50 Best Mozart

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Annotation

Copyright: © 2019 Parlophone Records Limited, a Warner Music Group Company
℗ 2019 This compilation Parlophone Records Limited, a Warner Music Group Company

Annotation last modified on 2024-09-07 13:32 UTC.

Tracklist

1▼Digital Media
#TitleRatingLength
1Symphony no. 40 in G minor, K. 550: I. Molto allegro
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:51
2Clarinet Concerto in A major, K. 622: II. Adagio
engineer:
Neville Boyling (engineer) (from 1958-05-22 until 1959-05-08) and Paul Vavasseur (engineer) (from 1959-05-14 until 1959-05-15)
producer:
Peter Andry (producer) and Victor Olof
clarinet:
Jack Brymer (clarinettist) (from 1958-05-14 until 1959-05-08)
orchestra:
Royal Philharmonic Orchestra (from 1958-05-14 until 1959-05-08)
conductor:
Sir Thomas Beecham (conductor) (from 1958-05-14 until 1959-05-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1958-05-14 until 1958-05-15) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1958-05-22 until 1959-05-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (from 1958-05-14 until 1959-05-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
8:53
3Symphony no. 25 in G minor, K. 183: I. Allegro con brio (Excerpt)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor": I. Allegro con brio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1773 until 1773-10-05)
part of:
Symphony no. 25 for Orchestra in G minor, K. 173dB/183 "Little G Minor"
4:44
4Piano Concerto no. 21 in C major, K. 467: II. Andante
producer:
Gerd Berg (producer) and Theodor Holzinger (German producer)
piano:
Christian Zacharias (pianist and conductor) (from 1989-04-18 until 1989-04-21)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (from 1989-04-18 until 1989-04-21)
conductor:
David Zinman (conductor) (from 1989-04-18 until 1989-04-21)
balance engineer:
Gerhard v. Knobelsdorff (from 1989-04-18 until 1989-04-21)
phonographic copyright (℗) by:
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2003)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1989-04-18 until 1989-04-21)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-04-18 until 1989-04-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
5:18
5Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
orchestra:
English Chamber Orchestra (in 1984)
conductor:
Jeffrey Tate (conductor) (in 1984)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto (in 1984)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
4:17
6Violin Concerto no. 3 in G major, K. 216: II. Adagio (Cadenza by Beyer)
recording engineer:
Christfried Bickenbach (from 1984-03-19 until 1984-03-21)
producer:
Gerd Berg (producer)
violin:
Frank Peter Zimmermann (violinist) (from 1984-03-19 until 1984-03-21)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (from 1984-03-19 until 1984-03-21)
conductor:
Jörg Faerber (conductor) (from 1984-03-19 until 1984-03-21)
balance engineer:
Wolfgang Gülich (engineer) (from 1984-03-19 until 1984-03-21)
recorded at:
Kreuzkirche in Heilbronn, Baden-Württemberg, Germany (from 1984-03-19 until 1984-03-21)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (from 1984-03-19 until 1984-03-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:55
7Divertimento no. 17 in D major, K. 334/320b: III. Menuetto - Trio
orchestra:
Stockholm Chamber Orchestra
conductor:
Franz Welser‐Möst (conductor)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 17 in D major, K. 320b/334
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet (unspecified movement)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1779 until 1780)
4:26
8Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
orchestra:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
9:13
9Piano Concerto no. 23 in A major, K. 488: II. Andante
producer:
Suvi Raj Grubb
piano:
Daniel Barenboim (pianist and conductor) (in 1967-01)
orchestra:
English Chamber Orchestra (in 1967-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1967-01)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1967-01)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-01)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1967-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-03-02)
part of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
7:35
10Horn Concerto no. 4 in E-Flat major, K. 495: III. Rondo. Allegro vivace
engineer and balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
executive producer:
Christopher Bishop (conductor/producer)
producer:
Christopher Bishop (conductor/producer)
horn:
Barry Tuckwell (hornist / conductor) (from 1971-05-17 until 1971-05-21)
orchestra:
Academy of St Martin in the Fields (from 1971-05-17 until 1971-05-21)
conductor:
Neville Marriner (conductor) (from 1971-05-17 until 1971-05-21)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1971-05-17 until 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (from 1971-05-17 until 1971-05-21)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Concerto for Horn no. 4 in E-flat major, K. 495
3:36
11Concerto for Flute and Harp in C major, K. 299: II. Andantino
flute:
Jean‐Pierre Rampal (flautist)
harp:
Lily Laskine (harpist)
orchestra:
Orchestre de chambre Jean‐François Paillard
conductor:
Jean‐François Paillard (French conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
9:45
12Sinfonia concertante for Violin and Viola in E-Flat major, K. 364: III. Presto
producer:
David Groves (classical music producer at EMI) (in 1991)
editor:
David Bell (engineer) (in 1991)
viola:
Bruno Giuranna (violist) (in 1991-06)
violin:
Anne‐Sophie Mutter (violinist) (in 1991-06)
orchestra:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
balance engineer:
Michael Sheady (engineer) (in 1991-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1991-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
6:09
13Le nozze di Figaro, K. 492: Sinfonia
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:58
14Le nozze di Figaro, K. 492, Act 1: "Non più andrai, farfallone amoroso" (Figaro)
baritone vocals [Figaro]:
Sir Thomas Allen (baritone) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:40
15Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (La Contessa)
soprano vocals [La Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:47
16Le nozze di Figaro, K. 492, Act 2: Arietta. "Voi, che sapete che cosa è amor" (Cherubino)
mezzo-soprano vocals [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:56
17Le nozze di Figaro, K. 492, Act 3: "Hai già vinta la causa! ... Vedrò, mentr'io sospiro" (Count)
baritone vocals:
Jorma Hynninen (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:39
18Le nozze di Figaro, K. 492, Act 3: Aria. "Dove sono" (La Contessa)
soprano vocals [Contessa]:
Margaret Price (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:20
19Le nozze di Figaro, K. 492, Act 3: Duettino. "Sull'aria" (La Contessa, Susanna)
soprano vocals:
Kathleen Battle (soprano) and Margaret Price (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:28
20Le nozze di Figaro, K. 492, Act 4: Aria. "Deh vieni, non tardar" (Susanna)
soprano vocals:
Kathleen Battle (soprano) (in 1986-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1986-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
3:26
21Così fan tutte, K. 588, Act 1: Coro. "Bella vita militar" (Coro) [Live]
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 8 Coro “Bella vita militar!” (Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
1:43
22Così fan tutte, K. 588, Act 1: Terzetto. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) [Live]
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
3:21
23Così fan tutte, K. 588, Act 1: Aria. "Smanie implacabili che m'agitate" (Dorabella) [Live]
mezzo-soprano vocals [Dorabella]:
Agnes Baltsa (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
2:05
24Cosi fan tutte, K. 588, Act 1: Recitativo. "L'intatta fede che" - Aria. "Come scoglio immoto resta" (Fiordiligi) [Live]
soprano vocals and soprano vocals [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
5:17
25Così fan tutte, K. 588, Act 1: Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) [Live]
tenor vocals [Ferrando]:
Francisco Araiza (tenor)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
5:17
26Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo è questo" (Leporello)
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (from 1990-09-03 until 1990-09-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
5:48
27Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
soprano vocals [Zerlina]:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:20
28Don Giovanni, K. 527, Act 1: Aria. "Or sai chi l'onore" (Donna Anna)
soprano vocals and soprano vocals [Donna Anna]:
Cheryl Studer (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
2:58
29Don Giovanni, K. 527, Act 1: Aria. "Dalla sua pace" (Don Ottavio)
tenor vocals and tenor vocals [Don Ottavio]:
Frank Lopardo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
5:00
30Don Giovanni, K. 527, Act 1: Aria. "Finch'han dal vino" (Don Giovanni)
baritone vocals [Don Giovanni]:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
1:16
31Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
baritone vocals:
William Shimell (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
2:03
32Don Giovanni, K. 527, Act 2: Aria. "Vedrai, carino" (Zerlina)
soprano vocals:
Susanne Mentzer (mezzo soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
3:48
33Don Giovanni, K. 527, Act 2: "In quali eccessi, o Numi ... Mi tradì, quell'alma ingrata" (Donna Elvira)
soprano vocals:
Carol Vaness (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Riccardo Muti (conductor)
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
medley including a recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
6:02
34Don Giovanni, K. 527, Act 2: Epilogo. "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)
soprano vocals:
Donna Anna, Susanne Mentzer (mezzo soprano), Cheryl Studer (soprano) and Carol Vaness (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1990-09-03 until 1990-09-11)
conductor:
Riccardo Muti (conductor) (from 1990-09-03 until 1990-09-11)
phonographic copyright (℗) by:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1990-09-03 until 1990-09-11)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (from 1990-09-03 until 1990-09-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
1:46
35Piano Sonata no. 11 in A major, Op. 6 no. 2, K. 331 "Alla Turca": III. Allegretto. Turkish March
piano:
Andrei Gavrilov (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto
composed in:
Paris, Île-de-France, France (in 1778)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Classic 100: Piano (2025) (number: 32)
part of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:29
36Serenade for Winds no. 10 in B-Flat major, K. 361 "Gran partita": III. Adagio
producer:
Gerd Berg (producer) and Hartwig Paulsen
basset horn:
Joachim Klemm (hornist and clarinetist) (in 1991-07) and Reiner Wehle (clarinetist) (in 1991-07)
basset horn [basset horn I]:
Reiner Wehle (clarinetist) (from 1991-07-12 until 1991-07-15)
basset horn [basset horn II]:
Joachim Klemm (hornist and clarinetist) (from 1991-07-12 until 1991-07-15)
bassoon:
Sergio Azzolini (bassoonist) (in 1991-07) and Georg Klütsch (bassoonist) (in 1991-07)
bassoon [bassoon I]:
Sergio Azzolini (bassoonist) (from 1991-07-12 until 1991-07-15)
bassoon [bassoon II]:
Georg Klütsch (bassoonist) (from 1991-07-12 until 1991-07-15)
clarinet:
Karl-Theo Adler (in 1991-07) and Sabine Meyer (clarinetist) (in 1991-07)
clarinet [clarinet I]:
Sabine Meyer (clarinetist) (from 1991-07-12 until 1991-07-15)
clarinet [clarinet II]:
Karl-Theo Adler (from 1991-07-12 until 1991-07-15)
contrabassoon:
Klaus Lohrer (bassoonist) (in 1991-07)
contrabassoon [Contrabassoon]:
Klaus Lohrer (bassoonist) (from 1991-07-12 until 1991-07-15)
French horn:
Nikolaus Frisch (horn player) (in 1991-07), Bruno Schneider (horn player) (in 1991-07), Richard Schneider (hornist) (in 1991-07) and Dietmar Ullrich (hornist) (in 1991-07)
horn [horn I]:
Bruno Schneider (horn player) (from 1991-07-12 until 1991-07-15)
horn [horn II]:
Nikolaus Frisch (horn player) (from 1991-07-12 until 1991-07-15)
horn [horn III]:
Dietmar Ullrich (hornist) (from 1991-07-12 until 1991-07-15)
horn [horn IV]:
Richard Schneider (hornist) (from 1991-07-12 until 1991-07-15)
instruments:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble)
oboe:
Diethelm Jonas (oboist) (in 1991-07) and Albrecht Mayer (oboist) (in 1991-07)
oboe [oboe I]:
Diethelm Jonas (oboist) (from 1991-07-12 until 1991-07-15)
oboe [oboe II]:
Albrecht Mayer (oboist) (from 1991-07-12 until 1991-07-15)
wind instruments:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble) (in 1991-07, from 1991-07-12 until 1991-07-15)
balance engineer:
Hartwig Paulsen (from 1991-07-12 until 1991-07-15)
phonographic copyright (℗) by:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1992)
recorded at:
Pfarrkirche Pleis, Vella (CH) in Switzerland (from 1991-07-12 until 1991-07-15)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (from 1991-07-12 until 1991-07-15)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:24
37Das Butterbrot, K. Anh. 284n
piano:
Émile Naoumoff (pianist)
recording of:
La Tartine de beurre
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
previously attributed to:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. Anh. 284n), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. Anh. C 29.23) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. Anh. C 27.09)
1:15
38Violin Sonata no. 21 in E minor, K. 304: I. Allegro
piano:
Alexander Lonquich (pianist)
violin:
Frank Peter Zimmermann (violinist)
recording of:
Violin Sonata in E minor, K. 300c/304: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
9:02
3912 Variations on "Ah, vous dirai-je maman" in C major, K. 265
piano:
Aldo Ciccolini (pianist) (in 1981)
recording of:
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 (in 1981)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 265) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 300e)
arrangement of:
Twinkle, Twinkle, Little Star
is based on:
Ah ! Vous dirai‐je, maman
9:35
40Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro) (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:53
41Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:44
42Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
1:58
43Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-01-29)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (on 1976-10-26)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
3:04
44Three German Dances in C major, K. 605: III. Dance with Trio "Die Schlittenfahrt"
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (from 1973-10-01 until 1973-10-04)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
3:09
45Fantasia for Piano in D minor, K. 397
piano:
Alexander Lonquich (pianist)
recording of:
Fantasia for Piano in D minor, K. 397/385g
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 397), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 397) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 385g)
5:38
46Divertimento for String Trio in E-Flat major, K. 563: VI. Allegro
cello:
Gary Hoffman (Canadian cellist)
viola:
Gérard Caussé (violist)
violin:
Gérard Caussé (violist) and Augustin Dumay (violinist)
recording of:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-09-27)
part of:
Divertimento for Violin, Viola & Cello in E-flat major, K. 563
6:38
47Maurerische Trauermusik in C minor, K. 477
producer:
John Fraser (UK producer)
orchestra:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1989-12)
recording of:
Maurerische Trauermusik für Orchester c-Moll, K. 479a/477 (Masonic Funeral Music for Orchestra in C minor, K. 479a/477) (in 1989-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 477), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 477) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 479a)
5:56
48Piano Sonata no. 16 in C major, K. 545 "Semplice": I. Allegro
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: 1. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
3:08
49Piano Sonata no. 16 in C major, K. 545 "Semplice": II. Andante
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
5:44
50Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto
piano:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
recorded at:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), France (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 3. Rondo (in 1982-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1788)
part of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
1:41