Not Fade Away: 15 Classics That Fired Up the Rolling Stones

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1You Can’t Catch Me
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1955-12-20)
Klavier [possibly]:
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (am 1955-12-20) und Otis Spann (am 1955-12-20)
Kontrabass:
Willie Dixon (am 1955-12-20)
Schlagzeug:
Ebby Hardy (am 1955-12-20)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
aufgenommen bei:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (am 1955-12-20)
recording of:
You Can’t Catch Me (am 1955-12-20)
Texter und Komponist(in):
Chuck Berry
publisher:
Snapper Music
Chuck Berry32:45
2Baby How Long
Gitarre:
Hubert Sumlin (Chicago blues guitarist and singer) (am 1954-05-25) und Jody Williams (blues guitarist/singer) (am 1954-05-25)
Klavier:
Otis Spann (am 1954-05-25)
Kontrabass:
Willie Dixon (am 1954-05-25)
Mundharmonika und Sologesang:
Howlin’ Wolf (am 1954-05-25)
Schlagzeug:
Earl Phillips (am 1954-05-25)
recording of:
Baby How Long (am 1954-05-25)
Verfasser(in):
Chester Arthur Burnett
Howlin’ Wolf52:53
3Keep a Knockin’
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
Little Richard2:12
4Susie‐Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:17
5I Just Want to Make Love to You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1954-04-13)
Bass:
Willie Dixon
Gitarre:
Jimmy Rogers (blues artist)
Klavier:
Otis Spann
Mundharmonika:
Little Walter (blues performer and songwriter)
Schlagzeug:
Elgin Evans
recording of:
I Just Wanna Make Love to You (am 1954-04-13)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
Muddy Waters2:51
6Not Fade Away
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
Buddy Holly & The Crickets2:23
7Please, Please, Please
recorded in:
Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Produzent(in):
Ralph Bass
Bass:
Clarence Mack (US bassist) (am 1956-02-04)
Gitarre:
Nafloyd Scott (am 1956-02-04)
Klavier:
Lucas "Fats" Gonder (am 1956-02-04)
Schlagzeug:
Edison Gore (am 1956-02-04)
Tenorsaxophon:
Ray Felder (am 1956-02-04) und Wilbert Smith (am 1956-02-04)
Hintergrundgesang:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (am 1956-02-04), Nashpendle Knox (am 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (am 1956-02-04) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (am 1956-02-04)
Sologesang:
James Brown (The Godfather of Soul) (am 1956-02-04)
Interpret(in):
James Brown & The Famous Flames (am 1956-02-04)
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1956)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (am 1956-02-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 142)
recording of:
Please, Please, Please (am 1956-02-04)
Texter und Komponist(in):
James Brown (The Godfather of Soul) und Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
publisher:
Intersong Music, Intersong Music Ltd. und Jadar Music Corp.
James Brown2:46
8Who Do You Love
Gitarre:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24) und Jody Williams (blues guitarist/singer) (am 1956-05-24)
Maracas / Rumba-Rasseln:
Jerome Green (am 1956-05-24)
Schlagzeug:
Clifton James (am 1956-05-24)
Hintergrundgesang:
The Moonglows (1950s Cleveland R&B group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer) (am 1956-05-24)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (vom 1956 bis heute)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 132)
recording of:
Who Do You Love? (am 1956-05-24)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Bo Diddley3.52:29
9Honest I Do
recording of:
Honest I Do
Texter und Komponist(in):
Jimmy Reed (blues musician)
Verfasser(in):
Ewart G. Abner, Jr.
Jimmy Reed2:42
10Pink Thunderbird
Gene Vincent2:34
11I’m a King Bee
Slim Harpo3:04
12Honey Don’t
recording of:
Honey, Don’t!
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corporation, Hi Lo Music, Hi Lo Music Inc. (BMI-affiliated), Knox Music Ltd. und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Carl Perkins2:51
13Night Time Is the Right Time
Roosevelt Sykes2:48
14Dimples
John Lee Hooker2:11
15I’m Movin’ On
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1950-03-28)
Fiddle:
Tommy Vaden (US country fiddler) (am 1950-03-28)
Gitarre:
Hank Snow (am 1950-03-28)
Gitarre [rhythm guitar]:
Jack Shook (am 1950-03-28)
Kontrabass und Kontrabass [bass]:
Ernie Newton (contrabassist) (am 1950-03-28)
Steel-Gitarre:
Joe Talbot (Steel guitar player and music industry executive) (am 1950-03-28)
vocals:
Hank Snow (am 1950-03-28)
recording of:
I’m Moving On (am 1950-03-28)
Texter und Komponist(in):
Hank Snow
publisher:
Hill and Range Songs, Inc. (publisher) und Unichappell Music, Inc.
Hank Snow42:50