The Number One's: Hot in the 60's

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▼CD
noTitreArtisteÉvaluationDurée
1When a Man Loves a Woman
producteur :
Marlin Greene (’60s teen artist, writer & engineer) et Quin Ivy
batterie :
Roger Hawkins (le 1966-02-17)
contrebasse :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (le 1966-02-17)
guitare :
Marlin Greene (’60s teen artist, writer & engineer) (le 1966-02-17)
orgue farfisa [farfisa organ] :
Spooner Oldham (le 1966-02-17)
voix :
Percy Sledge (le 1966-02-17)
droits phonographiques (℗) par :
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, le 1966) et Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (le 1966)
enregistré à :
Norala Studio dans Sheffield, Alabama, États-Unis (le 1966-02-17)
partie de :
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 54) et Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of :
When a Man Loves a Woman (le 1966-02-17)
auteur :
Calvin Lewis, Percy Sledge et Andrew Wright (US keyboardist)
éditeur :
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (du 1966 à ce jour), Quinvy Music Publishing Company, Inc. (du 1966 à ce jour), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (du 1966 à ce jour), Pronto (BMI‐affiliated publishing company) (le 1972) et Quinvy (record company and publisher) (le 1972)
Percy Sledge4.352:52
2You Don't Have to Say You Love Me
producteur :
John Franz
partie de :
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 491)
recording of :
You Don’t Have to Say You Love Me
parolier :
Simon Napier-Bell, Vito Pallavicini (Lyricist) et Vicki Wickham
compositeur :
Pino Donaggio (Italian singer‐songwriter and score composer)
éditeur :
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. et Miller Music Corp.
version traduite de :
Io che non vivo (senza te)
Dusty Springfield3.72:49
3Stand by Me
enregistré en :
New York, New York, États-Unis (le 1960-10-27)
producteur :
Leiber and Stoller (songwriting team)
voix :
Ben E. King (le 1960-10-27)
conductor :
Stan Applebaum (US composer, arranger and conductor) (le 1960-10-27)
arrangeur :
Stan Applebaum (US composer, arranger and conductor)
droits phonographiques (℗) par :
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (le 1960, le 1961) et Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (le 1986)
partie de :
Dave Marsh: The Best of the Top 40 Singles: 1961 (numéro : 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 131) et BILLIONS CLUB
recording of :
Stand by Me (le 1960-10-27)
éditeur :
Mike Stoller
auteur :
Ben E. King, Jerry Leiber et Mike Stoller
éditeur :
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music et Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
4Stoned Soul Picknic
preneur de son et ingénieur :
Bones Howe
basse :
Joe Osborn (American bass guitar player, session musician and songwriter)
membranophone et percussions :
Hal Blaine (U.S. studio drummer and percussionist)
interprète :
Billy Davis, Jr., Florence LaRue, LaMont McLemore, Marilyn McCoo et Ron Townson
reprise recording of :
Stoned Soul Picnic
parolier et compositeur :
Laura Nyro
éditeur :
EMI Blackwood Music Inc., Tuna Fish Music et フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The 5th Dimension3:27
5(Sittin' on) The Dock of the Bay
producteur :
Jerry Bruckheimer, Steve Cropper et Don Simpson (American film producer, screenwriter, and actor)
batterie :
Al Jackson, Jr. (Booker T & The MGs drummer) (du 1967-11-22 au 1967-12-07)
clavier :
Isaac Hayes (du 1967-11-22 au 1967-12-07) et Booker T. Jones (du 1967-11-22 au 1967-12-07)
guitare :
Steve Cropper (du 1967-11-22 au 1967-12-07)
guitare basse :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (du 1967-11-22 au 1967-12-07)
trompette :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (du 1967-11-22 au 1967-12-07)
sifflement :
Otis Redding (du 1967-11-22 au 1967-12-07)
voix :
Otis Redding (du 1967-11-22 au 1967-12-07)
droits phonographiques (℗) par :
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) et Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (le 1968)
partie de :
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 44) et Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numéro : 45)
recording of :
(Sittin’ on) the Dock of the Bay (du 1967-11-22 au 1967-12-07)
auteur :
Steve Cropper et Otis Redding
éditeur :
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) et Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.452:42
6Five O'Clock World
The Vogues2:08
7Rescue Me
recording of :
Rescue Me
auteur :
Raynard Miner et Carl Smith (US songwriter and producer active in Chicago)
éditeur :
United Artists Music Co., Inc. (terminé), Chevis Music Publ. Corp. et Reservoir 416
Fontella Bass2:55
8Judy in Disguise (With Glasses)
John Fred & His Playboy Band2:56
9Dancing in the Street
producteur :
William Stevenson (Motown songwriter)
autres instruments [tire iron] :
Ivy Jo Hunter (le 1964-06-29)
batterie :
Marvin Gaye (le 1964-06-29)
guitare :
Joe Messina (le 1964-06-29), Robert White (US funk/soul guitarist) (le 1964-06-29) et Eddie Willis (le 1964-06-29)
guitare basse :
James Jamerson (le 1964-06-29)
percussions , tambourin et vibraphone [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (le 1964-06-29)
saxophone baryton :
Thomas Bowles (le 1964-06-29)
saxophone ténor :
Henry Cosby (le 1964-06-29)
trombone :
George Bohanon (le 1964-06-29) et Paul Riser (le 1964-06-29)
trompette :
Russell Conway (trumpet player) (le 1964-06-29) et Herbert Williams (trumpet player) (le 1964-06-29)
voix d’accompagnement :
Rosalind Ashford (le 1964-06-29), Ivy Jo Hunter (le 1964-06-29), Betty Kelly (le 1964-06-29) et William Stevenson (Motown songwriter) (le 1964-06-29)
voix principale :
Martha Reeves (le 1964-06-29)
éditeur :
EMI Music Publishing (do not use as a release label!)
droits phonographiques (℗) par :
Motown Record Corporation (company credits only; do NOT use as release label) (le 1964), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (le 1964) et Universal Music TV (UK, a division of Universal Music Operations Limited) (le 2009)
partie de :
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numéro : 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numéro : 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numéro : 130) et Billboard: The 500 Best Pop Songs (as of October 2023) (numéro : 403)
recording of :
Dancing in the Street (le 1964-06-29)
auteur :
I. Hunter, M. Gaye et W. Stevenson (Motown songwriter)
éditeur :
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (jusqu’au 2021-06-30) et ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (du 2021-07-01 à ce jour)
Martha Reeves and the Vandellas3.552:39
10Liar, Liar
recording of :
Liar, Liar (le 1965)
auteur :
Dennis Craswell et Jim Donna
éditeur :
Celann Music
The Castaways3.451:53
11California Nights
recording of :
California Nights
parolier :
Howard Liebling
compositeur :
Marvin Hamlisch
Lesley Gore2:48
12What Becomes of the Brokenhearted
producteur :
William "Mickey" Stevenson (Motown songwriter)
recording of :
What Becomes of the Brokenhearted
auteur :
James Dean (US soul songwriter), Paul Riser et William Weatherspoon
éditeur :
EMI Music Publishing Ltd. (PRS‐affiliated) et Jobete Music (UK)
Jimmy Ruffin4.652:59
13I Can Never Go Home Anymore
The Shangri‐Las3:14
14It Hurts to Be in Love
Gene Pitney2:34
15Reach Out (I'll Be There)
Four Tops3:00
16Younger Girl
The Hondells2:28