfonics4.53:18
26It’s a Man’s, Man’s, Man’s World
recorded in:
New York, New York, Vereinigte Staaten (am 1966-02-16)
Techniker(in):
Ron Lenhoff
Produzent(in):
James Brown (The Godfather of Soul)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1966-02-16)
Gitarre:
Billy Butler (jazz guitarist) (am 1966-02-16)
Schlagzeug:
Bernard “Pretty” Purdie (am 1966-02-16)
Trompete:
Dud Bascomb (Sr., jazz trumpeter) (am 1966-02-16), Waymon Reed (am 1966-02-16) und Lammar Wright (am 1966-02-16)
Sologesang:
James Brown (The Godfather of Soul) (am 1966-02-16)
aufgenommen bei:
Talent Masters Studios in New York, New York, Vereinigte Staaten (am 1966-02-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 123)
recording of:
It’s a Man’s Man’s Man’s World (am 1966-02-16)
Verfasser(in):
James Brown (The Godfather of Soul) und Betty Jean Newsome
James Brown4.42:49
2▼CD
Nr.TitelKünstlerBewertungLänge
1Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.253:03
2Oh, Pretty Woman
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1964-08-01)
Produzent(in):
Fred Foster
Gitarre:
Jerry Kennedy (am 1964-08-01), Wayne Moss (am 1964-08-01) und Billy Sanford (guitar) (am 1964-08-01)
Klavier:
Floyd Cramer (am 1964-08-01)
Kontrabass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (am 1964-08-01)
Mundharmonika:
Charlie McCoy (white blues harmonica player, 1960s-present) (am 1964-08-01)
Perkussion:
Paul Garrison (am 1964-08-01)
Saxophon:
Boots Randolph (am 1964-08-01)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1964-08-01)
zwölfsaitige Gitarre [12 string guitar Epiphone] und Sologesang:
Roy Orbison (am 1964-08-01)
vocals:
Roy Orbison
phonographisches Urheberrecht (℗) von:
Orbison Records, Orbison Records, Inc. und Monument Record Corp. (not for release label use!) (in 1964)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (am 1964-08-01)
Texter und Komponist(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (BMI) (in 1972)
Roy Orbison4.22:57
3Ring of Fire
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1963-03-25)
Produzent(in):
Frank Jones (producer for Columbia, often with Don Law; also singer/songwiter) und Don Law
Interpret(in):
The Carter Family (later generations of the family after 1943)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1963, in 1977)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 25), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 201) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 388)
cover recording of:
Ring of Fire (am 1963-03-25)
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash4.252:37
4Help Yourself
recording of:
Help Yourself
Texter:
Mogul (Italian lyricist)
Verfasser(in):
Jack Fishman
Komponist(in):
Carlo Donida
basiert auf:
Gli Occhi Miei
Tom Jones2:52
5I’m Gonna Make You Mine
recording of:
I’m Gonna Make You Mine
Texter und Komponist(in):
Tony Romeo
Lou Christie2:41
6Breaking Up Is Hard to Do
vocals:
Neil Sedaka
conductor:
Al Lorber
arranger:
Al Lorber
recording of:
Breaking Up Is Hard to Do
Texter und Komponist(in):
Howard Greenfield und Neil Sedaka
publisher:
Careers–BMG Music Publishing, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Careers und Aldon (in 1962)
Neil Sedaka3.252:17
7Hey! Baby
recording of:
Hey! Baby
Verfasser(in):
Bruce Channel und Margaret Cobb
publisher:
EMI Unart Catalog Inc., Gerig Musikverlag (Musikverlage Hans Gerig KG), Peter Maurice Music Co. Ltd., シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.), CBS Unart Catalog, Inc. (in 1961) und Le Bill Music (in 1961)
Bruce Channel2:24
8Little Things
cover recording of:
Little Things
Texter und Komponist(in):
Bobby Goldsboro
Dave Berry2:25
9Concrete and Clay
Techniker(in):
Victor Smith
Produzent(in):
John Barker (producer)
Interpret(in):
Unit 4+2
recording of:
Concrete and Clay
Verfasser(in):
Tommy Moeller und Brian Parker
publisher:
Apollo Music Ltd. (UK work publisher), EMI Longitude Music, Universal/MCA Music Publishing Pty Ltd, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Unit 4+23.52:18
10You Were on My Mind
cover recording of:
You Were on My Mind
Texter und Komponist(in):
Sylvia Tyson
Crispian St. Peters2:43
11Gimme Little Sign
recording of:
Gimme Little Sign
Verfasser(in):
Alfred Smith, Joseph Hooven (songwriter, producer, label owner, publisher & trumpeter [Joseph Davis Hooven]) und Jerry Winn
publisher:
Arlovol Music, Bonnyview Music Corp., EMI Catalogue Partnership Australia Pty Ltd und I’m Hip Productions (Active in the late 60’s)
Brenton Wood12:16
12I Second That Emotion
Gitarre:
Marvin Tarplin (am 1967-09-21)
Instrumente:
The Funk Brothers (am 1967-09-21)
Hintergrundgesang:
Warren “Pete” Moore (am 1967-09-21), Claudette Robinson (am 1967-09-21), Bobby Rogers (am 1967-09-21) und Ronald White (soul singer, founding member of The Miracles) (am 1967-09-21)
Sologesang:
Smokey Robinson (am 1967-09-21)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (am 1967-09-21)
recording of:
I Second That Emotion (am 1967-09-21)
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:44
13Ruby Baby
recording of:
Ruby Baby
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corp., Jerry Leiber Music, Sony/ATV Songs LLC und Stoller Music (ASCAP)
Dion2:38
14How Sweet It Is (To Be Loved by You)
phonographisches Urheberrecht (℗) von:
Lightsource Music
recording of:
How Sweet It Is (to Be Loved by You)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Junior Walker & the All-Stars3:01
15(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
Interpret(in):
Jackie Wilson (soul singer)
arranger:
Sonny Sanders
phonographisches Urheberrecht (℗) von:
Brunswick Recording Corporation (in 1967)
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 301)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
MJ: The Musical
Jackie Wilson4.82:56
16The More I See You
cover recording of:
The More I See You
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) und Warner/Chappell Music International Ltd.
übersetzte Version von:
The More I See You (Valli’s version with french lyrics)
Chris Montez2:41
17Happy Heart
recording of:
Happy Heart
Texter:
Jackie Rae (Canadian singer, songwriter and television performer)
Komponist(in):
James Last (German big band leader & composer, 1929–2015)
publisher:
Panorama Song Ed.
Andy Williams3:13
18(Marie’s the Name) His Latest Flame
Bass:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-25)
Gitarre:
Hank Garland (am 1961-06-25), Neal Matthews (am 1961-06-25) und Scotty Moore (American guitarist and recording engineer) (am 1961-06-25)
Klanghölzer / Claves:
Boots Randolph (am 1961-06-25)
Klavier:
Floyd Cramer (am 1961-06-25)
Orgel:
Floyd Cramer (am 1961-06-25) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1961-06-25)
Schlagzeug:
D.J. Fontana (am 1961-06-25) und Buddy Harman (Session drummer and songwriter) (am 1961-06-25)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1961-06-25)
vocals:
The Jordanaires (southern gospel group) (am 1961-06-25) und Millie Kirkham (am 1961-06-25)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1961), BMG Music (in 1961) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1961-06-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (am 1961-06-25)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music und R&H Music
Elvis Presley2.352:08
19Keep Searchin’ (We’ll Follow the Sun)
recording of:
Keep Searching (We’ll Follow the Sun)
Texter und Komponist(in):
Del Shannon
Del Shannon2:08
20Lovers of the World Unite
recording of:
Lovers of the World Unite (am 1966-05-25)
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer) und Roger Greenaway
David & Jonathan32:34
21Hang On Sloopy
recording of:
Hang On Sloopy
Verfasser(in):
Bert Russell Berns und Wes Farrell
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Morris Music Inc und Robert Mellin Music, Inc.
The McCoys33:53
22Hold Me Tight
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968)
recording of:
Hold Me Tight
Texter und Komponist(in):
Johnny Nash (US reggae/pop singer-songwriter)
publisher:
Warner Chappell Music (publisher as Warner/Chappell Music)
Johnny Nash2:44
23I’ll Pick a Rose for My Rose
recording of:
I’ll Pick a Rose for My Rose
Verfasser(in):
James Dean (US soul songwriter), Marv Johnson und William Weatherspoon
publisher:
Jobete Music (UK) Ltd.
Marv Johnson32:40
24I Don’t Want Our Loving to Die
The Herd2:59
25Get Together
recorded in:
New York, New York, Vereinigte Staaten (in 1966-11)
Produzent(in):
Felix Pappalardi
Bass und Sologesang:
Jesse Colin Young (in 1966-11)
Gitarre und Hintergrundgesang:
Jerry Corbitt (in 1966-11) und Lowell Levinger (in 1966-11)
Keyboard:
Lowell Levinger (in 1966-11)
Schlagzeug:
Joe Bauer (founding member of ''The Youngbloods'') (in 1966-11)
cover recording of:
Let’s Get Together (in 1966-11)
Texter und Komponist(in):
Chet Powers
publisher:
Irving Music (BMI) und Irving Music, Inc.
The Youngbloods3.754:43
3▼CD
Nr.TitelKünstlerBewertungLänge
1Scarborough Fair/Canticle
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
arranger:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
recording of:
Scarborough Fair / Canticle (am 1966-07-26)
Texter und vorher zugeschrieben zu:
Simon & Garfunkel
Verfasser(in):
[traditional] (special purpose artist), Art Garfunkel und Paul Simon (of Simon & Garfunkel)
publisher:
Fanfare (publisher), Pattern Music Ltd (publisher) und Paul Simon Music
Version von:
Scarborough Fair
Version von:
The Side of a Hill
Simon & Garfunkel4.23:11
2Lay Lady Lay
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Gitarre und Sologesang:
Bob Dylan (am 1969-02-14)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969)
recording of:
Lay, Lady, Lay (am 1969-02-14)
Texter und Komponist(in):
Bob Dylan (von 1968 bis 1969)
zusätzlicher Texter:
Bob Dylan (in 1976)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Big Sky Music (publisher for Bob Dylan) (vom 1969 bis heute)
sub-publisher:
Sonora Musikförlags AB
Bob Dylan4.13:18
3Suspicious Minds
Techniker(in):
Al Pachucki
Produzent(in):
Felton Jarvis und Chips Moman
Bass:
Tommy Cogbill (am 1969-01-23) und Mike Leech (am 1969-01-23)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-23) und Reggie Young (Guitarist and songwriter) (am 1969-01-23)
Klavier:
Bobby Wood (American pianist, keyboard player and songwriter) (am 1969-01-23)
Orgel:
Bobby Emmons (am 1969-01-23)
Schlagzeug:
Gene Chrisman (am 1969-01-23)
Steel-Gitarre:
John Hughey (am 1969-01-23)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations und Kathy Westmoreland
arranger:
Mike Leech und Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, Vereinigte Staaten (am 1969-01-23) und United Recording Studios (Las Vegas) in Las Vegas, Nevada, Vereinigte Staaten (am 1969-08-07)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 363)
cover recording of:
Suspicious Minds (von 1969-01-23 bis 1969-08-07)
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Elvis Presley4.14:34
4Walk Away Renée
Interpret(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
cover recording of:
Walk Away Renée
Verfasser(in):
Michael Brown (American singer-songwriter), Bob Calilli und Tony Sansone
publisher:
Alley Music Corp., Trio Music Company, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Twin Tone (publisher) (in 1967)
Four Tops2:45
5You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers3:39
6Make It Easy on Yourself
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Make It Easy on Yourself
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und MCA Music Ltd.
The Walker Brothers53:15
7Twenty‐Four Hours from Tulsa
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1963 (Nummer: 36)
recording of:
Twenty Four Hours From Tulsa
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.52:59
8Rhythm of the Rain
phonographisches Urheberrecht (℗) von:
Warner Music H.K. Ltd. (in 1997)
recording of:
Rhythm of the Rain (in 1962)
Texter und Komponist(in):
John Gummoe
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Cascades32:33
9Here It Comes Again
The Fortunes3:05
10Young Girl
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recording of:
Young Girl
Texter und Komponist(in):
Jerry Fuller
publisher:
EMI Music Publishing (S.E. Asia) Ltd. (EMI Music Publishing (S.E. Asia) Limited)
Gary Puckett & the Union Gap43:13
11Elusive Butterfly
recording of:
Elusive Butterfly
Texter und Komponist(in):
Bob Lind
publisher:
Metric Music Ltd.
Bob Lind2:49
12A Day Without Love
recording of:
A Day Without Love
Texter und Komponist(in):
Phillip Goodhand-Tait
Love Affair3:14
13Down in the Boondocks
recording of:
Down in the Boondocks
Texter und Komponist(in):
Joe South
publisher:
Bike Music, BMG Music Ltd., BMG Music Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und Lowery Music Co. Inc. (in 1965)
Billy Joe Royal2:34
14By the Time I Get to Phoenix
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 450)
cover recording of:
By the Time I Get to Phoenix (am 1967-08-17)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
Glen Campbell3.52:43
15Long After Tonight Is All Over
Jimmy Radcliffe2:40
16Only One Woman
The Marbles42:42
17Juliet
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1964)
recording of:
Juliet (1964 song by the Four Pennies)
Verfasser(in):
Fritz Fryer, Lionel Morton (member of the Four Pennies) und Mike Wilsh
publisher:
Flamingo Music
The Four Pennies2:22
18Blue Velvet
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:48
19One
recording of:
One (in 1968-03)
Texter und Komponist(in):
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Australia Pty. Ltd.
Harry Nilsson42:55
20Suzanne
Produzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Sologesang:
Leonard Cohen (Canadian singer‐songwriter and poet)
conductor:
John Simon (US producer, arranger, composer, songwriter and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 284)
recording of:
Suzanne (English original song by Leonard Cohen) (in 1967)
Texter:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. und Writers Workshop Ltd.
übersetzte Version von:
Suzanne (German lyrics by Thomas Woitkewitsch)
Leonard Cohen4.153:48
21Need Your Love So Bad
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
cover recording of:
Need Your Love So Bad
Texter und Komponist(in):
Little Willie John und Mertis John Jr. (older brother of Little Willie John)
publisher:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. und Trio Music Co., Inc.
Fleetwood Mac43:55
22When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:52

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Veröffentlichung

ASIN:UK: B00AIELJ8K [Info]