| # | Title | Artist | Rating | Length |
|---|
| 1 | Here I Go Again | Whitesnake | | 3:53 |
| 2 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:27 |
| 3 | School’s Out- engineer:
- Roy Cicala and Shelly Yakus
- producer:
- Bob Ezrin
- drums (drum set):
- Neil Smith
- electric bass guitar:
- Dennis Dunaway
- electric guitar:
- Michael Bruce and Glen Buxton
- guitar and background vocals:
- Reggie Vincent
- keyboard:
- Michael Bruce and Bob Ezrin
- lead vocals:
- Alice Cooper
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1972, in 1974) and WEA International Inc. (in 1972)
- produced for:
- Alive Enterprises Incorporated and Nimbus 9 Productions
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone: 500 Greatest Songs of All Time (number: 319)
- recording of:
- School’s Out
- writer:
- Michael Bruce , Glen Buxton , Alice Cooper , Dennis Dunaway and Neal Smith
- publisher:
- Bizarre Music Co. , BMG Platinum Songs US, Carlin Music Corporation, Copyright Control , Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.2 | 3:29 |
| 4 | Stay With Me | Faces | 4.5 | 4:39 |
| 5 | We’re Not Gonna Take It- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello , Greg Laney and Geoff Workman
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza
- drums (drum set):
- A.J. Pero
- electric guitar:
- Jay Jay French and Eddie Ojeda
- background vocals:
- Jay Jay French, Mark Mendoza , Eddie Ojeda, A.J. Pero and Dee Snider
- lead vocals:
- Dee Snider
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 21), VH1: 100 Greatest Songs of the 80’s (number: 47) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 81)
- recording of:
- We’re Not Gonna Take It
- lyricist and composer:
- Dee Snider
- publisher:
- Copyright Control and Universal Tunes
- part of:
- “The Filthy Fifteen” (number: 7)
| Twisted Sister | 4.55 | 3:40 |
| 6 | Song 2- engineer:
- John Smith
- producer:
- Stephen Street
- acoustic guitar:
- Damon Albarn and Graham Coxon
- bass guitar:
- Alex James
- drums (drum set):
- Graham Coxon and Dave Rowntree
- electric guitar, theremin and background vocals:
- Graham Coxon
- Hammond organ, keyboard, piano and lead vocals:
- Damon Albarn
- percussion:
- Dave Rowntree
- publisher:
- EMI Music Publishing Ltd.
- phonographic copyright (℗) by:
- EMI Records Ltd (in 1997)
- music videos:
- Song 2 by Blur
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 8), NME: Greatest “Indie” Anthems Ever: 2007 (number: 15), Indie 88: Top 500 Indie Rock Songs (number: 57) and BILLIONS CLUB
- recording of:
- Song 2
- lyricist:
- Damon Albarn
- composer:
- Damon Albarn, Graham Coxon, Alex James and Dave Rowntree
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Ltd. , Kobalt Music Publishing Ltd. , Sony Music Publishing (Japan) Inc. , Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 , ソニー・ミュージックパブリッシング EMI外国事業部 , ヤマハミュージックEH(CM) , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
- sub-publisher:
- EMI Music Publishing Hong Kong , FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 and 香港商華納音樂出版有限公司台灣分公司
| Blur | 4.25 | 2:01 |
| 7 | Love Will Tear Us Apart- producer:
- Joy Division and Martin Hannett
- bass:
- Peter Hook
- drums (drum set):
- Stephen Morris
- guitar:
- Bernard Albrecht
- vocals:
- Bernard Albrecht and Ian Curtis
- phonographic copyright (℗) by:
- Factory Communications Ltd. (in 1988)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1989 (All-time)), triple j’s Hottest 100 (number: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (number: 5), Q50 – December 2005 (number: 6), Helsingin Sanomat: 100 maailman parasta laulua (number: 14), NME: Greatest “Indie” Anthems Ever: 2007 (number: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 179)
- recording of:
- Love Will Tear Us Apart
- lyricist:
- Ian Curtis
- composer:
- Ian Curtis, Peter Hook, Stephen Morris and Bernard Sumner
- publisher:
- Fractured Music and Zomba Music Publishers Ltd.
| Joy Division | 4.5 | 3:27 |
| 8 | Hot Blooded | Foreigner | 3.65 | 3:06 |
| 9 | I Believe in a Thing Called Love (single version) | The Darkness | 4.2 | 3:39 |
| 10 | The Sound of Silence- assistant engineer:
- Charlie Paakari
- engineer:
- Steve Churchyard and Kevin Churko
- additional producer:
- Samantha Maloney
- producer and mixer:
- Kevin Churko
- additional editor:
- Kane Churko and Shawn McGhee
- bass, ebow, guitar family [all guitars] and keyboard [keyboards]:
- Dan Donegan
- membranophone and percussion:
- Mike Wengren
- background vocals:
- Dan Donegan, David Draiman and Mike Wengren
- lead vocals:
- David Draiman
- conductor:
- Suzie Katayama
- additional arranger:
- Suzie Katayama
- arranger:
- Kevin Churko and Disturbed
- phonographic copyright (℗) by:
- Reprise Records (in 2015)
- mixed at:
- The Hideout in Las Vegas, Nevada, United States
- engineered at:
- Capitol Studios in Hollywood, Los Angeles, California, United States and The Hideout in Las Vegas, Nevada, United States
- produced at:
- The Hideout in Las Vegas, Nevada, United States
- part of:
- SWR1 Hitparade 2017 (number: 4), SWR1 Hitparade 2018 (number: 4), SWR1 Hitparade 2019 (number: 4), SWR1 Hitparade 2020 (number: 4), SWR1 Hitparade 2021 (number: 4), SWR1 Hitparade 2022 (number: 4), SWR1 Hitparade 2023 (number: 4), SWR1 Hitparade 2016 (number: 8) and Grammy Award: Best Rock Performance nominees (number: 2017)
- cover recording of:
- The Sound of Silence
- lyricist:
- Paul Simon (from 1963-11 until 1964-02-19)
- composer:
- Paul Simon (from 1963-11 until 1964-02-09)
- publisher:
- Essex Music of Australia Pty. Ltd., J. Michel KG , MDW , Mother Culture Publishing, Pattern Music Ltd , Universal/MCA Music Ltd. , WB Music Corp. , Paul Simon Music (in 1964, in 1992) and Magic Arts Publishing (in 2000)
| Disturbed | 3.85 | 4:08 |
| 11 | When the Children Cry | White Lion | 3.5 | 4:18 |
| 12 | Out of the Black | Royal Blood | 4.2 | 4:01 |
| 13 | Down With the Sickness | Disturbed | 5 | 4:38 |
| 14 | I Got Mine | The Black Keys | 4 | 3:59 |
| 15 | Blitzkrieg Bop | Ramones | 4.65 | 2:14 |
| 16 | Bad Company | Bad Company | 3.4 | 4:47 |
| 17 | Walking in Memphis | Marc Cohn | 4 | 4:14 |
| 18 | Listen to the Music | The Doobie Brothers | 4.4 | 4:43 |
| 19 | How Soon Is Now? (edit) | The Smiths | 4.5 | 3:39 |
| 20 | Long Cool Woman (in a Black Dress) | The Hollies | 4.2 | 3:17 |
| 21 | If You Leave Me Now- recording engineer:
- Armin Steiner (from 1976-03 until 1976-04: strings)
- assistant engineer:
- Tom Likes
- engineer:
- Wayne Tarnowski
- producer:
- James William Guercio
- acoustic guitar and bass:
- James William Guercio (from 1976-03 until 1976-04)
- lead vocals:
- Peter Cetera (from 1976-03 until 1976-04)
- French horn arranger and strings arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- CBS, Inc. (in 1976), Rhino Entertainment Company (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (in 1976)
- recorded at:
- Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- mixed at:
- Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
- recording of:
- If You Leave Me Now (from 1976-03 until 1976-04)
- lyricist:
- Peter Cetera
- composer:
- Peter Cetera (in 1976)
- publisher:
- Big Elk Music, BMG Music Publishing Ltd., Copyright Control , Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
| Chicago | 4.2 | 3:55 |
| 22 | Guitar Man | Bread | 4 | 3:46 |
| 23 | Aqualung | Jethro Tull | 4.4 | 6:36 |
| 24 | Mountains | Biffy Clyro | | 3:20 |
| 25 | Black Velvet | Alannah Myles | | 4:47 |
| 26 | Rockstar | Nickelback | 5 | 4:12 |
| 27 | I Write Sins Not Tragedies (edit) | Panic! at the Disco | | 3:07 |
| 28 | The Killing Moon | Echo & the Bunnymen | 4.65 | 5:46 |
| 29 | Golden Brown | The Stranglers | 4.4 | 3:27 |
| 30 | Brass in Pocket- additional recording engineer:
- Steve Nye
- engineer:
- Bill Price
- producer:
- Chris Thomas
- mixer:
- Michael Paul Stavrou
- phonographic copyright (℗) by:
- Warner Music UK Ltd. (in 1979, in 1987, in 2000)
- additionally recorded at:
- Air Studios in London , England, United Kingdom
- recorded at:
- Wessex Sound Studios in Highbury, Islington, London , England, United Kingdom
- mixed at:
- Air Studios in London , England, United Kingdom
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 389)
- recording of:
- Brass in Pocket
- writer:
- James Honeyman‐Scott and Chrissie Hynde
- publisher:
- ATV Music Ltd., Banks Clive Music, EMI Music Publishing , EMI Music Publishing Australia Pty Ltd , Hynde House of Hits Music and Modern Music Publishing Co., Inc.
| Pretenders | 4.15 | 3:06 |
| 31 | I Wanna Be Your Dog- producer:
- John Cale
- bass guitar:
- Dave Alexander
- drums (drum set):
- Scott Asheton
- electric guitar:
- Ron Asheton
- lead vocals:
- Iggy Stooge
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (number: 438)
- recording of:
- I Wanna Be Your Dog
- writer:
- Dave Alexander , Ron Asheton, Scott Asheton and Iggy Pop
- publisher:
- Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. , Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| The Stooges | 3.55 | 3:09 |
| 32 | Slow Ride | Foghat | 4.5 | 3:58 |
| 33 | California Girls | David Lee Roth | 4.65 | 2:48 |
| 34 | Monkey Business- assistant engineer:
- Riley J. Connell , Craig Doubet and Jim Thomas
- producer and mixer:
- Michael Wagener
- bass guitar:
- Rachel Bolan
- drums (drum set):
- Rob Affuso
- guitar:
- Scotti Hill and Dave “The Snake” Sabo
- background vocals:
- Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
- lead vocals:
- Sebastian Bach
- phonographic copyright (℗) by:
- Atlantic Recording Corp. (in 1991)
- recorded at:
- New River Studios in Fort Lauderdale, Florida, United States and Scream Studios in Studio City, Los Angeles, California, United States
- mixed at:
- Scream Studios in Studio City, Los Angeles, California, United States
- recording of:
- Monkey Business
- writer:
- Rachel Bolan and Dave “The Snake” Sabo
| Skid Row | 3.4 | 4:21 |
| 35 | Smooth Up in Ya | BulletBoys | | 4:23 |
| 36 | I Wanna Rock- recording engineer and mixer:
- Geoff Workman
- assistant engineer:
- Gary McGachan
- engineer:
- John Agnello and Greg Laney
- producer:
- Tom Werman
- bass guitar:
- Mark Mendoza (from 1984-02 until 1984-03)
- drums (drum set):
- A.J. Pero (from 1984-02 until 1984-03)
- electric guitar:
- Jay Jay French (from 1984-02 until 1984-03) and Eddie Ojeda (from 1984-02 until 1984-03)
- background vocals:
- Jay Jay French (from 1984-02 until 1984-03), Mark Mendoza (from 1984-02 until 1984-03), Eddie Ojeda (from 1984-02 until 1984-03), A.J. Pero (from 1984-02 until 1984-03) and Dee Snider (from 1984-02 until 1984-03)
- lead vocals:
- Dee Snider (from 1984-02 until 1984-03)
- arranger:
- Twisted Sister and Tom Werman
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio in Los Angeles, California, United States (from 1984-02 until 1984-03)
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 17)
- recording of:
- I Wanna Rock (from 1984-02 until 1984-03)
- lyricist and composer:
- Dee Snider
- publisher:
- Universal Tunes
| Twisted Sister | 4.2 | 3:00 |
| 37 | Keep Your Hand to Yourself | The Georgia Satellites | 5 | 3:31 |
| 38 | Love Walked In | Thunder | 3.5 | 6:23 |
| 39 | Highway Song | Blackfoot | | 4:28 |
| 40 | Black Night- drums (drum set):
- Ian Paice (in 1970-05)
- electric bass guitar:
- Roger Glover (in 1970-05)
- electric guitar:
- Ritchie Blackmore (in 1970-05)
- Hammond organ:
- Jon Lord (in 1970-05)
- lead vocals:
- Ian Gillan (in 1970-05)
- recorded at:
- De Lane Lea Studios in Soho, Westminster, London , England, United Kingdom (in 1970-05)
- recording of:
- Black Night (in 1970-05)
- writer:
- Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
- publisher:
- EMI Music Publishing , Glenwood Music Corp., HEC Music and Henrees Music co.
- sub-publisher:
- EMI Music Publishing France, EMI Music Publishing Japan C.F. division (until 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| Deep Purple | 4.45 | 3:27 |
| 41 | In‐A‐Gadda‐Da‐Vida | Iron Butterfly | 4 | 2:53 |
| 42 | Iris | The Goo Goo Dolls | 4.15 | 4:50 |
| 43 | How You Remind Me | Nickelback | 3.65 | 3:45 |
| 44 | You Oughta Know | Alanis Morissette | 4 | 4:08 |
| 45 | Remember When (Side B) | The Black Keys | 3 | 2:11 |
| 46 | Holy Diver | Killswitch Engage | 3 | 4:10 |
| 47 | I’m Broken | Pantera | 4 | 4:27 |
| 48 | Red Flag | Billy Talent | 4.15 | 3:18 |
| 49 | Fall From Grace | Babyshambles | | 4:23 |
| 50 | Epic | Faith No More | 4.25 | 4:53 |
| 51 | Jane Says | Jane’s Addiction | 4.1 | 4:50 |
| 52 | Cold as Ice- associate engineer:
- Jimmy Douglass , Michael Getlin, Kevin Herron and Randy Mason
- engineer:
- Gary Lyons
- co-producer:
- Mick Jones and Ian McDonald
- producer:
- Gary Lyons and John Sinclair
- mixer:
- Jimmy Douglass , Mick Jones and Ian McDonald
- bass guitar:
- Ed Gagliardi
- drums (drum set):
- Dennis Elliott
- guitar:
- Mick Jones and Ian McDonald
- horn:
- Ian McDonald
- keyboard:
- Al Greenwood and Ian McDonald
- synthesizer:
- Al Greenwood
- background vocals:
- Ed Gagliardi , Mick Jones , Ian Lloyd and Ian McDonald
- lead vocals:
- Lou Gramm
- vocals:
- Ed Gagliardi , Mick Jones and Ian McDonald
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1977), WEA International Inc. (in 1977) and Rhino Entertainment Company (in 2009)
- recording of:
- Cold as Ice
- writer:
- Lou Gramm and Mick Jones
- publisher:
- Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. , Warner/Chappell Music Ltd. , WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Warner/Chappell Music Japan, Synch division , Fuji Pacific Music inc. (until 2014-12-31), Yamaha Music Publishing (until 2017-03-31), Fujipacific Music, Inc. (from 2015-01-01 to present) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
| Foreigner | 4 | 3:20 |
| 53 | Werewolves of London | Warren Zevon | 4.9 | 3:29 |
| 54 | All Right- recording engineer and mixer:
- Chet Himes
- additional engineer:
- John Guess, Lee Herschberg, Mark Linett and Richard Mullen
- assistant engineer:
- Stuart Gitlin and Margaret Gwynne
- assistant producer:
- Rob Meurer and Michael Ostin
- producer:
- Michael Omartian
- solo guitar:
- Steve Lukather
- additional vocals:
- Michael McDonald
- lead vocals:
- Christopher Cross
- conductor:
- Michael Omartian
- strings arranger:
- Michael Omartian
- arranger:
- Christopher Cross , Rob Meurer and Michael Omartian
- concertmaster:
- Assa Drori
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1983) and WEA International Inc. (in 1983)
- produced for:
- Free Flow Productions
- recorded at:
- Pop ’n’ Roll Studios in Santa Monica, California, United States, Studio South in Austin, Texas, United States, The Aspen Studios in Aspen, Colorado, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- All Right
- lyricist and composer:
- Christopher Cross
- publisher:
- Pop ’n’ Roll Music , Universal Music–MGB Songs, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Christopher Cross | 5 | 4:16 |
| 55 | You’re the Inspiration- engineer and mixer:
- Humberto Gatica
- producer:
- David Foster
- assistant mixer:
- Larry Fergusson
- instruments arranger:
- Jeremy Lubbock
- arranger:
- Peter Cetera and David Foster
- phonographic copyright (℗) by:
- Warner Bros. Records , Warner Bros. Records Inc. (in 1984, in 2010) and WEA International Inc. (in 1984)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant in Hollywood, Los Angeles, California, United States (in 1984)
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- You’re the Inspiration (in 1984)
- writer:
- Peter Cetera (in 1984) and David Foster (in 1984)
- publisher:
- BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. , Warner/Chappell North America Limited , Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
| Chicago | 5 | 3:50 |
| 56 | Polk Salad Annie | Tony Joe White | | 3:44 |
| 57 | For What It’s Worth | Buffalo Springfield | 4.25 | 2:37 |
| 58 | Touch of Grey- programming:
- Bob Bralove
- additional engineer:
- Joe Gastwirt, Dan Healy, Justin Kreutzmann, Jeffrey Norman, David Roberts and Jeff Sterling
- engineer:
- Guy Charbonneau and John Cutler
- producer:
- John Cutler and Jerry Garcia
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1987) and Grateful Dead Productions (in 1987)
- additionally recorded at:
- Club Front in San Rafael, California, United States
- recorded at:
- Club Front in San Rafael, California, United States (from 1987-01-06 until 1987-01-13) and Marin County Civic Center: Veterans Memorial Auditorium in San Rafael, California, United States (from 1987-01-06 until 1987-01-13)
- mixed at:
- Club Front in San Rafael, California, United States
- recording of:
- Touch of Grey (from 1987-01-06 until 1987-01-13)
- lyrics written in:
- England, United Kingdom
- lyricist:
- Robert Hunter
- composer:
- Jerry Garcia
- publisher:
- Copyright Control , Ice Nine Publishing Company, Inc. and Warner Bros. Music Ltd.
| Grateful Dead | 4 | 5:48 |
| 59 | Ooh La La | Faces | 3.75 | 3:34 |
| 60 | Alone Again Or | Love | 4.2 | 3:14 |
| 61 | Willin’ | Little Feat | | 2:57 |
| 62 | Feel Like Makin’ Love- recording engineer:
- Ron Nevison (in 1974-09)
- producer:
- Bad Company
- mixer:
- Ron Nevison
- drums (drum set):
- Simon Kirke (in 1974-09)
- electric bass guitar:
- Boz Burrell (in 1974-09)
- guitar:
- Mick Ralphs (in 1974-09) and Paul Rodgers (in 1974-09)
- keyboard:
- Mick Ralphs (in 1974-09)
- piano and lead vocals:
- Paul Rodgers (in 1974-09)
- phonographic copyright (℗) by:
- Swan Song Inc. (in 1975)
- recorded at:
- Clearwell Castle in Gloucestershire, England, United Kingdom (in 1974-09)
- mixed at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 78)
- recording of:
- Feel Like Makin’ Love (in 1974-09)
- writer:
- Mick Ralphs and Paul Rodgers
- publisher:
- MCA Music , MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Badco Music, Inc. (from 1974 to present)
| Bad Company | 4.25 | 5:15 |
| 63 | Cat’s in the Cradle | Harry Chapin | 3 | 3:32 |
| 64 | Roxette | Dr. Feelgood | | 2:56 |
| 65 | No Fun | The Stooges | 3.8 | 5:16 |
| 66 | New Dawn Fades | Joy Division | 4.5 | 4:47 |
| 67 | There Is a Light That Never Goes Out | The Smiths | 4.4 | 4:05 |
| 68 | No More Heroes | The Stranglers | 4.65 | 3:28 |
| 69 | April Skies | The Jesus and Mary Chain | 4.35 | 4:00 |
| 70 | Ride Captain Ride | Blues Image | 4.5 | 3:42 |
| 71 | The Cutter | Echo & the Bunnymen | 4 | 3:53 |
| 72 | China Grove- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- China Grove
- lyricist and composer:
- Tom Johnston
- publisher:
- Copyright Control and Warner–Tamerlane Publishing Corp.
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4.65 | 3:15 |
| 73 | Rock & Roll | The Velvet Underground | 4.1 | 4:44 |
| 74 | The Other Side of Summer | Elvis Costello | 4.5 | 3:54 |
| 75 | I Wanna Be Your Boyfriend | Ramones | | 2:26 |
| 76 | Walk Out to Winter | Aztec Camera | 3 | 3:25 |
| 77 | Prove It | Television | 3.5 | 5:01 |
| 78 | Milk and Alcohol | Dr. Feelgood | 4.2 | 2:49 |
| 79 | Back on the Chain Gang | The Pretenders | 4.5 | 3:51 |
| 80 | I Don’t Want to Talk About It- miscellaneous support:
- Elliot Roberts and Roland Stone
- engineer:
- Bruce Botnick
- co-producer:
- Bruce Botnick and Jack Nitzsche
- mixer:
- Henry Lewy
- bass:
- Billy Talbot
- drums (drum set) [drums]:
- Ralph Molina
- guitar:
- Nils Lofgren and Danny Whitten
- keyboard and piano:
- Jack Nitzsche
- slide guitar:
- Ry Cooder
- background vocals:
- Nils Lofgren, Ralph Molina, Jack Nitzsche , Billy Talbot and Danny Whitten
- lead vocals:
- Whitten
- arranger:
- Crazy Horse
- recorded at:
- Wally Heider Studios in San Francisco, California, United States
- mixed at:
- A&M Studio “E” in Los Angeles, California, United States
- engineered at:
- Sunset Sound, Studio 1 in Hollywood, Los Angeles, California, United States and Wally Heider Studio "D" in San Francisco, California, United States
- recording of:
- I Don’t Want to Talk About It
- lyricist and composer:
- Danny Whitten
- publisher:
- Chrysalis Music Ltd. , Crazy Horse Music and Rondor Music
| Crazy Horse | | 5:19 |
| 81 | Kayleigh | Marillion | 3.7 | 4:04 |
| 82 | Roundabout (single edit)- producer:
- Eddy Offord and Yes
- phonographic copyright (℗) by:
- Atlantic (in 1972) and Atlantic Recording Corporation (in 1972)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom (in 1971-09)
- edit of:
- Roundabout by Yes
- recording of:
- Roundabout (in 1971-09)
- writer:
- Jon Anderson and Steve Howe
- publisher:
- Cotillion Music Inc. , Rondor Music (London) Ltd., Topographic Music, Ltd., Universal Music Publishing Ltd. , Warner Bros. , Warner Chappell Music, Inc., Yessongs Ltd., WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Yes | 5 | 3:29 |
| 83 | Figure It Out | Royal Blood | 3.75 | 3:04 |
| 84 | Calendar Girl | The Noise Next Door | | 3:48 |
| 85 | Falling to Pieces | Faith No More | 4.1 | 5:14 |
| 86 | Panic | The Smiths | 4.6 | 2:21 |
| 87 | Disorder | Joy Division | 4.4 | 3:29 |
| 88 | Dancing With Myself | The Donnas | 4 | 3:26 |
| 89 | Fit 4 U | Young Knives | | 3:16 |
| 90 | Hard to Beat | Hard‐Fi | 3.45 | 4:15 |
| 91 | Kick Out the Jams | MC5 | | 2:41 |
| 92 | Ironic | Alanis Morissette | 4 | 3:50 |
| 93 | Baker Street- recording engineer:
- Barry Hammond
- producer:
- Hugh Murphy and Gerry Rafferty
- mixer:
- Declan O’Doherty
- bass:
- Gary Taylor
- drums (drum set):
- Henry Spinetti
- electric guitar:
- Hugh Burns and Nigel Jenkins
- Moog and keyboard:
- Tommy Eyre
- percussion:
- Glen LeFleur
- saxophone:
- Raphael Ravenscroft
- lead vocals:
- Gerry Rafferty
- strings arranger:
- Graham Preskett
- phonographic copyright (℗) by:
- EMI Records USA (in 1977), EMI (in 1978), EMI Records Ltd. (in 1978), Parlophone Records Ltd. (in 1978) and United Artists Music and Records Group, Inc. (in 1978)
- recorded at:
- Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
- mixed at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 26)
- recording of:
- Baker Street
- lyricist and composer:
- Gerry Rafferty
- publisher:
- B Music, Belfern Ltd., EMI Music Publishing , EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. , Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. , Universal Songs and Universal–Songs of PolyGram International, Inc.
| Gerry Rafferty | 3.65 | 6:06 |
| 94 | Welcome to the Black Parade | My Chemical Romance | 4.65 | 5:11 |
| 95 | House of the Rising Sun | The Animals | | 4:30 |
| 96 | Lover of Mine | Alannah Myles | 4 | 4:37 |
| 97 | No More Mr. Nice Guy | Alice Cooper | 4.3 | 3:08 |
| 98 | Many of Horror | Biffy Clyro | 3.65 | 4:19 |
| 99 | Train, Train | Blackfoot | 4.5 | 3:37 |
| 100 | Parklife | Blur | 3.85 | 3:05 |
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