Music Lovers Choice, Volume 7: Authentic Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Caution: Like most of the cds in this series, pressed by PDO in the UK, laser rot (or effectively similar deterioration) makes it hard to properly read them any more.

Annotation last modified on 2019-04-01 13:56 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Weihnachts-Oratorium: Jauchzet, Frohlocket
choir vocals:
Chorus of Collegium Vocale, Ghent (in 1989-01)
orchestra:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recorded at:
Mindersbroederskerk in Ghent, Oost-Vlaanderen (East Flanders), Flanders (Flemish Region), Belgium (in 1989-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
2Toccata, Adagio & Fugee in G major: Toccata
harpsichord:
Maggie Cole (harpsichordist)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recorded at:
Fenton House (Hampstead) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Toccata G-Dur, BWV 916: I. Presto (from 1987-07 until 1988-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata G-Dur, BWV 916 (Toccata in G major, BWV 916)
Johann Sebastian Bach2:09
3Fantasy a 4 for the "Great Dooble Base"
organ:
Paul Nicholson (harpsichordist & organist)
strings [viols]:
Fretwork (consort of viols)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Fantasy a 4 for the "Great Dooble Base"
composer:
Orlando Gibbons (composer)
Orlando Gibbons4:33
4Stingo/Paggington’s Pound
instruments:
The Musicians of Swanne Alley (US early music ensemble)
violin:
David Douglass (conductor, violinist, producer)
soprano vocals:
Emily Van Evera (soprano)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Paggington’s Pound
writer:
[anonymous] (special purpose artist)
recording of:
Stingo
writer:
[anonymous] (special purpose artist)
[anonymous]5:08
5Fantasia de redobles
vihuela:
Christopher Wilson (lute and theorbo player)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Fantasia de redobles
composer:
Miguel de Fuenllana
Miguel de Fuenllana2:03
6Tirsi morir volea
orchestra:
The Consort of Musicke (British early-music group)
conductor:
Anthony Rooley (lute player / conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Tirsi morir volea
composer:
Giaches de Wert (Franco-Flemish 16th century composer)
part of:
Il settimo libro de madrigali (Seventh book of madrigals of Giaches De Wert for mostly five voices, pub. 1577) (number: 12)
Giaches de Wert4:03
7Symphony no. 9: Scherzo
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace
composer:
Franz Schubert (composer) (from 1825-07 until 1826-07)
part of:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert3:08
8Clarinet Concerto no. 2: Romanza
producer:
James Mallinson (producer)
clarinet:
Antony Pay (clarinetist) (from 1987-10-21 until 1987-10-23)
orchestra:
Orchestra of the Age of Enlightenment (from 1987-10-21 until 1987-10-23)
conductor:
Antony Pay (clarinetist)
balance engineer:
Nicholas Parker (classical violinist, producer, engineer)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1987-10-21 until 1987-10-23)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: II. Andante con moto (from 1987-10-21 until 1987-10-23)
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber6:47
9A Midsummer Night’s Dream: Scherzo
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Sir Charles Mackerras (Australian conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:41
10Leçons de ténèbres: Iod/Caph
soprano vocals:
Noémi Rime (Soprano)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
Michel Lambert5:06
11Pièces de clavecin en concerts: Premier concert II, III
harpsichord:
Mitzi Meyerson (harpsichordist)
viola da gamba:
Sarah Cunningham (classical string player)
violin:
Monica Huggett (violinist)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: La Livri (pour clavecin seul)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: Le Vézinet
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
Jean‐Philippe Rameau6:11
12Flow My Tears
audio engineer:
Mike Hatch (engineer/editor) (in 1987-11)
lute:
Paul O’Dette (American conductor and lute player specialising in early music)
tenor vocals:
Nigel Rogers (tenor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (in 1987-11)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (in 1987-11)
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland4:17
13Symphony no. 26: Allegro assai con spirito
engineer:
Heinz Wildhagen (engineer, producer) (in 1988-03)
executive producer:
Simon Foster (executive producer)
producer:
Heinz Wildhagen (engineer, producer)
orchestra:
La Petite Bande (Belgian chamber orchestra) (in 1988-03)
conductor:
Sigiswald Kuijken (in 1988-03)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1988-03)
recording of:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”: I. Allegro assai con spirito (in 1988-03)
composer:
Joseph Haydn (composer) (in 1768)
part of:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”
Joseph Haydn4:03
14Clarice Cara
bass vocals:
Harry van der Kamp (operatic bass)
tenor vocals:
Christoph Prégardien (tenor)
orchestra:
La Petite Bande (Belgian chamber orchestra)
conductor:
Sigiswald Kuijken
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 256) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 256)
Wolfgang Amadeus Mozart1:40
15Brandenburg Concerto no. 5: Affettuoso
flute:
Lisa Beznosiuk (flautist)
harpsichord:
Malcolm Proud (harpsichordist)
violin:
Elizabeth Wallfisch (violinist)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:11
16Messe nn h-Moll: Benedictus/Osanna
choir vocals:
Chorus of Collegium Vocale, Ghent
tenor vocals:
Howard Crook (tenor)
orchestra:
Orchestra of Collegium Vocale, Ghent
conductor:
Philippe Herreweghe (Belgian conductor)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:33

Credits

Release

manufactured in:England, United Kingdom
printed in:the UK
manufactured by:PDO (Philips DuPont Optical, Blackburn, UK)
copyrighted (©) by:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
part of:Veritas (Virgin Classics) (order: 1)
Discogs:https://www.discogs.com/release/7917009 [info]