This Is Rock Music

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-07-31).

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Anmerkung zuletzt geändert am 2020-07-31 17:46 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1What’s My Age Again?
Techniker(in):
Sean O’Dwyer (US producer & engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 84)
recording of:
What’s My Age Again?
Verfasser(in):
Travis Barker (American producer and drummer of blink-182), Tom DeLonge und Mark Hoppus
publisher:
Fun With Goats (beendet), Beat Poet Music, EMI April Music Inc., HMNIM Music und Jolly Old Saint Dick
blink‐1824.32:29
2In My Element
Produzent(in):
George Perks und Matt Terry (Producer)
recording of:
In My Element
Verfasser(in):
Liam Deakin, Niall Fennell, Jonny Fyffe und Pearce Macca
The Clause3:37
3Baba O’Riley
recording engineer, Techniker(in) und Mix:
Glyn Johns
Partner-Produzent(in):
Glyn Johns
Produzent(in):
The Who
zusätzliche(r) Produzent(in):
Keith Moon (drummer)
Bassgitarre und Blechblasinstrumente:
John Entwistle (in 1971-05)
Gast-Geige / Violine:
Dave Arbus (in 1971-05)
Gitarre, Klavier, Orgel und Synthesizer:
Pete Townshend (of The Who) (in 1971-05)
Perkussion und Schlagzeug und Perkussion:
Keith Moon (drummer) (in 1971-05)
Sologesang:
Roger Daltrey (in 1971-05) und Pete Townshend (of The Who) (in 1971-05)
vocals:
Pete Townshend (of The Who) und John Entwistle (in 1971-05)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1971)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1971-05)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 341)
recording of:
Baba O’Riley (in 1971-05)
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!), Towser Tunes, Inc. und TRO Essex Japan, A-Division
The Who4.555:00
4BELONG 2 U
Produzent(in):
Devon (Devon Cassells)
recording of:
BELONG 2 U (n/a)
Verfasser(in):
Devon Cassells (Devon Cassells)
Devon2:49
5Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.355:58
6Crazy
Programmierung:
John Webster (Canadian keyboardist)
assistierende(r) Techniker(in):
Mike Plotnikoff
Techniker(in):
Ken Lomas
Produzent(in):
Bruce Fairbairn
Mix:
Brendan O’Brien (engineer)
Appalachian dulcimer [dulcimer]:
Joe Perry (guitarist for Aerosmith)
baritone saxophone:
Ian Putz
E-Bass [electric bass]:
Tom Hamilton (bassist for Aerosmith)
Gitarre:
Joe Perry (guitarist for Aerosmith) und Brad Whitford (Aerosmith)
Instrumente:
The Margarita Horns
Keyboard [keyboards]:
Desmond Child, Steven Tyler und John Webster (Canadian keyboardist)
Mandoline, Mundharmonika, zusätzlich Perkussion und Sologesang:
Steven Tyler
Posaune:
Bob Rogers (Trombonist)
Saxophon:
Tom Keenlyside
Schlagzeug und Perkussion:
Joey Kramer (drummer for Aerosmith)
Trompete:
Paul Baron (trumpet player) und Bruce Fairbairn
vocals:
Joe Perry (guitarist for Aerosmith)
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1993) und Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1993)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
mixed at:
Can‐Am Recorders in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 221)
recording of:
Crazy
Verfasser(in):
Desmond Child, Joe Perry (guitarist for Aerosmith) und Steven Tyler
publisher:
JuJu Rhythms, Primary Wave Steven Tyler, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (in 1992), EMI April Music Inc. (in 1992) und Swag Song Music, Inc. (in 1992)
Aerosmith3.95:17
7Wind of Change
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.855:11
8Message in a Bottle (remastered 2003)
Techniker(in):
Nigel Gray (UK producer)
Produzent(in):
Nigel Gray (UK producer) und The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1979), A&M Records, Ltd. (in 1979), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1979) und A&M Records, Inc. (in 1997)
aufgenommen bei:
Surrey Sound Studios in Leatherhead, Surrey, England, Vereinigtes Königreich
recording of:
Message in a Bottle
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., GM Sumner und Virgin Music, Inc. (US arm of Virgin’s publishing company)
The Police3.94:50
9Pretty Fly (for a White Guy)
sonstige Unterstützung:
Janie Rangel (Aufgabe: studios assistants) und Elan Trujillo (Aufgabe: studios assistants)
assistierende(r) Techniker(in):
Annette Cisneros
Techniker(in):
Bryan Carlstrom (engineer, producer)
Produzent(in) und Mix:
Dave Jerden
Bassgitarre:
Greg K
Gitarre:
Noodles (Kevin Wasserman)
Schlagzeug:
Ron Welty
Hintergrundgesang:
Jack Grisham, Davey Havok und Jim Lindberg
Sologesang:
Dexter Holland
zusätzlich vocals:
Nika Futterman Frost, Chris Higgins (X-13, The Offspring) und Heidi Villagran
phonographisches Urheberrecht (℗) von:
Epitaph (in 1994)
aufgenommen bei und mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Samples:
Rock of Ages von Def Leppard (Sprecher)
Musikvideos:
Pretty Fly (For a White Guy) von The Offspring (American punk)
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1998)
recording of:
Pretty Fly (for a White Guy)
Texter und Komponist(in):
Dexter Holland
publisher:
Round Hill Works, Underachiever Music und Wixen Music Publishing, Inc.
The Offspring3.93:08
10Fly Away
Programmierung:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel und Eric Rehl
Techniker(in) und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Lenny Kravitz
Bass, Gitarre, Schlagzeug, Hintergrundgesang und Sologesang:
Lenny Kravitz
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998)
recording of:
Fly Away
Texter und Komponist(in):
Lenny Kravitz
publisher:
Miss Bessie Music und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:42
11Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999, in 2020), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down4.053:54
12It’s the End of the World as We Know It (and I Feel Fine) (original version)
zusätzlich recording engineer:
Gary Laney
Techniker(in):
Scott Litt (producer and engineer)
Produzent(in):
Scott Litt (producer and engineer) und R.E.M. (American rock band)
zusätzliche(r) Mix:
Steve Catania
Bassgitarre:
Mike Mills (R.E.M. bass player)
Gitarre:
Peter Buck (R.E.M. guitarist)
Schlagzeug:
Bill Berry (R.E.M. drummer)
Sologesang:
Michael Stipe
aufgenommen bei:
Sound Emporium Studios in Nashville, Tennessee, Vereinigte Staaten
mixed at:
Master Control in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 69) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 69)
recording of:
It’s the End of the World as We Know It (and I Feel Fine)
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:05
13Real Wild Child (Wild One)
drum machine [Linn drum]-Programmierung:
David Richards (Swiss-based producer and engineer) (von 1986-04 bis 1986-05)
Techniker(in):
David Richards (Swiss-based producer and engineer)
Produzent(in) und Mix:
David Bowie (English singer‐songwriter) und David Richards (Swiss-based producer and engineer)
Bass, Schlagzeug, Orgel, Sampler [Akai S900], Synthesizer [Yamaha DX7] und Geige / Violine:
Erdal Kızılçay (von 1986-04 bis 1986-05)
Gitarre:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05) und Steve Jones (Sex Pistols member) (von 1986-04 bis 1986-05)
Hintergrundgesang:
Kevin Armstrong (UK guitarist, producer & songwriter) (von 1986-04 bis 1986-05), David Bowie (English singer‐songwriter) (von 1986-04 bis 1986-05) und Erdal Kızılçay (von 1986-04 bis 1986-05)
Sologesang:
Iggy Pop (von 1986-04 bis 1986-05)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1986)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1986-04 bis 1986-05)
cover recording of:
Wild One (Real Wild Child) (von 1986-04 bis 1986-05)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3.853:38
14Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Musikvideos:
Addicted to Love von Robert Palmer (English singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 85)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.755:59
15Every Rose Has Its Thorn (remastered 2003)
Techniker(in):
Duane Baron
Produzent(in):
Tom Werman
Mix:
Duane Baron, John Purdell und Tom Werman
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
Interpret(in):
Poison (US glam metal band)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 34)
recording of:
Every Rose Has Its Thorn
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Songs Inc.
Poison44:19
16Black Hole Sun
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994)
Bearbeitung von:
Black Hole Sun (album version) von Soundgarden
recording of:
Black Hole Sun
Texter und Komponist(in):
Christopher J Cornell (Soundgarden lead singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mushroom Music Pty. Ltd., Universal/MCA Music Publishing GmbH und You Make Me Sick I Make Music (in 1994)
Soundgarden44:31
171979 (remastered 2012)
Techniker(in):
Flood (British producer Mark Ellis), Jeff Moleski und Claudine Pontier
Produzent(in) und Mix:
Billy Corgan, Flood (British producer Mark Ellis) und Alan Moulder (producer and engineer)
assistierende(r) Mix:
Barry “Sounds Like Gold” Goldberg (audio engineer)
Sologesang:
Billy Corgan
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1995)
Musikvideos:
1979 (music video) von The Smashing Pumpkins
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 8)
recording of:
1979
Texter und Komponist(in):
Billy Corgan
The Smashing Pumpkins4.454:26
18Bite My Tongue
zusätzlich Gast vocals:
Oliver Sykes
recording of:
Bite My Tongue
Verfasser(in):
Josh Franceschi
You Me at Six feat. Oli Sykes53:42
19Life Is a Highway
Techniker(in) und Mix:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others)
Produzent(in):
Tom Cochrane (of Red Rider) (Aufgabe: pre-production), Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) und John Webster (Canadian keyboardist) (Aufgabe: pre-production)
Bassgitarre [bass]:
Spider Sinneave
E-Gitarre und Mundharmonika:
Tom Cochrane (of Red Rider)
Orgel und Perkussion:
John Webster (Canadian keyboardist)
Schlagzeug [drums]:
Mickey Curry
Hintergrundgesang:
Tom Cochrane (of Red Rider), John Cody (Canadian-born singer/songwriter/producer) und Molly Johnson (Canadian jazz chanteuse)
vocals:
Tom Cochrane (of Red Rider)
Schlagzeug [drums] arranger:
John Webster (Canadian keyboardist)
arranger:
Tom Cochrane (of Red Rider)
recording of:
Life Is a Highway
Texter und Komponist(in):
Tom Cochrane (of Red Rider)
publisher:
PW Arrangements und Universal Music Publishing Canada
Tom Cochrane54:24
20Johnny B. Goode
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-01-06)
Klavier:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1958-01-06)
Kontrabass:
Willie Dixon (am 1958-01-06)
Schlagzeug:
Jasper Thomas (am 1958-01-06)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-01-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 33), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 53) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Johnny B. Goode (am 1958-01-06)
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
Chuck Berry4.22:40
21Layla
leitende(r) Produzent(in):
Tom Dowd
Produzent(in):
Derek and the Dominos
Bassgitarre:
Carl Radle (am 1970-09-09)
elektronische Orgel und Klavier:
Bobby Whitlock (am 1970-09-09)
Gitarre:
Duane Allman (am 1970-09-09) und Eric Clapton (am 1970-09-09)
Schlagzeug und Perkussion:
Jim Gordon (US drummer with Derek and the Dominos) (am 1970-09-09)
Sologesang:
Eric Clapton (am 1970-09-09)
vocals:
Bobby Whitlock (am 1970-09-09)
arranger:
Derek and the Dominos
phonographisches Urheberrecht (℗) von:
RSO Records Ltd., London (in 1970) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1970-09-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 27) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 224)
recording of:
Layla (am 1970-09-09)
Verfasser(in):
Eric Clapton und Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.457:03
22Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.554:48
23Heaven’s on Fire
Assistent recording engineer:
Timothy Crich
recording engineer:
Chris Minto (engineer) (von 1984-06 bis 1984-07)
zusätzlich recording engineer:
Dave Wittman
Partner-Produzent(in):
Gene Simmons (KISS bassist and vocalist)
Produzent(in):
Michael James Jackson und Paul Stanley (KISS frontman)
Mix:
Dave Wittman
Bassgitarre, E-Gitarre [rhythm guitar] und Sologesang:
Paul Stanley (KISS frontman)
E-Gitarre [lead guitar]:
Mark St. John
Schlagzeug:
Eric Carr (KISS drummer)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten (von 1984-06 bis 1984-07)
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Heaven’s on Fire
Verfasser(in):
Desmond Child und Paul Stanley (KISS frontman)
publisher:
Hori Productions America Inc., KISS (publisher for the rock band KISS, formerly KISS Songs Inc.) (vom 1984 bis ????) und Desmobile Inc. (vom 1984 bis heute)
sub-publisher:
大洋音楽 (Taiyō Music)
KISS4.53:21
24Believer
Techniker(in) und Produzent(in):
Mattman & Robin (Swedish songwriting and production duo)
Mix:
John Hanes (audio engineer, mixer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2017) und KIDinaKORNER (in 2017)
a cappella versions:
Believer (Live at Dolby Studios) von Tufts Beelzebubs (Tufts University all-male a cappella group)
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 9), Billboard Year-End Hot 100 singles of 2018 (Nummer: 100) und Indie 88: Top 500 Indie Rock Songs (Nummer: 401)
recording of:
Believer
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Justin Drew Tranter (singer and songwriter), Mattias Larsson (of Mattman & Robin), Ben McKee (American bassist, Imagine Dragons), Daniel Platzman, Dan Reynolds (American singer/songwriter, producer) und Wayne Sermon
publisher:
Imagine Dragons Publishing, Justin’s School for Girls, KIDinaKORNER, Ma-Jay Publishing, Neue Welt Musikverlag GmbH & Co. KG (– 2017), Universal MCA Music Publishing (France), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Scandinavia, Warner–Tamerlane Music Corp. und Wolf Cousins
Imagine Dragons3.453:26
25Born to Be Wild (single version)
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.353:31
26The Kill (Bury Me)
recording engineer und Mix:
Ryan Williams (US recording engineer/producer)
zusätzliche(r) Techniker(in):
Brian Virtue
Produzent(in):
Josh Abraham, THIRTYSECONDSTOMARS und Brian Virtue
assistierende(r) Mix:
Brandon Belsky
Klavier:
Matt Serletic
Interpret(in):
Jared Leto, Matt Wachter, Shannon Leto und Tomo Milicevic
phonographisches Urheberrecht (℗) von:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2005) und Virgin Records (holding company for Virgin) (in 2016)
mixed at:
Pulse Recording in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
The Kill (music video) von Thirty Seconds to Mars
recording of:
The Kill
Texter und Komponist(in):
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars4.43:52
27Behind Blue Eyes
Techniker(in):
Michael Elvis Baskette
zusätzliche(r) Techniker(in):
Dave Holdredge
Produzent(in):
Fred Durst
Mix:
Brendan O’Brien (engineer)
Editing:
Dave Holdredge
Musikvideos:
Behind Blue Eyes von Limp Bizkit
cover recording of:
Behind Blue Eyes
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Towser Tunes, Inc.
Limp Bizkit4.454:30
28Highway Tune
Techniker(in), Produzent(in) und Mix:
Al Sutton und Marlon Young
zusätzliche(r) Produzent(in):
Herschel Boone (Detroit soul singer and songwriter)
Bassgitarre:
Samuel Francis Kiszka
Gitarre:
Jacob Thomas Kiszka
Perkussion:
Daniel Robert Wagner (Greta Van Fleet)
Sologesang:
Joshua Michael Kiszka
phonographisches Urheberrecht (℗) von:
Lava Music, LLC (company behind the Lava imprint; do NOT use as a release label) (in 2017) und Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2017)
aufgenommen bei und mixed at:
Rustbelt Studios in Royal Oak, Michigan, Vereinigte Staaten
Teil von:
Grammy Award: Best Rock Performance nominees (Nummer: 2019)
recording of:
Highway Tune
Verfasser(in):
Jake Kiszka, Joshua Kiszka, Sam Kiszka und Daniel Wagner (Greta Van Fleet)
publisher:
Yankee Springs Publishing
Greta Van Fleet4.53:01
29Sweet Dreams (Are Made of This)
Techniker(in) und Mix:
Sean Beavan
Produzent(in):
Marilyn Manson (the person) und Trent Reznor
vocals:
Marilyn Manson (the person)
cover recording of:
Sweet Dreams (Are Made of This)
Texter:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Komponist(in):
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. und Universal Music–MGB Songs
übersetzte Version von:
Світ мрій
Marilyn Manson4.354:51
30Joker and the Thief
Techniker(in):
Ryan Castle
Produzent(in) und Mix:
David Sardy (American score composer)
Editing:
Andy Brohard
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Joker & the Thief (von 2005-06 bis 2005-09)
Verfasser(in):
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) und Andrew Stockdale
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.654:40
31Blurry
recording engineer:
Scott Francisco und Steve Mixdorf
Techniker(in) und Produzent(in):
John Kurzweg
Bassgitarre:
Douglas Ardito (Puddle of Mudd bassist)
Gitarre:
Paul Phillips (US guitarist for Puddle of Mudd)
Schlagzeug:
Josh Freese (American drummer)
Sologesang:
Wes Scantlin
recording of:
Blurry
Verfasser(in):
Doug Ardito (Puddle of Mudd bassist), Paul Phillips (US guitarist for Puddle of Mudd) und Wes Scantlin
Puddle of Mudd4.55:05
32All Right Now
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group)
zusätzliche(r) Produzent(in):
John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free) (in 1970)
E-Bass und Klavier:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff (in 1970)
Schlagzeug:
Simon Kirke (in 1970)
Sologesang:
Paul Rodgers (in 1970)
vocals:
Paul Rodgers
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1970) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970)
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 27)
recording of:
All Right Now (in 1970)
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.155:32
33I Stand Alone
Koproduzent(in):
Sully Erna
Produzent(in) und Mix:
David Bottrill (producer / mixer)
Bassgitarre:
Robbie Merrill
Gitarre:
Tony Rombola
Perkussion und Schlagzeug:
Shannon Larkin
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002)
recording of:
I Stand Alone
Texter und Komponist(in):
Sully Erna
Godsmack3.654:06
34Dragula
Programmierung, Techniker(in) und Mix:
Scott Humphrey
zusätzliche Programmierung:
Paul DeCarli
zusätzliche(r) Techniker(in):
Frank Gryner
Produzent(in):
Scott Humphrey und Rob Zombie
zusätzliche(r) Mix:
Chris Lord‐Alge
Sologesang:
Rob Zombie
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998)
Musikvideos:
Dragula (music video) von Rob Zombie
recording of:
Dragula
Texter:
Rob Zombie
Komponist(in):
Scott Humphrey und Rob Zombie
publisher:
Demonoid Deluxe Music, Gimme Back My Publishing und WB Music Corp. (1929–2019)
Rob Zombie4.53:43
35My Sacrifice
aufgenommen bei:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
My Sacrifice von Creed (US rock band from Tallahassee, FL)
Teil von:
Billboard Year-End Hot 100 2002 (Nummer: 20)
recording of:
My Sacrifice
Texter:
Scott Stapp
Komponist(in):
Scott Stapp und Mark Tremonti
Creed3.94:55