The Very Best of Buddy Holly and The Crickets

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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Other code: UN 900

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Titelliste

1▼CD
Nr.TitelBewertungLänge
1Heartbeat
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
Heartbeat
Verfasser(in):
Bob Montgomery und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
2:12
2That'll Be the Day
Produzent(in):
Norman Petty
Gitarre [lead guitar] und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25)
Gitarre [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-02-25) und Niki Sullivan (am 1957-02-25)
Kontrabass:
Larry Welborn (am 1957-02-25)
Schlagzeug:
Jerry Allison (am 1957-02-25)
Hintergrundgesang:
June Clark (background vocals for The Crickets) (am 1957-02-25), Niki Sullivan (am 1957-02-25), Gary Tollett (am 1957-02-25) und Ramona Tollett (am 1957-02-25)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-02-25)
recording of:
That’ll Be the Day (am 1957-02-25)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. und MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
4.62:19
3Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH, Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:32
4Oh Boy!
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
Hintergrundgesang:
Bob Lapham (am 1957-08-18), Bill Pickering (am 1957-08-18) und John Pickering (vocalist and leader of The Picks) (am 1957-08-18)
Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-06-29 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01, am 1957-08-18)
recording of:
Oh, Boy! (von 1957-07-01 bis 1957-08-18)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) und Wren Music Co.
42:09
5Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:51
6Think It Over
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
Think It Over
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
1:45
7Brown Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:05
8Love's Made a Fool of You
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recording of:
Love’s Made a Fool of You
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery
publisher:
Southern Music Ltd. (publisher) (in 1981)
1:58
9True Love Ways
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1960) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
True Love Ways (am 1958-10-21)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:52
10Raining in My Heart
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
Raining in My Heart (am 1958-10-21)
Verfasser(in):
Boudleaux Bryant und Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC und Sony/ATV Music Publishing (UK) Ltd.
52:49
11Everyday
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-05-29)
Celesta:
Vi Petty (am 1957-05-29)
Gitarre und Sologesang:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
Perkussion [cardboard box percussion]:
Jerry Allison (am 1957-05-29)
Hintergrundgesang:
Jerry Allison (am 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29) und Niki Sullivan (am 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-05-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-05-29)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 236)
recording of:
Everyday (am 1957-05-27)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Peer International Corporation (BMI) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:10
12Wishing
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963)
recording of:
Wishing
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2:04
13It's So Easy
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
It’s So Easy
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
2:12
14Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:23
15It Doesn't Matter Anymore
Produzent(in):
Dick Jacobs (arranger, musician and bandleader) und Norman Petty
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
It Doesn’t Matter Anymore (am 1958-10-21)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
2.752:05
16Words of Love
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recording of:
Words of Love (Buddy Holly song)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. und Southern Music Publishing Company Limited
1:53
17I'm Gonna Love You Too
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
I’m Gonna Love You Too (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Joe B. Mauldin, Norman Petty und Niki Sullivan
publisher:
MPL (Paul McCartney-related) (beendet), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:14
18Well... All Right
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1958-02-12)
Becken:
Jerry Allison (am 1958-02-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-02-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-02-12)
recording of:
Well… All Right (am 1958-02-12)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
42:15
19Bo Diddley
recorded in:
Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01, von 1962-05 bis 1963-02)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01) und Stan Lark (von 1962-05 bis 1963-02)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01), Keith McCormack (von 1962-05 bis 1963-02) und George Tomsco (von 1962-05 bis 1963-02)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963)
cover recording of:
Bo Diddley (von 1956-12 bis 1963-02)
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
2:21
20Blue Suede Shoes
recorded in:
Lubbock, Texas, Vereinigte Staaten (von 1956-11 bis 1956-12)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
Schlagzeug:
Jerry Allison (von 1956-11 bis 1956-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-11 bis 1956-12)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1964) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Blue Suede Shoes (von 1956-11 bis 1956-12)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
41:55
21Shake Rattle and Roll
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
1:24
22What to Do
recorded in:
New York, Vereinigte Staaten (in 1959-01)
Produzent(in):
Norman Petty
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
Instrumente:
The Fireballs (USA 1960s surf rock band)
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recording of:
What to Do (vom 1959-01 bis ????)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
3.51:53
23Midnight Shift
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre:
Sonny Curtis (am 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26) und Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (am 1956-01-26)
Verfasser(in):
Jimmie Ainsworth und Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) und Sony Tree Publishing Co., Inc.
42:13
24Love Is Strange
Produzent(in):
Norman Petty
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1969)
cover recording of:
Love Is Strange
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
3:05
25Crying, Waiting, Hoping
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recording of:
Crying, Waiting, Hoping
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited und Southern Music Pub. Co. Ltd.
2:06
26Peggy Sue Got Married
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-05, am 1959-06-30)
Produzent(in):
Jack Hansen
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
Bass:
Sanford Bloch (Bass player) (am 1959-06-30)
Gitarre:
Donald Amone (am 1959-06-30)
Klavier:
Andrew Ackers (am 1959-06-30)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-06-30)
Hintergrundgesang:
The Ray Charles Singers (am 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-05)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1959)
recording of:
Peggy Sue Got Married (von 1958-12-05 bis 1959-06-30)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
2:06
27Maybe Baby
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-09-29)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29) und Niki Sullivan (am 1957-09-29)
Schlagzeug:
Jerry Allison (am 1957-09-29)
Hintergrundgesang:
Bob Lapham (von 1957-10-12 bis 1957-10-14), Bill Pickering (von 1957-10-12 bis 1957-10-14) und John Pickering (vocalist and leader of The Picks) (von 1957-10-12 bis 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-09-29)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (am 1957-09-29) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-10-12 bis 1957-10-14)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 14)
recording of:
Maybe Baby (von 1957-09-29 bis 1957-10-14)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Melody Lane Pub und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:03
28Early in the Morning
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Early in the Morning
Verfasser(in):
Bobby Darin und Woody Harris
publisher:
Good Music Ltd., Royalty und United Artists Music Co., Inc.
2:09
29Baby I Don't Care
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
51:38
30Reminiscing
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1958-09-10)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-09-10)
Schlagzeug:
Jerry Allison (am 1958-09-10)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-09-10)
Interpret(in):
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-09-10)
recording of:
Reminiscing (von 1958-09-10 bis 1962)
Texter und Komponist(in):
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und Nor-Va-Jak Music, Inc
42:00
31Valley of Tears
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter)
Klavier:
Vi Petty
Orgel:
Norman Petty
Schlagzeug:
Jerry Allison
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1958)
cover recording of:
Valley of Tears
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter (publisher) und Travis Music Co.
42:09
32Learning the Game
recorded in:
New York, New York, Vereinigte Staaten (am 1958-12-17) und Clovis, New Mexico, Vereinigte Staaten (von 1962-06 bis 1963-12)
Produzent(in):
Norman Petty
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
Bass:
Stan Lark (von 1962-06 bis 1963-12)
Gitarre:
George Tomsco (von 1962-06 bis 1963-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-12-17)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recording of:
Learning the Game (von 1958-12-17 bis 1963-12)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Southern Music Pub. Co. Ltd.
2:03
33Look at Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Klavier:
Vi Petty (am 1957-12-19)
Perkussion [cardboard box]:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
recording of:
Look at Me (von 1957-05 bis 1957-07)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
52:05
34Fools Paradise
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
Fool’s Paradise
Verfasser(in):
Sonny LeGlaire, Horace Linsley (songwriter) und Norman Petty
publisher:
McCartney Music, Inc. und Southern Music Publ. Co. Ltd.
2:31
35Take Your Time
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recording of:
Take Your Time
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
1:59
36Not Fade Away
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recording of:
Not Fade Away
Verfasser(in):
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) und Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Wren Music
2:16

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 1999)
lizenziert an:Universal Music TV (UK, a division of Universal Music Operations Limited)
Discogs:https://www.discogs.com/release/1360950 [Info]
ASIN:UK: B0000259BR [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/332386 [Info]