Shame: Original Motion Picture Soundtrack

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Brandon
recording of:
Brandon
Harry Escott8:27
2Goldberg Variations, BWV 988: I. Aria
producer:
Samuel H. Carter and Glenn Gould (pianist)
instruments:
Glenn Gould (pianist)
piano:
Glenn Gould (pianist) (from 1981-04-22 until 1981-05-29)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1982 to present)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1981-04-22 until 1981-05-29)
recording of:
Goldberg-Variationen, BWV 988: Aria (FIRST movement) (from 1981-04-22 until 1981-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:07
3Genius of Love
edit of:
Genius of Love (extended mix) by Tom Tom Club
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 35) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 384)
recording of:
Genius of Love
writer:
Adrian Belew, Chris Frantz, Steven Stanley (audio engineer, record producer and keyboardist from Jamaica) and Tina Weymouth
Tom Tom Club3:27
4Rapture
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980, in 1981, in 2002)
recording of:
Rapture
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie4.25:32
5I Want Your Love
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
I Want Your Love
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic46:54
6My Favorite Things
recording engineer:
Tom Dowd (on 1960-10-21) and Phil Iehle (on 1960-10-21)
double bass:
Steve Davis (post-bop contrabassist who played with Coltrane) (on 1960-10-21)
drums (drum set):
Elvin Jones (jazz drummer) (on 1960-10-21)
piano:
McCoy Tyner (jazz pianist) (on 1960-10-21)
soprano saxophone:
John Coltrane (on 1960-10-21)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1960-10-21)
part of:
New York Post: 100 Greatest Covers (2007) (number: 49)
instrumental cover recording of:
My Favorite Things (The Sound of Music) (on 1960-10-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
American Splendor
part of:
The Sound of Music (Rodgers & Hammerstein musical)
John Coltrane3.613:41
7New York, New York
recording of:
Theme from “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
Carey Mulligan44:58
8Let's Get Lost
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (from 1955 to present, from 2004 to present)
recording of:
Let’s Get Lost (on 1955-03-07)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony (ASCAP)
Chet Baker3:44
9Prelude and Fugue No. 10 in E minor, BWV 855: Prelude
piano:
Glenn Gould (pianist) (from 1963-06-18 until 1963-08-30)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855: Prelude (from 1963-06-18 until 1963-08-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 10 in E minor, BWV 855.2/855
Johann Sebastian Bach2:53
10Goldberg Variations, BWV 988: XVI. Variatio 15 a 1 clav. Canone alla quinta. Andante
producer:
Samuel H. Carter and Glenn Gould (pianist)
piano:
Glenn Gould (pianist) (from 1981-04-22 until 1981-05-29)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1982 to present)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1981-04-22 until 1981-05-29)
recording of:
Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante (from 1981-04-22 until 1981-05-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach5:03
11Unravelling
recording of:
Unravelling
Harry Escott9:36
12You Can't Be Beat
double bass:
Willie Dixon (in 1956-01)
drums (drum set):
Earl Phillips (in 1956-01)
guitar:
Hubert Sumlin (Chicago blues guitarist and singer) (in 1956-01) and Jody Williams (blues guitarist/singer) (in 1956-01)
harmonica and lead vocals:
Howlin’ Wolf (in 1956-01)
piano:
Henry Gray (in 1956-01)
recording of:
You Can't Be Beat (in 1956-01)
writer:
Chester Arthur Burnett
Howlin’ Wolf3:06
13The Problem
Mark Louque5:17
14Prelude and Fugue No. 16 in G minor, BWV 885: Praeludium
piano:
Glenn Gould (pianist) (on 1969-12-17)
recording of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 16 in G minor, BWV 885: Prelude (on 1969-12-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1744)
part of:
The Well-Tempered Clavier, Book II: Prelude and Fugue no. 16 in G minor, BWV 885
Johann Sebastian Bach3:13
15End Credits
recording of:
End Credits
Harry Escott1:45