| # | Title | Artist | Rating | Length |
|---|
| 1 | Riders on the Storm | The Doors | 4 | 7:01 |
| 2 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968) and UMG Recordings, Inc. (in 2020)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:11 |
| 3 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.35 | 3:27 |
| 4 | Wild Thing | The Troggs | 4.4 | 2:36 |
| 5 | Albatross | Fleetwood Mac | 4.2 | 3:09 |
| 6 | White Room- recording engineer:
- Adrian Barber (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
- engineer:
- Adrian Barber and Tom Dowd
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-07 until 1968-06)
- drums (drum set) and percussion and timpani:
- Ginger Baker (from 1967-07 until 1968-06)
- guitar:
- Eric Clapton (from 1967-07 until 1968-06)
- viola:
- Felix Pappalardi (from 1967-07 until 1968-06)
- vocals:
- Jack Bruce (from 1967-07 until 1968-06)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 368)
- recording of:
- White Room (from 1967-07 until 1968-06)
- writer:
- Pete Brown and Jack Bruce
- publisher:
- BG Publishing, Casserole Music Corp., Copyright Control , Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music and Warner Chappell Music, Inc.
- sub-publisher:
- Warner/Chappell Music Ltd. , ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Cream | 4.55 | 4:55 |
| 7 | Wooly Bully | Sam the Sham & the Pharaohs | 3.75 | 2:22 |
| 8 | River Deep – Mountain High- engineer:
- Larry Levine
- producer:
- Phil Spector and Ike Turner
- lead vocals:
- Tina Turner
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2004)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
- recording of:
- River Deep – Mountain High (in 1966-03)
- writer:
- Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
- publisher:
- ABKCO Music, ABKCO Music, Inc. , Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. , EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music , Trio Music Co., Inc., Trio Music Company, Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング EMI外国事業部 , フジパシフィックミュージック BMG事業部 , ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日本アブコ音楽出版
| Ike & Tina Turner | 3.5 | 3:37 |
| 9 | Spirit in the Sky | Norman Greenbaum | 4.05 | 3:58 |
| 10 | Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.2 | 2:59 |
| 11 | Atlantis | Donovan | 3.75 | 5:01 |
| 12 | White Rabbit | Jefferson Airplane feat. Grace Slick | 4.3 | 2:32 |
| 13 | Turn! Turn! Turn! (To Everything There Is a Season) | The Byrds | 4 | 3:36 |
| 14 | Tuesday Afternoon (Forever Afternoon) | The Moody Blues | 3 | 4:08 |
| 15 | We’ve Gotta Get Out of This Place | The Animals | 3.8 | 3:12 |
| 16 | Here Comes the Night | Them feat. Van Morrison | 3 | 2:46 |
| 17 | Green Onions | Booker T. & the MG’s | 4.15 | 2:52 |
| 18 | From the Underworld | The Herd | 4 | 3:15 |
| 19 | Son of a Preacherman | Dusty Springfield | 4.45 | 2:26 |
| 20 | The Sun Ain’t Gonna Shine Anymore | The Walker Brothers | 3.5 | 3:03 |
| 21 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:27 |
| 22 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 4 | 2:18 |
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