Now That’s What I Call a Decade: 2010s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Truth Hurts
recording of:
Truth Hurts
publisher:
Jesse St. John Geller
Verfasser(in):
Steven Cheung, Eric Frederic, Melissa “Lizzo” Jefferson (American rapper, singer and actress) und Jesse Saint John
publisher:
Frederic and Ried Music, Jesse SJ Music (BMI affiliated), Lizzo Music (aka Lizzo Music Publishing - BMI affiliated), Songs from the Boardwalk, Sony/ATV Ballad, Sony/ATV Music Publishing, LLC (1995–2020) und Telethebusiness
Lizzo2:52
2Happy (from “Despicable Me 2”)
Assistent recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
Produzent(in):
Pharrell Williams
Mix:
Leslie Brathwaite
Editing:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
Hintergrundgesang:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray und Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Mike Larson (recording engineer)
aufgenommen bei:
Circle House Studios in North Miami, Florida, Vereinigte Staaten
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, Vereinigte Staaten
Musikvideos:
Happy von Pharrell Williams und Happy (from Despicable Me 2) (ballroom version) von Pharrell Williams
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 1), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 20) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 88)
recording of:
Happy
Texter und Komponist(in):
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. und Universal Pictures Music
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 2)
Pharrell Williams4.23:51
3All About That Bass
recording engineer, Sound-Engineering, Techniker(in), Produzent(in) und Mix:
Kevin Kadish
Schlagzeug-Programmierung:
Kevin Kadish
baritone saxophone, Hammond-Orgel und Klavier:
David Baron (electronic musician and producer)
Bass und E-Gitarre:
Kevin Kadish
Händeklatschen, Perkussion, Hintergrundgesang und Sologesang:
Meghan Trainor (American singer)
aufgenommen bei und engineered at:
The Carriage House in Nolensville, Tennessee, Vereinigte Staaten
recording of:
All About That Bass
Verfasser(in):
Kevin Kadish und Meghan Trainor (American singer)
publisher:
Endurance Alpha, MTrain Music, Over-Thought Under-Appreciated Songs, Sony/ATV Allegro, Year of the Dog Music, エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division) und 大洋音楽 (Taiyō Music)
Meghan Trainor3:08
4Raise Your Glass
Bearbeitung von:
Raise Your Glass (explicit) von P!nk (American singer/songwriter)
recording of:
Raise Your Glass (in 2010)
Texter und Komponist(in):
Alecia Moore (American singer/songwriter), Johan Schuster und Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Songs Music Publishing (USA, ASCAP affiliated), P!nk Inside Publishing und Songs of Kobalt Music Publishing
P!nk3.153:21
5Sucker
drum machine-Programmierung, zusätzliche Programmierung und leitende(r) Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
Techniker(in):
Ben Baptie und Rich Rich (engineer)
Koproduzent(in):
Frank Dukes (Canadian record producer, songwriter, musician)
Produzent(in):
Ryan Tedder (American singer, songwriter, and producer)
assistierende(r) Mix:
John Hanes (audio engineer, mixer)
Mix:
Serban Ghenea
Akustikgitarre, Trillerpfeife und Hintergrundgesang:
Ryan Tedder (American singer, songwriter, and producer)
Bass:
Louis Bell (American producer, engineer, and songwriter) und Ryan Tedder (American singer, songwriter, and producer)
E-Gitarre:
Frank Dukes (Canadian record producer, songwriter, musician)
Gitarre:
Andrew DeRoberts
Schlagzeug:
Homer Steinweiss
phonographisches Urheberrecht (℗) von:
Jonas Brothers Recording, Limited Liability Company (in 2019)
aufgenommen bei:
St. Regis Hotel (Toronto) in Toronto, Ontario, Kanada
zusätzlich aufgenommen bei:
Patriot Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 10) und Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2020)
recording of:
Sucker
Verfasser(in):
Mustafa Ahmed, Louis Bell (American producer, engineer, and songwriter), Frank Dukes (Canadian record producer, songwriter, musician), Joe Jonas (of the Jonas Brothers), Kevin Jonas, Nick Jonas, Homer Steinweiss und Ryan Tedder (American singer, songwriter, and producer)
zusätzliche(r) Verfasser(in):
Carl Rosen (songwriter)
publisher:
Downtown Global Two, EMI April Music Inc., Joseph Jonas Publishing, NJJ Publishing o/b/o Nick Jonas, Paul Kevin Jonas II Publishing, PKJ Publishing, LLC, Songs of Universal, Inc. (BMI), Sony/ATV und Write Me a Song Publishing
Jonas Brothers4.453:00
6Señorita
recording engineer:
Paul LaMalfa
Programmierung:
benny blanco (producer Benjamin Levin), Cashmere Cat und Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Techniker(in):
Nathaniel Alford (Sologesang [Camila Cabello vocals]), John Hanes (audio engineer, mixer) und Zubin Thakkar (Sologesang [vocals])
Produzent(in):
benny blanco (producer Benjamin Levin) und Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
zusätzliche(r) Produzent(in):
Cashmere Cat
Mix:
Serban Ghenea
Bass und Hintergrundgesang:
Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Gitarre:
Shawn Mendes und Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Instrumente:
benny blanco (producer Benjamin Levin), Cashmere Cat und Andrew Watt (producer, guitarist, singer, Earthlings, California Breed)
Keyboard [keyboards]:
benny blanco (producer Benjamin Levin) und Cashmere Cat
vocals:
Camila Cabello und Shawn Mendes
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019) und Simco Ltd. (not for release label use, for copyright/licensor use only) (in 2019)
aufgenommen bei:
Birmingham Arena in Birmingham, West Midlands, England, Vereinigtes Königreich, Gold Tooth Music in Beverly Hills, California (Kalifornien), Vereinigte Staaten und Manchester Arena in Manchester, Greater Manchester, England, Vereinigtes Königreich
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Birmingham Arena in Birmingham, West Midlands, England, Vereinigtes Königreich (Sologesang [vocals]), Gold Tooth Music in Beverly Hills, California (Kalifornien), Vereinigte Staaten (Sologesang [vocals]) und Manchester Arena in Manchester, Greater Manchester, England, Vereinigtes Königreich (Sologesang [vocals])
Musikvideos:
Señorita von Shawn Mendes & Camila Cabello
Teil von:
Spotify: Top Hits of 2019 (Nummer: 3), Billboard Year-End Hot 100 singles of 2019 (Nummer: 15), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2020) und Billboard Year-End Hot 100 singles of 2020 (Nummer: 44)
recording of:
Señorita
Verfasser(in):
Andrew Wotman (producer, guitarist, singer, Earthlings, California Breed), Benjamin Levin (producer Benjamin Levin), Camila Cabello, Charlotte Emma Aitchison, Magnus August Höiberg, Shawn Mendes, Jack Patterson (British multi-instrumentalist , singer-songwriter) und Ali Tamposi (American songwriter and backing vocalist)
publisher:
Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc., EMI Foray Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Works (GMR affiliated)
Shawn Mendes & Camila Cabello3.653:10
7Despacito (remix)
phonographisches Urheberrecht (℗) von:
Universal Music Latin Entertainment (aka UMLE, division of Universal Music Group) (in 2017)
Teil von:
Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 2), Billboard Year-End Hot 100 singles of 2017 (Nummer: 2), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 23), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 37)
recording of:
Despacito (Justin Bieber remix)
Verfasser(in):
Justin Bieber, Erika Ender, Luis Fonsi, Marty James Garton Jr. (Rapper, Member of Scapegoat Wax & One Block Radius), Poo Bear (US producer, singer & songwriter; Jason Boyd) und Ramon Ayala Rodriguez
basiert auf:
Despacito
Luis Fonsi & Daddy Yankee featuring Justin Bieber3.153:48
8Girls Like You
recording of:
Girls Like You
Verfasser(in):
Belcalis Almanzar (American rapper), Jason Evigan, Gian Michael Stone, Henry Walter, Jorden Thorpe, Adam Levine (Maroon 5’s lead vocalist) und Starrah (US singer, songwriter & rapper)
publisher:
Bad Robot Music, BMG Platinum Songs US, Chimi Songs, Family Stone Music (ASCAP-affiliated), Hipgnosis Side A, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing (USA, ASCAP affiliated), People Over Planes, Prescription Songs, Songs of Influence, Sony/ATV Allegro, Sony/ATV Ballad, Sudgee 2 Music, These Are Songs of Pulse (ASCAP) und Universal Music Corporation (USA, affiliated with ASCAP)
Maroon 53.53:34
9Closer
recording engineer, Produzent(in) und Mix:
DJ Swivel (Canadian producer Jordan Young)
Gast vocals:
Halsey (US singer/songwriter Ashley Frangipane)
vocals:
Andrew Taggart
phonographisches Urheberrecht (℗) von:
Disruptor Records
Teil von:
Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 4), Billboard Year-End Hot 100 singles of 2017 (Nummer: 7), Billboard Year-End Hot 100 singles of 2016 (Nummer: 10), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 14), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2017) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 214)
recording of:
Closer (The Chainsmokers)
Verfasser(in):
Shaun Frank, Halsey (US singer/songwriter Ashley Frangipane), Freddy Kennett, Joe King (guitarist and vocalist in The Fray), Isaac Slade und Andrew Taggart
publisher:
17 Black Music, Aaron Edwards Publishing, EMI April Music Inc., Nice Hair Publishing, Regicide Entertainment Inc., Songs of Universal, Inc. (BMI), Sony/ATV Allegro, Sony/ATV Music Publishing Allegro (UK) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Chainsmokers feat. Halsey3.84:04
10Thank U, Next
phonographisches Urheberrecht (℗) von:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (in 2018)
Bearbeitung von:
thank u, next (explicit) von Ariana Grande
recording of:
thank u, next
publisher:
Victoria Monét McCants
Verfasser(in):
Charles Anderson (hip-hop producer, writer aka Charles Anderson), Ariana Grande, Kimberly Krysiuk (Kimberly Anne Krysiuk), Michael Foster (R&B and pop producer and songwriter), Victoria Monét, Njomza Vitia, Tayla Parx und Tommy Brown (US producer, songwriter and rapper Tommy Brown)
publisher:
Avex Music Publishing (Avex Music Publishing Inc.), District 4-12, GrandAriMusic, Taylor Monet Music und Universal Music Group Corp.
Ariana Grande3.33:26
11Lose You to Love Me
recording engineer und Editing:
Mattais Bylund (Saiteninstrumente)
Programmierung:
FINNEAS und Mattman & Robin (Swedish songwriting and production duo)
assistierende(r) Techniker(in):
Ryan Dulude und Gavin Finn
Techniker(in):
Mattman & Robin (Swedish songwriting and production duo) und Bart Schoudel
Produzent(in):
Mattman & Robin (Swedish songwriting and production duo), Mattman & Robin (Swedish songwriting and production duo) (Sologesang [vocal]) und Bart Schoudel (Sologesang [vocal])
zusätzliche(r) Produzent(in):
FINNEAS
Mix:
Serban Ghenea
zusätzliche(r) Mix:
John Hanes (audio engineer, mixer)
Bass, Perkussion, Saiteninstrumente und Synthesizer [synth]:
FINNEAS und Mattman & Robin (Swedish songwriting and production duo)
Cello:
David Bukovinszky
drum machine [808], Klavier und Orgel:
Mattman & Robin (Swedish songwriting and production duo)
Geige / Violine:
Mattais Johansson
Synthesizer [string synthesizer]:
Mattais Bylund
Chorgesang und Hintergrundgesang:
Mattman & Robin (Swedish songwriting and production duo), Julia Michaels und Justin Tranter (singer and songwriter)
Sologesang:
Selena Gomez
Saiteninstrumente arranger:
Mattais Bylund
produced for:
Wolf Cousins Productions
aufgenommen bei:
Chalice Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Costa Mesa Recording Studios, House Mouse Studios in Stockholm, Stockholms län (Stockholm county), Schweden, Interscope Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, The Calm Studio in Höganäs Municipality (Höganäs), Skåne (Skåne county), Schweden (Saiteninstrumente) und Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
edited at:
The Calm Studio in Höganäs Municipality (Höganäs), Skåne (Skåne county), Schweden (Saiteninstrumente)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 6) und Billboard Year-End Hot 100 singles of 2020 (Nummer: 30)
recording of:
Lose You to Love Me
Verfasser(in):
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Julia Michaels und Justin Tranter (singer and songwriter)
publisher:
I’ve Got Issues Music, Justin’s School for Girls, SMG Tunes, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Selena Gomez3.93:25
12bad guy
recorded in:
Sydney, New South Wales, Australien (andere Instrumente [accessible pedestrian signal])
Produzent(in):
FINNEAS
zusätzliche(r) Produzent(in):
Billie Eilish
assistierende(r) Mix:
Casey Cuayo
Mix:
Rob Kinelski
field recordings:
Billie Eilish
phonographisches Urheberrecht (℗) von:
Darkroom (a division of Interscope Records, Inc.) (in 2019, in 2022) und Interscope Records (part of UMG Recordings, Inc.) (in 2019, in 2022)
aufgenommen bei:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
bad guy (music video) von Billie Eilish
Teil von:
Billboard Year-End Hot 100 singles of 2019 (Nummer: 4), TheNeedleDrop: Top 50 Singles of 2019 (Nummer: 11), Grammy Award: Record of the Year nominees (Nummer: 2020 winner), Stereogum: The 200 Best Songs of the 2010s (Nummer: 27), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2019), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 34), Billboard Year-End Hot 100 singles of 2020 (Nummer: 46), TheNeedleDrop: Top 100 Songs of the 2010s (Nummer: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 97), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 139), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 178) und BILLIONS CLUB
recording of:
bad guy
Verfasser(in):
Billie Eilish O’Connell und Finneas O’Connell
publisher:
Drup, Last Frontier und Universal Music Corp. (USA, affiliated with ASCAP)
Teil von:
Prix de l’œuvre internationale de l’année (Nummer: 2020) und Grammy Award: Song of the Year nominees (Nummer: 2020 winner)
Billie Eilish3.93:11
13Can’t Feel My Face
recording engineer und Techniker(in):
Sam Holland (sound engineer)
Programmierung:
Ali Payami
zusätzliche Programmierung:
Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Cory Bice und Jeremy Lertola
Produzent(in):
Max Martin (Swedish record producer) und Ali Payami
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Bass, Keyboard [keys], Schlagzeug und Synthesizer [synths]:
Ali Payami
Gitarre [guitars] und zusätzlich Keyboard [keys]:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
vocals arranger:
Peter Carlsson (engineer)
phonographisches Urheberrecht (℗) von:
The Weeknd XO, Inc.
aufgenommen bei und engineered at:
MXM Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Wolf Cousins Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 12), BILLIONS CLUB und Billboard Year-End Hot 100 singles of 2016 (Nummer: 72)
recording of:
Can’t Feel My Face
Verfasser(in):
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Savan Kotecha, Max Martin (Swedish record producer), Ali Payami und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB und Wolf Cousins
The Weeknd43:30
14Born This Way
Assistent recording engineer:
Pete Hutchings
recording engineer und Mix:
Dave Russell (British engineer, producer)
Programmierung:
Garibay (US producer, songwriter and DJ) und Paul Blair
Produzent(in):
Garibay (US producer, songwriter and DJ), Lady Gaga, Jeppe Laursen und Paul Blair
assistierende(r) Mix:
Al Carlson, Kevin Porter (trombone) und Kenta Yonesaka
Instrumente:
Lady Gaga
Keyboard:
Garibay (US producer, songwriter and DJ) und Lady Gaga
arranger:
Garibay (US producer, songwriter and DJ) und Lady Gaga
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und Germano Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Germano Studios in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Born This Way von Lady Gaga
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 6), Billboard Year-End Hot 100 singles of 2011 (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 125)
recording of:
Born This Way
Texter und Komponist(in):
Lady Gaga und Jeppe Laursen
publisher:
Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga4.14:20
15Teenage Dream
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
assistierende(r) Techniker(in):
Tucker Bodine, Tatiana Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Mix:
Serban Ghenea
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
vocals:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Playback Recording Studio in Santa Barbara, California (Kalifornien), Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 17), Stereogum: The 200 Best Songs of the 2010s (Nummer: 32), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 38), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 40), Billboard Year-End Hot 100 singles of 2011 (Nummer: 75) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 102)
recording of:
Teenage Dream
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
Downtown DMP Songs, MXM Music AB, Prescription Songs, Songs of Pulse Recording (BMI), WB Music Corp. (1929–2019), Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und Where da Kasz At (in 2010)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Katy Perry3.653:48
16Tik Tok
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordination) und Vanessa Silberman (Aufgabe: production assistance)
Programmierung und Produzent(in):
benny blanco (producer Benjamin Levin) und Dr. Luke
assistierende(r) Techniker(in):
Tatiana Gottwald
Techniker(in):
benny blanco (producer Benjamin Levin), Sam Holland (sound engineer) und Emily Wright
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea und John Hanes (audio engineer, mixer)
Editing:
Emily Wright (Sologesang [vocal])
Keyboard [keyboards] und Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
phonographisches Urheberrecht (℗) von:
RCA/Jive Label Group (holding company, not a release label) (in 2009)
produced for:
Kasz Money Productions, Inc.
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 1), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 68) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 149)
recording of:
TiK ToK
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald und Kesha Sebert (Kesha, American singer fka Ke$ha)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP affiliated), Matza Ball Music und Where da Kasz At
Kesha3.93:19
17Wrecking Ball
Programmierung und Produzent(in):
Cirkut und Dr. Luke
Techniker(in):
Mike Caffery (engineer), Clint Gibbs und Sven Heidinga
Mix:
Serban Ghenea
Bratsche / Viola:
Andrew Duckles und Darrin McCann
Cello:
Suzie Katayama
Geige / Violine:
Charlie Bisberat (violinist), Kevin Connolly (violinist) und Songa Lee
Instrumente:
Cirkut und Dr. Luke
Saiteninstrumente:
David Richard Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Sologesang:
Miley Cyrus
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
Musikvideos:
Wrecking Ball (official video) von Miley Cyrus
Teil von:
Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 18), Billboard Year-End Hot 100 singles of 2013 (Nummer: 18), Stereogum: The 200 Best Songs of the 2010s (Nummer: 30), Billboard Year-End Hot 100 singles of 2014 (Nummer: 44), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 152), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 156) und BILLIONS CLUB
recording of:
Wrecking Ball
Verfasser(in):
Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald (pop singer/songwriter, active from the mid–2000s), Stephan Moccio und Sacha Skarbek
publisher:
BMG Platinum Songs, BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc., Kasz Money Publishing (ASCAP affiliated), Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc. (BMI), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing Canada II
Miley Cyrus3.653:42
18Royals
Techniker(in), Produzent(in) und Mix:
Joel Little
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand (in 2013) und Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
Musikvideos:
Royals von Lorde (New Zealand singer‐songwriter) und Royals von Lorde (New Zealand singer‐songwriter)
Teil von:
Grammy Award: Best Pop Solo Performance nominees (Nummer: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 11), Billboard Year-End Hot 100 singles of 2013 (Nummer: 15), Billboard Year-End Hot 100 singles of 2014 (Nummer: 20), Stereogum: The 200 Best Songs of the 2010s (Nummer: 23), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 30), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 35), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 77), Indie 88: Top 500 Indie Rock Songs (Nummer: 98), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 111) und Pitchfork: The 200 Best Songs of the 2010s (Nummer: 129)
recording of:
Royals
Verfasser(in):
Ella Yelich O’Connor (New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), イーエムアイ音楽出版 (EMI Music Publishing Japan) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Matuschkes Lieblinge 2013 und APRA Silver Scroll Awards Winners (Nummer: 2013)
Lorde3.753:10

Nennungen

Veröffentlichungsgruppe

Teil von:Now That's What I Call A Decade (US) (Nummer: 1)
NOW That’s What I Call… (USA compilations outside the main numbered series) (Reihenfolge: 69)
andere Datenbanken:https://rateyourmusic.com/release/comp/various-artists/now-thats-what-i-call-a-decade-2010s/ [Info]
Allmusic:https://www.allmusic.com/album/mw0003407696 [Info]