La Divina 2

~ Release by Maria Callas (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Alceste: Act I. "Divinités du Styx"
soprano vocals:
Maria Callas (soprano)
Christoph Willibald Gluck4:26
2Carmen: Act II. "Les tringles des sistres tintaient (Chanson bohème)"
producer:
Michel Glotz
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Mercédès]:
Jane Berbié (mezzo-soprano) (from 1964-07-06 until 1964-07-20)
soprano vocals [Frasquita]:
Nadine Sautereau (French soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (French conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:24
3Ernani: Act I. "Surta è la Notte Ernani! Ernani, involami"
soprano vocals:
Maria Callas (soprano)
Giuseppe Verdi6:16
4Manon Lescaut: Act II. "In quelle trine morbide"
soprano vocals:
Maria Callas (soprano)
Giacomo Puccini2:54
5Aida: Act I. "Ritorna Vincitor"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (in 1964-04)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (in 1964-04)
conductor:
Nicola Rescigno (conductor) (in 1964-04)
balance engineer:
Paul Vavasseur (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (in 1964-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:05
6Orphée et Eurydice: Act IV. "J'ai perdu mon Eurydice"
producer:
Walter Legge (British classical producer)
editor:
Jennifer Howells
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
soprano vocals [Orphée]:
Maria Callas (soprano)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-03-28 until 1961-03-31)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
recording of:
Orphée et Eurydice, Wq. 41 : Acte III, N° 43. Air “J’ai perdu mon Eurydice” (Orphée) (from 1961-04-04 until 1961-04-05)
composer:
Christoph Willibald Gluck (composer)
additional librettist:
Pierre-Louis Moline
translator:
Pierre-Louis Moline
translated version of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
part of:
Orphée et Eurydice, Wq. 41 : Acte III
Christoph Willibald Gluck4:25
7I vespiri siciliani: Act V. "Bolero: Mercè, Dilette Amiche"
soprano vocals:
Maria Callas (soprano)
Giuseppe Verdi4:01
8Louise: Act III. "Depuis le jour"
soprano vocals:
Maria Callas (soprano)
Gustave Charpentier4:48
9La Bohème: Act III. "Donde lieta uscì"
soprano vocals:
Maria Callas (soprano)
Giacomo Puccini3:22
10Mignon: Act II. "Ah, pour ce soir … je suis Titania (Polonaise)"
soprano vocals:
Maria Callas (soprano)
Ambroise Thomas5:12
11La traviata: Act III. "Teneste la Promessa … Addio, del Passato"
soprano vocals:
Maria Callas (soprano)
orchestra:
Orquestra sinfónica do Teatro Nacional de São Carlos
conductor:
Franco Ghione (conductor, violinist and composer)
recording of:
La traviata: Atto III. “Addio, del passato bei sogni ridenti” (Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi5:19
12Don Carlo: Act III. "O don fatale"Giuseppe Verdi4:46
13Samson et Dalila: Act I. "Printemps qui commence"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
orchestra:
Orchestre national de la Radiodiffusion Française (National Orchestra of France, RTF / ORTF / Radio France) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
conductor:
Georges Prêtre (French conductor) (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1961-03-28 until 1961-03-31, from 1961-04-04 until 1961-04-05)
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-03-28 until 1961-03-31)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
recording of:
Samson et Dalila : Acte I, scène 6. « Printemps qui commence » (Dalila, un vieillard hébreu) (from 1961-04-04 until 1961-04-05)
composer:
Camille Saint‐Saëns (composer)
part of:
Samson et Dalila : Acte I
Camille Saint‐Saëns5:17
14La sonnambula: Act I. "Compagne, teneri amici … Come per me sereno"
soprano vocals:
Maria Callas (soprano)
Vincenzo Bellini5:49
15Adriana Lecouvreur: Act I. "Ecco: respiro appena … Io son l'umile ancella"
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-17 until 1954-09-18)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Adriana Lecouvreur: Atto I
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) (from 1954-09-20 until 1954-09-21)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea3:47
16Lucia di Lammermoor: Act III. "Spargi d'amaro pianto"Gaetano Donizetti4:07