| # | Title | Artist | Rating | Length |
|---|
| 1 | Varning på stan | Magnus Uggla | | 4:41 |
| 2 | Fox on the Run- engineer:
- Peter Coleman
- producer:
- Sweet
- arranger:
- Sweet
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1973, in 1974, in 1975) and Chinebridge Ltd. (in 1974)
- recorded at:
- Kingsway Studios in Camden , London , England, United Kingdom
- engineered at:
- Audio International Studios in London , England, United Kingdom
- recording of:
- Fox on the Run
- writer:
- Brian Connolly , Steve Priest, Andy Scott and Mick Tucker
- publisher:
- Maxwood Music Ltd., Sweet Publishing Ltd. and Warner Chappell Music
| The Sweet | 4.55 | 3:21 |
| 3 | 2 4 6 8 Motorway | Tom Robinson Band | 4 | 3:17 |
| 4 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002) and Capitol Records, LLC (in 1979)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.2 | 3:59 |
| 5 | Let’s Stick Together- assistant engineer:
- Nigel Walker and Jon Walls
- engineer:
- Steve Nye and John Punter
- producer:
- Bryan Ferry and Chris Thomas
- bass:
- John Wetton (from 1973 until 1976)
- drums (drum set):
- Paul Thompson (from 1973 until 1976)
- guitar:
- Chris Spedding (from 1973 until 1976)
- harmonica and keyboard:
- Bryan Ferry (from 1973 until 1976)
- percussion:
- Morris Pert (from 1973 until 1976)
- soprano saxophone:
- Mel Collins (from 1973 until 1976)
- synthesizer and violin:
- Eddie Jobson (from 1973 until 1976)
- tenor saxophone:
- Chris Mercer (from 1973 until 1976)
- trumpet:
- Martin Drover (from 1973 until 1976)
- choir vocals:
- Vicki Brown (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
- vocals:
- Bryan Ferry (from 1973 until 1976)
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (in 1976, in 1999)
- recorded at:
- Air Studios in London , England, United Kingdom and Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (from 1973 until 1976)
- cover recording of:
- Let’s Stick Together (from 1973 until 1976)
- lyricist and composer:
- Wilbert Harrison
- publisher:
- ABZ Music Corp., Copyright Control , EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
| Bryan Ferry | 3.35 | 2:59 |
| 6 | Walk on the Wild Side- producer:
- David Bowie , Lou Reed and Mick Ronson
- baritone saxophone:
- Ronnie Ross (in 1972-08)
- double bass and electric bass guitar:
- Herbie Flowers (in 1972-08)
- drums (drum set):
- John Halsey (in 1972-08)
- background vocals:
- The Thunder Thighs (in 1972-08)
- lead vocals:
- Lou Reed (in 1972-08)
- brass arranger and strings arranger:
- Mick Ronson
- arranger:
- David Bowie , Lou Reed and Mick Ronson
- phonographic copyright (℗) by:
- BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (in 1972) and Sony BMG Music Entertainment (in 1972)
- recorded at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1972-08)
- mixed at:
- Trident Studios in Soho, Westminster, London , England, United Kingdom
- samples from:
- Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (number: 221)
- recording of:
- Walk on the Wild Side (in 1972-08)
- lyricist and composer:
- Lou Reed
- publisher:
- Dunbar Music, EMI Music Publishing Australia Pty. Limited , EMI Music Publishing Ltd. , Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. and Six Continents Music Publishing Inc.
| Lou Reed | 4.25 | 4:11 |
| 7 | Heart of Glass- producer:
- Mike Chapman
- remixer:
- Mike Chapman
- phonographic copyright (℗) by:
- Capitol Records, LLC (in 1978), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 1981, in 2002) and Chrysalis Records Ltd. (in 1981)
- remix of:
- Heart of Glass by Blondie
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- version of:
- Once I Had a Love
| Blondie | 4 | 4:31 |
| 8 | Airport | The Motors | | 4:22 |
| 9 | Kiss You All Over | Exile | 5 | 3:30 |
| 10 | More Than a Feeling- producer:
- John Boylan and Tom Scholz
- acoustic guitar, bass and electric guitar:
- Tom Scholz (from 1975-10 until 1976-04)
- drums (drum set):
- Sib Hashian (from 1975-10 until 1976-04)
- vocals:
- Brad Delp (from 1975-10 until 1976-04)
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Epic Records (in 1976), Sony BMG Music Entertainment (in 1976), Sony Music Entertainment Inc. (in 1976) and Sony Music Entertainment (UK) Ltd. (in 2002)
- recording of:
- More Than a Feeling (from 1975-10 until 1976-04)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , WB Music Corp. and Pure Songs (in 1976)
| Boston | 4.8 | 3:21 |
| 11 | Blinded by the Light | Manfred Mann’s Earth Band | 4.5 | 3:47 |
| 12 | Couldn’t Get It Right | Climax Blues Band | 3.25 | 3:14 |
| 13 | Because the Night | Patti Smith | 4.55 | 3:19 |
| 14 | If You Can’t Give Me Love | Suzi Quatro | 4.5 | 3:51 |
| 15 | Live and Let Die- recording engineer:
- Bill Price (from 1972-10-19 until 1972-10-20)
- producer:
- George Martin (from 1972-10-19 until 1972-10-20) and Paul McCartney (from 1972-10-19 until 1972-10-20)
- mixer:
- Bill Price (on 1972-10-21)
- bass guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20)
- bass guitar, electric guitar and percussion, piano and lead vocals:
- Paul McCartney (from 1972-10-19 until 1972-10-20)
- drums (drum set):
- Denny Seiwell (from 1972-10-19 until 1972-10-20)
- duck call and timpani:
- Ray Cooper (from 1972-10-19 until 1972-10-20)
- electric guitar:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (from 1972-10-19 until 1972-10-20)
- percussion:
- Ray Cooper (from 1972-10-19 until 1972-10-20) and Denny Seiwell (from 1972-10-19 until 1972-10-20)
- background vocals:
- Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
- orchestrator:
- George Martin
- phonographic copyright (℗) by:
- MPL Communications Inc. and MPL Communications Ltd. (in 1973)
- additionally recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-20)
- recorded at:
- Air Studios in London , England, United Kingdom (on 1972-10-19)
- mixed at:
- Air Studios in London , England, United Kingdom (on 1972-10-21)
- recording of:
- Live and Let Die (from 1972-10-19 until 1972-10-20)
- writer:
- Linda McCartney and Paul McCartney
- publisher:
- EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing and MPL Communications Ltd.
- part of:
- The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
| Wings | 4.1 | 3:10 |
| 16 | Suicide Is Painless (Theme From MASH) | Smalltown Singers | | 4:16 |
| 17 | Walking in the Rain | Flash and the Pan | | 3:27 |
| 18 | Hvad gör vi nu lille du | Gasolin’ | | 3:34 |
| 19 | Dinga linga Lena | Pugh Rogefeldt | | 3:07 |
| 20 | Härligt härligt men farligt farligt | Björn Skifs | | 3:21 |
| 21 | Efter plugget | Factory | | 4:04 |
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