Mozart / Vivaldi / Grieg / Tchaikovsky / Haendel / Berlioz / Mendelssohn / Rimsky-Korkasoff / Bizet / Beethoven

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaged as a cardboard box with 10 cardboard sleeves containing the discs. Each disc has its own Cat. No. and barcode (ordered by the listing on the back of the outer cardboard box):
SYCD600101/8711539013615,
SYCD600202/8711539013622,
SYCD600303/8711539013639,
SYCD600504/8711539013646,
SYCD600705/8711539013653,
SYCD600806/8711539013660,
SYCD600907/8711539013677,
SYCD601208/8711539013684,
SYCD601409/8711539013691,
SYCD601910/8711539013707.
There is no other title to this release other than "10 CD Box" and the last names of the various composers.

Anmerkung zuletzt geändert am 2014-12-08 17:09 UTC.

Titelliste

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1▼CD: Vivaldi
Nr.TitelKünstlerBewertungLänge
1The Spring: I. Allegro
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:27
2The Spring: II. Largo et pianissimo sempre
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:28
3The Spring: III. Allegro
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:11
4The Summer: I. Allegro non molto
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi5:16
5The Summer: II. Adagio
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: II. Adagio e piano – Presto e forte
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi2:27
6The Summer: III. Tempo impetuoso d'estate
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto “L’estate” (“Summer”), op. 8 no. 2, RV 315: III. Presto: Tempo impetuoso d’estate (arr: Jeannette Sorrell)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Jeannette Sorrell (conductor and harpsichordist)
Arrangement von:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto
Antonio Vivaldi3:06
7The Autumn: I. Allegro
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:14
8The Autumn: II. Adagio molto
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:56
9The Autumn: III. La caccia: Allegro
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:22
10The Winter: I. Allegro non molto
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:21
11The Winter: II. Largo
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:12
12The Winter: III. Allegro
Orchester:
Musici di Zagreb (an Alfred Scholz pseudonym, not to be confused with the real Zagrebački solisti)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:10
2▼CD: Mozart
Nr.TitelKünstlerBewertungLänge
1Eine Kleine Nachtmusik, K. 525: I. Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Austrian chamber orchestra), Camerata Academica Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (name used by Alfred Scholz, may be incorrect), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), The Northstar Orchestra, Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:30
2Eine Kleine Nachtmusik, K. 525: II. Romanze: Andante
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonia Slavonica (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Libor Pešek (conductor), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:44
3Eine Kleine Nachtmusik, K. 525: III. Menuett: Allegretto
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academia Salzburg (Austrian chamber orchestra), Camerata Academica of Salzburg (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart2:20
4Eine Kleine Nachtmusik, K. 525: IV. Rondo: Allegro
Sound-Engineering:
Bernhard Mahne (Classical music producer) (von 1986-04-22 bis 1986-04-24) und Lutz Wildner (von 1986-04-22 bis 1986-04-24)
Orchester:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Academica of Salzburg (Austrian chamber orchestra), Camerata Accademica Hamburg, Ljubljana Symphony Orchestra (RTV Slovenia Symphony Orchestra), Mainz Chamber Orchestra (Mainzer Kammerorchester), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Camerata Labacensis (Slovenian chamber orchestra) (von 1986-04-22 bis 1986-04-24)
conductor:
Günter Kehr (conductor and violinist), Francesco Macci (an Alfred Scholz pseudonym), Alfred Scholz und Alexander von Pitamic (Alfred Scholz pseudonym) (von 1986-04-22 bis 1986-04-24)
aufgenommen bei:
Slovenian Philharmonic in Ljubljana, Ljubljana (City Municipality of Ljubljana), Slowenien (von 1986-04-22 bis 1986-04-24)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (von 1986-04-22 bis 1986-04-24)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart3:28
5The Magic Flute Overture, K. 620
Orchester:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), London Philharmonic Orchestra (Alfred Scholz pseudonym), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym), South German Philharmonic Orchestra (an Alfred Scholz pseudonym) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz und Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Ouvertüre (Die Zauberflöte, K. 620: Ouvertüre)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Teil von:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:24
6The Marriage of Figaro Overture, K. 492
Orchester:
Berlin Symphony Orchestra (almost certainly a Scholz fake artist), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (Alfred Scholz pseudonym) und Philharmonia Slovanica Orchester (Alfred Scholz pseudonym)
conductor:
Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Laurence Gordon Siegel (fictitious conductor, Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Le nozze di Figaro, K. 492: Sinfonia
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
Wolfgang Amadeus Mozart44:18
7German Dances No. 1 & No. 2
Orchester:
Konzerthausorchester Berlin (Berliner Sinfonie-Orchester prior to 2006) und Symphonisches Orchester Berlin (known as Symphonisches Orchester Berlin since 1967, renamed Berliner Symphoniker in 1990)
conductor:
Carl-August Bünte (conductor)
recording of:
Sechs deutsche Tänze, K. 509: No. 1 in D major
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1787-02-06 bis 1878-02-06)
Teil von:
Sechs deutsche Tänze, K. 509 (for small orchestra)
recording of:
Sechs deutsche Tänze, K. 509: No. 2 in G major
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (am 1787-02-06)
Teil von:
Sechs deutsche Tänze, K. 509 (for small orchestra)
Wolfgang Amadeus Mozart3:46
3▼CD: Grieg
Nr.TitelKünstlerBewertungLänge
1Peer Gynt Suite No. 1, Op. 46: I. Morning song
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slowakisches Radio Symphonie Orchester Bratislava), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:56
2Peer Gynt Suite No. 1, Op. 46: II. Ases death
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slowakische Philharmonie), Slowakische Staatsphilharmonie und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 3. akt: Åses død
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:37
3Peer Gynt Suite No. 1, Op. 46: III. Anitra's dance
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt: Anitras dans
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:34
4Peer Gynt Suite No. 1, Op. 46: IV. Hall of the mountain king
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
phonographisches Urheberrecht (℗) von:
GMS (in 1986)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:23
5Peer Gynt Suite No. 2, Op. 55: I. Ingrid's lament
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym) und Slowakische Staatsphilharmonie (Slowakische Philharmonie)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) und Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:12
6Peer Gynt Suite No. 2, Op. 55: II. Arabian dance
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann und Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
Teil von:
Peer Gynt Suite no. 2, op. 55
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 4. akt: Arabisk dans
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:38
7Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's homecoming
Orchester:
International Concert Orchestra (an Alfred Scholz pseudonym) (beendet), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related) und Slowakische Staatsphilharmonie (Slowakische Philharmonie)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:32
8Peer Gynt Suite No. 2, Op. 55: IV. Solveig's song
Orchester:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slowakische Philharmonie) und Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) und Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1891)
Version von:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Teil von:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:27
9Holberg Suite, Op. 40: I. Prelude
Orchester:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) und Slowakische Philharmonie
conductor:
Istvan Cohen (probably another Alfred Scholz) und Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Arrangement von:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:47
10Holberg Suite, Op. 40: II. Sarabande
Orchester:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Istvan Cohen (probably another Alfred Scholz) und Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Aus Holbergs Zeit, Op. 40: II. Sarabande (Andante), for piano)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Aus Holbergs Zeit: II. Sarabande. Andante, for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:12
11Holberg Suite, Op. 40: III. Gavotte
Orchester:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) und Slowakische Philharmonie
conductor:
Istvan Cohen (probably another Alfred Scholz) und Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:08
12Holberg Suite, Op. 40: IV. Andante religioso
Orchester:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Istvan Cohen (probably another Alfred Scholz) und Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg5:38
13Holberg Suite, Op. 40: V. Rigaudon
Orchester:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) und Slovenská filharmónia (Slowakische Philharmonie)
conductor:
Istvan Cohen (probably another Alfred Scholz) und Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra)
Komponist(in):
Edvard Grieg (composer) (in 1884)
Teil von:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:03
4▼CD: Mozart
Nr.TitelKünstlerBewertungLänge
1Piano concerto No. 21 in C major K. 467, "Elvira Madigan": I. Allegro maestoso
Klavier:
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) und István Székely (pianist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Franz Liszt Kammerorchester, Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) und Alfred Scholz
recording of:
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart14:34
2Piano concerto No. 21 in C major K. 467, "Elvira Madigan": II. Andante
Instrumente:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
Klavier:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) und Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
Orchester:
Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) und Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart35:36
3Piano concerto No. 21 in C major K. 467, "Elvira Madigan": III. Allegro vivace assai
Klavier:
Silvia Čápová (pianist), Vilmos Fischer (pianist, an Alfred Scholz pseudonym), Angela Giulini (fictitious pianist created by Alfred Scholz), Leonard Hokanson (pianist), Svetlana Stanceva (pianist, an Alfred Scholz pseudonym) und István Székely (pianist)
Orchester:
Camerata Labacensis (Slovenian chamber orchestra), Liszt Ferenc Kamarazenekar (Franz Liszt Kammerorchester, Franz Liszt Chamber Orchestra), Mozart Festival Orchestra (Mozart Festivalorchester, an Alfred Scholz pseudonym) und Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) und Alfred Scholz
recording of:
Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:05
4Symphony No. 41 in C major K. 551, "Jupiter": I. Allegro vivace
Orchester:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation)
conductor:
Carl-August Bünte (conductor)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: I. Allegro vivace (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": I. Allegro vivace)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart11:23
5Symphony No. 41 in C major K. 551, "Jupiter": II. Andante cantabile
Orchester:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) und Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": II. Andante cantabile)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart9:29
6Symphony No. 41 in C major K. 551, "Jupiter": III. Menuetto: allegretto
Orchester:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) und Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": III. Minuetto. Allegretto)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart5:04
7Symphony No. 41 in C major K. 551, "Jupiter": IV. Molto allegro
Orchester:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) und Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) und Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:50
5▼CD: Beethoven
Nr.TitelKünstlerBewertungLänge
1Symphony No. 3 in E-flat major, Op. 55, "Eroica": I. Allegro con brio
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio
Komponist(in):
Ludwig van Beethoven (German composer) (von 1803 bis 1804)
Teil von:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven14:56
2Symphony No. 3 in E-flat major, Op. 55, "Eroica": II. Adagio Assai
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai
Komponist(in):
Ludwig van Beethoven (German composer) (von 1803 bis 1804)
Teil von:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven9:55
3Symphony No. 3 in E-flat major, Op. 55, "Eroica": III. Scherzo: allegro vivace
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace
Komponist(in):
Ludwig van Beethoven (German composer) (von 1803 bis 1804)
Teil von:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:03
4Symphony No. 3 in E-flat major, Op. 55, "Eroica": IV. Finale: allegro molto
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker)
conductor:
Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Hans Swarowsky (conductor, used as Alfred Scholz pseudonym)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto
Komponist(in):
Ludwig van Beethoven (German composer) (von 1803 bis 1804)
Teil von:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven11:48
5Coriolan Overture, Op. 62
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Berliner Festspielorchester (likely another Alfred Scholz orchestra pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO) und Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
Ouvertüre Coriolan, op. 62 (Coriolan Overture, Op. 62)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1807)
gewidmet:
Heinrich Joseph von Collin
Premiere bei:
Palais Lobkowitz in Innere Stadt, Wien, Österreich (in 1807-03)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 62)
Ludwig van Beethoven7:35
6▼CD: Mendelssohn / Bizet
Nr.TitelKünstlerBewertungLänge
1Symphony No. 4 in A major, Op. 90, "Italian": I. Allegro vivace
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) und London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (Sinfonie Nr. 4 in A-Dur, op. 90 "Italienische": I. Allegro vivace)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn11:32
2Symphony No. 4 in A major, Op. 90, "Italian": II. Andante con moto
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) und London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn6:38
3Symphony No. 4 in A major, Op. 90, "Italian": III. Con moto moderato
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) und London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn6:54
4Symphony No. 4 in A major, Op. 90, "Italian": IV. Presto salterello
Orchester:
Bamberg Philharmonic (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), International Concert Orchestra (an Alfred Scholz pseudonym) und London Symphony Orchestra
conductor:
Alfred Scholz, Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym) und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1833)
Teil von:
Symphony no. 4 in A major, op. 90 “Italian” (Sinfonie Nr. 4 A-Dur, op. 90 "Italianische")
Felix Mendelssohn6:17
5Symphony in C: I. Allegro
Orchester:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Alfred Scholz und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : I. Allegro vivo (Symphony no. 1 in C major: I. Allegro vivo)
Komponist(in):
Georges Bizet (French composer) (von 1855-10 bis 1855-11)
Teil von:
Symphonie no. 1 en ut majeur
Georges Bizet6:52
6Symphony in C: II. Adagio
Orchester:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) und Philharmonisches Festspielorchester (an Alfred Scholz pseudonym)
conductor:
Louis Ablazzo, Alfred Scholz und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : II. Andante (Adagio) (Symphony No. 1 in C major: II. Adagio)
Komponist(in):
Georges Bizet (French composer) (von 1855-10 bis 1855-11)
Teil von:
Symphonie no. 1 en ut majeur
Georges Bizet9:54
7Symphony in C: III. Allegro vivace
Orchester:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Alfred Scholz und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : III. Scherzo. Allegro vivace (Symphony no. 1 in C major: III. Allegro vivace)
Komponist(in):
Georges Bizet (French composer) (von 1855-10 bis 1855-11)
Teil von:
Symphonie no. 1 en ut majeur
Georges Bizet5:39
8Symphony in C: IV. Allegro vivace
Orchester:
International Concert Orchestra (an Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Alfred Scholz und Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Symphonie no. 1 en ut majeur : IV. Finale. Allegro vivace (Symphony no. 1 in C major: IV. Allegro vivace)
Komponist(in):
Georges Bizet (French composer) (von 1855-10 bis 1855-11)
Teil von:
Symphonie no. 1 en ut majeur
Georges Bizet6:14
7▼CD: Rimsky-Korsakoff
Nr.TitelKünstlerBewertungLänge
1Scheherazade, Op. 35: I. The sea and Sinbad's ship
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: I. The Sea and Sinbad’s Ship
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:17
2Scheherazade, Op. 35: II. The tale of the calendar prince
Orchester:
Slovak State Philharmony (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: II. The Kalendar Prince
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков11:39
3Scheherazade, Op. 35: III. The young prince and the young princess
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie) und Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков10:06
4Scheherazade, Op. 35: IV. Festival at bagdad; the sea; the ship goes to pieces on a rock; conclusion
Orchester:
Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Bystrík Režucha (conductor)
recording of:
Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (in 1888)
Teil von:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков12:01
8▼CD: Berlioz
Nr.TitelKünstlerBewertungLänge
1Symphony Fantastique, Op. 14: I. Reveries - Passions
Orchester:
Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) und Alfred Scholz
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:12
2Symphony Fantastique, Op. 14: II. A ball
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) und Alfred Scholz
recording of:
Symphonie fantastique, op. 14: II. Un bal
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:09
3Symphony Fantastique, Op. 14: III. Scene in the country
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) und Alfred Scholz
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz17:02
4Symphony Fantastique, Op. 14: IV. March to the scaffold
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) und Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:42
5Symphony Fantastique, Op. 14: V. Dreams of a witches sabbath
Orchester:
Ljubljana Radio Symphony Orchestra (RTV Slovenia Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym) und Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Anton Nanut (conductor) und Alfred Scholz
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice
Komponist(in):
Hector Berlioz (French composer) (in 1830)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
Komponist(in):
Hector Berlioz (French composer) (in 1830)
quotes music from:
Dies Irae (plainchant)
Teil von:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz11:21
9▼CD: Haendel
Nr.TitelKünstlerBewertungLänge
1Water Music: I. Allegro
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel2:54
2Water Music: II. Air
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel5:32
3Water Music: III. Bouree
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:48
4Water Music: IV. Hornpipe
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel0:57
5Water Music: V. Andante expressivo
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:49
6Water Music: VI. Hornpipe
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
George Frideric Handel3:17
7Royal Fireworks Music: I. Overture
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: I. Ouverture
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel9:22
8Royal Fireworks Music: II. Bouree
Orchester:
Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Oliver von Dohnányi (conductor) und Bohdan Warchal (violinist, conductor)
aufgenommen bei:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slowakei
recording of:
Music for the Royal Fireworks, HWV 351: II. Bourrée
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:48
9Royal Fireworks Music: III. La paix
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: III. La Paix: Largo alla siciliana
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:27
10Royal Fireworks Music: IV. La rejouissance
Orchester:
Bamberg Philharmonic Orchestra (pseudonym associated with Alfred Scholz, not Bamberger Symphoniker), Český národní symfonický orchestr (Tschechisches Nationales Symphonieorchester), London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra, Musici di San Marco (an Alfred Scholz pseudonym), Radio Symphony Orchestra (SWR Sinfonieorchester Baden‐Baden und Freiburg), Slovak Philharmonic Chamber Orchestra (Slovak Chamber Orchestra) und Slovak Philharmonic Orchestra (Slowakische Philharmonie)
conductor:
Oliver von Dohnányi (conductor), Sidney Lark (conductor, possibly an Alfred Scholtz pseudonym), Francesco Macci (an Alfred Scholz pseudonym), Rolf Reinhardt (German conductor 1927-2006), Bernhard Stopler (conductor) und Bohdan Warchal (violinist, conductor)
aufgenommen bei:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj, Slowakei
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel3:51
11Royal Fireworks Music: V. Menuet I
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:30
12Royal Fireworks Music: VI. Menuet II
Orchester:
Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra)
conductor:
Bohdan Warchal (violinist, conductor)
recording of:
Music for the Royal Fireworks, HWV 351: V. Menuet I and II
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1749)
Teil von:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:38
10▼CD: Tchaikovsky
Nr.TitelKünstlerBewertungLänge
1Nutcracker Suite, Op. 71a: I. Miniature overture
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (bis 1892)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:11
2Nutcracker Suite, Op. 71a: II. March
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:33
3Nutcracker Suite, Op. 71a: III. Dance of the sugar plum fairy
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:49
4Nutcracker Suite, Op. 71a: IV. Russian dance
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:06
5Nutcracker Suite, Op. 71a: V. Arab dance
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский2:52
6Nutcracker Suite, Op. 71a: VI. Chinese dance
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym) und Alfred Scholz
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:12
7Nutcracker Suite, Op. 71a: VII. Dance of the reed flutes
Orchester:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und South German Philharmonic Orchestra (an Alfred Scholz pseudonym)
conductor:
Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz und Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский1:59
8Nutcracker Suite, Op. 71a: VIII. Waltz of the flowers
Orchester:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) und London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Fantasia (Disney soundtrack)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский6:25
9Sleeping Beauty, Op. 66, excerpts: I. Introduction
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Introduction
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
Спящая красавица, op. 66 (Dornröschen, op. 66)
Пётр Ильич Чайковский3:30
10Sleeping Beauty, Op. 66, excerpts: II. Pas d'action - andante
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Orquesta Sinfónica Clásica de Baviera (an Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: II. Adagio. Pas d'action
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский5:24
11Sleeping Beauty, Op. 66, excerpts: III. Pas de caractére - allegro moderato
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский2:33
12Sleeping Beauty, Op. 66, excerpts: IV. Panorame - andantino
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra), Royal Philharmonic Orchestra und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: IV. Panorama
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
Пётр Ильич Чайковский4:25
13Sleeping Beauty, Op. 66, excerpts: V. Finale - apotheosis
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.), Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonic Orchestra London (Alfred Scholz pseudonym), Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra) und Russian State Symphony Orchestra (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
L. Siegel (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz, Peter Stern (fictitious conductor, Alfred Scholz pseudonym), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related), George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
teilweise recording of:
The Sleeping Beauty Suite, op. 66a: V. Valse
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 30. Finale: b. Apothéose
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский2:05
14Romeo & Juliet Fantasy Overture
Orchester:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), Ljubljana Radio Symphony Orchestra (name used by Alfred Scholz, may be incorrect), London Festival Orchestra (Alfred Scholz pseudonym), London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), Musici di San Marco (an Alfred Scholz pseudonym), New Philharmonia Orchestra London (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia), Philharmonic Orchestra London (Alfred Scholz pseudonym), Royal Promenade Orchestra (possibly fictitious by association with Alfred Gehardt), Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) und Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Alfred Gehardt (fictitious conductor), Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym), Nodar Tsatishvili, George Ralph Warren und Peter Wohlert (conductor, Alfred Scholz related)
phonographisches Urheberrecht (℗) von:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1988)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
überarbeitet von:
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1870, in 1880)
gewidmet:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
Teil von:
The Tchaikovsky Handbook (Nummer: TH 42) und Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (Nummer: ČW 39)
Revision von:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский18:06

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ASIN:DE: B001E0A5WI [Info]
andere Datenbanken:https://www.musik-sammler.de/media/483047 [Info]