Closed Collection Vol. 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Johnny Come Home
produttore:
Andy Cox (Composer) e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
diritti fonografici (℗) detenuti da:
London Records (UK, 1947–1999, re-launched 2011–present) (nel 1985)
video musicali:
Johnny Come Home di Fine Young Cannibals
registrazione di:
Johnny Come Home
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (nel 1985)
Fine Young Cannibals3.73:36
2Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:42
3Cruel Summer
produttore:
Steve Jolley e Tony Swain (songwriter, producer)
voce principale:
Sara Dallin (nel 1983-04), Siobhan Fahey (nel 1983-04) e Keren Woodward (nel 1983-04)
esecutore:
Bananarama (nel 1983-04)
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1983) e London Records Ltd. (not release label) (nel 1984)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 44) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 414)
registrazione di:
Cruel Summer (nel 1983-04)
paroliere:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) e Keren Woodward
compositore:
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) e Keren Woodward
editore:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
4FantasyBlack Box5:16
5Love Is a ShieldCamouflage4:02
6More, More, More
tecnico di missaggio:
Harvey Goldberg
registrazione di:
More, More, More
autore:
Gerry Darby, Carmel McCourt, Jim Paris (Jim Parris) e Pete Saunders (British keyboardist)
Carmel6:26
7Ain't Necessarily So
registrazione cover di:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
paroliere:
Ira Gershwin, Dorothy Heyward (playwright) e DuBose Heyward
compositore:
George Gershwin (composer)
editore:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
è stata commissionata da:
Gershwin Publishing Corp (nel 1935)
versione di:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Bronski Beat4:43
8You Keep It All In
programmazione degli strumenti aggiuntiva:
Mel Wesson
tecnico:
Ian Grimble e Dave Meegan (producer)
produttore:
Mike Hedges (UK producer/recording engineer)
batteria :
David Stead
chitarra :
Dave Rotheray
chitarra basso :
Sean Welch
flauto e sassofono :
Gary Barnacle
flicorno soprano e tromba :
John Thirkell (British trumpet and flugelhorn player)
percussione :
Martin Ditcham
tastiera :
Mel Wesson
tastiera e pianoforte :
Pete Wingfield (keyboardist, singer, producer, songwriter)
trombone :
Peter Thoms (trombone)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1989)
registrazione di:
You Keep It All In
paroliere:
Paul Heaton
compositore:
Paul Heaton e Dave Rotheray
editore:
Island Music Ltd.
The Beautiful South3.352:55
9Latin Lover
produttore:
Gianna Nannini e Conny Plank (German producer and sound engineer)
produttore esecutivo:
Peter Zumsteg
diritti fonografici (℗) detenuti da:
Polydor International GmbH (not for release label use!) (nel 1987)
è stato produttore per:
G.N. S.R.L. (company; do NOT use as release label)
registrazione di:
Latin Lover
paroliere:
Gianna Nannini
compositore:
Gianna Nannini e Mauro Paoluzzi
editore:
Ed. Jubal (publisher; do NOT use as release label) (nel 1982), Intersong Italiana (publisher; do NOT use as release label) (nel 1982) e Z-Muzik (publisher; do NOT use as release label) (nel 1982)
Gianna Nannini4:37
10Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:54
11Tears in the Rain
registrazione di:
Tears in the Rain
autore:
Desmond Child e Diane Warren (US songwriter)
editore:
Realsongs e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Robin Beck4:44
12Breathless
produttore:
Lou Depryck
registrazione di:
Breathless
autore:
Philippe Allaert (Belgian jazz/fusion drummer, producer) e Viktor Lazlo (French-Belgian singer)
Viktor Lazlo3:42
13This Is the World Calling
registrazione di:
This Is the World Calling
autore:
Raymond Doom e Bob Geldof
editore:
Intersong Music Ltd., NOB Music (publisher) e RCA Music Ltd. (publisher)
Bob Geldof4:50
14Dub Be Good to Me
produttore:
Norman Cook
tecnico di missaggio:
Simon Thornton (Big beat mixing engineer)
voce principale:
Lindy Layton
esecutore:
Lindy Layton
campionamenti:
L’uomo dell’armonica di Ennio Morricone (Italian classical and score composer) e The Guns of Brixton (original studio mix) di The Clash (70s–80s British punk rock band)
registrazione di:
Dub Be Good to Me
compositore:
Norman Cook, James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
versione di:
Just Be Good to Me
Beats International3:39

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