Frosh, Vol. 5

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Party Hard
additional recording engineer:
Sam Revelli and Bobby Warner
assistant recording engineer:
Tony Allen (guitarist), Dan Burns (songwriter, producer, and instrumentalist from Nashville) and Tom Durlayne
recording engineer:
Jeff Burns (US composer of electronic and orchestral music/recording engineer), Frank Gryner and Robert Thompson (engineer)
programming:
Aaron Dilloway, Anthony Miller and Nate Young (Wolf Eyes)
audio engineer:
Tom Gordon (engineer) and Lou Willis
additional producer:
T.S.D. (recording engineer for Andrew W.K.) and Frank Vierti
co-producer:
John Fields (“Strawberry” – producer)
executive producer:
Steev Mike
producer:
Mario Dane, Scott Humphrey and Andrew W.K.
mixer:
Mike Shipley (audio engineer, mixer, producer)
additional bass guitar:
Chris Chaney and Mike David (bassist)
additional drums (drum set):
Brett Lee and Gary Novak
additional guitar:
Tony Allen (guitarist), Chuck Morgan, Fred Thomas (Saturday Looks Good to Me/His Name is Alive/Flashpapr) and Phil X (Bon Jovi guitarist Phil Xenidis)
bass guitar:
Gregg Roberts
drums (drum set):
Donald Tardy
guitar:
Jimmy Coup, Sgt. Frank and Erik Payne
keyboard and piano:
Mario Dane, Sam Revelli, Frank Vierti and Andrew W.K.
vocals:
Andrew W.K.
recorded at:
Guardian Sound in Los Angeles, California, United States, Heaven Studios in Manhattan, New York, New York, United States, Maroon Bells Studios in Aspen, Colorado, United States, New Jersey Studios in Minneapolis, Minnesota, United States, Ocean Way Recording in Hollywood, Los Angeles, California, United States, Record One in Sherman Oaks, Los Angeles, California, United States, The Chop Shop (Scott Humphrey's studio) in Los Angeles, California, United States and White Rose Studios in Michigan, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States and Record One in Sherman Oaks, Los Angeles, California, United States
music videos:
Party Hard by Andrew W.K.
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 89)
recording of:
Party Hard
lyricist and composer:
Andrew W.K.
publisher:
Andrew W.K. Music, Inc. and Songs of Universal, Inc. (BMI)
Andrew W.K.4.73:06
2Makes No Difference
engineer:
Ed Krautner
producer:
Greig Nori and Deryck Whibley
mixer:
Jerry Finn
bass guitar:
Jason McCaslin
drums (drum set):
Steve Jocz
guitar:
Dave Baksh and Deryck Whibley
vocals:
Dave Baksh and Deryck Whibley
phonographic copyright (℗) by:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2000)
recording of:
Makes No Difference
writer:
Greig Nori and Deryck Whibley
Sum 414.353:11
3Crawling in the Dark
recording of:
Crawling in the Dark
composer:
Dan Estrin and Doug Robb
Hoobastank4.652:56
4Blurry
recording engineer:
Scott Francisco and Steve Mixdorf
engineer and producer:
John Kurzweg
bass guitar:
Douglas Ardito (Puddle of Mudd bassist)
drums (drum set):
Josh Freese (American drummer)
guitar:
Paul Phillips (US guitarist for Puddle of Mudd)
lead vocals:
Wes Scantlin
recording of:
Blurry
writer:
Doug Ardito (Puddle of Mudd bassist), Paul Phillips (US guitarist for Puddle of Mudd) and Wes Scantlin
Puddle of Mudd4.55:01
5First Date
assistant engineer:
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read and Ted Reiger
engineer:
Joe McGrath
producer:
Jerry Finn
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
drums (drum set) technician:
Mike "Sack" Fasano
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001), Geffen Records (in 2016) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States and Signature Sound in San Diego, California, United States
mixed at:
Encore Recording Studios in Burbank, California, United States
recording of:
First Date
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music and Jolly Old Saint Dick
blink‐1824.12:52
6Rock & Roll High SchoolRamones4.52:20
7Island in the Sun
assistant recording engineer:
Alan Sanderson
assistant mixer:
Femio Hernandez
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, United States (in 2001-01)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 196)
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Weezer4.33:18
8What I Got
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
acoustic guitar [lead]:
Michael "Miguel" Happoldt
organ:
David Kahne
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Have Your Ass Home by 11:00 by Richard Pryor, It’s a New Day by Skull Snaps and Life Is… Too $hort by Too $hort
music videos:
What I Got (Official Video) by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 81)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
Sublime4.42:51
9Elevation
miscellaneous support:
Cheryl Engels (task: audio post production manager and technical guru), Rab McAllister (task: studio tech) and Sam O’Sullivan (task: studio manager)
assistant engineer:
Chris Heaney (engineer)
engineer:
Richard Rainey
producer:
Brian Eno and Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
assistant mixer:
Alvin Sweeney
mixer:
Tim Palmer (British producer/mixer)
bass guitar:
Adam Clayton
drums (drum set) and percussion:
Larry Mullen
guitar:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
piano:
The Edge (U2 guitarist David Evans)
synthesizer:
The Edge (U2 guitarist David Evans) and Brian Eno
vocals:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
drums (drum set) technician:
Sam O’Sullivan
guitar technician:
Fraser McAlister
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2000)
recorded at:
HQ (U2’s recording studio in Dublin, Ireland.) in Dublin, County Dublin, Leinster, Ireland, Totally Wired in Dublin, County Dublin, Leinster, Ireland, Westland Studios in Dublin, County Dublin, Leinster, Ireland and Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
recording of:
Elevation
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans), Larry Mullen, Jr. and U2 (Irish rock band)
publisher:
Blue Mountain Music, Mother Music, PolyGram International Music Publishing B.V. and Universal Music Publishing International BV (Global Licensing & Royalty Review division, Universal Music Publishing Group)
U243:44
10Crystal
producer:
Steve Osborne (producer)
performer:
New Order (UK synth pop band)
recording of:
Crystal
writer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), New Order (UK synth pop band) and Bernard Sumner
arranger:
New Order (UK synth pop band)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
New Order34:18
11Put It on MeJa Rule feat. Vita & Lil’ Mo4:22
12Somebody’s Watching Me
producer:
Curtis Anthony Nolen and Rockwell (R & B – “Somebody’s Watching Me”)
background vocals:
Jermaine Jackson (soul/pop singer, of Jackson 5)
guest vocals:
Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 20)
recording of:
Somebody’s Watching Me
lyricist and composer:
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:56
13You Can Do It
recording of:
You Can Do It
writer:
Afrika Bambaataa (US DJ singer, songwriter & producer), Arthur Baker (American record producer and DJ), Dedrick Rolison (Mack 10), John Miller (MC G.L.O.B.E. (Soulsonic Force)), O’Shea Jackson, John Robie, Donald Saunders (hip hop producer) and Ellis Williams
Ice Cube4:20
14Funnel
LEN2:54
15I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.54:28
16Rocks
additional engineer:
David Bianco (American engineer and record producer) and Jeffrey Reed
engineer:
David Bianco (American engineer and record producer) and Jeff Powell (engineer)
additional producer:
George Drakoulias
co-producer:
David Bianco (American engineer and record producer)
producer:
Tom Dowd
remixer:
George Drakoulias
phonographic copyright (℗) by:
Creation Records Ltd. (in 1994) and Sire Records Company (not for release label use!) (in 1994)
recorded at:
Ardent Studios in Memphis, Tennessee, United States and Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Rocks
writer:
Bobby Gillespie, Andrew Innes and Robert Young (British guitarist, of Primal Scream)
publisher:
Complete Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Primal Scream3.63:32
17I Ran
recording engineer:
Mike Score
engineer:
Mike Shipley (audio engineer, mixer, producer)
producer:
Mike Howlett
bass guitar and background vocals:
Frank Maudsley
drums (drum set):
Ali Score
guitar:
Paul Reynolds (UK guitarist, in A Flock of Seagulls) and Mike Score
keyboard and lead vocals:
Mike Score
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982), Zomba Productions Limited (in 1982) and Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
music videos:
I Ran by A Flock of Seagulls
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 55)
recording of:
I Ran
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls4.355:04
18Lady Venom
recording of:
Lady Venom
writer:
Swollen Members
Swollen Members4:14
19At a Medium Pace
recording of:
At a Medium Pace
writer:
Steve Koren, Adam Sandler and Robert Smigel (comedian)
Adam Sandler3:20

Credits

Release group

part of:Frosh (number: 5) (order: 8)