The Capitol Years

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Anmerkung

Music recorded from 1953-1961

Anmerkung zuletzt geändert am 2015-10-17 15:37 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I've Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
42:11
2Lean Baby
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-02)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn (am 1953-04-02) und Dave Sterkin (am 1953-04-02)
Cello:
Cy Bernard (am 1953-04-02)
Geige / Violine:
Harry Bluestone (am 1953-04-02), Murray Kellner (am 1953-04-02), Alex Murray (violinist) (am 1953-04-02), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1953-04-02), Irving Prager (am 1953-04-02) und Mischa Russell (violinist) (am 1953-04-02)
Gitarre:
George van Eps (am 1953-04-02)
Harfe:
Ann Mason Stockton (American harpist) (am 1953-04-02)
Klavier:
Bill Miller (pianist) (am 1953-04-02)
Kontrabass:
Phil Stephens (bass and tuba player) (am 1953-04-02)
Rohrblattinstrumente:
Leonard Hartman (am 1953-04-02), Heine Beau (am 1953-04-02), Skeets Herfurt (am 1953-04-02) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-02)
Schlagzeug:
Ray Hagan (am 1953-04-02)
Trompete:
Rubin "Zeke" Zarchy (am 1953-04-02)
Waldhorn:
Vincent DeRosa (am 1953-04-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-02)
Orchester:
Axel Stordahl and His Orchestra (am 1953-04-02) und The Nelson Riddle Orchestra (am 1953-04-02)
conductor:
Axel Stordahl (am 1953-04-02)
arranger:
Heine Beau (am 1953-04-02)
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1953-04)
recording of:
Lean Baby (am 1953-04-02)
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
Komponist(in):
Billy May
2:35
3I Love You
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ted Romersa
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
aufgenommen bei:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (am 1953-04-30) und KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
recording of:
I Love You (am 1953-04-30)
Texter:
Harlan Thompson
Verfasser(in) und Komponist(in):
Harry Archer und Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) und SBK Feist Catalog, Inc.
42:28
4South of the Border
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ted Romersa
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
South of the Border (Down Mexico Way) (am 1953-04-30)
Verfasser(in):
Michael Carr (songwriter) und Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. und Peter Maurice Music Co. Ltd. (am 1939-03-30)
2:50
5From Here to Eternity
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-05-02)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-05-02)
conductor:
Nelson Riddle (am 1953-05-02)
arranger:
Nelson Riddle
recording of:
From Here to Eternity (am 1953-05-02)
Verfasser(in):
Freddie Karger und Robert Wells (songwriter)
publisher:
Barton Music Corp.
3:00
6They Can't Take That Away From Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.51:58
7I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
42:54
8Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:51
9Three Coins in the Fountain
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-03-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-03-01)
conductor:
Nelson Riddle (am 1954-03-01)
arranger:
Nelson Riddle
recording of:
Three Coins in the Fountain (am 1954-03-01)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
3:05
10All of Me
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
recording of:
All of Me (am 1954-04-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:08
11Taking a Chance on Love
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
cover recording of:
Taking a Chance on Love (am 1954-04-19)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
2:13
12Someone to Watch Over Me
Produzent(in):
Voyle Gilmore
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson und Dave Sterkin
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart
Schlagzeug:
Alvin Stoller
Waldhorn:
John Cave (french horn) und Vincent DeRosa
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-09-23)
Orchester:
The Nelson Riddle Orchestra (am 1954-09-23)
conductor:
Nelson Riddle (am 1954-09-23)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1954-09-23)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
2:57
13What Is This Thing Called Love
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin und Eleanor Slatkin (US cellist, b. Aller)
Celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
Geige / Violine:
Harry Bluestone, Mischa Russell (violinist), Paul Shure und Felix Slatkin
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Schlagzeug:
Alvin Stoller
Trompete:
Harry “Sweets” Edison (am 1955-02-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-16)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-16)
conductor:
Nelson Riddle (am 1955-02-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1955-02-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
2:34
14In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:01
15Learnin' the Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
Rohrblattinstrumente:
Plas Johnson (am 1955-03-23)
Trompete:
Harry “Sweets” Edison (am 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-23)
Orchester:
The Nelson Riddle Orchestra (am 1955-03-23)
conductor:
Nelson Riddle (am 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (am 1955-03-23)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
3:02
16Our Town
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
Orchester:
The Nelson Riddle Orchestra (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
recording of:
Our Town (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp.
3:16
17Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
3.52:39
18(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
2:58
19Weep They Will
recording of:
Weep They Will (am 1955-10-17)
Texter:
Bill Carey (US songwriter)
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Sam Weiss Music, Inc.
3:19
20I Thought About You
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison, Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-01-09)
cover recording of:
I Thought About You (am 1956-01-09)
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:30
21You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Version von:
E bi eit barn med deg
42:56
22Memories of You
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
recording of:
Memories of You (am 1956-01-09)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
2:54
23I've Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Born to Dance
43:44
24Too Marvelous for Words
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-16) und Wilbur Schwartz (am 1956-01-16)
baritone saxophone:
Morton Friedman (am 1956-01-16)
Bass:
Joe Comfort (am 1956-01-16)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-16)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-16), Maxine Johnson (am 1956-01-16) und Milton Thomas (violist) (am 1956-01-16)
Cello:
Cy Bernard (am 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-16) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-16)
Geige / Violine:
Victor Bay (am 1956-01-16), Alex Beller (am 1956-01-16), Harold Dicterow (am 1956-01-16), David Frisina (am 1956-01-16), Henry Hill (Violin player) (am 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-16), Mischa Russell (violinist) (am 1956-01-16), Paul Shure (am 1956-01-16), Felix Slatkin (am 1956-01-16) und Marshall Sosson (am 1956-01-16)
Gitarre:
George van Eps (am 1956-01-16)
Harfe:
Kathryn Julye (am 1956-01-16)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-16)
Perkussion:
Frank Flynn (am 1956-01-16)
Posaune:
Milt Bernhart (am 1956-01-16), Jim Priddy (am 1956-01-16) und Juan Tizol (am 1956-01-16)
Schlagzeug:
Irv Cottler (am 1956-01-16)
Tenorsaxophon:
Justin Gordon (am 1956-01-16) und James Williamson (Saxophone player) (am 1956-01-16)
Trompete:
Harry “Sweets” Edison (am 1956-01-16), Conrad Gozzo (am 1956-01-16), Manny Klein (am 1956-01-16) und Mickey Mangano (am 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-16)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-16)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-16)
recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
cover recording of:
Too Marvelous for Words (am 1956-01-16)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:29
25Don't Like Goodbyes
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1956-03-08)
Cello:
Eleanor Slatkin (US cellist, b. Aller) (am 1956-03-08)
flute:
Harry Klee
Geige / Violine:
Israel Baker (American violinist), Paul Shure (am 1956-03-08) und Felix Slatkin (am 1956-03-08)
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Instrumente:
The Hollywood String Quartet (am 1956-03-08)
Klarinette:
Mahlon Clark
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Irv Cottler
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-03-08)
conductor:
Nelson Riddle (am 1956-03-08)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-03-08)
cover recording of:
Don’t Like Goodbyes (House of Flowers) (am 1956-03-08)
Texter:
Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music Corporation
Teil von:
House of Flowers
4:50
26(How Little It Matters) How Little We Know
Rohrblattinstrumente:
Plas Johnson (am 1956-04-05)
Trompete:
Harry “Sweets” Edison (am 1956-04-05)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-04-05)
Orchester:
The Nelson Riddle Orchestra (am 1956-04-05)
conductor:
Nelson Riddle (am 1956-04-05)
arranger:
Nelson Riddle
recording of:
(How Little It Matters) How Little We Know (am 1956-04-05)
Texter:
Carolyn Leigh
Komponist(in):
Philip Springer
publisher:
Carwin Music, Inc. und Tamir Music
2:38
2▶CD
3▶CD

Nennungen

Veröffentlichung

gedruckt in:Vereinigte Staaten
art direction:Tommy Steele (Creative Director (EMI/Capitol, Workbook))
liner notes:Will Friedwald (Author, Music Critic)
Pete Kline
Nancy Sinatra
leitende(r) Produzent(in):Ron McCarrell
Wayne Watkins
Produzent(in):Ron Furmanek
mastering:Larry Walsh (in 1990-07)
Zusammensteller:Ron Furmanek
design:Andy Engel
hergestellt von:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1990)
ASIN:US: B000002UWM [Info]